Tantissimi classici della letteratura e della cultura politica,
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Abbe Prevost - MANON LESCAUT
Alcott, Louisa M. - AN OLDFASHIONED GIRL
Alcott, Louisa M. - LITTLE MEN
Alcott, Louisa M. - LITTLE WOMEN
Alcott, Louisa May - JACK AND JILL
Alcott, Louisa May - LIFE LETTERS AND JOURNALS
Andersen, Hans Christian - FAIRY TALES
Anonimo - BEOWULF
Ariosto, Ludovico - ORLANDO ENRAGED
Aurelius, Marcus - MEDITATIONS
Austen, Jane - EMMA
Austen, Jane - MANSFIELD PARK
Austen, Jane - NORTHANGER ABBEY
Austen, Jane - PERSUASION
Austen, Jane - PRIDE AND PREJUDICE
Austen, Jane - SENSE AND SENSIBILITY
Authors, Various - LETTERS OF ABELARD AND HELOISE
Authors, Various - SELECTED ENGLISH LETTERS
Autori Vari - THE WORLD ENGLISH BIBLE
Bacon, Francis - THE ADVANCEMENT OF LEARNING
Balzac, Honore de - EUGENIE GRANDET
Balzac, Honore de - FATHER GORIOT
Baroness Orczy - THE SCARLET PIMPERNEL
Barrie, J. M. - PETER AND WENDY
Barrie, James M. - PETER PAN
Bierce, Ambrose - THE DEVIL'S DICTIONARY
Blake, William - SONGS OF INNOCENCE AND EXPERIENCE
Boccaccio, Giovanni - DECAMERONE
Brent, Linda - INCIDENTS IN THE LIFE OF A SLAVE GIRL
Bronte, Charlotte - JANE EYRE
Bronte, Charlotte - VILLETTE
Buchan, John - GREENMANTLE
Buchan, John - MR STANDFAST
Buchan, John - THE 39 STEPS
Bunyan, John - THE PILGRIM'S PROGRESS
Burckhardt, Jacob - THE CIVILIZATION OF THE RENAISSANCE IN ITALY
Burnett, Frances H. - A LITTLE PRINCESS
Burnett, Frances H. - LITTLE LORD FAUNTLEROY
Burnett, Frances H. - THE SECRET GARDEN
Butler, Samuel - EREWHON
Carlyle, Thomas - PAST AND PRESENT
Carlyle, Thomas - THE FRENCH REVOLUTION
Cellini, Benvenuto - AUTOBIOGRAPHY
Cervantes - DON QUIXOTE
Chaucer, Geoffrey - THE CANTERBURY TALES
Chesterton, G. K. - A SHORT HISTORY OF ENGLAND
Chesterton, G. K. - THE BALLAD OF THE WHITE HORSE
Chesterton, G. K. - THE INNOCENCE OF FATHER BROWN
Chesterton, G. K. - THE MAN WHO KNEW TOO MUCH
Chesterton, G. K. - THE MAN WHO WAS THURSDAY
Chesterton, G. K. - THE WISDOM OF FATHER BROWN
Chesterton, G. K. - TWELVE TYPES
Chesterton, G. K. - WHAT I SAW IN AMERICA
Chesterton, Gilbert K. - HERETICS
Chopin, Kate - AT FAULT
Chopin, Kate - BAYOU FOLK
Chopin, Kate - THE AWAKENING AND SELECTED SHORT STORIES
Clark Hall, John R. - A CONCISE ANGLOSAXON DICTIONARY
Clarkson, Thomas - AN ESSAY ON THE SLAVERY AND COMMERCE OF THE HUMAN SPECIES
Clausewitz, Carl von - ON WAR
Coleridge, Herbert - A DICTIONARY OF THE FIRST OR OLDEST WORDS IN THE ENGLISH
Coleridge, S. T. - COMPLETE POETICAL WORKS
Coleridge, S. T. - HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY
Coleridge, S. T. - THE RIME OF THE ANCIENT MARINER
Collins, Wilkie - THE MOONSTONE
Collodi - PINOCCHIO
Conan Doyle, Arthur - A STUDY IN SCARLET
Conan Doyle, Arthur - MEMOIRS OF SHERLOCK HOLMES
Conan Doyle, Arthur - THE HOUND OF THE BASKERVILLES
Conan Doyle, Arthur - THE RETURN OF SHERLOCK HOLMES
Conan Doyle, Arthur - THE SIGN OF THE FOUR
Conrad, Joseph - HEART OF DARKNESS
Conrad, Joseph - LORD JIM
Conrad, Joseph - NOSTROMO
Conrad, Joseph - THE NIGGER OF THE NARCISSUS
Conrad, Joseph - TYPHOON
Crane, Stephen - LAST WORDS
Crane, Stephen - MAGGIE
Crane, Stephen - THE RED BADGE OF COURAGE
Crane, Stephen - WOUNDS IN THE RAIN
Dante - THE DIVINE COMEDY: HELL
Dante - THE DIVINE COMEDY: PARADISE
Dante - THE DIVINE COMEDY: PURGATORY
Darwin, Charles - THE AUTOBIOGRAPHY OF CHARLES DARWIN
Darwin, Charles - THE ORIGIN OF SPECIES
Defoe, Daniel - A GENERAL HISTORY OF THE PYRATES
Defoe, Daniel - A JOURNAL OF THE PLAGUE YEAR
Defoe, Daniel - CAPTAIN SINGLETON
Defoe, Daniel - MOLL FLANDERS
Defoe, Daniel - ROBINSON CRUSOE
Defoe, Daniel - THE COMPLETE ENGLISH TRADESMAN
Defoe, Daniel - THE FURTHER ADVENTURES OF ROBINSON CRUSOE
Deledda, Grazia - AFTER THE DIVORCE
Dickens, Charles - A CHRISTMAS CAROL
Dickens, Charles - A TALE OF TWO CITIES
Dickens, Charles - BLEAK HOUSE
Dickens, Charles - DAVID COPPERFIELD
Dickens, Charles - DONBEY AND SON
Dickens, Charles - GREAT EXPECTATIONS
Dickens, Charles - HARD TIMES
Dickens, Charles - LETTERS VOLUME 1
Dickens, Charles - LITTLE DORRIT
Dickens, Charles - MARTIN CHUZZLEWIT
Dickens, Charles - NICHOLAS NICKLEBY
Dickens, Charles - OLIVER TWIST
Dickens, Charles - OUR MUTUAL FRIEND
Dickens, Charles - PICTURES FROM ITALY
Dickens, Charles - THE MYSTERY OF EDWIN DROOD
Dickens, Charles - THE OLD CURIOSITY SHOP
Dickens, Charles - THE PICKWICK PAPERS
Dickinson, Emily - POEMS
Dostoevsky, Fyodor - CRIME AND PUNISHMENT
Dostoyevsky, Fyodor - THE BROTHERS KARAMAZOV
Du Maurier, George - TRILBY
Dumas, Alexandre - THE COUNT OF MONTE CRISTO
Dumas, Alexandre - THE MAN IN THE IRON MASK
Dumas, Alexandre - THE THREE MUSKETEERS
Eliot, George - DANIEL DERONDA
Eliot, George - MIDDLEMARCH
Eliot, George - SILAS MARNER
Eliot, George - THE MILL ON THE FLOSS
Engels, Frederick - THE CONDITION OF THE WORKING-CLASS IN ENGLAND IN 1844
Equiano - AUTOBIOGRAPHY
Esopo - FABLES
Fenimore Cooper, James - THE LAST OF THE MOHICANS
Fielding, Henry - TOM JONES
France, Anatole - THAIS
France, Anatole - THE GODS ARE ATHIRST
France, Anatole - THE LIFE OF JOAN OF ARC
France, Anatole - THE SEVEN WIVES OF BLUEBEARD
Frank Baum, L. - THE PATCHWORK GIRL OF OZ
Frank Baum, L. - THE WONDERFUL WIZARD OF OZ
Franklin, Benjamin - AUTOBIOGRAPHY
Frazer, James George - THE GOLDEN BOUGH
Freud, Sigmund - DREAM PSYCHOLOGY
Galsworthy, John - COMPLETE PLAYS
Galsworthy, John - STRIFE
Galsworthy, John - STUDIES AND ESSAYS
Galsworthy, John - THE FIRST AND THE LAST
Galsworthy, John - THE FORSYTE SAGA
Galsworthy, John - THE LITTLE MAN
Galsworthy, John - THE SILVER BOX
Galsworthy, John - THE SKIN GAME
Gaskell, Elizabeth - CRANFORD
Gaskell, Elizabeth - MARY BARTON
Gaskell, Elizabeth - NORTH AND SOUTH
Gaskell, Elizabeth - THE LIFE OF CHARLOTTE BRONTE
Gay, John - THE BEGGAR'S OPERA
Gentile, Maria - THE ITALIAN COOK BOOK
Gilbert and Sullivan - PLAYS
Goethe - FAUST
Gogol - DEAD SOULS
Goldsmith, Oliver - SHE STOOPS TO CONQUER
Goldsmith, Oliver - THE VICAR OF WAKEFIELD
Grahame, Kenneth - THE WIND IN THE WILLOWS
Grimm, Brothers - FAIRY TALES
Harding, A. R. - GINSENG AND OTHER MEDICINAL PLANTS
Hardy, Thomas - A CHANGED MAN AND OTHER TALES
Hardy, Thomas - FAR FROM THE MADDING CROWD
Hardy, Thomas - JUDE THE OBSCURE
Hardy, Thomas - TESS OF THE D'URBERVILLES
Hardy, Thomas - THE MAYOR OF CASTERBRIDGE
Hartley, Cecil B. - THE GENTLEMEN'S BOOK OF ETIQUETTE
Hawthorne, Nathaniel - LITTLE MASTERPIECES
Hawthorne, Nathaniel - THE SCARLET LETTER
Henry VIII - LOVE LETTERS TO ANNE BOLEYN
Henry, O. - CABBAGES AND KINGS
Henry, O. - SIXES AND SEVENS
Henry, O. - THE FOUR MILLION
Henry, O. - THE TRIMMED LAMP
Henry, O. - WHIRLIGIGS
Hindman Miller, Gustavus - TEN THOUSAND DREAMS INTERPRETED
Hobbes, Thomas - LEVIATHAN
Homer - THE ILIAD
Homer - THE ODYSSEY
Hornaday, William T. - THE EXTERMINATION OF THE AMERICAN BISON
Hume, David - A TREATISE OF HUMAN NATURE
Hume, David - AN ENQUIRY CONCERNING HUMAN UNDERSTANDING
Hume, David - DIALOGUES CONCERNING NATURAL RELIGION
Ibsen, Henrik - A DOLL'S HOUSE
Ibsen, Henrik - AN ENEMY OF THE PEOPLE
Ibsen, Henrik - GHOSTS
Ibsen, Henrik - HEDDA GABLER
Ibsen, Henrik - JOHN GABRIEL BORKMAN
Ibsen, Henrik - ROSMERHOLM
Ibsen, Henrik - THE LADY FROM THE SEA
Ibsen, Henrik - THE MASTER BUILDER
Ibsen, Henrik - WHEN WE DEAD AWAKEN
Irving, Washington - THE LEGEND OF SLEEPY HOLLOW
James, Henry - ITALIAN HOURS
James, Henry - THE ASPERN PAPERS
James, Henry - THE BOSTONIANS
James, Henry - THE PORTRAIT OF A LADY
James, Henry - THE TURN OF THE SCREW
James, Henry - WASHINGTON SQUARE
Jerome, Jerome K. - THREE MEN IN A BOAT
Jerome, Jerome K. - THREE MEN ON THE BUMMEL
Jevons, Stanley - POLITICAL ECONOMY
Johnson, Samuel - A GRAMMAR OF THE ENGLISH TONGUE
Jonson, Ben - THE ALCHEMIST
Jonson, Ben - VOLPONE
Joyce, James - A PORTRAIT OF THE ARTIST AS A YOUNG MAN
Joyce, James - CHAMBER MUSIC
Joyce, James - DUBLINERS
Joyce, James - ULYSSES
Keats, John - ENDYMION
Keats, John - POEMS PUBLISHED IN 1817
Keats, John - POEMS PUBLISHED IN 1820
King James - THE BIBLE
Kipling, Rudyard - CAPTAINS COURAGEOUS
Kipling, Rudyard - INDIAN TALES
Kipling, Rudyard - JUST SO STORIES
Kipling, Rudyard - KIM
Kipling, Rudyard - THE JUNGLE BOOK
Kipling, Rudyard - THE MAN WHO WOULD BE KING
Kipling, Rudyard - THE SECOND JUNGLE BOOK
Lawrence, D. H - THE RAINBOW
Lawrence, D. H - THE WHITE PEACOCK
Lawrence, D. H - TWILIGHT IN ITALY
Lawrence, D. H. - AARON'S ROD
Lawrence, D. H. - SONS AND LOVERS
Lawrence, D. H. - THE LOST GIRL
Lawrence, D. H. - WOMEN IN LOVE
Lear, Edward - BOOK OF NONSENSE
Lear, Edward - LAUGHABLE LYRICS
Lear, Edward - MORE NONSENSE
Lear, Edward - NONSENSE SONG
Leblanc, Maurice - ARSENE LUPIN VS SHERLOCK HOLMES
Leblanc, Maurice - THE ADVENTURES OF ARSENE LUPIN
Leblanc, Maurice - THE CONFESSIONS OF ARSENE LUPIN
Leblanc, Maurice - THE HOLLOW NEEDLE
Leblanc, Maurice - THE RETURN OF ARSENE LUPIN
Lehmann, Lilli - HOW TO SING
Leroux, Gaston - THE MAN WITH THE BLACK FEATHER
Leroux, Gaston - THE MYSTERY OF THE YELLOW ROOM
Leroux, Gaston - THE PHANTOM OF THE OPERA
London, Jack - MARTIN EDEN
London, Jack - THE CALL OF THE WILD
London, Jack - WHITE FANG
Machiavelli, Nicolo' - THE PRINCE
Malthus, Thomas - PRINCIPLE OF POPULATION
Mansfield, Katherine - THE GARDEN PARTY AND OTHER STORIES
Marlowe, Christopher - THE JEW OF MALTA
Marryat, Captain - THE CHILDREN OF THE NEW FOREST
Maupassant, Guy De - BEL AMI
Melville, Hermann - MOBY DICK
Melville, Hermann - TYPEE
Mill, John Stuart - PRINCIPLES OF POLITICAL ECONOMY
Milton, John - PARADISE LOST
Mitra, S. M. - HINDU TALES FROM THE SANSKRIT
Montaigne, Michel de - ESSAYS
Montgomery, Lucy Maud - ANNE OF GREEN GABLES
More, Thomas - UTOPIA
Nesbit, E. - FIVE CHILDREN AND IT
Nesbit, E. - THE PHOENIX AND THE CARPET
Nesbit, E. - THE RAILWAY CHILDREN
Nesbit, E. - THE STORY OF THE AMULET
Newton, Isaac - OPTICKS
Nietsche, Friedrich - BEYOND GOOD AND EVIL
Nietsche, Friedrich - THUS SPAKE ZARATHUSTRA
Nightingale, Florence - NOTES ON NURSING
Owen, Wilfred - POEMS
Ozaki, Yei Theodora - JAPANESE FAIRY TALES
Pascal, Blaise - PENSEES
Pellico, Silvio - MY TEN YEARS IMPRISONMENT
Perrault, Charles - FAIRY TALES
Pirandello, Luigi - THREE PLAYS
Plato - THE REPUBLIC
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 1
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 2
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 3
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 4
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 5
Poe, Edgar Allan - THE FALL OF THE HOUSE OF USHER
Potter, Beatrix - THE TALE OF PETER RABBIT
Proust, Marcel - SWANN'S WAY
Radcliffe, Ann - A SICILIAN ROMANCE
Ricardo, David - ON THE PRINCIPLES OF POLITICAL ECONOMY AND TAXATION
Richardson, Samuel - PAMELA
Rider Haggard, H. - ALLAN QUATERMAIN
Rider Haggard, H. - KING SOLOMON'S MINES
Rousseau, J. J. - THE ORIGIN AND FOUNDATION OF INEQUALITY AMONG MANKIND
Ruskin, John - THE SEVEN LAMPS OF ARCHITECTURE
Schiller, Friedrich - THE DEATH OF WALLENSTEIN
Schiller, Friedrich - THE PICCOLOMINI
Schopenhauer, Arthur - THE ART OF CONTROVERSY
Schopenhauer, Arthur - THE WISDOM OF LIFE
Scott Fitzgerald, F. - FLAPPERS AND PHILOSOPHERS
Scott Fitzgerald, F. - TALES OF THE JAZZ AGE
Scott Fitzgerald, F. - THE BEAUTIFUL AND DAMNED
Scott Fitzgerald, F. - THIS SIDE OF PARADISE
Scott, Walter - IVANHOE
Scott, Walter - QUENTIN DURWARD
Scott, Walter - ROB ROY
Scott, Walter - THE BRIDE OF LAMMERMOOR
Scott, Walter - WAVERLEY
Sedgwick, Anne Douglas - THE THIRD WINDOW
Sewell, Anna - BLACK BEAUTY
Shakespeare, William - COMPLETE WORKS
Shakespeare, William - HAMLET
Shakespeare, William - OTHELLO
Shakespeare, William - ROMEO AND JULIET
Shelley, Mary - FRANKENSTEIN
Shelley, Percy Bysshe - A DEFENCE OF POETRY AND OTHER ESSAYS
Shelley, Percy Bysshe - COMPLETE POETICAL WORKS
Sheridan, Richard B. - THE SCHOOL FOR SCANDAL
Sienkiewicz, Henryk - QUO VADIS
Smith, Adam - THE WEALTH OF NATIONS
Smollett, Tobias - TRAVELS THROUGH FRANCE AND ITALY
Spencer, Herbert - ESSAYS ON EDUCATION AND KINDRED SUBJECTS
Spyri, Johanna - HEIDI
Sterne, Laurence - A SENTIMENTAL JOURNEY
Sterne, Laurence - TRISTRAM SHANDY
Stevenson, Robert Louis - A CHILD'S GARDEN OF VERSES
Stevenson, Robert Louis - ESSAYS IN THE ART OF WRITING
Stevenson, Robert Louis - KIDNAPPED
Stevenson, Robert Louis - NEW ARABIAN NIGHTS
Stevenson, Robert Louis - THE BLACK ARROW
Stevenson, Robert Louis - THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE
Stevenson, Robert Louis - TREASURE ISLAND
Stoker, Bram - DRACULA
Strindberg, August - LUCKY PEHR
Strindberg, August - MASTER OLOF
Strindberg, August - THE RED ROOM
Strindberg, August - THE ROAD TO DAMASCUS
Strindberg, August - THERE ARE CRIMES AND CRIMES
Swift, Jonathan - A MODEST PROPOSAL
Swift, Jonathan - A TALE OF A TUB
Swift, Jonathan - GULLIVER'S TRAVELS
Swift, Jonathan - THE BATTLE OF THE BOOKS AND OTHER SHORT PIECES
Tagore, Rabindranath - FRUIT GATHERING
Tagore, Rabindranath - THE GARDENER
Tagore, Rabindranath - THE HUNGRY STONES AND OTHER STORIES
Thackeray, William - BARRY LYNDON
Thackeray, William - VANITY FAIR
Thackeray, William Makepeace - THE BOOK OF SNOBS
Thackeray, William Makepeace - THE ROSE AND THE RING
Thackeray, William Makepeace - THE VIRGINIANS
Thoreau, Henry David - WALDEN
Tolstoi, Leo - A LETTER TO A HINDU
Tolstoy, Lev - ANNA KARENINA
Tolstoy, Lev - WAR AND PEACE
Trollope, Anthony - AN AUTOBIOGRAPHY
Trollope, Anthony - BARCHESTER TOWERS
Trollope, Anthony - FRAMLEY PARSONAGE
Trollope, Anthony - THE EUSTACE DIAMONDS
Trollope, Anthony - THE MAN WHO KEPT HIS MONEY IN A BOX
Trollope, Anthony - THE WARDEN
Trollope, Anthony - THE WAY WE LIVE NOW
Twain, Mark - LIFE ON THE MISSISSIPPI
Twain, Mark - SPEECHES
Twain, Mark - THE ADVENTURES OF HUCKLEBERRY FINN
Twain, Mark - THE ADVENTURES OF TOM SAWYER
Twain, Mark - THE PRINCE AND THE PAUPER
Vari, Autori - THE MAGNA CARTA
Verga, Giovanni - SICILIAN STORIES
Verne, Jules - 20000 LEAGUES UNDER THE SEAS
Verne, Jules - A JOURNEY TO THE CENTRE OF THE EARTH
Verne, Jules - ALL AROUND THE MOON
Verne, Jules - AROUND THE WORLD IN 80 DAYS
Verne, Jules - FIVE WEEKS IN A BALLOON
Verne, Jules - FROM THE EARTH TO THE MOON
Verne, Jules - MICHAEL STROGOFF
Verne, Jules - THE MYSTERIOUS ISLAND
Voltaire - PHILOSOPHICAL DICTIONARY
Vyasa - MAHABHARATA
Wallace, Edgar - SANDERS OF THE RIVER
Wallace, Edgar - THE DAFFODIL MYSTERY
Wallace, Lew - BEN HUR
Webster, Jean - DADDY LONG LEGS
Wedekind, Franz - THE AWAKENING OF SPRING
Wells, H. G. - KIPPS
Wells, H. G. - THE INVISIBLE MAN
Wells, H. G. - THE ISLAND OF DOCTOR MOREAU
Wells, H. G. - THE STOLEN BACILLUS AND OTHER INCIDENTS
Wells, H. G. - THE TIME MACHINE
Wells, H. G. - THE WAR OF THE WORLDS
Wells, H. G. - WHAT IS COMING
Wharton, Edith - THE AGE OF INNOCENCE
White, Andrew Dickson - FIAT MONEY INFLATION IN FRANCE
Wilde, Oscar - A WOMAN OF NO IMPORTANCE
Wilde, Oscar - AN IDEAL HUSBAND
Wilde, Oscar - DE PROFUNDIS
Wilde, Oscar - LADY WINDERMERE'S FAN
Wilde, Oscar - SALOME
Wilde, Oscar - SELECTED POEMS
Wilde, Oscar - THE BALLAD OF READING GAOL
Wilde, Oscar - THE CANTERVILLE GHOST
Wilde, Oscar - THE HAPPY PRINCE AND OTHER TALES
Wilde, Oscar - THE IMPORTANCE OF BEING EARNEST
Wilde, Oscar - THE PICTURE OF DORIAN GREY
Wilde, Oscar - THE SOUL OF MAN
Wilson, Epiphanius - SACRED BOOKS OF THE EAST
Wollstonecraft, Mary - A VINDICATION OF THE RIGHTS OF WOMAN
Woolf, Virgina - NIGHT AND DAY
Woolf, Virgina - THE VOYAGE OUT
Woolf, Virginia - JACOB'S ROOM
Woolf, Virginia - MONDAY OR TUESDAY
Wordsworth, William - POEMS
Wordsworth, William - PROSE WORKS
Zola, Emile - THERESE RAQUIN
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ISTRUZIONI D'USO DETTAGLIATE
THE SECRET GARDEN.
BY FRANCES HODGSON BURNETT.
THERE IS NO ONE LEFT.
When Mary Lennox was sent to Misselthwaite Manor to live with her uncle
everybody said she was the most disagreeable-looking child ever seen. It
was true, too. She had a little thin face and a little thin body, thin
light hair and a sour expression. Her hair was yellow, and her face was
yellow because she had been born in India and had always been ill in one
way or another. Her father had held a position under the English
Government and had always been busy and ill himself, and her mother had
been a great beauty who cared only to go to parties and amuse herself
with gay people. She had not wanted a little girl at all, and when Mary
was born she handed her over to the care of an Ayah, who was made to
understand that if she wished to please the Mem Sahib she must keep the
child out of sight as much as possible. So when she was a sickly,
fretful, ugly little baby she was kept out of the way, and when she
became a sickly, fretful, toddling thing she was kept out of the way
also. She never remembered seeing familiarly anything but the dark faces
of her Ayah and the other native servants, and as they always obeyed her
and gave her her own way in everything, because the Mem Sahib would be
angry if she was disturbed by her crying, by the time she was six years
old she was as tyrannical and selfish a little pig as ever lived. The
young English governess who came to teach her to read and write disliked
her so much that she gave up her place in three months, and when other
governesses came to try to fill it they always went away in a shorter
time than the first one. So if Mary had not chosen to really want to
know how to read books she would never have learned her letters at all.
One frightfully hot morning, when she was about nine years old, she
awakened feeling very cross, and she became crosser still when she saw
that the servant who stood by her bedside was not her Ayah.
"Why did you come?" she said to the strange woman. "I will not let you
stay. Send my Ayah to me."
The woman looked frightened, but she only stammered that the Ayah could
not come and when Mary threw herself into a passion and beat and kicked
her, she looked only more frightened and repeated that it was not
possible for the Ayah to come to Missie Sahib.
There was something mysterious in the air that morning. Nothing was done
in its regular order and several of the native servants seemed missing,
while those whom Mary saw slunk or hurried about with ashy and scared
faces. But no one would tell her anything and her Ayah did not come. She
was actually left alone as the morning went on, and at last she wandered
out into the garden and began to play by herself under a tree near the
veranda. She pretended that she was making a flower-bed, and she stuck
big scarlet hibiscus blossoms into little heaps of earth, all the time
growing more and more angry and muttering to herself the things she
would say and the names she would call Saidie when she returned.
"Pig! Pig! Daughter of Pigs!" she said, because to call a native a pig
is the worst insult of all.
She was grinding her teeth and saying this over and over again when she
heard her mother come out on the veranda with some one. She was with a
fair young man and they stood talking together in low strange voices.
Mary knew the fair young man who looked like a boy. She had heard that
he was a very young officer who had just come from England. The child
stared at him, but she stared most at her mother. She always did this
when she had a chance to see her, because the Mem Sahib--Mary used to
call her that oftener than anything else--was such a tall, slim, pretty
person and wore such lovely clothes. Her hair was like curly silk and
she had a delicate little nose which seemed to be disdaining things, and
she had large laughing eyes. All her clothes were thin and floating, and
Mary said they were "full of lace." They looked fuller of lace than ever
this morning, but her eyes were not laughing at all. They were large and
scared and lifted imploringly to the fair boy officer's face.
"Is it so very bad? Oh, is it?" Mary heard her say.
"Awfully," the young man answered in a trembling voice. "Awfully, Mrs.
Lennox. You ought to have gone to the hills two weeks ago."
The Mem Sahib wrung her hands.
"Oh, I know I ought!" she cried. "I only stayed to go to that silly
dinner party. What a fool I was!"
At that very moment such a loud sound of wailing broke out from the
servants' quarters that she clutched the young man's arm, and Mary stood
shivering from head to foot. The wailing grew wilder and wilder.
"What is it? What is it?" Mrs. Lennox gasped.
"Some one has died," answered the boy officer. "You did not say it had
broken out among your servants."
"I did not know!" the Mem Sahib cried. "Come with me! Come with me!" and
she turned and ran into the house.
After that appalling things happened, and the mysteriousness of the
morning was explained to Mary. The cholera had broken out in its most
fatal form and people were dying like flies. The Ayah had been taken ill
in the night, and it was because she had just died that the servants had
wailed in the huts. Before the next day three other servants were dead
and others had run away in terror. There was panic on every side, and
dying people in all the bungalows.
During the confusion and bewilderment of the second day Mary hid herself
in the nursery and was forgotten by every one. Nobody thought of her,
nobody wanted her, and strange things happened of which she knew
nothing. Mary alternately cried and slept through the hours. She only
knew that people were ill and that she heard mysterious and frightening
sounds. Once she crept into the dining-room and found it empty, though a
partly finished meal was on the table and chairs and plates looked as
if they had been hastily pushed back when the diners rose suddenly for
some reason. The child ate some fruit and biscuits, and being thirsty
she drank a glass of wine which stood nearly filled. It was sweet, and
she did not know how strong it was. Very soon it made her intensely
drowsy, and she went back to her nursery and shut herself in again,
frightened by cries she heard in the huts and by the hurrying sound of
feet. The wine made her so sleepy that she could scarcely keep her eyes
open and she lay down on her bed and knew nothing more for a long time.
Many things happened during the hours in which she slept so heavily, but
she was not disturbed by the wails and the sound of things being carried
in and out of the bungalow.
When she awakened she lay and stared at the wall. The house was
perfectly still. She had never known it to be so silent before. She
heard neither voices nor footsteps, and wondered if everybody had got
well of the cholera and all the trouble was over. She wondered also who
would take care of her now her Ayah was dead. There would be a new Ayah,
and perhaps she would know some new stories. Mary had been rather tired
of the old ones. She did not cry because her nurse had died. She was not
an affectionate child and had never cared much for any one. The noise
and hurrying about and wailing over the cholera had frightened her, and
she had been angry because no one seemed to remember that she was alive.
Every one was too panic-stricken to think of a little girl no one was
fond of. When people had the cholera it seemed that they remembered
nothing but themselves. But if every one had got well again, surely some
one would remember and come to look for her.
But no one came, and as she lay waiting the house seemed to grow more
and more silent. She heard something rustling on the matting and when
she looked down she saw a little snake gliding along and watching her
with eyes like jewels. She was not frightened, because he was a harmless
little thing who would not hurt her and he seemed in a hurry to get out
of the room. He slipped under the door as she watched him.
"How queer and quiet it is," she said. "It sounds as if there was no one
in the bungalow but me and the snake."
Almost the next minute she heard footsteps in the compound, and then on
the veranda. They were men's footsteps, and the men entered the bungalow
and talked in low voices. No one went to meet or speak to them and they
seemed to open doors and look into rooms.
"What desolation!" she heard one voice say. "That pretty, pretty woman!
I suppose the child, too. I heard there was a child, though no one ever
Mary was standing in the middle of the nursery when they opened the door
a few minutes later. She looked an ugly, cross little thing and was
frowning because she was beginning to be hungry and feel disgracefully
neglected. The first man who came in was a large officer she had once
seen talking to her father. He looked tired and troubled, but when he
saw her he was so startled that he almost jumped back.
"Barney!" he cried out. "There is a child here! A child alone! In a
place like this! Mercy on us, who is she!"
"I am Mary Lennox," the little girl said, drawing herself up stiffly.
She thought the man was very rude to call her father's bungalow "A place
like this!" "I fell asleep when every one had the cholera and I have
only just wakened up. Why does nobody come?"
"It is the child no one ever saw!" exclaimed the man, turning to his
companions. "She has actually been forgotten!"
"Why was I forgotten?" Mary said, stamping her foot. "Why does nobody
The young man whose name was Barney looked at her very sadly. Mary even
thought she saw him wink his eyes as if to wink tears away.
"Poor little kid!" he said. "There is nobody left to come."
It was in that strange and sudden way that Mary found out that she had
neither father nor mother left; that they had died and been carried away
in the night, and that the few native servants who had not died also had
left the house as quickly as they could get out of it, none of them even
remembering that there was a Missie Sahib. That was why the place was so
quiet. It was true that there was no one in the bungalow but herself and
the little rustling snake.
MISTRESS MARY QUITE CONTRARY
Mary had liked to look at her mother from a distance and she had thought
her very pretty, but as she knew very little of her she could scarcely
have been expected to love her or to miss her very much when she was
gone. She did not miss her at all, in fact, and as she was a
self-absorbed child she gave her entire thought to herself, as she had
always done. If she had been older she would no doubt have been very
anxious at being left alone in the world, but she was very young, and as
she had always been taken care of, she supposed she always would be.
What she thought was that she would like to know if she was going to
nice people, who would be polite to her and give her her own way as her
Ayah and the other native servants had done.
She knew that she was not going to stay at the English clergyman's house
where she was taken at first. She did not want to stay. The English
clergyman was poor and he had five children nearly all the same age and
they wore shabby clothes and were always quarreling and snatching toys
from each other. Mary hated their untidy bungalow and was so
disagreeable to them that after the first day or two nobody would play
with her. By the second day they had given her a nickname which made her
It was Basil who thought of it first. Basil was a little boy with
impudent blue eyes and a turned-up nose and Mary hated him. She was
playing by herself under a tree, just as she had been playing the day
the cholera broke out. She was making heaps of earth and paths for a
garden and Basil came and stood near to watch her. Presently he got
rather interested and suddenly made a suggestion.
"Why don't you put a heap of stones there and pretend it is a rockery?"
he said. "There in the middle," and he leaned over her to point.
"Go away!" cried Mary. "I don't want boys. Go away!"
For a moment Basil looked angry, and then he began to tease. He was
always teasing his sisters. He danced round and round her and made faces
and sang and laughed.
"Mistress Mary, quite contrary,
How does your garden grow?
With silver bells, and cockle shells,
And marigolds all in a row."
He sang it until the other children heard and laughed, too; and the
crosser Mary got, the more they sang "Mistress Mary, quite contrary";
and after that as long as she stayed with them they called her "Mistress
Mary Quite Contrary" when they spoke of her to each other, and often
when they spoke to her.
"You are going to be sent home," Basil said to her, "at the end of the
week. And we're glad of it."
"I am glad of it, too," answered Mary. "Where is home?"
"She doesn't know where home is!" said Basil, with seven-year-old scorn.
"It's England, of course. Our grandmama lives there and our sister Mabel
was sent to her last year. You are not going to your grandmama. You have
none. You are going to your uncle. His name is Mr. Archibald Craven."
"I don't know anything about him," snapped Mary.
"I know you don't," Basil answered. "You don't know anything. Girls
never do. I heard father and mother talking about him. He lives in a
great, big, desolate old house in the country and no one goes near him.
He's so cross he won't let them, and they wouldn't come if he would let
them. He's a hunchback, and he's horrid."
"I don't believe you," said Mary; and she turned her back and stuck her
fingers in her ears, because she would not listen any more.
But she thought over it a great deal afterward; and when Mrs. Crawford
told her that night that she was going to sail away to England in a few
days and go to her uncle, Mr. Archibald Craven, who lived at
Misselthwaite Manor, she looked so stony and stubbornly uninterested
that they did not know what to think about her. They tried to be kind to
her, but she only turned her face away when Mrs. Crawford attempted to
kiss her, and held herself stiffly when Mr. Crawford patted her
"She is such a plain child," Mrs. Crawford said pityingly, afterward.
"And her mother was such a pretty creature. She had a very pretty
manner, too, and Mary has the most unattractive ways I ever saw in a
child. The children call her 'Mistress Mary Quite Contrary,' and though
it's naughty of them, one can't help understanding it."
"Perhaps if her mother had carried her pretty face and her pretty
manners oftener into the nursery Mary might have learned some pretty
ways too. It is very sad, now the poor beautiful thing is gone, to
remember that many people never even knew that she had a child at all."
"I believe she scarcely ever looked at her," sighed Mrs. Crawford.
"When her Ayah was dead there was no one to give a thought to the little
thing. Think of the servants running away and leaving her all alone in
that deserted bungalow. Colonel McGrew said he nearly jumped out of his
skin when he opened the door and found her standing by herself in the
middle of the room."
Mary made the long voyage to England under the care of an officer's
wife, who was taking her children to leave them in a boarding-school.
She was very much absorbed in her own little boy and girl, and was
rather glad to hand the child over to the woman Mr. Archibald Craven
sent to meet her, in London. The woman was his housekeeper at
Misselthwaite Manor, and her name was Mrs. Medlock. She was a stout
woman, with very red cheeks and sharp black eyes. She wore a very purple
dress, a black silk mantle with jet fringe on it and a black bonnet with
purple velvet flowers which stuck up and trembled when she moved her
head. Mary did not like her at all, but as she very seldom liked people
there was nothing remarkable in that; besides which it was very evident
Mrs. Medlock did not think much of her.
"My word! she's a plain little piece of goods!" she said. "And we'd
heard that her mother was a beauty. She hasn't handed much of it down,
has she, ma'am?"
"Perhaps she will improve as she grows older," the officer's wife said
good-naturedly. "If she were not so sallow and had a nicer expression,
her features are rather good. Children alter so much."
"She'll have to alter a good deal," answered Mrs. Medlock. "And there's
nothing likely to improve children at Misselthwaite--if you ask me!"
They thought Mary was not listening because she was standing a little
apart from them at the window of the private hotel they had gone to. She
was watching the passing buses and cabs, and people, but she heard quite
well and was made very curious about her uncle and the place he lived
in. What sort of a place was it, and what would he be like? What was a
hunchback? She had never seen one. Perhaps there were none in India.
Since she had been living in other people's houses and had had no Ayah,
she had begun to feel lonely and to think queer thoughts which were new
to her. She had begun to wonder why she had never seemed to belong to
any one even when her father and mother had been alive. Other children
seemed to belong to their fathers and mothers, but she had never seemed
to really be any one's little girl. She had had servants, and food and
clothes, but no one had taken any notice of her. She did not know that
this was because she was a disagreeable child; but then, of course, she
did not know she was disagreeable. She often thought that other people
were, but she did not know that she was so herself.
She thought Mrs. Medlock the most disagreeable person she had ever seen,
with her common, highly colored face and her common fine bonnet. When
the next day they set out on their journey to Yorkshire, she walked
through the station to the railway carriage with her head up and trying
to keep as far away from her as she could, because she did not want to
seem to belong to her. It would have made her very angry to think people
imagined she was her little girl.
But Mrs. Medlock was not in the least disturbed by her and her thoughts.
She was the kind of woman who would "stand no nonsense from young ones."
At least, that is what she would have said if she had been asked. She
had not wanted to go to London just when her sister Maria's daughter was
going to be married, but she had a comfortable, well paid place as
housekeeper at Misselthwaite Manor and the only way in which she could
keep it was to do at once what Mr. Archibald Craven told her to do. She
never dared even to ask a question.
"Captain Lennox and his wife died of the cholera," Mr. Craven had said
in his short, cold way. "Captain Lennox was my wife's brother and I am
their daughter's guardian. The child is to be brought here. You must go
to London and bring her yourself."
So she packed her small trunk and made the journey.
Mary sat in her corner of the railway carriage and looked plain and
fretful. She had nothing to read or to look at, and she had folded her
thin little black-gloved hands in her lap. Her black dress made her look
yellower than ever, and her limp light hair straggled from under her
black crêpe hat.
"A more marred-looking young one I never saw in my life," Mrs. Medlock
thought. (Marred is a Yorkshire word and means spoiled and pettish.) She
had never seen a child who sat so still without doing anything; and at
last she got tired of watching her and began to talk in a brisk, hard
"I suppose I may as well tell you something about where you are going
to," she said. "Do you know anything about your uncle?"
"No," said Mary.
"Never heard your father and mother talk about him?"
"No," said Mary frowning. She frowned because she remembered that her
father and mother had never talked to her about anything in particular.
Certainly they had never told her things.
"Humph," muttered Mrs. Medlock, staring at her queer, unresponsive
little face. She did not say any more for a few moments and then she
"I suppose you might as well be told something--to prepare you. You are
going to a queer place."
Mary said nothing at all, and Mrs. Medlock looked rather discomfited by
her apparent indifference, but, after taking a breath, she went on.
"Not but that it's a grand big place in a gloomy way, and Mr. Craven's
proud of it in his way--and that's gloomy enough, too. The house is six
hundred years old and it's on the edge of the moor, and there's near a
hundred rooms in it, though most of them's shut up and locked. And
there's pictures and fine old furniture and things that's been there for
ages, and there's a big park round it and gardens and trees with
branches trailing to the ground--some of them." She paused and took
another breath. "But there's nothing else," she ended suddenly.
Mary had begun to listen in spite of herself. It all sounded so unlike
India, and anything new rather attracted her. But she did not intend to
look as if she were interested. That was one of her unhappy,
disagreeable ways. So she sat still.
"Well," said Mrs. Medlock. "What do you think of it?"
"Nothing," she answered. "I know nothing about such places."
That made Mrs. Medlock laugh a short sort of laugh.
"Eh!" she said, "but you are like an old woman. Don't you care?"
"It doesn't matter," said Mary, "whether I care or not."
"You are right enough there," said Mrs. Medlock. "It doesn't. What
you're to be kept at Misselthwaite Manor for I don't know, unless
because it's the easiest way. "He's" not going to trouble himself about
you, that's sure and certain. He never troubles himself about no one."
She stopped herself as if she had just remembered something in time.
"He's got a crooked back," she said. "That set him wrong. He was a sour
young man and got no good of all his money and big place till he was
Mary's eyes turned toward her in spite of her intention not to seem to
care. She had never thought of the hunchback's being married and she was
a trifle surprised. Mrs. Medlock saw this, and as she was a talkative
woman she continued with more interest. This was one way of passing some
of the time, at any rate.
"She was a sweet, pretty thing and he'd have walked the world over to
get her a blade o' grass she wanted. Nobody thought she'd marry him, but
she did, and people said she married him for his money. But she
didn't--she didn't," positively. "When she died--"
Mary gave a little involuntary jump.
"Oh! did she die!" she exclaimed, quite without meaning to. She had just
remembered a French fairy story she had once read called "Riquet à la
Houppe." It had been about a poor hunchback and a beautiful princess and
it had made her suddenly sorry for Mr. Archibald Craven.
"Yes, she died," Mrs. Medlock answered. "And it made him queerer than
ever. He cares about nobody. He won't see people. Most of the time he
goes away, and when he is at Misselthwaite he shuts himself up in the
West Wing and won't let any one but Pitcher see him. Pitcher's an old
fellow, but he took care of him when he was a child and he knows his
It sounded like something in a book and it did not make Mary feel
cheerful. A house with a hundred rooms, nearly all shut up and with
their doors locked--a house on the edge of a moor--whatsoever a moor
was--sounded dreary. A man with a crooked back who shut himself up also!
She stared out of the window with her lips pinched together, and it
seemed quite natural that the rain should have begun to pour down in
gray slanting lines and splash and stream down the window-panes. If the
pretty wife had been alive she might have made things cheerful by being
something like her own mother and by running in and out and going to
parties as she had done in frocks "full of lace." But she was not there
"You needn't expect to see him, because ten to one you won't," said Mrs.
Medlock. "And you mustn't expect that there will be people to talk to
you. You'll have to play about and look after yourself. You'll be told
what rooms you can go into and what rooms you're to keep out of. There's
gardens enough. But when you're in the house don't go wandering and
poking about. Mr. Craven won't have it."
"I shall not want to go poking about," said sour little Mary; and just
as suddenly as she had begun to be rather sorry for Mr. Archibald Craven
she began to cease to be sorry and to think he was unpleasant enough to
deserve all that had happened to him.
And she turned her face toward the streaming panes of the window of the
railway carriage and gazed out at the gray rain-storm which looked as if
it would go on forever and ever. She watched it so long and steadily
that the grayness grew heavier and heavier before her eyes and she fell
ACROSS THE MOOR
She slept a long time, and when she awakened Mrs. Medlock had bought a
lunchbasket at one of the stations and they had some chicken and cold
beef and bread and butter and some hot tea. The rain seemed to be
streaming down more heavily than ever and everybody in the station wore
wet and glistening waterproofs. The guard lighted the lamps in the
carriage, and Mrs. Medlock cheered up very much over her tea and chicken
and beef. She ate a great deal and afterward fell asleep herself, and
Mary sat and stared at her and watched her fine bonnet slip on one side
until she herself fell asleep once more in the corner of the carriage,
lulled by the splashing of the rain against the windows. It was quite
dark when she awakened again. The train had stopped at a station and
Mrs. Medlock was shaking her.
"You have had a sleep!" she said. "It's time to open your eyes! We're at
Thwaite Station and we've got a long drive before us."
Mary stood up and tried to keep her eyes open while Mrs. Medlock
collected her parcels. The little girl did not offer to help her,
because in India native servants always picked up or carried things and
it seemed quite proper that other people should wait on one.
The station was a small one and nobody but themselves seemed to be
getting out of the train. The station-master spoke to Mrs. Medlock in a
rough, good-natured way, pronouncing his words in a queer broad fashion
which Mary found out afterward was Yorkshire.
"I see tha's got back," he said. "An' tha's browt th' young 'un with
"Aye, that's her," answered Mrs. Medlock, speaking with a Yorkshire
accent herself and jerking her head over her shoulder toward Mary.
"How's thy Missus?"
"Well enow. Th' carriage is waitin' outside for thee."
A brougham stood on the road before the little outside platform. Mary
saw that it was a smart carriage and that it was a smart footman who
helped her in. His long waterproof coat and the waterproof covering of
his hat were shining and dripping with rain as everything was, the burly
When he shut the door, mounted the box with the coachman, and they drove
off, the little girl found herself seated in a comfortably cushioned
corner, but she was not inclined to go to sleep again. She sat and
looked out of the window, curious to see something of the road over
which she was being driven to the queer place Mrs. Medlock had spoken
of. She was not at all a timid child and she was not exactly frightened,
but she felt that there was no knowing what might happen in a house with
a hundred rooms nearly all shut up--a house standing on the edge of a
"What is a moor?" she said suddenly to Mrs. Medlock.
"Look out of the window in about ten minutes and you'll see," the woman
answered. "We've got to drive five miles across Missel Moor before we
get to the Manor. You won't see much because it's a dark night, but you
can see something."
Mary asked no more questions but waited in the darkness of her corner,
keeping her eyes on the window. The carriage lamps cast rays of light a
little distance ahead of them and she caught glimpses of the things they
passed. After they had left the station they had driven through a tiny
village and she had seen whitewashed cottages and the lights of a public
house. Then they had passed a church and a vicarage and a little
shop-window or so in a cottage with toys and sweets and odd things set
out for sale. Then they were on the highroad and she saw hedges and
trees. After that there seemed nothing different for a long time--or at
least it seemed a long time to her.
At last the horses began to go more slowly, as if they were climbing
up-hill, and presently there seemed to be no more hedges and no more
trees. She could see nothing, in fact, but a dense darkness on either
side. She leaned forward and pressed her face against the window just as
the carriage gave a big jolt.
"Eh! We're on the moor now sure enough," said Mrs. Medlock.
The carriage lamps shed a yellow light on a rough-looking road which
seemed to be cut through bushes and low growing things which ended in
the great expanse of dark apparently spread out before and around them.
A wind was rising and making a singular, wild, low, rushing sound.
"It's--it's not the sea, is it?" said Mary, looking round at her
"No, not it," answered Mrs. Medlock. "Nor it isn't fields nor mountains,
it's just miles and miles and miles of wild land that nothing grows on
but heather and gorse and broom, and nothing lives on but wild ponies
"I feel as if it might be the sea, if there were water on it," said
Mary. "It sounds like the sea just now."
"That's the wind blowing through the bushes," Mrs. Medlock said. "It's a
wild, dreary enough place to my mind, though there's plenty that likes
it--particularly when the heather's in bloom."
On and on they drove through the darkness, and though the rain stopped,
the wind rushed by and whistled and made strange sounds. The road went
up and down, and several times the carriage passed over a little bridge
beneath which water rushed very fast with a great deal of noise. Mary
felt as if the drive would never come to an end and that the wide, bleak
moor was a wide expanse of black ocean through which she was passing on
a strip of dry land.
"I don't like it," she said to herself. "I don't like it," and she
pinched her thin lips more tightly together.
The horses were climbing up a hilly piece of road when she first caught
sight of a light. Mrs. Medlock saw it as soon as she did and drew a long
sigh of relief.
"Eh, I am glad to see that bit o' light twinkling," she exclaimed. "It's
the light in the lodge window. We shall get a good cup of tea after a
bit, at all events."
It was "after a bit," as she said, for when the carriage passed through
the park gates there was still two miles of avenue to drive through and
the trees (which nearly met overhead) made it seem as if they were
driving through a long dark vault.
They drove out of the vault into a clear space and stopped before an
immensely long but low-built house which seemed to ramble round a stone
court. At first Mary thought that there were no lights at all in the
windows, but as she got out of the carriage she saw that one room in a
corner up-stairs showed a dull glow.
The entrance door was a huge one made of massive, curiously shaped
panels of oak studded with big iron nails and bound with great iron
bars. It opened into an enormous hall, which was so dimly lighted that
the faces in the portraits on the walls and the figures in the suits of
armor made Mary feel that she did not want to look at them. As she stood
on the stone floor she looked a very small, odd little black figure, and
she felt as small and lost and odd as she looked.
A neat, thin old man stood near the manservant who opened the door for
"You are to take her to her room," he said in a husky voice. "He doesn't
want to see her. He's going to London in the morning."
"Very well, Mr. Pitcher," Mrs. Medlock answered. "So long as I know
what's expected of me, I can manage."
"What's expected of you, Mrs. Medlock," Mr. Pitcher said, "is that you
make sure that he's not disturbed and that he doesn't see what he
doesn't want to see."
And then Mary Lennox was led up a broad staircase and down a long
corridor and up a short flight of steps and through another corridor and
another, until a door opened in a wall and she found herself in a room
with a fire in it and a supper on a table.
Mrs. Medlock said unceremoniously:
"Well, here you are! This room and the next are where you'll live--and
you must keep to them. Don't you forget that!"
It was in this way Mistress Mary arrived at Misselthwaite Manor and she
had perhaps never felt quite so contrary in all her life.
When she opened her eyes in the morning it was because a young housemaid
had come into her room to light the fire and was kneeling on the
hearth-rug raking out the cinders noisily. Mary lay and watched her for
a few moments and then began to look about the room. She had never seen
a room at all like it and thought it curious and gloomy. The walls were
covered with tapestry with a forest scene embroidered on it. There were
fantastically dressed people under the trees and in the distance there
was a glimpse of the turrets of a castle. There were hunters and horses
and dogs and ladies. Mary felt as if she were in the forest with them.
Out of a deep window she could see a great climbing stretch of land
which seemed to have no trees on it, and to look rather like an endless,
dull, purplish sea.
"What is that?" she said, pointing out of the window.
Martha, the young housemaid, who had just risen to her feet, looked and
"That there?" she said.
"That's th' moor," with a good-natured grin. "Does tha' like it?"
"No," answered Mary. "I hate it."
"That's because tha'rt not used to it," Martha said, going back to her
hearth. "Tha' thinks it's too big an' bare now. But tha' will like it."
"Do you?" inquired Mary.
"Aye, that I do," answered Martha, cheerfully polishing away at the
grate. "I just love it. It's none bare. It's covered wi' growin' things
as smells sweet. It's fair lovely in spring an' summer when th' gorse
an' broom an' heather's in flower. It smells o' honey an' there's such a
lot o' fresh air--an' th' sky looks so high an' th' bees an' skylarks
makes such a nice noise hummin' an' singin'. Eh! I wouldn't live away
from th' moor for anythin'."
Mary listened to her with a grave, puzzled expression. The native
servants she had been used to in India were not in the least like this.
They were obsequious and servile and did not presume to talk to their
masters as if they were their equals. They made salaams and called them
"protector of the poor" and names of that sort. Indian servants were
commanded to do things, not asked. It was not the custom to say
"please" and "thank you" and Mary had always slapped her Ayah in the
face when she was angry. She wondered a little what this girl would do
if one slapped her in the face. She was a round, rosy, good-natured
looking creature, but she had a sturdy way which made Mistress Mary
wonder if she might not even slap back--if the person who slapped her
was only a little girl.
"You are a strange servant," she said from her pillows, rather
Martha sat up on her heels, with her blacking-brush in her hand, and
laughed, without seeming the least out of temper.
"Eh! I know that," she said. "If there was a grand Missus at
Misselthwaite I should never have been even one of th' under housemaids.
I might have been let to be scullery-maid but I'd never have been let
up-stairs. I'm too common an' I talk too much Yorkshire. But this is a
funny house for all it's so grand. Seems like there's neither Master nor
Mistress except Mr. Pitcher an' Mrs. Medlock. Mr. Craven, he won't be
troubled about anythin' when he's here, an' he's nearly always away.
Mrs. Medlock gave me th' place out o' kindness. She told me she could
never have done it if Misselthwaite had been like other big houses."
"Are you going to be my servant?" Mary asked, still in her imperious
little Indian way.
Martha began to rub her grate again.
"I'm Mrs. Medlock's servant," she said stoutly. "An' she's Mr.
Craven's--but I'm to do the housemaid's work up here an' wait on you a
bit. But you won't need much waitin' on."
"Who is going to dress me?" demanded Mary.
Martha sat up on her heels again and stared. She spoke in broad
Yorkshire in her amazement.
"Canna' tha' dress thysen!" she said.
"What do you mean? I don't understand your language," said Mary.
"Eh! I forgot," Martha said. "Mrs. Medlock told me I'd have to be
careful or you wouldn't know what I was sayin'. I mean can't you put on
your own clothes?"
"No," answered Mary, quite indignantly. "I never did in my life. My Ayah
dressed me, of course."
"Well," said Martha, evidently not in the least aware that she was
impudent, "it's time tha' should learn. Tha' cannot begin younger. It'll
do thee good to wait on thysen a bit. My mother always said she couldn't
see why grand people's children didn't turn out fair fools--what with
nurses an' bein' washed an' dressed an' took out to walk as if they was
"It is different in India," said Mistress Mary disdainfully. She could
scarcely stand this.
But Martha was not at all crushed.
"Eh! I can see it's different," she answered almost sympathetically. "I
dare say it's because there's such a lot o' blacks there instead o'
respectable white people. When I heard you was comin' from India I
thought you was a black too."
Mary sat up in bed furious.
"What!" she said. "What! You thought I was a native. You--you daughter
of a pig!"
Martha stared and looked hot.
"Who are you callin' names?" she said. "You needn't be so vexed. That's
not th' way for a young lady to talk. I've nothin' against th' blacks.
When you read about 'em in tracts they're always very religious. You
always read as a black's a man an' a brother. I've never seen a black
an' I was fair pleased to think I was goin' to see one close. When I
come in to light your fire this mornin' I crep' up to your bed an'
pulled th' cover back careful to look at you. An' there you was,"
disappointedly, "no more black than me--for all you're so yeller."
Mary did not even try to control her rage and humiliation.
"You thought I was a native! You dared! You don't know anything about
natives! They are not people--they're servants who must salaam to you.
You know nothing about India. You know nothing about anything!"
She was in such a rage and felt so helpless before the girl's simple
stare, and somehow she suddenly felt so horribly lonely and far away
from everything she understood and which understood her, that she threw
herself face downward on the pillows and burst into passionate sobbing.
She sobbed so unrestrainedly that good-natured Yorkshire Martha was a
little frightened and quite sorry for her. She went to the bed and bent
"Eh! you mustn't cry like that there!" she begged. "You mustn't for
sure. I didn't know you'd be vexed. I don't know anythin' about
anythin'--just like you said. I beg your pardon, Miss. Do stop cryin'."
There was something comforting and really friendly in her queer
Yorkshire speech and sturdy way which had a good effect on Mary. She
gradually ceased crying and became quiet. Martha looked relieved.
"It's time for thee to get up now," she said. "Mrs. Medlock said I was
to carry tha' breakfast an' tea an' dinner into th' room next to this.
It's been made into a nursery for thee. I'll help thee on with thy
clothes if tha'll get out o' bed. If th' buttons are at th' back tha'
cannot button them up tha'self."
When Mary at last decided to get up, the clothes Martha took from the
wardrobe were not the ones she had worn when she arrived the night
before with Mrs. Medlock.
"Those are not mine," she said. "Mine are black."
She looked the thick white wool coat and dress over, and added with cool
"Those are nicer than mine."
"These are th' ones tha' must put on," Martha answered. "Mr. Craven
ordered Mrs. Medlock to get 'em in London. He said 'I won't have a child
dressed in black wanderin' about like a lost soul,' he said. 'It'd make
the place sadder than it is. Put color on her.' Mother she said she knew
what he meant. Mother always knows what a body means. She doesn't hold
with black hersel'."
"I hate black things," said Mary.
The dressing process was one which taught them both something. Martha
had "buttoned up" her little sisters and brothers but she had never seen
a child who stood still and waited for another person to do things for
her as if she had neither hands nor feet of her own.
"Why doesn't tha' put on tha' own shoes?" she said when Mary quietly
held out her foot.
"My Ayah did it," answered Mary, staring. "It was the custom."
She said that very often--"It was the custom." The native servants were
always saying it. If one told them to do a thing their ancestors had not
done for a thousand years they gazed at one mildly and said, "It is not
the custom" and one knew that was the end of the matter.
It had not been the custom that Mistress Mary should do anything but
stand and allow herself to be dressed like a doll, but before she was
ready for breakfast she began to suspect that her life at Misselthwaite
Manor would end by teaching her a number of things quite new to
her--things such as putting on her own shoes and stockings, and picking
up things she let fall. If Martha had been a well-trained fine young
lady's maid she would have been more subservient and respectful and
would have known that it was her business to brush hair, and button
boots, and pick things up and lay them away. She was, however, only an
untrained Yorkshire rustic who had been brought up in a moorland cottage
with a swarm of little brothers and sisters who had never dreamed of
doing anything but waiting on themselves and on the younger ones who
were either babies in arms or just learning to totter about and tumble
If Mary Lennox had been a child who was ready to be amused she would
perhaps have laughed at Martha's readiness to talk, but Mary only
listened to her coldly and wondered at her freedom of manner. At first
she was not at all interested, but gradually, as the girl rattled on in
her good-tempered, homely way, Mary began to notice what she was saying.
"Eh! you should see 'em all," she said. "There's twelve of us an' my
father only gets sixteen shilling a week. I can tell you my mother's put
to it to get porridge for 'em all. They tumble about on th' moor an'
play there all day an' mother says th' air of th' moor fattens 'em. She
says she believes they eat th' grass same as th' wild ponies do. Our
Dickon, he's twelve years old and he's got a young pony he calls his
"Where did he get it?" asked Mary.
"He found it on th' moor with its mother when it was a little one an' he
began to make friends with it an' give it bits o' bread an' pluck young
grass for it. And it got to like him so it follows him about an' it
lets him get on its back. Dickon's a kind lad an' animals likes him."
Mary had never possessed an animal pet of her own and had always thought
she should like one. So she began to feel a slight interest in Dickon,
and as she had never before been interested in any one but herself, it
was the dawning of a healthy sentiment. When she went into the room
which had been made into a nursery for her, she found that it was rather
like the one she had slept in. It was not a child's room, but a grown-up
person's room, with gloomy old pictures on the walls and heavy old oak
chairs. A table in the center was set with a good substantial breakfast.
But she had always had a very small appetite, and she looked with
something more than indifference at the first plate Martha set before
"I don't want it," she said.
"Tha' doesn't want thy porridge!" Martha exclaimed incredulously.
"Tha' doesn't know how good it is. Put a bit o' treacle on it or a bit
"I don't want it," repeated Mary.
"Eh!" said Martha. "I can't abide to see good victuals go to waste. If
our children was at this table they'd clean it bare in five minutes."
"Why?" said Mary coldly.
"Why!" echoed Martha. "Because they scarce ever had their stomachs full
in their lives. They're as hungry as young hawks an' foxes."
"I don't know what it is to be hungry," said Mary, with the indifference
Martha looked indignant.
"Well, it would do thee good to try it. I can see that plain enough,"
she said outspokenly. "I've no patience with folk as sits an' just
stares at good bread an' meat. My word! don't I wish Dickon and Phil an'
Jane an' th' rest of 'em had what's here under their pinafores."
"Why don't you take it to them?" suggested Mary.
"It's not mine," answered Martha stoutly. "An' this isn't my day out. I
get my day out once a month same as th' rest. Then I go home an' clean
up for mother an' give her a day's rest."
Mary drank some tea and ate a little toast and some marmalade.
"You wrap up warm an' run out an' play you," said Martha. "It'll do you
good and give you some stomach for your meat."
Mary went to the window. There were gardens and paths and big trees, but
everything looked dull and wintry.
"Out? Why should I go out on a day like this?"
"Well, if tha' doesn't go out tha'lt have to stay in, an' what has tha'
got to do?"
Mary glanced about her. There was nothing to do. When Mrs. Medlock had
prepared the nursery she had not thought of amusement. Perhaps it would
be better to go and see what the gardens were like.
"Who will go with me?" she inquired.
"You'll go by yourself," she answered. "You'll have to learn to play
like other children does when they haven't got sisters and brothers. Our
Dickon goes off on th' moor by himself an' plays for hours. That's how
he made friends with th' pony. He's got sheep on th' moor that knows
him, an' birds as comes an' eats out of his hand. However little there
is to eat, he always saves a bit o' his bread to coax his pets."
It was really this mention of Dickon which made Mary decide to go out,
though she was not aware of it. There would be birds outside though
there would not be ponies or sheep. They would be different from the
birds in India and it might amuse her to look at them.
Martha found her coat and hat for her and a pair of stout little boots
and she showed her her way down-stairs.
"If tha' goes round that way tha'll come to th' gardens," she said,
pointing to a gate in a wall of shrubbery. "There's lots o' flowers in
summer-time, but there's nothin' bloomin' now." She seemed to hesitate a
second before she added, "One of th' gardens is locked up. No one has
been in it for ten years."
"Why?" asked Mary in spite of herself. Here was another locked door
added to the hundred in the strange house.
"Mr. Craven had it shut when his wife died so sudden. He won't let no
one go inside. It was her garden. He locked th' door an' dug a hole and
buried th' key. There's Mrs. Medlock's bell ringing--I must run."
After she was gone Mary turned down the walk which led to the door in
the shrubbery. She could not help thinking about the garden which no one
had been into for ten years. She wondered what it would look like and
whether there were any flowers still alive in it. When she had passed
through the shrubbery gate she found herself in great gardens, with wide
lawns and winding walks with clipped borders. There were trees, and
flower-beds, and evergreens clipped into strange shapes, and a large
pool with an old gray fountain in its midst. But the flower-beds were
bare and wintry and the fountain was not playing. This was not the
garden which was shut up. How could a garden be shut up? You could
always walk into a garden.
She was just thinking this when she saw that, at the end of the path she
was following, there seemed to be a long wall, with ivy growing over it.
She was not familiar enough with England to know that she was coming
upon the kitchen-gardens where the vegetables and fruit were growing.
She went toward the wall and found that there was a green door in the
ivy, and that it stood open. This was not the closed garden, evidently,
and she could go into it.
She went through the door and found that it was a garden with walls all
round it and that it was only one of several walled gardens which seemed
to open into one another. She saw another open green door, revealing
bushes and pathways between beds containing winter vegetables.
Fruit-trees were trained flat against the wall, and over some of the
beds there were glass frames. The place was bare and ugly enough, Mary
thought, as she stood and stared about her. It might be nicer in summer
when things were green, but there was nothing pretty about it now.
Presently an old man with a spade over his shoulder walked through the
door leading from the second garden. He looked startled when he saw
Mary, and then touched his cap. He had a surly old face, and did not
seem at all pleased to see her--but then she was displeased with his
garden and wore her "quite contrary" expression, and certainly did not
seem at all pleased to see him.
"What is this place?" she asked.
"One o' th' kitchen-gardens," he answered.
"What is that?" said Mary, pointing through the other green door.
"Another of 'em," shortly. "There's another on t'other side o' th' wall
an' there's th' orchard t'other side o' that."
"Can I go in them?" asked Mary.
"If tha' likes. But there's nowt to see."
Mary made no response. She went down the path and through the second
green door. There she found more walls and winter vegetables and glass
frames, but in the second wall there was another green door and it was
not open. Perhaps it led into the garden which no one had seen for ten
years. As she was not at all a timid child and always did what she
wanted to do, Mary went to the green door and turned the handle. She
hoped the door would not open because she wanted to be sure she had
found the mysterious garden--but it did open quite easily and she walked
through it and found herself in an orchard. There were walls all round
it also and trees trained against them, and there were bare fruit-trees
growing in the winter-browned grass--but there was no green door to be
seen anywhere. Mary looked for it, and yet when she had entered the
upper end of the garden she had noticed that the wall did not seem to
end with the orchard but to extend beyond it as if it enclosed a place
at the other side. She could see the tops of trees above the wall, and
when she stood still she saw a bird with a bright red breast sitting on
the topmost branch of one of them, and suddenly he burst into his winter
song--almost as if he had caught sight of her and was calling to her.
She stopped and listened to him and somehow his cheerful, friendly
little whistle gave her a pleased feeling--even a disagreeable little
girl may be lonely, and the big closed house and big bare moor and big
bare gardens had made this one feel as if there was no one left in the
world but herself. If she had been an affectionate child, who had been
used to being loved, she would have broken her heart, but even though
she was "Mistress Mary Quite Contrary" she was desolate, and the
bright-breasted little bird brought a look into her sour little face
which was almost a smile. She listened to him until he flew away. He was
not like an Indian bird and she liked him and wondered if she should
ever see him again. Perhaps he lived in the mysterious garden and knew
all about it.
Perhaps it was because she had nothing whatever to do that she thought
so much of the deserted garden. She was curious about it and wanted to
see what it was like. Why had Mr. Archibald Craven buried the key? If he
had liked his wife so much why did he hate her garden? She wondered if
she should ever see him, but she knew that if she did she should not
like him, and he would not like her, and that she should only stand and
stare at him and say nothing, though she should be wanting dreadfully to
ask him why he had done such a queer thing.
"People never like me and I never like people," she thought. "And I
never can talk as the Crawford children could. They were always talking
and laughing and making noises."
She thought of the robin and of the way he seemed to sing his song at
her, and as she remembered the tree-top he perched on she stopped rather
suddenly on the path.
"I believe that tree was in the secret garden--I feel sure it was," she
said. "There was a wall round the place and there was no door."
She walked back into the first kitchen-garden she had entered and found
the old man digging there. She went and stood beside him and watched
him a few moments in her cold little way. He took no notice of her and
so at last she spoke to him.
"I have been into the other gardens," she said.
"There was nothin' to prevent thee," he answered crustily.
"I went into the orchard."
"There was no dog at th' door to bite thee," he answered.
"There was no door there into the other garden," said Mary.
"What garden?" he said in a rough voice, stopping his digging for a
"The one on the other side of the wall," answered Mistress Mary. "There
are trees there--I saw the tops of them. A bird with a red breast was
sitting on one of them and he sang."
To her surprise the surly old weather-beaten face actually changed its
expression. A slow smile spread over it and the gardener looked quite
different. It made her think that it was curious how much nicer a person
looked when he smiled. She had not thought of it before.
He turned about to the orchard side of his garden and began to
whistle--a low soft whistle. She could not understand how such a surly
man could make such a coaxing sound.
Almost the next moment a wonderful thing happened. She heard a soft
little rushing flight through the air--and it was the bird with the red
breast flying to them, and he actually alighted on the big clod of earth
quite near to the gardener's foot.
"Here he is," chuckled the old man, and then he spoke to the bird as if
he were speaking to a child.
"Where has tha' been, tha' cheeky little beggar?" he said. "I've not
seen thee before to-day. Has tha' begun tha' courtin' this early in th'
season? Tha'rt too forrad."
The bird put his tiny head on one side and looked up at him with his
soft bright eye which was like a black dewdrop. He seemed quite familiar
and not the least afraid. He hopped about and pecked the earth briskly,
looking for seeds and insects. It actually gave Mary a queer feeling in
her heart, because he was so pretty and cheerful and seemed so like a
person. He had a tiny plump body and a delicate beak, and slender
"Will he always come when you call him?" she asked almost in a whisper.
"Aye, that he will. I've knowed him ever since he was a fledgling. He
come out of th' nest in th' other garden an' when first he flew over
th' wall he was too weak to fly back for a few days an' we got
friendly. When he went over th' wall again th' rest of th' brood was
gone an' he was lonely an' he come back to me."
"What kind of a bird is he?" Mary asked.
"Doesn't tha' know? He's a robin redbreast an' they're th' friendliest,
curiousest birds alive. They're almost as friendly as dogs--if you know
how to get on with 'em. Watch him peckin' about there an' lookin' round
at us now an' again. He knows we're talkin' about him."
It was the queerest thing in the world to see the old fellow. He looked
at the plump little scarlet-waistcoated bird as if he were both proud
and fond of him.
"He's a conceited one," he chuckled. "He likes to hear folk talk about
him. An' curious--bless me, there never was his like for curiosity an'
meddlin'. He's always comin' to see what I'm plantin'. He knows all th'
things Mester Craven never troubles hissel' to find out. He's th' head
gardener, he is."
The robin hopped about busily pecking the soil and now and then stopped
and looked at them a little. Mary thought his black dewdrop eyes gazed
at her with great curiosity. It really seemed as if he were finding out
all about her. The queer feeling in her heart increased.
"Where did the rest of the brood fly to?" she asked.
"There's no knowin'. The old ones turn 'em out o' their nest an' make
'em fly an' they're scattered before you know it. This one was a knowin'
one an' he knew he was lonely."
Mistress Mary went a step nearer to the robin and looked at him very
"I'm lonely," she said.
She had not known before that this was one of the things which made her
feel sour and cross. She seemed to find it out when the robin looked at
her and she looked at the robin.
The old gardener pushed his cap back on his bald head and stared at her
"Art tha' th' little wench from India?" he asked.
"Then no wonder tha'rt lonely. Tha'lt be lonelier before tha's done," he
He began to dig again, driving his spade deep into the rich black garden
soil while the robin hopped about very busily employed.
"What is your name?" Mary inquired.
He stood up to answer her.
"Ben Weatherstaff," he answered, and then he added with a surly chuckle,
"I'm lonely mysel' except when he's with me," and he jerked his thumb
toward the robin. "He's th' only friend I've got."
"I have no friends at all," said Mary. "I never had. My Ayah didn't like
me and I never played with any one."
It is a Yorkshire habit to say what you think with blunt frankness, and
old Ben Weatherstaff was a Yorkshire moor man.
"Tha' an' me are a good bit alike," he said. "We was wove out of th'
same cloth. We're neither of us good lookin' an' we're both of us as
sour as we look. We've got the same nasty tempers, both of us, I'll
This was plain speaking, and Mary Lennox had never heard the truth about
herself in her life. Native servants always salaamed and submitted to
you, whatever you did. She had never thought much about her looks, but
she wondered if she was as unattractive as Ben Weatherstaff and she also
wondered if she looked as sour as he had looked before the robin came.
She actually began to wonder also if she was "nasty tempered." She felt
Suddenly a clear rippling little sound broke out near her and she turned
round. She was standing a few feet from a young apple-tree and the robin
had flown on to one of its branches and had burst out into a scrap of a
song. Ben Weatherstaff laughed outright.
"What did he do that for?" asked Mary.
"He's made up his mind to make friends with thee," replied Ben. "Dang me
if he hasn't took a fancy to thee."
"To me?" said Mary, and she moved toward the little tree softly and
"Would you make friends with me?" she said to the robin just as if she
was speaking to a person. "Would you?" And she did not say it either in
her hard little voice or in her imperious Indian voice, but in a tone so
soft and eager and coaxing that Ben Weatherstaff was as surprised as she
had been when she heard him whistle.
"Why," he cried out, "tha' said that as nice an' human as if tha' was a
real child instead of a sharp old woman. Tha' said it almost like Dickon
talks to his wild things on th' moor."
"Do you know Dickon?" Mary asked, turning round rather in a hurry.
"Everybody knows him. Dickon's wanderin' about everywhere. Th' very
blackberries an' heather-bells knows him. I warrant th' foxes shows him
where their cubs lies an' th' skylarks doesn't hide their nests from
Mary would have liked to ask some more questions. She was almost as
curious about Dickon as she was about the deserted garden. But just that
moment the robin, who had ended his song, gave a little shake of his
wings, spread them and flew away. He had made his visit and had other
things to do.
"He has flown over the wall!" Mary cried out, watching him. "He has
flown into the orchard--he has flown across the other wall--into the
garden where there is no door!"
"He lives there," said old Ben. "He came out o' th' egg there. If he's
courtin', he's makin' up to some young madam of a robin that lives among
th' old rose-trees there."
"Rose-trees," said Mary. "Are there rose-trees?"
Ben Weatherstaff took up his spade again and began to dig.
"There was ten year' ago," he mumbled.
"I should like to see them," said Mary. "Where is the green door? There
must be a door somewhere."
Ben drove his spade deep and looked as uncompanionable as he had looked
when she first saw him.
"There was ten year' ago, but there isn't now," he said.
"No door!" cried Mary. "There must be."
"None as any one can find, an' none as is any one's business. Don't you
be a meddlesome wench an' poke your nose where it's no cause to go.
Here, I must go on with my work. Get you gone an' play you. I've no more
And he actually stopped digging, threw his spade over his shoulder and
walked off, without even glancing at her or saying good-by.
THE CRY IN THE CORRIDOR
At first each day which passed by for Mary Lennox was exactly like the
others. Every morning she awoke in her tapestried room and found Martha
kneeling upon the hearth building her fire; every morning she ate her
breakfast in the nursery which had nothing amusing in it; and after each
breakfast she gazed out of the window across to the huge moor which
seemed to spread out on all sides and climb up to the sky, and after she
had stared for a while she realized that if she did not go out she would
have to stay in and do nothing--and so she went out. She did not know
that this was the best thing she could have done, and she did not know
that, when she began to walk quickly or even run along the paths and
down the avenue, she was stirring her slow blood and making herself
stronger by fighting with the wind which swept down from the moor. She
ran only to make herself warm, and she hated the wind which rushed at
her face and roared and held her back as if it were some giant she could
not see. But the big breaths of rough fresh air blown over the heather
filled her lungs with something which was good for her whole thin body
and whipped some red color into her cheeks and brightened her dull eyes
when she did not know anything about it.
But after a few days spent almost entirely out of doors she wakened one
morning knowing what it was to be hungry, and when she sat down to her
breakfast she did not glance disdainfully at her porridge and push it
away, but took up her spoon and began to eat it and went on eating it
until her bowl was empty.
"Tha' got on well enough with that this mornin', didn't tha'?" said
"It tastes nice to-day," said Mary, feeling a little surprised herself.
"It's th' air of th' moor that's givin' thee stomach for tha' victuals,"
answered Martha. "It's lucky for thee that tha's got victuals as well as
appetite. There's been twelve in our cottage as had th' stomach an'
nothin' to put in it. You go on playin' you out o' doors every day an'
you'll get some flesh on your bones an' you won't be so yeller."
"I don't play," said Mary. "I have nothing to play with."
"Nothin' to play with!" exclaimed Martha. "Our children plays with
sticks and stones. They just runs about an' shouts an' looks at things."
Mary did not shout, but she looked at things. There was nothing else to
do. She walked round and round the gardens and wandered about the paths
in the park. Sometimes she looked for Ben Weatherstaff, but though
several times she saw him at work he was too busy to look at her or was
too surly. Once when she was walking toward him he picked up his spade
and turned away as if he did it on purpose.
One place she went to oftener than to any other. It was the long walk
outside the gardens with the walls round them. There were bare
flower-beds on either side of it and against the walls ivy grew thickly.
There was one part of the wall where the creeping dark green leaves were
more bushy than elsewhere. It seemed as if for a long time that part had
been neglected. The rest of it had been clipped and made to look neat,
but at this lower end of the walk it had not been trimmed at all.
A few days after she had talked to Ben Weatherstaff Mary stopped to
notice this and wondered why it was so. She had just paused and was
looking up at a long spray of ivy swinging in the wind when she saw a
gleam of scarlet and heard a brilliant chirp, and there, on the top of
the wall, perched Ben Weatherstaff's robin redbreast, tilting forward
to look at her with his small head on one side.
"Oh!" she cried out, "is it you--is it you?" And it did not seem at all
queer to her that she spoke to him as if she was sure that he would
understand and answer her.
He did answer. He twittered and chirped and hopped along the wall as if
he were telling her all sorts of things. It seemed to Mistress Mary as
if she understood him, too, though he was not speaking in words. It was
as if he said:
"Good morning! Isn't the wind nice? Isn't the sun nice? Isn't everything
nice? Let us both chirp and hop and twitter. Come on! Come on!"
Mary began to laugh, and as he hopped and took little flights along the
wall she ran after him. Poor little thin, sallow, ugly Mary--she
actually looked almost pretty for a moment.
"I like you! I like you!" she cried out, pattering down the walk; and
she chirped and tried to whistle, which last she did not know how to do
in the least. But the robin seemed to be quite satisfied and chirped and
whistled back at her. At last he spread his wings and made a darting
flight to the top of a tree, where he perched and sang loudly.
That reminded Mary of the first time she had seen him. He had been
swinging on a tree-top then and she had been standing in the orchard.
Now she was on the other side of the orchard and standing in the path
outside a wall--much lower down--and there was the same tree inside.
"It's in the garden no one can go into," she said to herself. "It's the
garden without a door. He lives in there. How I wish I could see what it
She ran up the walk to the green door she had entered the first morning.
Then she ran down the path through the other door and then into the
orchard, and when she stood and looked up there was the tree on the
other side of the wall, and there was the robin just finishing his song
and beginning to preen his feathers with his beak.
"It is the garden," she said. "I am sure it is."
She walked round and looked closely at that side of the orchard wall,
but she only found what she had found before--that there was no door in
it. Then she ran through the kitchen-gardens again and out into the walk
outside the long ivy-covered wall, and she walked to the end of it and
looked at it, but there was no door; and then she walked to the other
end, looking again, but there was no door.
"It's very queer," she said. "Ben Weatherstaff said there was no door
and there is no door. But there must have been one ten years ago,
because Mr. Craven buried the key."
This gave her so much to think of that she began to be quite interested
and feel that she was not sorry that she had come to Misselthwaite
Manor. In India she had always felt hot and too languid to care much
about anything. The fact was that the fresh wind from the moor had begun
to blow the cobwebs out of her young brain and to waken her up a little.
She stayed out of doors nearly all day, and when she sat down to her
supper at night she felt hungry and drowsy and comfortable. She did not
feel cross when Martha chattered away. She felt as if she rather liked
to hear her, and at last she thought she would ask her a question. She
asked it after she had finished her supper and had sat down on the
hearth-rug before the fire.
"Why did Mr. Craven hate the garden?" she said.
She had made Martha stay with her and Martha had not objected at all.
She was very young, and used to a crowded cottage full of brothers and
sisters, and she found it dull in the great servants' hall down-stairs
where the footman and upper-housemaids made fun of her Yorkshire speech
and looked upon her as a common little thing, and sat and whispered
among themselves. Martha liked to talk, and the strange child who had
lived in India, and been waited upon by "blacks," was novelty enough to
She sat down on the hearth herself without waiting to be asked.
"Art tha' thinkin' about that garden yet?" she said. "I knew tha' would.
That was just the way with me when I first heard about it."
"Why did he hate it?" Mary persisted.
Martha tucked her feet under her and made herself quite comfortable.
"Listen to th' wind wutherin' round the house," she said. "You could
bare stand up on the moor if you was out on it to-night."
Mary did not know what "wutherin'" meant until she listened, and then
she understood. It must mean that hollow shuddering sort of roar which
rushed round and round the house as if the giant no one could see were
buffeting it and beating at the walls and windows to try to break in.
But one knew he could not get in, and somehow it made one feel very safe
and warm inside a room with a red coal fire.
"But why did he hate it so?" she asked, after she had listened. She
intended to know if Martha did.
Then Martha gave up her store of knowledge.
"Mind," she said, "Mrs. Medlock said it's not to be talked about.
There's lots o' things in this place that's not to be talked over.
That's Mr. Craven's orders. His troubles are none servants' business, he
says. But for th' garden he wouldn't be like he is. It was Mrs. Craven's
garden that she had made when first they were married an' she just loved
it, an' they used to 'tend the flowers themselves. An' none o' th'
gardeners was ever let to go in. Him an' her used to go in an' shut th'
door an' stay there hours an' hours, readin' an' talkin'. An' she was
just a bit of a girl an' there was an old tree with a branch bent like a
seat on it. An' she made roses grow over it an' she used to sit there.
But one day when she was sittin' there th' branch broke an' she fell on
th' ground an' was hurt so bad that next day she died. Th' doctors
thought he'd go out o' his mind an' die, too. That's why he hates it. No
one's never gone in since, an' he won't let any one talk about it."
Mary did not ask any more questions. She looked at the red fire and
listened to the wind "wutherin'." It seemed to be "wutherin'" louder
At that moment a very good thing was happening to her. Four good things
had happened to her, in fact, since she came to Misselthwaite Manor. She
had felt as if she had understood a robin and that he had understood
her; she had run in the wind until her blood had grown warm; she had
been healthily hungry for the first time in her life; and she had found
out what it was to be sorry for some one. She was getting on.
But as she was listening to the wind she began to listen to something
else. She did not know what it was, because at first she could scarcely
distinguish it from the wind itself. It was a curious sound--it seemed
almost as if a child were crying somewhere. Sometimes the wind sounded
rather like a child crying, but presently Mistress Mary felt quite sure
that this sound was inside the house, not outside it. It was far away,
but it was inside. She turned round and looked at Martha.
"Do you hear any one crying?" she said.
Martha suddenly looked confused.
"No," she answered. "It's th' wind. Sometimes it sounds like as if some
one was lost on th' moor an' wailin'. It's got all sorts o' sounds."
"But listen," said Mary. "It's in the house--down one of those long
And at that very moment a door must have been opened somewhere
down-stairs; for a great rushing draft blew along the passage and the
door of the room they sat in was blown open with a crash, and as they
both jumped to their feet the light was blown out and the crying sound
was swept down the far corridor so that it was to be heard more plainly
"There!" said Mary. "I told you so! It is some one crying--and it isn't a
Martha ran and shut the door and turned the key, but before she did it
they both heard the sound of a door in some far passage shutting with a
bang, and then everything was quiet, for even the wind ceased
"wutherin'" for a few moments.
"It was th' wind," said Martha stubbornly. "An' if it wasn't, it was
little Betty Butterworth, th' scullery-maid. She's had th' toothache all
But something troubled and awkward in her manner made Mistress Mary
stare very hard at her. She did not believe she was speaking the truth.
"THERE WAS SOME ONE CRYING--THERE WAS!"
The next day the rain poured down in torrents again, and when Mary
looked out of her window the moor was almost hidden by gray mist and
cloud. There could be no going out to-day.
"What do you do in your cottage when it rains like this?" she asked
"Try to keep from under each other's feet mostly," Martha answered. "Eh!
there does seem a lot of us then. Mother's a good-tempered woman but she
gets fair moithered. The biggest ones goes out in th' cow-shed and plays
there. Dickon he doesn't mind th' wet. He goes out just th' same as if
th' sun was shinin'. He says he sees things on rainy days as doesn't
show when it's fair weather. He once found a little fox cub half drowned
in its hole and he brought it home in th' bosom of his shirt to keep it
warm. Its mother had been killed nearby an' th' hole was swum out an'
th' rest o' th' litter was dead. He's got it at home now. He found a
half-drowned young crow another time an' he brought it home, too, an'
tamed it. It's named Soot because it's so black, an' it hops an' flies
about with him everywhere."
The time had come when Mary had forgotten to resent Martha's familiar
talk. She had even begun to find it interesting and to be sorry when she
stopped or went away. The stories she had been told by her Ayah when she
lived in India had been quite unlike those Martha had to tell about the
moorland cottage which held fourteen people who lived in four little
rooms and never had quite enough to eat. The children seemed to tumble
about and amuse themselves like a litter of rough, good-natured collie
puppies. Mary was most attracted by the mother and Dickon. When Martha
told stories of what "mother" said or did they always sounded
"If I had a raven or a fox cub I could play with it," said Mary. "But I
Martha looked perplexed.
"Can tha' knit?" she asked.
"No," answered Mary.
"Can tha' sew?"
"Can tha' read?"
"Then why doesn't tha' read somethin', or learn a bit o' spellin'?
Tha'st old enough to be learnin' thy book a good bit now."
"I haven't any books," said Mary. "Those I had were left in India."
"That's a pity," said Martha. "If Mrs. Medlock'd let thee go into th'
library, there's thousands o' books there."
Mary did not ask where the library was, because she was suddenly
inspired by a new idea. She made up her mind to go and find it herself.
She was not troubled about Mrs. Medlock. Mrs. Medlock seemed always to
be in her comfortable housekeeper's sitting-room down-stairs. In this
queer place one scarcely ever saw any one at all. In fact, there was no
one to see but the servants, and when their master was away they lived a
luxurious life below stairs, where there was a huge kitchen hung about
with shining brass and pewter, and a large servants' hall where there
were four or five abundant meals eaten every day, and where a great deal
of lively romping went on when Mrs. Medlock was out of the way.
Mary's meals were served regularly, and Martha waited on her, but no one
troubled themselves about her in the least. Mrs. Medlock came and looked
at her every day or two, but no one inquired what she did or told her
what to do. She supposed that perhaps this was the English way of
treating children. In India she had always been attended by her Ayah,
who had followed her about and waited on her, hand and foot. She had
often been tired of her company. Now she was followed by nobody and was
learning to dress herself because Martha looked as though she thought
she was silly and stupid when she wanted to have things handed to her
and put on.
"Hasn't tha' got good sense?" she said once, when Mary had stood waiting
for her to put on her gloves for her. "Our Susan Ann is twice as sharp
as thee an' she's only four year' old. Sometimes tha' looks fair soft in
Mary had worn her contrary scowl for an hour after that, but it made her
think several entirely new things.
She stood at the window for about ten minutes this morning after Martha
had swept up the hearth for the last time and gone down-stairs. She was
thinking over the new idea which had come to her when she heard of the
library. She did not care very much about the library itself, because
she had read very few books; but to hear of it brought back to her mind
the hundred rooms with closed doors. She wondered if they were all
really locked and what she would find if she could get into any of them.
Were there a hundred really? Why shouldn't she go and see how many doors
she could count? It would be something to do on this morning when she
could not go out. She had never been taught to ask permission to do
things, and she knew nothing at all about authority, so she would not
have thought it necessary to ask Mrs. Medlock if she might walk about
the house, even if she had seen her.
She opened the door of the room and went into the corridor, and then she
began her wanderings. It was a long corridor and it branched into other
corridors and it led her up short flights of steps which mounted to
others again. There were doors and doors, and there were pictures on the
walls. Sometimes they were pictures of dark, curious landscapes, but
oftenest they were portraits of men and women in queer, grand costumes
made of satin and velvet. She found herself in one long gallery whose
walls were covered with these portraits. She had never thought there
could be so many in any house. She walked slowly down this place and
stared at the faces which also seemed to stare at her. She felt as if
they were wondering what a little girl from India was doing in their
house. Some were pictures of children--little girls in thick satin
frocks which reached to their feet and stood out about them, and boys
with puffed sleeves and lace collars and long hair, or with big ruffs
around their necks. She always stopped to look at the children, and
wonder what their names were, and where they had gone, and why they wore
such odd clothes. There was a stiff, plain little girl rather like
herself. She wore a green brocade dress and held a green parrot on her
finger. Her eyes had a sharp, curious look.
"Where do you live now?" said Mary aloud to her. "I wish you were here."
Surely no other little girl ever spent such a queer morning. It seemed
as if there was no one in all the huge rambling house but her own small
self, wandering about up-stairs and down, through narrow passages and
wide ones, where it seemed to her that no one but herself had ever
walked. Since so many rooms had been built, people must have lived in
them, but it all seemed so empty that she could not quite believe it
It was not until she climbed to the second floor that she thought of
turning the handle of a door. All the doors were shut, as Mrs. Medlock
had said they were, but at last she put her hand on the handle of one of
them and turned it. She was almost frightened for a moment when she felt
that it turned without difficulty and that when she pushed upon the door
itself it slowly and heavily opened. It was a massive door and opened
into a big bedroom. There were embroidered hangings on the wall, and
inlaid furniture such as she had seen in India stood about the room. A
broad window with leaded panes looked out upon the moor; and over the
mantel was another portrait of the stiff, plain little girl who seemed
to stare at her more curiously than ever.
"Perhaps she slept here once," said Mary. "She stares at me so that she
makes me feel queer."
After that she opened more doors and more. She saw so many rooms that
she became quite tired and began to think that there must be a hundred,
though she had not counted them. In all of them there were old pictures
or old tapestries with strange scenes worked on them. There were curious
pieces of furniture and curious ornaments in nearly all of them.
In one room, which looked like a lady's sitting-room, the hangings were
all embroidered velvet, and in a cabinet were about a hundred little
elephants made of ivory. They were of different sizes, and some had
their mahouts or palanquins on their backs. Some were much bigger than
the others and some were so tiny that they seemed only babies. Mary had
seen carved ivory in India and she knew all about elephants. She opened
the door of the cabinet and stood on a footstool and played with these
for quite a long time. When she got tired she set the elephants in
order and shut the door of the cabinet.
In all her wanderings through the long corridors and the empty rooms,
she had seen nothing alive; but in this room she saw something. Just
after she had closed the cabinet door she heard a tiny rustling sound.
It made her jump and look around at the sofa by the fireplace, from
which it seemed to come. In the corner of the sofa there was a cushion,
and in the velvet which covered it there was a hole, and out of the hole
peeped a tiny head with a pair of frightened eyes in it.
Mary crept softly across the room to look. The bright eyes belonged to a
little gray mouse, and the mouse had eaten a hole into the cushion and
made a comfortable nest there. Six baby mice were cuddled up asleep near
her. If there was no one else alive in the hundred rooms there were
seven mice who did not look lonely at all.
"If they wouldn't be so frightened I would take them back with me," said
She had wandered about long enough to feel too tired to wander any
farther, and she turned back. Two or three times she lost her way by
turning down the wrong corridor and was obliged to ramble up and down
until she found the right one; but at last she reached her own floor
again, though she was some distance from her own room and did not know
exactly where she was.
"I believe I have taken a wrong turning again," she said, standing still
at what seemed the end of a short passage with tapestry on the wall. "I
don't know which way to go. How still everything is!"
It was while she was standing here and just after she had said this that
the stillness was broken by a sound. It was another cry, but not quite
like the one she had heard last night; it was only a short one, a
fretful, childish whine muffled by passing through walls.
"It's nearer than it was," said Mary, her heart beating rather faster.
"And it "is" crying."
She put her hand accidentally upon the tapestry near her, and then
sprang back, feeling quite startled. The tapestry was the covering of a
door which fell open and showed her that there was another part of the
corridor behind it, and Mrs. Medlock was coming up it with her bunch of
keys in her hand and a very cross look on her face.
"What are you doing here?" she said, and she took Mary by the arm and
pulled her away. "What did I tell you?"
"I turned round the wrong corner," explained Mary. "I didn't know which
way to go and I heard some one crying."
She quite hated Mrs. Medlock at the moment, but she hated her more the
"You didn't hear anything of the sort," said the housekeeper. "You come
along back to your own nursery or I'll box your ears."
And she took her by the arm and half pushed, half pulled her up one
passage and down another until she pushed her in at the door of her own
"Now," she said, "you stay where you're told to stay or you'll find
yourself locked up. The master had better get you a governess, same as
he said he would. You're one that needs some one to look sharp after
you. I've got enough to do."
She went out of the room and slammed the door after her, and Mary went
and sat on the hearth-rug, pale with rage. She did not cry, but ground
"There "was" some one crying--there "was"--there "was"!" she said to
She had heard it twice now, and sometime she would find out. She had
found out a great deal this morning. She felt as if she had been on a
long journey, and at any rate she had had something to amuse her all the
time, and she had played with the ivory elephants and had seen the gray
mouse and its babies in their nest in the velvet cushion.
THE KEY OF THE GARDEN
Two days after this, when Mary opened her eyes she sat upright in bed
immediately, and called to Martha.
"Look at the moor! Look at the moor!"
The rain-storm had ended and the gray mist and clouds had been swept
away in the night by the wind. The wind itself had ceased and a
brilliant, deep blue sky arched high over the moorland. Never, never had
Mary dreamed of a sky so blue. In India skies were hot and blazing; this
was of a deep cool blue which almost seemed to sparkle like the waters
of some lovely bottomless lake, and here and there, high, high in the
arched blueness floated small clouds of snow-white fleece. The
far-reaching world of the moor itself looked softly blue instead of
gloomy purple-black or awful dreary gray.
"Aye," said Martha with a cheerful grin. "Th' storm's over for a bit. It
does like this at this time o' th' year. It goes off in a night like it
was pretendin' it had never been here an' never meant to come again.
That's because th' springtime's on its way. It's a long way off yet, but
"I thought perhaps it always rained or looked dark in England," Mary
"Eh! no!" said Martha, sitting up on her heels among her black lead
brushes. "Nowt o' th' soart!"
"What does that mean?" asked Mary seriously. In India the natives spoke
different dialects which only a few people understood, so she was not
surprised when Martha used words she did not know.
Martha laughed as she had done the first morning.
"There now," she said. "I've talked broad Yorkshire again like Mrs. Medlock
said I mustn't. 'Nowt o' th' soart' means 'nothin'-of-the-sort,'" slowly
and carefully, "but it takes so long to say it. Yorkshire's th' sunniest
place on earth when it is sunny. I told thee tha'd like th' moor after a
bit. Just you wait till you see th' gold-colored gorse blossoms an' th'
blossoms o' th' broom, an' th' heather flowerin', all purple bells, an'
hundreds o' butterflies flutterin' an' bees hummin' an' skylarks soarin'
up an' singin'. You'll want to get out on it at sunrise an' live out on
it all day like Dickon does."
"Could I ever get there?" asked Mary wistfully, looking through her
window at the far-off blue. It was so new and big and wonderful and such
a heavenly color.
"I don't know," answered Martha. "Tha's never used tha' legs since tha'
was born, it seems to me. Tha' couldn't walk five mile. It's five mile
to our cottage."
"I should like to see your cottage."
Martha stared at her a moment curiously before she took up her polishing
brush and began to rub the grate again. She was thinking that the small
plain face did not look quite as sour at this moment as it had done the
first morning she saw it. It looked just a trifle like little Susan
Ann's when she wanted something very much.
"I'll ask my mother about it," she said. "She's one o' them that nearly
always sees a way to do things. It's my day out to-day an' I'm goin'
home. Eh! I am glad. Mrs. Medlock thinks a lot o' mother. Perhaps she
could talk to her."
"I like your mother," said Mary.
"I should think tha' did," agreed Martha, polishing away.
"I've never seen her," said Mary.
"No, tha' hasn't," replied Martha.
She sat up on her heels again and rubbed the end of her nose with the
back of her hand as if puzzled for a moment, but she ended quite
"Well, she's that sensible an' hard workin' an' good-natured an' clean
that no one could help likin' her whether they'd seen her or not. When
I'm goin' home to her on my day out I just jump for joy when I'm
crossin' th' moor."
"I like Dickon," added Mary. "And I've never seen him."
"Well," said Martha stoutly, "I've told thee that th' very birds likes
him an' th' rabbits an' wild sheep an' ponies, an' th' foxes themselves.
I wonder," staring at her reflectively, "what Dickon would think of
"He wouldn't like me," said Mary in her stiff, cold little way. "No one
Martha looked reflective again.
"How does tha' like thysel'?" she inquired, really quite as if she were
curious to know.
Mary hesitated a moment and thought it over.
"Not at all--really," she answered. "But I never thought of that
Martha grinned a little as if at some homely recollection.
"Mother said that to me once," she said. "She was at her wash-tub an' I
was in a bad temper an' talkin' ill of folk, an' she turns round on me
an' says: 'Tha' young vixon, tha'! There tha' stands sayin' tha'
doesn't like this one an' tha' doesn't like that one. How does tha' like
thysel'?' It made me laugh an' it brought me to my senses in a minute."
She went away in high spirits as soon as she had given Mary her
breakfast. She was going to walk five miles across the moor to the
cottage, and she was going to help her mother with the washing and do
the week's baking and enjoy herself thoroughly.
Mary felt lonelier than ever when she knew she was no longer in the
house. She went out into the garden as quickly as possible, and the
first thing she did was to run round and round the fountain flower
garden ten times. She counted the times carefully and when she had
finished she felt in better spirits. The sunshine made the whole place
look different. The high, deep, blue sky arched over Misselthwaite as
well as over the moor, and she kept lifting her face and looking up into
it, trying to imagine what it would be like to lie down on one of the
little snow-white clouds and float about. She went into the first
kitchen-garden and found Ben Weatherstaff working there with two other
gardeners. The change in the weather seemed to have done him good. He
spoke to her of his own accord.
"Springtime's comin'," he said. "Cannot tha' smell it?"
Mary sniffed and thought she could.
"I smell something nice and fresh and damp," she said.
"That's th' good rich earth," he answered, digging away. "It's in a good
humor makin' ready to grow things. It's glad when plantin' time comes.
It's dull in th' winter when it's got nowt to do. In th' flower gardens
out there things will be stirrin' down below in th' dark. Th' sun's
warmin' 'em. You'll see bits o' green spikes stickin' out o' th' black
earth after a bit."
"What will they be?" asked Mary.
"Crocuses an' snowdrops an' daffydowndillys. Has tha' never seen them?"
"No. Everything is hot, and wet, and green after the rains in India,"
said Mary. "And I think things grow up in a night."
"These won't grow up in a night," said Weatherstaff. "Tha'll have to
wait for 'em. They'll poke up a bit higher here, an' push out a spike
more there, an' uncurl a leaf this day an' another that. You watch 'em."
"I am going to," answered Mary.
Very soon she heard the soft rustling flight of wings again and she knew
at once that the robin had come again. He was very pert and lively, and
hopped about so close to her feet, and put his head on one side and
looked at her so slyly that she asked Ben Weatherstaff a question.
"Do you think he remembers me?" she said.
"Remembers thee!" said Weatherstaff indignantly. "He knows every cabbage
stump in th' gardens, let alone th' people. He's never seen a little
wench here before, an' he's bent on findin' out all about thee. Tha's no
need to try to hide anything from "him"."
"Are things stirring down below in the dark in that garden where he
lives?" Mary inquired.
"What garden?" grunted Weatherstaff, becoming surly again.
"The one where the old rose-trees are." She could not help asking,
because she wanted so much to know. "Are all the flowers dead, or do
some of them come again in the summer? Are there ever any roses?"
"Ask him," said Ben Weatherstaff, hunching his shoulders toward the
robin. "He's the only one as knows. No one else has seen inside it for
Ten years was a long time, Mary thought. She had been born ten years
She walked away, slowly thinking. She had begun to like the garden just
as she had begun to like the robin and Dickon and Martha's mother. She
was beginning to like Martha, too. That seemed a good many people to
like--when you were not used to liking. She thought of the robin as one
of the people. She went to her walk outside the long, ivy-covered wall
over which she could see the tree-tops; and the second time she walked
up and down the most interesting and exciting thing happened to her, and
it was all through Ben Weatherstaff's robin.
She heard a chirp and a twitter, and when she looked at the bare
flower-bed at her left side there he was hopping about and pretending to
peck things out of the earth to persuade her that he had not followed
her. But she knew he had followed her and the surprise so filled her
with delight that she almost trembled a little.
"You do remember me!" she cried out. "You do! You are prettier than
anything else in the world!"
She chirped, and talked, and coaxed and he hopped, and flirted his tail
and twittered. It was as if he were talking. His red waistcoat was like
satin and he puffed his tiny breast out and was so fine and so grand and
so pretty that it was really as if he were showing her how important and
like a human person a robin could be. Mistress Mary forgot that she had
ever been contrary in her life when he allowed her to draw closer and
closer to him, and bend down and talk and try to make something like
Oh! to think that he should actually let her come as near to him as
that! He knew nothing in the world would make her put out her hand
toward him or startle him in the least tiniest way. He knew it because
he was a real person--only nicer than any other person in the world. She
was so happy that she scarcely dared to breathe.
The flower-bed was not quite bare. It was bare of flowers because the
perennial plants had been cut down for their winter rest, but there were
tall shrubs and low ones which grew together at the back of the bed, and
as the robin hopped about under them she saw him hop over a small pile
of freshly turned up earth. He stopped on it to look for a worm. The
earth had been turned up because a dog had been trying to dig up a mole
and he had scratched quite a deep hole.
Mary looked at it, not really knowing why the hole was there, and as she
looked she saw something almost buried in the newly-turned soil. It was
something like a ring of rusty iron or brass and when the robin flew up
into a tree nearby she put out her hand and picked the ring up. It was
more than a ring, however; it was an old key which looked as if it had
been buried a long time.
Mistress Mary stood up and looked at it with an almost frightened face
as it hung from her finger.
"Perhaps it has been buried for ten years," she said in a whisper.
"Perhaps it is the key to the garden!"
THE ROBIN WHO SHOWED THE WAY
She looked at the key quite a long time. She turned it over and over,
and thought about it. As I have said before, she was not a child who had
been trained to ask permission or consult her elders about things. All
she thought about the key was that if it was the key to the closed
garden, and she could find out where the door was, she could perhaps
open it and see what was inside the walls, and what had happened to the
old rose-trees. It was because it had been shut up so long that she
wanted to see it. It seemed as if it must be different from other places
and that something strange must have happened to it during ten years.
Besides that, if she liked it she could go into it every day and shut
the door behind her, and she could make up some play of her own and play
it quite alone, because nobody would ever know where she was, but would
think the door was still locked and the key buried in the earth. The
thought of that pleased her very much.
Living as it were, all by herself in a house with a hundred
mysteriously closed rooms and having nothing whatever to do to amuse
herself, had set her inactive brain to working and was actually
awakening her imagination. There is no doubt that the fresh, strong,
pure air from the moor had a great deal to do with it. Just as it had
given her an appetite, and fighting with the wind had stirred her blood,
so the same things had stirred her mind. In India she had always been
too hot and languid and weak to care much about anything, but in this
place she was beginning to care and to want to do new things. Already
she felt less "contrary," though she did not know why.
She put the key in her pocket and walked up and down her walk. No one
but herself ever seemed to come there, so she could walk slowly and look
at the wall, or, rather, at the ivy growing on it. The ivy was the
baffling thing. Howsoever carefully she looked she could see nothing but
thickly-growing, glossy, dark green leaves. She was very much
disappointed. Something of her contrariness came back to her as she
paced the walk and looked over it at the tree-tops inside. It seemed so
silly, she said to herself, to be near it and not be able to get in. She
took the key in her pocket when she went back to the house, and she made
up her mind that she would always carry it with her when she went out,
so that if she ever should find the hidden door she would be ready.
Mrs. Medlock had allowed Martha to sleep all night at the cottage, but
she was back at her work in the morning with cheeks redder than ever and
in the best of spirits.
"I got up at four o'clock," she said. "Eh! it was pretty on th' moor
with th' birds gettin' up an' th' rabbits scamperin' about an' th' sun
risin'. I didn't walk all th' way. A man gave me a ride in his cart an'
I can tell you I did enjoy myself."
She was full of stories of the delights of her day out. Her mother had
been glad to see her and they had got the baking and washing all out of
the way. She had even made each of the children a dough-cake with a bit
of brown sugar in it.
"I had 'em all pipin' hot when they came in from playin' on th' moor.
An' th' cottage all smelt o' nice, clean hot bakin' an' there was a good
fire, an' they just shouted for joy. Our Dickon he said our cottage was
good enough for a king to live in."
In the evening they had all sat round the fire, and Martha and her
mother had sewed patches on torn clothes and mended stockings and Martha
had told them about the little girl who had come from India and who had
been waited on all her life by what Martha called "blacks" until she
didn't know how to put on her own stockings.
"Eh! they did like to hear about you," said Martha. "They wanted to know
all about th' blacks an' about th' ship you came in. I couldn't tell 'em
Mary reflected a little.
"I'll tell you a great deal more before your next day out," she said,
"so that you will have more to talk about. I dare say they would like to
hear about riding on elephants and camels, and about the officers going
to hunt tigers."
"My word!" cried delighted Martha. "It would set 'em clean off their
heads. Would tha' really do that, Miss? It would be same as a wild beast
show like we heard they had in York once."
"India is quite different from Yorkshire," Mary said slowly, as she
thought the matter over. "I never thought of that. Did Dickon and your
mother like to hear you talk about me?"
"Why, our Dickon's eyes nearly started out o' his head, they got that
round," answered Martha. "But mother, she was put out about your seemin'
to be all by yourself like. She said, 'Hasn't Mr. Craven got no
governess for her, nor no nurse?' and I said, 'No, he hasn't, though
Mrs. Medlock says he will when he thinks of it, but she says he mayn't
think of it for two or three years.'"
"I don't want a governess," said Mary sharply.
"But mother says you ought to be learnin' your book by this time an' you
ought to have a woman to look after you, an' she says: 'Now, Martha, you
just think how you'd feel yourself, in a big place like that, wanderin'
about all alone, an' no mother. You do your best to cheer her up,' she
says, an' I said I would."
Mary gave her a long, steady look.
"You do cheer me up," she said. "I like to hear you talk."
Presently Martha went out of the room and came back with something held
in her hands under her apron.
"What does tha' think," she said, with a cheerful grin. "I've brought
thee a present."
"A present!" exclaimed Mistress Mary. How could a cottage full of
fourteen hungry people give any one a present!
"A man was drivin' across the moor peddlin'," Martha explained. "An' he
stopped his cart at our door. He had pots an' pans an' odds an' ends,
but mother had no money to buy anythin'. Just as he was goin' away our
'Lizabeth Ellen called out, 'Mother, he's got skippin'-ropes with red
an' blue handles.' An' mother she calls out quite sudden, 'Here, stop,
mister! How much are they?' An' he says 'Tuppence,' an' mother she
began fumblin' in her pocket an' she says to me, 'Martha, tha's brought
me thy wages like a good lass, an' I've got four places to put every
penny, but I'm just goin' to take tuppence out of it to buy that child a
skippin'-rope,' an' she bought one an' here it is."
She brought it out from under her apron and exhibited it quite proudly.
It was a strong, slender rope with a striped red and blue handle at each
end, but Mary Lennox had never seen a skipping-rope before. She gazed at
it with a mystified expression.
"What is it for?" she asked curiously.
"For!" cried out Martha. "Does tha' mean that they've not got
skippin'-ropes in India, for all they've got elephants and tigers and
camels! No wonder most of 'em's black. This is what it's for; just watch
And she ran into the middle of the room and, taking a handle in each
hand, began to skip, and skip, and skip, while Mary turned in her chair
to stare at her, and the queer faces in the old portraits seemed to
stare at her, too, and wonder what on earth this common little cottager
had the impudence to be doing under their very noses. But Martha did not
even see them. The interest and curiosity in Mistress Mary's face
delighted her, and she went on skipping and counted as she skipped
until she had reached a hundred.
"I could skip longer than that," she said when she stopped. "I've
skipped as much as five hundred when I was twelve, but I wasn't as fat
then as I am now, an' I was in practice."
Mary got up from her chair beginning to feel excited herself.
"It looks nice," she said. "Your mother is a kind woman. Do you think I
could ever skip like that?"
"You just try it," urged Martha, handing her the skipping-rope. "You
can't skip a hundred at first, but if you practise you'll mount up.
That's what mother said. She says, 'Nothin' will do her more good than
skippin' rope. It's th' sensiblest toy a child can have. Let her play
out in th' fresh air skippin' an' it'll stretch her legs an' arms an'
give her some strength in 'em.'"
It was plain that there was not a great deal of strength in Mistress
Mary's arms and legs when she first began to skip. She was not very
clever at it, but she liked it so much that she did not want to stop.
"Put on tha' things and run an' skip out o' doors," said Martha. "Mother
said I must tell you to keep out o' doors as much as you could, even
when it rains a bit, so as tha' wrap up warm."
Mary put on her coat and hat and took her skipping-rope over her arm.
She opened the door to go out, and then suddenly thought of something
and turned back rather slowly.
"Martha," she said, "they were your wages. It was your twopence really.
Thank you." She said it stiffly because she was not used to thanking
people or noticing that they did things for her. "Thank you," she said,
and held out her hand because she did not know what else to do.
Martha gave her hand a clumsy little shake, as if she was not accustomed
to this sort of thing either. Then she laughed.
"Eh! tha' art a queer, old-womanish thing," she said. "If tha'd been our
'Lizabeth Ellen tha'd have give me a kiss."
Mary looked stiffer than ever.
"Do you want me to kiss you?"
Martha laughed again.
"Nay, not me," she answered. "If tha' was different, p'raps tha'd want
to thysel'. But tha' isn't. Run off outside an' play with thy rope."
Mistress Mary felt a little awkward as she went out of the room.
Yorkshire people seemed strange, and Martha was always rather a puzzle
to her. At first she had disliked her very much, but now she did not.
The skipping-rope was a wonderful thing. She counted and skipped, and
skipped and counted, until her cheeks were quite red, and she was more
interested than she had ever been since she was born. The sun was
shining and a little wind was blowing--not a rough wind, but one which
came in delightful little gusts and brought a fresh scent of newly
turned earth with it. She skipped round the fountain garden, and up one
walk and down another. She skipped at last into the kitchen-garden and
saw Ben Weatherstaff digging and talking to his robin, which was hopping
about him. She skipped down the walk toward him and he lifted his head
and looked at her with a curious expression. She had wondered if he
would notice her. She really wanted him to see her skip.
"Well!" he exclaimed. "Upon my word! P'raps tha' art a young 'un, after
all, an' p'raps tha's got child's blood in thy veins instead of sour
buttermilk. Tha's skipped red into thy cheeks as sure as my name's Ben
Weatherstaff. I wouldn't have believed tha' could do it."
"I never skipped before," Mary said. "I'm just beginning. I can only go
up to twenty."
"Tha' keep on," said Ben. "Tha' shapes well enough at it for a young 'un
that's lived with heathen. Just see how he's watchin' thee," jerking his
head toward the robin. "He followed after thee yesterday. He'll be at
it again to-day. He'll be bound to find out what th' skippin'-rope is.
He's never seen one. Eh!" shaking his head at the bird, "tha' curosity
will be th' death of thee sometime if tha' doesn't look sharp."
Mary skipped round all the gardens and round the orchard, resting every
few minutes. At length she went to her own special walk and made up her
mind to try if she could skip the whole length of it. It was a good long
skip and she began slowly, but before she had gone half-way down the
path she was so hot and breathless that she was obliged to stop. She did
not mind much, because she had already counted up to thirty. She stopped
with a little laugh of pleasure, and there, lo and behold, was the robin
swaying on a long branch of ivy. He had followed her and he greeted her
with a chirp. As Mary had skipped toward him she felt something heavy in
her pocket strike against her at each jump, and when she saw the robin
she laughed again.
"You showed me where the key was yesterday," she said. "You ought to
show me the door to-day; but I don't believe you know!"
The robin flew from his swinging spray of ivy on to the top of the wall
and he opened his beak and sang a loud, lovely trill, merely to show
off. Nothing in the world is quite as adorably lovely as a robin when
he shows off--and they are nearly always doing it.
Mary Lennox had heard a great deal about Magic in her Ayah's stories,
and she always said that what happened almost at that moment was Magic.
One of the nice little gusts of wind rushed down the walk, and it was a
stronger one than the rest. It was strong enough to wave the branches of
the trees, and it was more than strong enough to sway the trailing
sprays of untrimmed ivy hanging from the wall. Mary had stepped close to
the robin, and suddenly the gust of wind swung aside some loose ivy
trails, and more suddenly still she jumped toward it and caught it in
her hand. This she did because she had seen something under it--a round
knob which had been covered by the leaves hanging over it. It was the
knob of a door.
She put her hands under the leaves and began to pull and push them
aside. Thick as the ivy hung, it nearly all was a loose and swinging
curtain, though some had crept over wood and iron. Mary's heart began to
thump and her hands to shake a little in her delight and excitement. The
robin kept singing and twittering away and tilting his head on one side,
as if he were as excited as she was. What was this under her hands which
was square and made of iron and which her fingers found a hole in?
It was the lock of the door which had been closed ten years and she put
her hand in her pocket, drew out the key and found it fitted the
keyhole. She put the key in and turned it. It took two hands to do it,
but it did turn.
And then she took a long breath and looked behind her up the long walk
to see if any one was coming. No one was coming. No one ever did come,
it seemed, and she took another long breath, because she could not help
it, and she held back the swinging curtain of ivy and pushed back the
door which opened slowly--slowly.
Then she slipped through it, and shut it behind her, and stood with her
back against it, looking about her and breathing quite fast with
excitement, and wonder, and delight.
She was standing "inside" the secret garden.
THE STRANGEST HOUSE ANY ONE EVER LIVED IN
It was the sweetest, most mysterious-looking place any one could
imagine. The high walls which shut it in were covered with the leafless
stems of climbing roses which were so thick that they were matted
together. Mary Lennox knew they were roses because she had seen a great
many roses in India. All the ground was covered with grass of a wintry
brown and out of it grew clumps of bushes which were surely rose-bushes
if they were alive. There were numbers of standard roses which had so
spread their branches that they were like little trees. There were other
trees in the garden, and one of the things which made the place look
strangest and loveliest was that climbing roses had run all over them
and swung down long tendrils which made light swaying curtains, and here
and there they had caught at each other or at a far-reaching branch and
had crept from one tree to another and made lovely bridges of
themselves. There were neither leaves nor roses on them now and Mary did
not know whether they were dead or alive, but their thin gray or brown
branches and sprays looked like a sort of hazy mantle spreading over
everything, walls, and trees, and even brown grass, where they had
fallen from their fastenings and run along the ground. It was this hazy
tangle from tree to tree which made it all look so mysterious. Mary had
thought it must be different from other gardens which had not been left
all by themselves so long; and indeed it was different from any other
place she had ever seen in her life.
"How still it is!" she whispered. "How still!"
Then she waited a moment and listened at the stillness. The robin, who
had flown to his tree-top, was still as all the rest. He did not even
flutter his wings; he sat without stirring, and looked at Mary.
"No wonder it is still," she whispered again. "I am the first person who
has spoken in here for ten years."
She moved away from the door, stepping as softly as if she were afraid
of awakening some one. She was glad that there was grass under her feet
and that her steps made no sounds. She walked under one of the
fairy-like gray arches between the trees and looked up at the sprays and
tendrils which formed them.
"I wonder if they are all quite dead," she said. "Is it all a quite dead
garden? I wish it wasn't."
If she had been Ben Weatherstaff she could have told whether the wood
was alive by looking at it, but she could only see that there were only
gray or brown sprays and branches and none showed any signs of even a
tiny leaf-bud anywhere.
But she was "inside" the wonderful garden and she could come through the
door under the ivy any time and she felt as if she had found a world all
The sun was shining inside the four walls and the high arch of blue sky
over this particular piece of Misselthwaite seemed even more brilliant
and soft than it was over the moor. The robin flew down from his
tree-top and hopped about or flew after her from one bush to another. He
chirped a good deal and had a very busy air, as if he were showing her
things. Everything was strange and silent and she seemed to be hundreds
of miles away from any one, but somehow she did not feel lonely at all.
All that troubled her was her wish that she knew whether all the roses
were dead, or if perhaps some of them had lived and might put out leaves
and buds as the weather got warmer. She did not want it to be a quite
dead garden. If it were a quite alive garden, how wonderful it would
be, and what thousands of roses would grow on every side!
Her skipping-rope had hung over her arm when she came in and after she
had walked about for a while she thought she would skip round the whole
garden, stopping when she wanted to look at things. There seemed to have
been grass paths here and there, and in one or two corners there were
alcoves of evergreen with stone seats or tall moss-covered flower urns
As she came near the second of these alcoves she stopped skipping. There
had once been a flower-bed in it, and she thought she saw something
sticking out of the black earth--some sharp little pale green points.
She remembered what Ben Weatherstaff had said and she knelt down to look
"Yes, they are tiny growing things and they "might" be crocuses or
snowdrops or daffodils," she whispered.
She bent very close to them and sniffed the fresh scent of the damp
earth. She liked it very much.
"Perhaps there are some other ones coming up in other places," she said.
"I will go all over the garden and look."
She did not skip, but walked. She went slowly and kept her eyes on the
ground. She looked in the old border beds and among the grass, and after
she had gone round, trying to miss nothing, she had found ever so many
more sharp, pale green points, and she had become quite excited again.
"It isn't a quite dead garden," she cried out softly to herself. "Even
if the roses are dead, there are other things alive."
She did not know anything about gardening, but the grass seemed so thick
in some of the places where the green points were pushing their way
through that she thought they did not seem to have room enough to grow.
She searched about until she found a rather sharp piece of wood and
knelt down and dug and weeded out the weeds and grass until she made
nice little clear places around them.
"Now they look as if they could breathe," she said, after she had
finished with the first ones. "I am going to do ever so many more. I'll
do all I can see. If I haven't time to-day I can come to-morrow."
She went from place to place, and dug and weeded, and enjoyed herself so
immensely that she was led on from bed to bed and into the grass under
the trees. The exercise made her so warm that she first threw her coat
off, and then her hat, and without knowing it she was smiling down on to
the grass and the pale green points all the time.
The robin was tremendously busy. He was very much pleased to see
gardening begun on his own estate. He had often wondered at Ben
Weatherstaff. Where gardening is done all sorts of delightful things to
eat are turned up with the soil. Now here was this new kind of creature
who was not half Ben's size and yet had had the sense to come into his
garden and begin at once.
Mistress Mary worked in her garden until it was time to go to her midday
dinner. In fact, she was rather late in remembering, and when she put on
her coat and hat, and picked up her skipping-rope, she could not believe
that she had been working two or three hours. She had been actually
happy all the time; and dozens and dozens of the tiny, pale green points
were to be seen in cleared places, looking twice as cheerful as they had
looked before when the grass and weeds had been smothering them.
"I shall come back this afternoon," she said, looking all round at her
new kingdom, and speaking to the trees and the rose-bushes as if they
Then she ran lightly across the grass, pushed open the slow old door and
slipped through it under the ivy. She had such red cheeks and such
bright eyes and ate such a dinner that Martha was delighted.
"Two pieces o' meat an' two helps o' rice puddin'!" she said. "Eh!
mother will be pleased when I tell her what th' skippin'-rope's done
In the course of her digging with her pointed stick Mistress Mary had
found herself digging up a sort of white root rather like an onion. She
had put it back in its place and patted the earth carefully down on it
and just now she wondered if Martha could tell her what it was.
"Martha," she said, "what are those white roots that look like onions?"
"They're bulbs," answered Martha. "Lots o' spring flowers grow from 'em.
Th' very little ones are snowdrops an' crocuses an' th' big ones are
narcissusis an' jonquils an' daffydowndillys. Th' biggest of all is
lilies an' purple flags. Eh! they are nice. Dickon's got a whole lot of
'em planted in our bit o' garden."
"Does Dickon know all about them?" asked Mary, a new idea taking
possession of her.
"Our Dickon can make a flower grow out of a brick walk. Mother says he
just whispers things out o' th' ground."
"Do bulbs live a long time? Would they live years and years if no one
helped them?" inquired Mary anxiously.
"They're things as helps themselves," said Martha. "That's why poor folk
can afford to have 'em. If you don't trouble 'em, most of 'em'll work
away underground for a lifetime an' spread out an' have little 'uns.
There's a place in th' park woods here where there's snowdrops by
thousands. They're the prettiest sight in Yorkshire when th' spring
comes. No one knows when they was first planted."
"I wish the spring was here now," said Mary. "I want to see all the
things that grow in England."
She had finished her dinner and gone to her favorite seat on the
"I wish--I wish I had a little spade," she said.
"Whatever does tha' want a spade for?" asked Martha, laughing. "Art tha'
goin' to take to diggin'? I must tell mother that, too."
Mary looked at the fire and pondered a little. She must be careful if
she meant to keep her secret kingdom. She wasn't doing any harm, but if
Mr. Craven found out about the open door he would be fearfully angry and
get a new key and lock it up forevermore. She really could not bear
"This is such a big lonely place," she said slowly, as if she were
turning matters over in her mind. "The house is lonely, and the park is
lonely, and the gardens are lonely. So many places seem shut up. I never
did many things in India, but there were more people to look at--natives
and soldiers marching by--and sometimes bands playing, and my Ayah told
me stories. There is no one to talk to here except you and Ben
Weatherstaff. And you have to do your work and Ben Weatherstaff won't
speak to me often. I thought if I had a little spade I could dig
somewhere as he does, and I might make a little garden if he would give
me some seeds."
Martha's face quite lighted up.
"There now!" she exclaimed, "if that wasn't one of th' things mother
said. She says, 'There's such a lot o' room in that big place, why don't
they give her a bit for herself, even if she doesn't plant nothin' but
parsley an' radishes? She'd dig an' rake away an' be right down happy
over it.' Them was the very words she said."
"Were they?" said Mary. "How many things she knows, doesn't she?"
"Eh!" said Martha. "It's like she says: 'A woman as brings up twelve
children learns something besides her A B C. Children's as good as
'rithmetic to set you findin' out things.'"
"How much would a spade cost--a little one?" Mary asked.
"Well," was Martha's reflective answer, "at Thwaite village there's a
shop or so an' I saw little garden sets with a spade an' a rake an' a
fork all tied together for two shillings. An' they was stout enough to
work with, too."
"I've got more than that in my purse," said Mary. "Mrs. Morrison gave
me five shillings and Mrs. Medlock gave me some money from Mr. Craven."
"Did he remember thee that much?" exclaimed Martha.
"Mrs. Medlock said I was to have a shilling a week to spend. She gives
me one every Saturday. I didn't know what to spend it on."
"My word! that's riches," said Martha. "Tha' can buy anything in th'
world tha' wants. Th' rent of our cottage is only one an' threepence an'
it's like pullin' eye-teeth to get it. Now I've just thought of
somethin'," putting her hands on her hips.
"What?" said Mary eagerly.
"In the shop at Thwaite they sell packages o' flower-seeds for a penny
each, and our Dickon he knows which is th' prettiest ones an' how to
make 'em grow. He walks over to Thwaite many a day just for th' fun of
it. Does tha' know how to print letters?" suddenly.
"I know how to write," Mary answered.
Martha shook her head.
"Our Dickon can only read printin'. If tha' could print we could write a
letter to him an' ask him to go an' buy th' garden tools an' th' seeds
at th' same time."
"Oh! you're a good girl!" Mary cried. "You are, really! I didn't know
you were so nice. I know I can print letters if I try. Let's ask Mrs.
Medlock for a pen and ink and some paper."
"I've got some of my own," said Martha. "I bought 'em so I could print a
bit of a letter to mother of a Sunday. I'll go and get it."
She ran out of the room, and Mary stood by the fire and twisted her thin
little hands together with sheer pleasure.
"If I have a spade," she whispered, "I can make the earth nice and soft
and dig up weeds. If I have seeds and can make flowers grow the garden
won't be dead at all--it will come alive."
She did not go out again that afternoon because when Martha returned
with her pen and ink and paper she was obliged to clear the table and
carry the plates and dishes down-stairs and when she got into the
kitchen Mrs. Medlock was there and told her to do something, so Mary
waited for what seemed to her a long time before she came back. Then it
was a serious piece of work to write to Dickon. Mary had been taught
very little because her governesses had disliked her too much to stay
with her. She could not spell particularly well but she found that she
could print letters when she tried. This was the letter Martha dictated
""My Dear Dickon:"
This comes hoping to find you well as it leaves me
at present. Miss Mary has plenty of money and will
you go to Thwaite and buy her some flower seeds
and a set of garden tools to make a flower-bed.
Pick the prettiest ones and easy to grow because
she has never done it before and lived in India
which is different. Give my love to mother and
every one of you. Miss Mary is going to tell me a
lot more so that on my next day out you can hear
about elephants and camels and gentlemen going
hunting lions and tigers.
"Your loving sister,
"MARTHA PHOEBE SOWERBY."
"We'll put the money in th' envelope an' I'll get th' butcher's boy to
take it in his cart. He's a great friend o' Dickon's," said Martha.
"How shall I get the things when Dickon buys them?" asked Mary.
"He'll bring 'em to you himself. He'll like to walk over this way."
"Oh!" exclaimed Mary, "then I shall see him! I never thought I should
"Does tha' want to see him?" asked Martha suddenly, she had looked so
"Yes, I do. I never saw a boy foxes and crows loved. I want to see him
Martha gave a little start, as if she suddenly remembered something.
"Now to think," she broke out, "to think o' me forgettin' that there;
an' I thought I was goin' to tell you first thing this mornin'. I asked
mother--and she said she'd ask Mrs. Medlock her own self."
"Do you mean--" Mary began.
"What I said Tuesday. Ask her if you might be driven over to our cottage
some day and have a bit o' mother's hot oat cake, an' butter, an' a
glass o' milk."
It seemed as if all the interesting things were happening in one day. To
think of going over the moor in the daylight and when the sky was blue!
To think of going into the cottage which held twelve children!
"Does she think Mrs. Medlock would let me go?" she asked, quite
"Aye, she thinks she would. She knows what a tidy woman mother is and
how clean she keeps the cottage."
"If I went I should see your mother as well as Dickon," said Mary,
thinking it over and liking the idea very much. "She doesn't seem to be
like the mothers in India."
Her work in the garden and the excitement of the afternoon ended by
making her feel quiet and thoughtful. Martha stayed with her until
tea-time, but they sat in comfortable quiet and talked very little. But
just before Martha went down-stairs for the tea-tray, Mary asked a
"Martha," she said, "has the scullery-maid had the toothache again
Martha certainly started slightly.
"What makes thee ask that?" she said.
"Because when I waited so long for you to come back I opened the door
and walked down the corridor to see if you were coming. And I heard that
far-off crying again, just as we heard it the other night. There isn't a
wind to-day, so you see it couldn't have been the wind."
"Eh!" said Martha restlessly. "Tha' mustn't go walkin' about in
corridors an' listenin'. Mr. Craven would be that there angry there's no
knowin' what he'd do."
"I wasn't listening," said Mary. "I was just waiting for you--and I
heard it. That's three times."
"My word! There's Mrs. Medlock's bell," said Martha, and she almost ran
out of the room.
"It's the strangest house any one ever lived in," said Mary drowsily, as
she dropped her head on the cushioned seat of the armchair near her.
Fresh air, and digging, and skipping-rope had made her feel so
comfortably tired that she fell asleep.
The sun shone down for nearly a week on the secret garden. The Secret
Garden was what Mary called it when she was thinking of it. She liked
the name, and she liked still more the feeling that when its beautiful
old walls shut her in no one knew where she was. It seemed almost like
being shut out of the world in some fairy place. The few books she had
read and liked had been fairy-story books, and she had read of secret
gardens in some of the stories. Sometimes people went to sleep in them
for a hundred years, which she had thought must be rather stupid. She
had no intention of going to sleep, and, in fact, she was becoming wider
awake every day which passed at Misselthwaite. She was beginning to like
to be out of doors; she no longer hated the wind, but enjoyed it. She
could run faster, and longer, and she could skip up to a hundred. The
bulbs in the secret garden must have been much astonished. Such nice
clear places were made round them that they had all the breathing space
they wanted, and really, if Mistress Mary had known it, they began to
cheer up under the dark earth and work tremendously. The sun could get
at them and warm them, and when the rain came down it could reach them
at once, so they began to feel very much alive.
Mary was an odd, determined little person, and now she had something
interesting to be determined about, she was very much absorbed, indeed.
She worked and dug and pulled up weeds steadily, only becoming more
pleased with her work every hour instead of tiring of it. It seemed to
her like a fascinating sort of play. She found many more of the
sprouting pale green points than she had ever hoped to find. They seemed
to be starting up everywhere and each day she was sure she found tiny
new ones, some so tiny that they barely peeped above the earth. There
were so many that she remembered what Martha had said about the
"snowdrops by the thousands," and about bulbs spreading and making new
ones. These had been left to themselves for ten years and perhaps they
had spread, like the snowdrops, into thousands. She wondered how long it
would be before they showed that they were flowers. Sometimes she
stopped digging to look at the garden and try to imagine what it would
be like when it was covered with thousands of lovely things in bloom.
During that week of sunshine, she became more intimate with Ben
Weatherstaff. She surprised him several times by seeming to start up
beside him as if she sprang out of the earth. The truth was that she was
afraid that he would pick up his tools and go away if he saw her coming,
so she always walked toward him as silently as possible. But, in fact,
he did not object to her as strongly as he had at first. Perhaps he was
secretly rather flattered by her evident desire for his elderly company.
Then, also, she was more civil than she had been. He did not know that
when she first saw him she spoke to him as she would have spoken to a
native, and had not known that a cross, sturdy old Yorkshire man was not
accustomed to salaam to his masters, and be merely commanded by them to
"Tha'rt like th' robin," he said to her one morning when he lifted his
head and saw her standing by him. "I never knows when I shall see thee
or which side tha'll come from."
"He's friends with me now," said Mary.
"That's like him," snapped Ben Weatherstaff. "Makin' up to th' women
folk just for vanity an' flightiness. There's nothin' he wouldn't do for
th' sake o' showin' off an' flirtin' his tail-feathers. He's as full o'
pride as an egg's full o' meat."
He very seldom talked much and sometimes did not even answer Mary's
questions except by a grunt, but this morning he said more than usual.
He stood up and rested one hobnailed boot on the top of his spade while
he looked her over.
"How long has tha' been here?" he jerked out.
"I think it's about a month," she answered.
"Tha's beginnin' to do Misselthwaite credit," he said. "Tha's a bit
fatter than tha' was an' tha's not quite so yeller. Tha' looked like a
young plucked crow when tha' first came into this garden. Thinks I to
myself I never set eyes on an uglier, sourer faced young 'un."
Mary was not vain and as she had never thought much of her looks she was
not greatly disturbed.
"I know I'm fatter," she said. "My stockings are getting tighter. They
used to make wrinkles. There's the robin, Ben Weatherstaff."
There, indeed, was the robin, and she thought he looked nicer than ever.
His red waistcoat was as glossy as satin and he flirted his wings and
tail and tilted his head and hopped about with all sorts of lively
graces. He seemed determined to make Ben Weatherstaff admire him. But
Ben was sarcastic.
"Aye, there tha' art!" he said. "Tha' can put up with me for a bit
sometimes when tha's got no one better. Tha's been reddinin' up thy
waistcoat an' polishin' thy feathers this two weeks. I know what tha's
up to. Tha's courtin' some bold young madam somewhere, tellin' thy lies
to her about bein' th' finest cock robin on Missel Moor an' ready to
fight all th' rest of 'em."
"Oh! look at him!" exclaimed Mary.
The robin was evidently in a fascinating, bold mood. He hopped closer
and closer and looked at Ben Weatherstaff more and more engagingly. He
flew on to the nearest currant bush and tilted his head and sang a
little song right at him.
"Tha' thinks tha'll get over me by doin' that," said Ben, wrinkling his
face up in such a way that Mary felt sure he was trying not to look
pleased. "Tha' thinks no one can stand out against thee--that's what
The robin spread his wings--Mary could scarcely believe her eyes. He
flew right up to the handle of Ben Weatherstaff's spade and alighted on
the top of it. Then the old man's face wrinkled itself slowly into a new
expression. He stood still as if he were afraid to breathe--as if he
would not have stirred for the world, lest his robin should start away.
He spoke quite in a whisper.
"Well, I'm danged!" he said as softly as if he were saying something
quite different. "Tha' does know how to get at a chap--tha' does! Tha's
fair unearthly, tha's so knowin'."
And he stood without stirring--almost without drawing his breath--until
the robin gave another flirt to his wings and flew away. Then he stood
looking at the handle of the spade as if there might be Magic in it, and
then he began to dig again and said nothing for several minutes.
But because he kept breaking into a slow grin now and then, Mary was not
afraid to talk to him.
"Have you a garden of your own?" she asked.
"No. I'm bachelder an' lodge with Martin at th' gate."
"If you had one," said Mary, "what would you plant?"
"Cabbages an' 'taters an' onions."
"But if you wanted to make a flower garden," persisted Mary, "what would
"Bulbs an' sweet-smellin' things--but mostly roses."
Mary's face lighted up.
"Do you like roses?" she said.
Ben Weatherstaff rooted up a weed and threw it aside before he answered.
"Well, yes, I do. I was learned that by a young lady I was gardener to.
She had a lot in a place she was fond of, an' she loved 'em like they
was children--or robins. I've seen her bend over an' kiss 'em." He
dragged out another weed and scowled at it. "That were as much as ten
"Where is she now?" asked Mary, much interested.
"Heaven," he answered, and drove his spade deep into the soil, "'cording
to what parson says."
"What happened to the roses?" Mary asked again, more interested than
"They was left to themselves."
Mary was becoming quite excited.
"Did they quite die? Do roses quite die when they are left to
themselves?" she ventured.
"Well, I'd got to like 'em--an' I liked her--an' she liked 'em," Ben
Weatherstaff admitted reluctantly. "Once or twice a year I'd go an' work
at 'em a bit--prune 'em an' dig about th' roots. They run wild, but they
was in rich soil, so some of 'em lived."
"When they have no leaves and look gray and brown and dry, how can you
tell whether they are dead or alive?" inquired Mary.
"Wait till th' spring gets at 'em--wait till th' sun shines on th' rain
an' th' rain falls on th' sunshine an' then tha'll find out."
"How--how?" cried Mary, forgetting to be careful.
"Look along th' twigs an' branches an' if tha' sees a bit of a brown
lump swelling here an' there, watch it after th' warm rain an' see what
happens." He stopped suddenly and looked curiously at her eager face.
"Why does tha' care so much about roses an' such, all of a sudden?" he
Mistress Mary felt her face grow red. She was almost afraid to answer.
"I--I want to play that--that I have a garden of my own," she stammered.
"I--there is nothing for me to do. I have nothing--and no one."
"Well," said Ben Weatherstaff slowly, as he watched her, "that's true.
He said it in such an odd way that Mary wondered if he was actually a
little sorry for her. She had never felt sorry for herself; she had only
felt tired and cross, because she disliked people and things so much.
But now the world seemed to be changing and getting nicer. If no one
found out about the secret garden, she should enjoy herself always.
She stayed with him for ten or fifteen minutes longer and asked him as
many questions as she dared. He answered every one of them in his queer
grunting way and he did not seem really cross and did not pick up his
spade and leave her. He said something about roses just as she was
going away and it reminded her of the ones he had said he had been fond
"Do you go and see those other roses now?" she asked.
"Not been this year. My rheumatics has made me too stiff in th' joints."
He said it in his grumbling voice, and then quite suddenly he seemed to
get angry with her, though she did not see why he should.
"Now look here!" he said sharply. "Don't tha' ask so many questions.
Tha'rt th' worst wench for askin' questions I've ever come across. Get
thee gone an' play thee. I've done talkin' for to-day."
And he said it so crossly that she knew there was not the least use in
staying another minute. She went skipping slowly down the outside walk,
thinking him over and saying to herself that, queer as it was, here was
another person whom she liked in spite of his crossness. She liked old
Ben Weatherstaff. Yes, she did like him. She always wanted to try to
make him talk to her. Also she began to believe that he knew everything
in the world about flowers.
There was a laurel-hedged walk which curved round the secret garden and
ended at a gate which opened into a wood, in the park. She thought she
would skip round this walk and look into the wood and see if there were
any rabbits hopping about. She enjoyed the skipping very much and when
she reached the little gate she opened it and went through because she
heard a low, peculiar whistling sound and wanted to find out what it
It was a very strange thing indeed. She quite caught her breath as she
stopped to look at it. A boy was sitting under a tree, with his back
against it, playing on a rough wooden pipe. He was a funny looking boy
about twelve. He looked very clean and his nose turned up and his cheeks
were as red as poppies and never had Mistress Mary seen such round and
such blue eyes in any boy's face. And on the trunk of the tree he leaned
against, a brown squirrel was clinging and watching him, and from behind
a bush nearby a cock pheasant was delicately stretching his neck to peep
out, and quite near him were two rabbits sitting up and sniffing with
tremulous noses--and actually it appeared as if they were all drawing
near to watch him and listen to the strange low little call his pipe
seemed to make.
When he saw Mary he held up his hand and spoke to her in a voice almost
as low as and rather like his piping.
"Don't tha' move," he said. "It'd flight 'em."
Mary remained motionless. He stopped playing his pipe and began to rise
from the ground. He moved so slowly that it scarcely seemed as though he
were moving at all, but at last he stood on his feet and then the
squirrel scampered back up into the branches of his tree, the pheasant
withdrew his head and the rabbits dropped on all fours and began to hop
away, though not at all as if they were frightened.
"I'm Dickon," the boy said. "I know tha'rt Miss Mary."
Then Mary realized that somehow she had known at first that he was
Dickon. Who else could have been charming rabbits and pheasants as the
natives charm snakes in India? He had a wide, red, curving mouth and his
smile spread all over his face.
"I got up slow," he explained, "because if tha' makes a quick move it
startles 'em. A body 'as to move gentle an' speak low when wild things
He did not speak to her as if they had never seen each other before but
as if he knew her quite well. Mary knew nothing about boys and she spoke
to him a little stiffly because she felt rather shy.
"Did you get Martha's letter?" she asked.
He nodded his curly, rust-colored head.
"That's why I come."
He stooped to pick up something which had been lying on the ground
beside him when he piped.
"I've got th' garden tools. There's a little spade an' rake an' a fork
an' hoe. Eh! they are good 'uns. There's a trowel, too. An' th' woman in
th' shop threw in a packet o' white poppy an' one o' blue larkspur when
I bought th' other seeds."
"Will you show the seeds to me?" Mary said.
She wished she could talk as he did. His speech was so quick and easy.
It sounded as if he liked her and was not the least afraid she would not
like him, though he was only a common moor boy, in patched clothes and
with a funny face and a rough, rusty-red head. As she came closer to him
she noticed that there was a clean fresh scent of heather and grass and
leaves about him, almost as if he were made of them. She liked it very
much and when she looked into his funny face with the red cheeks and
round blue eyes she forgot that she had felt shy.
"Let us sit down on this log and look at them," she said.
They sat down and he took a clumsy little brown paper package out of his
coat pocket. He untied the string and inside there were ever so many
neater and smaller packages with a picture of a flower on each one.
"There's a lot o' mignonette an' poppies," he said. "Mignonette's th'
sweetest smellin' thing as grows, an' it'll grow wherever you cast it,
same as poppies will. Them as'll come up an' bloom if you just whistle
to 'em, them's th' nicest of all."
He stopped and turned his head quickly, his poppy-cheeked face lighting
"Where's that robin as is callin' us?" he said.
The chirp came from a thick holly bush, bright with scarlet berries, and
Mary thought she knew whose it was.
"Is it really calling us?" she asked.
"Aye," said Dickon, as if it was the most natural thing in the world,
"he's callin' some one he's friends with. That's same as sayin' 'Here I
am. Look at me. I wants a bit of a chat.' There he is in the bush. Whose
"He's Ben Weatherstaff's, but I think he knows me a little," answered
"Aye, he knows thee," said Dickon in his low voice again. "An' he likes
thee. He's took thee on. He'll tell me all about thee in a minute."
He moved quite close to the bush with the slow movement Mary had noticed
before, and then he made a sound almost like the robin's own twitter.
The robin listened a few seconds, intently, and then answered quite as
if he were replying to a question.
"Aye, he's a friend o' yours," chuckled Dickon.
"Do you think he is?" cried Mary eagerly. She did so want to know. "Do
you think he really likes me?"
"He wouldn't come near thee if he didn't," answered Dickon. "Birds is
rare choosers an' a robin can flout a body worse than a man. See, he's
making up to thee now. 'Cannot tha' see a chap?' he's sayin'."
And it really seemed as if it must be true. He so sidled and twittered
and tilted as he hopped on his bush.
"Do you understand everything birds say?" said Mary.
Dickon's grin spread until he seemed all wide, red, curving mouth, and
he rubbed his rough head.
"I think I do, and they think I do," he said. "I've lived on th' moor
with 'em so long. I've watched 'em break shell an' come out an' fledge
an' learn to fly an' begin to sing, till I think I'm one of 'em.
Sometimes I think p'raps I'm a bird, or a fox, or a rabbit, or a
squirrel, or even a beetle, an' I don't know it."
He laughed and came back to the log and began to talk about the flower
seeds again. He told her what they looked like when they were flowers;
he told her how to plant them, and watch them, and feed and water them.
"See here," he said suddenly, turning round to look at her. "I'll plant
them for thee myself. Where is tha' garden?"
Mary's thin hands clutched each other as they lay on her lap. She did
not know what to say, so for a whole minute she said nothing. She had
never thought of this. She felt miserable. And she felt as if she went
red and then pale.
"Tha's got a bit o' garden, hasn't tha'?" Dickon said.
It was true that she had turned red and then pale. Dickon saw her do it,
and as she still said nothing, he began to be puzzled.
"Wouldn't they give thee a bit?" he asked. "Hasn't tha' got any yet?"
She held her hands even tighter and turned her eyes toward him.
"I don't know anything about boys," she said slowly. "Could you keep a
secret, if I told you one? It's a great secret. I don't know what I
should do if any one found it out. I believe I should die!" She said the
last sentence quite fiercely.
Dickon looked more puzzled than ever and even rubbed his hand over his
rough head again, but he answered quite good-humoredly.
"I'm keepin' secrets all th' time," he said. "If I couldn't keep secrets
from th' other lads, secrets about foxes' cubs, an' birds' nests, an'
wild things' holes, there'd be naught safe on th' moor. Aye, I can keep
Mistress Mary did not mean to put out her hand and clutch his sleeve but
she did it.
"I've stolen a garden," she said very fast. "It isn't mine. It isn't
anybody's. Nobody wants it, nobody cares for it, nobody ever goes into
it. Perhaps everything is dead in it already; I don't know."
She began to feel hot and as contrary as she had ever felt in her life.
"I don't care, I don't care! Nobody has any right to take it from me
when I care about it and they don't. They're letting it die, all shut in
by itself," she ended passionately, and she threw her arms over her face
and burst out crying--poor little Mistress Mary.
Dickon's curious blue eyes grew rounder and rounder.
"Eh-h-h!" he said, drawing his exclamation out slowly, and the way he
did it meant both wonder and sympathy.
"I've nothing to do," said Mary. "Nothing belongs to me. I found it
myself and I got into it myself. I was only just like the robin, and
they wouldn't take it from the robin."
"Where is it?" asked Dickon in a dropped voice.
Mistress Mary got up from the log at once. She knew she felt contrary
again, and obstinate, and she did not care at all. She was imperious and
Indian, and at the same time hot and sorrowful.
"Come with me and I'll show you," she said.
She led him round the laurel path and to the walk where the ivy grew so
thickly. Dickon followed her with a queer, almost pitying, look on his
face. He felt as if he were being led to look at some strange bird's
nest and must move softly. When she stepped to the wall and lifted the
hanging ivy he started. There was a door and Mary pushed it slowly open
and they passed in together, and then Mary stood and waved her hand
"It's this," she said. "It's a secret garden, and I'm the only one in
the world who wants it to be alive."
Dickon looked round and round about it, and round and round again.
"Eh!" he almost whispered, "it is a queer, pretty place! It's like as if
a body was in a dream."
THE NEST OF THE MISSEL THRUSH
For two or three minutes he stood looking round him, while Mary watched
him, and then he began to walk about softly, even more lightly than Mary
had walked the first time she had found herself inside the four walls.
His eyes seemed to be taking in everything--the gray trees with the gray
creepers climbing over them and hanging from their branches, the tangle
on the walls and among the grass, the evergreen alcoves with the stone
seats and tall flower urns standing in them.
"I never thought I'd see this place," he said at last, in a whisper.
"Did you know about it?" asked Mary.
She had spoken aloud and he made a sign to her.
"We must talk low," he said, "or some one'll hear us an' wonder what's
to do in here."
"Oh! I forgot!" said Mary, feeling frightened and putting her hand
quickly against her mouth. "Did you know about the garden?" she asked
again when she had recovered herself.
"Martha told me there was one as no one ever went inside," he answered.
"Us used to wonder what it was like."
He stopped and looked round at the lovely gray tangle about him, and his
round eyes looked queerly happy.
"Eh! the nests as'll be here come springtime," he said. "It'd be th'
safest nestin' place in England. No one never comin' near an' tangles o'
trees an' roses to build in. I wonder all th' birds on th' moor don't
Mistress Mary put her hand on his arm again without knowing it.
"Will there be roses?" she whispered. "Can you tell? I thought perhaps
they were all dead."
"Eh! No! Not them--not all of 'em!" he answered. "Look here!"
He stepped over to the nearest tree--an old, old one with gray lichen
all over its bark, but upholding a curtain of tangled sprays and
branches. He took a thick knife out of his pocket and opened one of its
"There's lots o' dead wood as ought to be cut out," he said. "An'
there's a lot o' old wood, but it made some new last year. This here's a
new bit," and he touched a shoot which looked brownish green instead of
hard, dry gray.
Mary touched it herself in an eager, reverent way.
"That one?" she said. "Is that one quite alive--quite?"
Dickon curved his wide smiling mouth.
"It's as wick as you or me," he said; and Mary remembered that Martha
had told her that "wick" meant "alive" or "lively."
"I'm glad it's wick!" she cried out in her whisper. "I want them all to
be wick. Let us go round the garden and count how many wick ones there
She quite panted with eagerness, and Dickon was as eager as she was.
They went from tree to tree and from bush to bush. Dickon carried his
knife in his hand and showed her things which she thought wonderful.
"They've run wild," he said, "but th' strongest ones has fair thrived on
it. The delicatest ones has died out, but th' others has growed an'
growed, an' spread an' spread, till they's a wonder. See here!" and he
pulled down a thick gray, dry-looking branch. "A body might think this
was dead wood, but I don't believe it is--down to th' root. I'll cut it
low down an' see."
He knelt and with his knife cut the lifeless-looking branch through, not
far above the earth.
"There!" he said exultantly. "I told thee so. There's green in that
wood yet. Look at it."
Mary was down on her knees before he spoke, gazing with all her might.
"When it looks a bit greenish an' juicy like that, it's wick," he
explained. "When th' inside is dry an' breaks easy, like this here piece
I've cut off, it's done for. There's a big root here as all this live
wood sprung out of, an' if th' old wood's cut off an' it's dug round,
an' took care of there'll be--" he stopped and lifted his face to look
up at the climbing and hanging sprays above him--"there'll be a fountain
o' roses here this summer."
They went from bush to bush and from tree to tree. He was very strong
and clever with his knife and knew how to cut the dry and dead wood
away, and could tell when an unpromising bough or twig had still green
life in it. In the course of half an hour Mary thought she could tell
too, and when he cut through a lifeless-looking branch she would cry out
joyfully under her breath when she caught sight of the least shade of
moist green. The spade, and hoe, and fork were very useful. He showed
her how to use the fork while he dug about roots with the spade and
stirred the earth and let the air in.
They were working industriously round one of the biggest standard roses
when he caught sight of something which made him utter an exclamation of
"Why!" he cried, pointing to the grass a few feet away. "Who did that
It was one of Mary's own little clearings round the pale green points.
"I did it," said Mary.
"Why, I thought tha' didn't know nothin' about gardenin'," he exclaimed.
"I don't," she answered, "but they were so little, and the grass was so
thick and strong, and they looked as if they had no room to breathe. So
I made a place for them. I don't even know what they are."
Dickon went and knelt down by them, smiling his wide smile.
"Tha' was right," he said. "A gardener couldn't have told thee better.
They'll grow now like Jack's bean-stalk. They're crocuses an' snowdrops,
an' these here is narcissuses," turning to another patch, "an' here's
daffydowndillys. Eh! they will be a sight."
He ran from one clearing to another.
"Tha' has done a lot o' work for such a little wench," he said, looking
"I'm growing fatter," said Mary, "and I'm growing stronger. I used
always to be tired. When I dig I'm not tired at all. I like to smell
the earth when it's turned up."
"It's rare good for thee," he said, nodding his head wisely. "There's
naught as nice as th' smell o' good clean earth, except th' smell o'
fresh growin' things when th' rain falls on 'em. I get out on th' moor
many a day when it's rainin' an' I lie under a bush an' listen to th'
soft swish o' drops on th' heather an' I just sniff an' sniff. My nose
end fair quivers like a rabbit's, mother says."
"Do you never catch cold?" inquired Mary, gazing at him wonderingly. She
had never seen such a funny boy, or such a nice one.
"Not me," he said, grinning. "I never ketched cold since I was born. I
wasn't brought up nesh enough. I've chased about th' moor in all
weathers same as th' rabbits does. Mother says I've sniffed up too much
fresh air for twelve year' to ever get to sniffin' with cold. I'm as
tough as a white-thorn knobstick."
He was working all the time he was talking and Mary was following him
and helping him with her fork or the trowel.
"There's a lot of work to do here!" he said once, looking about quite
"Will you come again and help me to do it?" Mary begged. "I'm sure I can
help, too. I can dig and pull up weeds, and do whatever you tell me.
Oh! do come, Dickon!"
"I'll come every day if tha' wants me, rain or shine," he answered
stoutly. "It's th' best fun I ever had in my life--shut in here an'
wakenin' up a garden."
"If you will come," said Mary, "if you will help me to make it alive
I'll--I don't know what I'll do," she ended helplessly. What could you
do for a boy like that?
"I'll tell thee what tha'll do," said Dickon, with his happy grin.
"Tha'll get fat an' tha'll get as hungry as a young fox an' tha'll learn
how to talk to th' robin same as I do. Eh! we'll have a lot o' fun."
He began to walk about, looking up in the trees and at the walls and
bushes with a thoughtful expression.
"I wouldn't want to make it look like a gardener's garden, all clipped
an' spick an' span, would you?" he said. "It's nicer like this with
things runnin' wild, an' swingin' an' catchin' hold of each other."
"Don't let us make it tidy," said Mary anxiously. "It wouldn't seem like
a secret garden if it was tidy."
Dickon stood rubbing his rusty-red head with a rather puzzled look.
"It's a secret garden sure enough," he said, "but seems like some one
besides th' robin must have been in it since it was shut up ten year'
"But the door was locked and the key was buried," said Mary. "No one
could get in."
"That's true," he answered. "It's a queer place. Seems to me as if
there'd been a bit o' prunin' done here an' there, later than ten year'
"But how could it have been done?" said Mary.
He was examining a branch of a standard rose and he shook his head.
"Aye! how could it!" he murmured. "With th' door locked an' th' key
Mistress Mary always felt that however many years she lived she should
never forget that first morning when her garden began to grow. Of
course, it did seem to begin to grow for her that morning. When Dickon
began to clear places to plant seeds, she remembered what Basil had sung
at her when he wanted to tease her.
"Are there any flowers that look like bells?" she inquired.
"Lilies o' th' valley does," he answered, digging away with the trowel,
"an' there's Canterbury bells, an' campanulas."
"Let us plant some," said Mary.
"There's lilies o' th' valley here already; I saw 'em. They'll have
growed too close an' we'll have to separate 'em, but there's plenty. Th'
other ones takes two years to bloom from seed, but I can bring you some
bits o' plants from our cottage garden. Why does tha' want 'em?"
Then Mary told him about Basil and his brothers and sisters in India and
of how she had hated them and of their calling her "Mistress Mary Quite
"They used to dance round and sing at me. They sang--
'Mistress Mary, quite contrary,
How does your garden grow?
With silver bells, and cockle shells,
And marigolds all in a row.'
I just remembered it and it made me wonder if there were really flowers
like silver bells."
She frowned a little and gave her trowel a rather spiteful dig into the
"I wasn't as contrary as they were."
But Dickon laughed.
"Eh!" he said, and as he crumbled the rich black soil she saw he was
sniffing up the scent of it, "there doesn't seem to be no need for no
one to be contrary when there's flowers an' such like, an' such lots o'
friendly wild things runnin' about makin' homes for themselves, or
buildin' nests an' singin' an' whistlin', does there?"
Mary, kneeling by him holding the seeds, looked at him and stopped
"Dickon," she said. "You are as nice as Martha said you were. I like
you, and you make the fifth person. I never thought I should like five
Dickon sat up on his heels as Martha did when she was polishing the
grate. He did look funny and delightful, Mary thought, with his round
blue eyes and red cheeks and happy looking turned-up nose.
"Only five folk as tha' likes?" he said. "Who is th' other four?"
"Your mother and Martha," Mary checked them off on her fingers, "and the
robin and Ben Weatherstaff."
Dickon laughed so that he was obliged to stifle the sound by putting his
arm over his mouth.
"I know tha' thinks I'm a queer lad," he said, "but I think tha' art th'
queerest little lass I ever saw."
Then Mary did a strange thing. She leaned forward and asked him a
question she had never dreamed of asking any one before. And she tried
to ask it in Yorkshire because that was his language, and in India a
native was always pleased if you knew his speech.
"Does tha' like me?" she said.
"Eh!" he answered heartily, "that I does. I likes thee wonderful, an' so
does th' robin, I do believe!"
"That's two, then," said Mary. "That's two for me."
And then they began to work harder than ever and more joyfully. Mary was
startled and sorry when she heard the big clock in the courtyard strike
the hour of her midday dinner.
"I shall have to go," she said mournfully. "And you will have to go too,
"My dinner's easy to carry about with me," he said. "Mother always lets
me put a bit o' somethin' in my pocket."
He picked up his coat from the grass and brought out of a pocket a lumpy
little bundle tied up in a quiet clean, coarse, blue and white
handkerchief. It held two thick pieces of bread with a slice of
something laid between them.
"It's oftenest naught but bread," he said, "but I've got a fine slice o'
fat bacon with it to-day."
Mary thought it looked a queer dinner, but he seemed ready to enjoy it.
"Run on an' get thy victuals," he said. "I'll be done with mine first.
I'll get some more work done before I start back home."
He sat down with his back against a tree.
"I'll call th' robin up," he said, "and give him th' rind o' th' bacon
to peck at. They likes a bit o' fat wonderful."
Mary could scarcely bear to leave him. Suddenly it seemed as if he might
be a sort of wood fairy who might be gone when she came into the garden
again. He seemed too good to be true. She went slowly half-way to the
door in the wall and then she stopped and went back.
"Whatever happens, you--you never would tell?" she said.
His poppy-colored cheeks were distended with his first big bite of bread
and bacon, but he managed to smile encouragingly.
"If tha' was a missel thrush an' showed me where thy nest was, does tha'
think I'd tell any one? Not me," he said. "Tha' art as safe as a missel
And she was quite sure she was.
"MIGHT I HAVE A BIT OF EARTH?"
Mary ran so fast that she was rather out of breath when she reached her
room. Her hair was ruffled on her forehead and her cheeks were bright
pink. Her dinner was waiting on the table, and Martha was waiting near
"Tha's a bit late," she said. "Where has tha' been?"
"I've seen Dickon!" said Mary. "I've seen Dickon!"
"I knew he'd come," said Martha exultantly. "How does tha' like him?"
"I think--I think he's beautiful!" said Mary in a determined voice.
Martha looked rather taken aback but she looked pleased, too.
"Well," she said, "he's th' best lad as ever was born, but us never
thought he was handsome. His nose turns up too much."
"I like it to turn up," said Mary.
"An' his eyes is so round," said Martha, a trifle doubtful. "Though
they're a nice color."
"I like them round," said Mary. "And they are exactly the color of the
sky over the moor."
Martha beamed with satisfaction.
"Mother says he made 'em that color with always lookin' up at th' birds
an' th' clouds. But he has got a big mouth, hasn't he, now?"
"I love his big mouth," said Mary obstinately. "I wish mine were just
Martha chuckled delightedly.
"It'd look rare an' funny in thy bit of a face," she said. "But I knowed
it would be that way when tha' saw him. How did tha' like th' seeds an'
th' garden tools?"
"How did you know he brought them?" asked Mary.
"Eh! I never thought of him not bringin' 'em. He'd be sure to bring 'em
if they was in Yorkshire. He's such a trusty lad."
Mary was afraid that she might begin to ask difficult questions, but she
did not. She was very much interested in the seeds and gardening tools,
and there was only one moment when Mary was frightened. This was when
she began to ask where the flowers were to be planted.
"Who did tha' ask about it?" she inquired.
"I haven't asked anybody yet," said Mary, hesitating.
"Well, I wouldn't ask th' head gardener. He's too grand, Mr. Roach is."
"I've never seen him," said Mary. "I've only seen under-gardeners and
"If I was you, I'd ask Ben Weatherstaff," advised Martha. "He's not half
as bad as he looks, for all he's so crabbed. Mr. Craven lets him do what
he likes because he was here when Mrs. Craven was alive, an' he used to
make her laugh. She liked him. Perhaps he'd find you a corner somewhere
out o' the way."
"If it was out of the way and no one wanted it, no one "could" mind my
having it, could they?" Mary said anxiously.
"There wouldn't be no reason," answered Martha. "You wouldn't do no
Mary ate her dinner as quickly as she could and when she rose from the
table she was going to run to her room to put on her hat again, but
Martha stopped her.
"I've got somethin' to tell you," she said. "I thought I'd let you eat
your dinner first. Mr. Craven came back this mornin' and I think he
wants to see you."
Mary turned quite pale.
"Oh!" she said. "Why! Why! He didn't want to see me when I came. I heard
Pitcher say he didn't."
"Well," explained Martha, "Mrs. Medlock says it's because o' mother. She
was walkin' to Thwaite village an' she met him. She'd never spoke to him
before, but Mrs. Craven had been to our cottage two or three times. He'd
forgot, but mother hadn't an' she made bold to stop him. I don't know
what she said to him about you but she said somethin' as put him in th'
mind to see you before he goes away again, to-morrow."
"Oh!" cried Mary, "is he going away to-morrow? I am so glad!"
"He's goin' for a long time. He mayn't come back till autumn or winter.
He's goin' to travel in foreign places. He's always doin' it."
"Oh! I'm so glad--so glad!" said Mary thankfully.
If he did not come back until winter, or even autumn, there would be
time to watch the secret garden come alive. Even if he found out then
and took it away from her she would have had that much at least.
"When do you think he will want to see--"
She did not finish the sentence, because the door opened, and Mrs.
Medlock walked in. She had on her best black dress and cap, and her
collar was fastened with a large brooch with a picture of a man's face
on it. It was a colored photograph of Mr. Medlock who had died years
ago, and she always wore it when she was dressed up. She looked nervous
"Your hair's rough," she said quickly. "Go and brush it. Martha, help
her to slip on her best dress. Mr. Craven sent me to bring her to him in
All the pink left Mary's cheeks. Her heart began to thump and she felt
herself changing into a stiff, plain, silent child again. She did not
even answer Mrs. Medlock, but turned and walked into her bedroom,
followed by Martha. She said nothing while her dress was changed, and
her hair brushed, and after she was quite tidy she followed Mrs. Medlock
down the corridors, in silence. What was there for her to say? She was
obliged to go and see Mr. Craven and he would not like her, and she
would not like him. She knew what he would think of her.
She was taken to a part of the house she had not been into before. At
last Mrs. Medlock knocked at a door, and when some one said, "Come in,"
they entered the room together. A man was sitting in an armchair before
the fire, and Mrs. Medlock spoke to him.
"This is Miss Mary, sir," she said.
"You can go and leave her here. I will ring for you when I want you to
take her away," said Mr. Craven.
When she went out and closed the door, Mary could only stand waiting, a
plain little thing, twisting her thin hands together. She could see that
the man in the chair was not so much a hunchback as a man with high,
rather crooked shoulders, and he had black hair streaked with white. He
turned his head over his high shoulders and spoke to her.
"Come here!" he said.
Mary went to him.
He was not ugly. His face would have been handsome if it had not been so
miserable. He looked as if the sight of her worried and fretted him and
as if he did not know what in the world to do with her.
"Are you well?" he asked.
"Yes," answered Mary.
"Do they take good care of you?"
He rubbed his forehead fretfully as he looked her over.
"You are very thin," he said.
"I am getting fatter," Mary answered in what she knew was her stiffest
What an unhappy face he had! His black eyes seemed as if they scarcely
saw her, as if they were seeing something else, and he could hardly keep
his thoughts upon her.
"I forgot you," he said. "How could I remember you? I intended to send
you a governess or a nurse, or some one of that sort, but I forgot."
"Please," began Mary. "Please--" and then the lump in her throat choked
"What do you want to say?" he inquired.
"I am--I am too big for a nurse," said Mary. "And please--please don't
make me have a governess yet."
He rubbed his forehead again and stared at her.
"That was what the Sowerby woman said," he muttered absent-mindedly.
Then Mary gathered a scrap of courage.
"Is she--is she Martha's mother?" she stammered.
"Yes, I think so," he replied.
"She knows about children," said Mary. "She has twelve. She knows."
He seemed to rouse himself.
"What do you want to do?"
"I want to play out of doors," Mary answered, hoping that her voice did
not tremble. "I never liked it in India. It makes me hungry here, and I
am getting fatter."
He was watching her.
"Mrs. Sowerby said it would do you good. Perhaps it will," he said. "She
thought you had better get stronger before you had a governess."
"It makes me feel strong when I play and the wind comes over the moor,"
"Where do you play?" he asked next.
"Everywhere," gasped Mary. "Martha's mother sent me a skipping-rope. I
skip and run--and I look about to see if things are beginning to stick
up out of the earth. I don't do any harm."
"Don't look so frightened," he said in a worried voice. "You could not
do any harm, a child like you! You may do what you like."
Mary put her hand up to her throat because she was afraid he might see
the excited lump which she felt jump into it. She came a step nearer to
"May I?" she said tremulously.
Her anxious little face seemed to worry him more than ever.
"Don't look so frightened," he exclaimed. "Of course you may. I am your
guardian, though I am a poor one for any child. I cannot give you time
or attention. I am too ill, and wretched and distracted; but I wish you
to be happy and comfortable. I don't know anything about children, but
Mrs. Medlock is to see that you have all you need. I sent for you to-day
because Mrs. Sowerby said I ought to see you. Her daughter had talked
about you. She thought you needed fresh air and freedom and running
"She knows all about children," Mary said again in spite of herself.
"She ought to," said Mr. Craven. "I thought her rather bold to stop me
on the moor, but she said--Mrs. Craven had been kind to her." It seemed
hard for him to speak his dead wife's name. "She is a respectable woman.
Now I have seen you I think she said sensible things. Play out of doors
as much as you like. It's a big place and you may go where you like and
amuse yourself as you like. Is there anything you want?" as if a sudden
thought had struck him. "Do you want toys, books, dolls?"
"Might I," quavered Mary, "might I have a bit of earth?"
In her eagerness she did not realize how queer the words would sound and
that they were not the ones she had meant to say. Mr. Craven looked
"Earth!" he repeated. "What do you mean?"
"To plant seeds in--to make things grow--to see them come alive," Mary
He gazed at her a moment and then passed his hand quickly over his
"Do you--care about gardens so much," he said slowly.
"I didn't know about them in India," said Mary. "I was always ill and
tired and it was too hot. I sometimes made little beds in the sand and
stuck flowers in them. But here it is different."
Mr. Craven got up and began to walk slowly across the room.
"A bit of earth," he said to himself, and Mary thought that somehow she
must have reminded him of something. When he stopped and spoke to her
his dark eyes looked almost soft and kind.
"You can have as much earth as you want," he said. "You remind me of
some one else who loved the earth and things that grow. When you see a
bit of earth you want," with something like a smile, "take it, child,
and make it come alive."
"May I take it from anywhere--if it's not wanted?"
"Anywhere," he answered. "There! You must go now, I am tired." He
touched the bell to call Mrs. Medlock. "Good-by. I shall be away all
Mrs. Medlock came so quickly that Mary thought she must have been
waiting in the corridor.
"Mrs. Medlock," Mr. Craven said to her, "now I have seen the child I
understand what Mrs. Sowerby meant. She must be less delicate before she
begins lessons. Give her simple, healthy food. Let her run wild in the
garden. Don't look after her too much. She needs liberty and fresh air
and romping about. Mrs. Sowerby is to come and see her now and then and
she may sometimes go to the cottage."
Mrs. Medlock looked pleased. She was relieved to hear that she need not
"look after" Mary too much. She had felt her a tiresome charge and had
indeed seen as little of her as she dared. In addition to this she was
fond of Martha's mother.
"Thank you, sir," she said. "Susan Sowerby and me went to school
together and she's as sensible and good-hearted a woman as you'd find in
a day's walk. I never had any children myself and she's had twelve, and
there never was healthier or better ones. Miss Mary can get no harm from
them. I'd always take Susan Sowerby's advice about children myself.
She's what you might call healthy-minded--if you understand me."
"I understand," Mr. Craven answered. "Take Miss Mary away now and send
Pitcher to me."
When Mrs. Medlock left her at the end of her own corridor Mary flew back
to her room. She found Martha waiting there. Martha had, in fact,
hurried back after she had removed the dinner service.
"I can have my garden!" cried Mary. "I may have it where I like! I am
not going to have a governess for a long time! Your mother is coming to
see me and I may go to your cottage! He says a little girl like me could
not do any harm and I may do what I like--anywhere!"
"Eh!" said Martha delightedly, "that was nice of him wasn't it?"
"Martha," said Mary solemnly, "he is really a nice man, only his face is
so miserable and his forehead is all drawn together."
She ran as quickly as she could to the garden. She had been away so much
longer than she had thought she should and she knew Dickon would have to
set out early on his five-mile walk. When she slipped through the door
under the ivy, she saw he was not working where she had left him. The
gardening tools were laid together under a tree. She ran to them,
looking all round the place, but there was no Dickon to be seen. He had
gone away and the secret garden was empty--except for the robin who had
just flown across the wall and sat on a standard rose-bush watching
"He's gone," she said wofully. "Oh! was he--was he--was he only a wood
Something white fastened to the standard rose-bush caught her eye. It
was a piece of paper--in fact, it was a piece of the letter she had
printed for Martha to send to Dickon. It was fastened on the bush with a
long thorn, and in a minute she knew Dickon had left it there. There
were some roughly printed letters on it and a sort of picture. At first
she could not tell what it was. Then she saw it was meant for a nest
with a bird sitting on it. Underneath were the printed letters and they
"I will cum bak."
"I AM COLIN"
Mary took the picture back to the house when she went to her supper and
she showed it to Martha.
"Eh!" said Martha with great pride. "I never knew our Dickon was as
clever as that. That there's a picture of a missel thrush on her nest,
as large as life an' twice as natural."
Then Mary knew Dickon had meant the picture to be a message. He had
meant that she might be sure he would keep her secret. Her garden was
her nest and she was like a missel thrush. Oh, how she did like that
queer, common boy!
She hoped he would come back the very next day and she fell asleep
looking forward to the morning.
But you never know what the weather will do in Yorkshire, particularly
in the springtime. She was awakened in the night by the sound of rain
beating with heavy drops against her window. It was pouring down in
torrents and the wind was "wuthering" round the corners and in the
chimneys of the huge old house. Mary sat up in bed and felt miserable
"The rain is as contrary as I ever was," she said. "It came because it
knew I did not want it."
She threw herself back on her pillow and buried her face. She did not
cry, but she lay and hated the sound of the heavily beating rain, she
hated the wind and its "wuthering." She could not go to sleep again. The
mournful sound kept her awake because she felt mournful herself. If she
had felt happy it would probably have lulled her to sleep. How it
"wuthered" and how the big rain-drops poured down and beat against the
"It sounds just like a person lost on the moor and wandering on and on
crying," she said.
* * * * *
She had been lying awake turning from side to side for about an hour,
when suddenly something made her sit up in bed and turn her head toward
the door listening. She listened and she listened.
"It isn't the wind now," she said in a loud whisper. "That isn't the
wind. It is different. It is that crying I heard before."
The door of her room was ajar and the sound came down the corridor, a
far-off faint sound of fretful crying. She listened for a few minutes
and each minute she became more and more sure. She felt as if she must
find out what it was. It seemed even stranger than the secret garden and
the buried key. Perhaps the fact that she was in a rebellious mood made
her bold. She put her foot out of bed and stood on the floor.
"I am going to find out what it is," she said. "Everybody is in bed and
I don't care about Mrs. Medlock--I don't care!"
There was a candle by her bedside and she took it up and went softly out
of the room. The corridor looked very long and dark, but she was too
excited to mind that. She thought she remembered the corners she must
turn to find the short corridor with the door covered with tapestry--the
one Mrs. Medlock had come through the day she lost herself. The sound
had come up that passage. So she went on with her dim light, almost
feeling her way, her heart beating so loud that she fancied she could
hear it. The far-off faint crying went on and led her. Sometimes it
stopped for a moment or so and then began again. Was this the right
corner to turn? She stopped and thought. Yes it was. Down this passage
and then to the left, and then up two broad steps, and then to the right
again. Yes, there was the tapestry door.
She pushed it open very gently and closed it behind her, and she stood
in the corridor and could hear the crying quite plainly, though it was
not loud. It was on the other side of the wall at her left and a few
yards farther on there was a door. She could see a glimmer of light
coming from beneath it. The Someone was crying in that room, and it was
quite a young Someone.
So she walked to the door and pushed it open, and there she was standing
in the room!
It was a big room with ancient, handsome furniture in it. There was a
low fire glowing faintly on the hearth and a night light burning by the
side of a carved four-posted bed hung with brocade, and on the bed was
lying a boy, crying fretfully.
Mary wondered if she was in a real place or if she had fallen asleep
again and was dreaming without knowing it.
The boy had a sharp, delicate face the color of ivory and he seemed to
have eyes too big for it. He had also a lot of hair which tumbled over
his forehead in heavy locks and made his thin face seem smaller. He
looked like a boy who had been ill, but he was crying more as if he were
tired and cross than as if he were in pain.
Mary stood near the door with her candle in her hand, holding her
breath. Then she crept across the room, and as she drew nearer the
light attracted the boy's attention and he turned his head on his pillow
and stared at her, his gray eyes opening so wide that they seemed
[Illustration: "'WHO ARE YOU?--ARE YOU A GHOST?'"--"Page 157"]
"Who are you?" he said at last in a half-frightened whisper. "Are you a
"No, I am not," Mary answered, her own whisper sounding half frightened.
"Are you one?"
He stared and stared and stared. Mary could not help noticing what
strange eyes he had. They were agate gray and they looked too big for
his face because they had black lashes all round them.
"No," he replied after waiting a moment or so. "I am Colin."
"Who is Colin?" she faltered.
"I am Colin Craven. Who are you?"
"I am Mary Lennox. Mr. Craven is my uncle."
"He is my father," said the boy.
"Your father!" gasped Mary. "No one ever told me he had a boy! Why
"Come here," he said, still keeping his strange eyes fixed on her with
an anxious expression.
She came close to the bed and he put out his hand and touched her.
"You are real, aren't you?" he said. "I have such real dreams very
often. You might be one of them."
Mary had slipped on a woolen wrapper before she left her room and she
put a piece of it between his fingers.
"Rub that and see how thick and warm it is," she said. "I will pinch you
a little if you like, to show you how real I am. For a minute I thought
you might be a dream too."
"Where did you come from?" he asked.
"From my own room. The wind wuthered so I couldn't go to sleep and I
heard some one crying and wanted to find out who it was. What were you
"Because I couldn't go to sleep either and my head ached. Tell me your
"Mary Lennox. Did no one ever tell you I had come to live here?"
He was still fingering the fold of her wrapper, but he began to look a
little more as if he believed in her reality.
"No," he answered. "They daren't."
"Why?" asked Mary.
"Because I should have been afraid you would see me. I won't let people
see me and talk me over."
"Why?" Mary asked again, feeling more mystified every moment.
"Because I am like this always, ill and having to lie down. My father
won't let people talk me over either. The servants are not allowed to
speak about me. If I live I may be a hunchback, but I shan't live. My
father hates to think I may be like him."
"Oh, what a queer house this is!" Mary said. "What a queer house!
Everything is a kind of secret. Rooms are locked up and gardens are
locked up--and you! Have you been locked up?"
"No. I stay in this room because I don't want to be moved out of it. It
tires me too much."
"Does your father come and see you?" Mary ventured.
"Sometimes. Generally when I am asleep. He doesn't want to see me."
"Why?" Mary could not help asking again.
A sort of angry shadow passed over the boy's face.
"My mother died when I was born and it makes him wretched to look at me.
He thinks I don't know, but I've heard people talking. He almost hates
"He hates the garden, because she died," said Mary half speaking to
"What garden?" the boy asked.
"Oh! just--just a garden she used to like," Mary stammered. "Have you
been here always?"
"Nearly always. Sometimes I have been taken to places at the seaside,
but I won't stay because people stare at me. I used to wear an iron
thing to keep my back straight, but a grand doctor came from London to
see me and said it was stupid. He told them to take it off and keep me
out in the fresh air. I hate fresh air and I don't want to go out."
"I didn't when first I came here," said Mary. "Why do you keep looking
at me like that?"
"Because of the dreams that are so real," he answered rather fretfully.
"Sometimes when I open my eyes I don't believe I'm awake."
"We're both awake," said Mary. She glanced round the room with its high
ceiling and shadowy corners and dim firelight. "It looks quite like a
dream, and it's the middle of the night, and everybody in the house is
asleep--everybody but us. We are wide awake."
"I don't want it to be a dream," the boy said restlessly.
Mary thought of something all at once.
"If you don't like people to see you," she began, "do you want me to go
He still held the fold of her wrapper and he gave it a little pull.
"No," he said. "I should be sure you were a dream if you went. If you
are real, sit down on that big footstool and talk. I want to hear about
Mary put down her candle on the table near the bed and sat down on the
cushioned stool. She did not want to go away at all. She wanted to stay
in the mysterious hidden-away room and talk to the mysterious boy.
"What do you want me to tell you?" she said.
He wanted to know how long she had been at Misselthwaite; he wanted to
know which corridor her room was on; he wanted to know what she had been
doing; if she disliked the moor as he disliked it; where she had lived
before she came to Yorkshire. She answered all these questions and many
more and he lay back on his pillow and listened. He made her tell him a
great deal about India and about her voyage across the ocean. She found
out that because he had been an invalid he had not learned things as
other children had. One of his nurses had taught him to read when he was
quite little and he was always reading and looking at pictures in
Though his father rarely saw him when he was awake, he was given all
sorts of wonderful things to amuse himself with. He never seemed to have
been amused, however. He could have anything he asked for and was never
made to do anything he did not like to do.
"Every one is obliged to do what pleases me," he said indifferently. "It
makes me ill to be angry. No one believes I shall live to grow up."
He said it as if he was so accustomed to the idea that it had ceased to
matter to him at all. He seemed to like the sound of Mary's voice. As
she went on talking he listened in a drowsy, interested way. Once or
twice she wondered if he were not gradually falling into a doze. But at
last he asked a question which opened up a new subject.
"How old are you?" he asked.
"I am ten," answered Mary, forgetting herself for the moment, "and so
"How do you know that?" he demanded in a surprised voice.
"Because when you were born the garden door was locked and the key was
buried. And it has been locked for ten years."
Colin half sat up, turning toward her, leaning on his elbows.
"What garden door was locked? Who did it? Where was the key buried?" he
exclaimed as if he were suddenly very much interested.
"It--it was the garden Mr. Craven hates," said Mary nervously. "He
locked the door. No one--no one knew where he buried the key."
"What sort of a garden is it?" Colin persisted eagerly.
"No one has been allowed to go into it for ten years," was Mary's
But it was too late to be careful. He was too much like herself. He too
had had nothing to think about and the idea of a hidden garden attracted
him as it had attracted her. He asked question after question. Where was
it? Had she never looked for the door? Had she never asked the
"They won't talk about it," said Mary. "I think they have been told not
to answer questions."
"I would make them," said Colin.
"Could you?" Mary faltered, beginning to feel frightened. If he could
make people answer questions, who knew what might happen!
"Every one is obliged to please me. I told you that," he said. "If I
were to live, this place would sometime belong to me. They all know
that. I would make them tell me."
Mary had not known that she herself had been spoiled, but she could see
quite plainly that this mysterious boy had been. He thought that the
whole world belonged to him. How peculiar he was and how coolly he spoke
of not living.
"Do you think you won't live?" she asked, partly because she was
curious and partly in hope of making him forget the garden.
"I don't suppose I shall," he answered as indifferently as he had spoken
before. "Ever since I remember anything I have heard people say I
shan't. At first they thought I was too little to understand and now
they think I don't hear. But I do. My doctor is my father's cousin. He
is quite poor and if I die he will have all Misselthwaite when my father
is dead. I should think he wouldn't want me to live."
"Do you want to live?" inquired Mary.
"No," he answered, in a cross, tired fashion. "But I don't want to die.
When I feel ill I lie here and think about it until I cry and cry."
"I have heard you crying three times," Mary said, "but I did not know
who it was. Were you crying about that?" She did so want him to forget
"I dare say," he answered. "Let us talk about something else. Talk about
that garden. Don't you want to see it?"
"Yes," answered Mary, in quite a low voice.
"I do," he went on persistently. "I don't think I ever really wanted to
see anything before, but I want to see that garden. I want the key dug
up. I want the door unlocked. I would let them take me there in my
chair. That would be getting fresh air. I am going to make them open
He had become quite excited and his strange eyes began to shine like
stars and looked more immense than ever.
"They have to please me," he said. "I will make them take me there and I
will let you go, too."
Mary's hands clutched each other. Everything would be
spoiled--everything! Dickon would never come back. She would never again
feel like a missel thrush with a safe-hidden nest.
"Oh, don't--don't--don't--don't do that!" she cried out.
He stared as if he thought she had gone crazy!
"Why?" he exclaimed. "You said you wanted to see it."
"I do," she answered almost with a sob in her throat, "but if you make
them open the door and take you in like that it will never be a secret
He leaned still farther forward.
"A secret," he said. "What do you mean? Tell me."
Mary's words almost tumbled over one another.
"You see--you see," she panted, "if no one knows but ourselves--if there
was a door, hidden somewhere under the ivy--if there was--and we could
find it; and if we could slip through it together and shut it behind
us, and no one knew any one was inside and we called it our garden and
pretended that--that we were missel thrushes and it was our nest, and if
we played there almost every day and dug and planted seeds and made it
all come alive--"
"Is it dead?" he interrupted her.
"It soon will be if no one cares for it," she went on. "The bulbs will
live but the roses--"
He stopped her again as excited as she was herself.
"What are bulbs?" he put in quickly.
"They are daffodils and lilies and snowdrops. They are working in the
earth now--pushing up pale green points because the spring is coming."
"Is the spring coming?" he said. "What is it like? You don't see it in
rooms if you are ill."
"It is the sun shining on the rain and the rain falling on the sunshine,
and things pushing up and working under the earth," said Mary. "If the
garden was a secret and we could get into it we could watch the things
grow bigger every day, and see how many roses are alive. Don't you see?
Oh, don't you see how much nicer it would be if it was a secret?"
He dropped back on his pillow and lay there with an odd expression on
"I never had a secret," he said, "except that one about not living to
grow up. They don't know I know that, so it is a sort of secret. But I
like this kind better."
"If you won't make them take you to the garden," pleaded Mary,
"perhaps--I feel almost sure I can find out how to get in sometime. And
then--if the doctor wants you to go out in your chair, and if you can
always do what you want to do, perhaps--perhaps we might find some boy
who would push you, and we could go alone and it would always be a
"I should--like--that," he said very slowly, his eyes looking dreamy. "I
should like that. I should not mind fresh air in a secret garden."
Mary began to recover her breath and feel safer because the idea of
keeping the secret seemed to please him. She felt almost sure that if
she kept on talking and could make him see the garden in his mind as she
had seen it he would like it so much that he could not bear to think
that everybody might tramp into it when they chose.
"I'll tell you what I "think" it would be like, if we could go into it,"
she said. "It has been shut up so long things have grown into a tangle
He lay quite still and listened while she went on talking about the
roses which "might" have clambered from tree to tree and hung
down--about the many birds which "might" have built their nests there
because it was so safe. And then she told him about the robin and Ben
Weatherstaff, and there was so much to tell about the robin and it was
so easy and safe to talk about it that she ceased to feel afraid. The
robin pleased him so much that he smiled until he looked almost
beautiful, and at first Mary had thought that he was even plainer than
herself, with his big eyes and heavy locks of hair.
"I did not know birds could be like that," he said. "But if you stay in
a room you never see things. What a lot of things you know. I feel as if
you had been inside that garden."
She did not know what to say, so she did not say anything. He evidently
did not expect an answer and the next moment he gave her a surprise.
"I am going to let you look at something," he said. "Do you see that
rose-colored silk curtain hanging on the wall over the mantel-piece?"
Mary had not noticed it before, but she looked up and saw it. It was a
curtain of soft silk hanging over what seemed to be some picture.
"Yes," she answered.
"There is a cord hanging from it," said Colin. "Go and pull it."
Mary got up, much mystified, and found the cord. When she pulled it the
silk curtain ran back on rings and when it ran back it uncovered a
picture. It was the picture of a girl with a laughing face. She had
bright hair tied up with a blue ribbon and her gay, lovely eyes were
exactly like Colin's unhappy ones, agate gray and looking twice as big
as they really were because of the black lashes all round them.
"She is my mother," said Colin complainingly. "I don't see why she died.
Sometimes I hate her for doing it."
"How queer!" said Mary.
"If she had lived I believe I should not have been ill always," he
grumbled. "I dare say I should have lived, too. And my father would not
have hated to look at me. I dare say I should have had a strong back.
Draw the curtain again."
Mary did as she was told and returned to her footstool.
"She is much prettier than you," she said, "but her eyes are just like
yours--at least they are the same shape and color. Why is the curtain
drawn over her?"
He moved uncomfortably.
"I made them do it," he said. "Sometimes I don't like to see her looking
at me. She smiles too much when I am ill and miserable. Besides, she is
mine and I don't want every one to see her."
There were a few moments of silence and then Mary spoke.
"What would Mrs. Medlock do if she found out that I had been here?" she
"She would do as I told her to do," he answered. "And I should tell her
that I wanted you to come here and talk to me every day. I am glad you
"So am I," said Mary. "I will come as often as I can, but"--she
hesitated--"I shall have to look every day for the garden door."
"Yes, you must," said Colin, "and you can tell me about it afterward."
He lay thinking a few minutes, as he had done before, and then he spoke
"I think you shall be a secret, too," he said. "I will not tell them
until they find out. I can always send the nurse out of the room and say
that I want to be by myself. Do you know Martha?"
"Yes, I know her very well," said Mary. "She waits on me."
He nodded his head toward the outer corridor.
"She is the one who is asleep in the other room. The nurse went away
yesterday to stay all night with her sister and she always makes Martha
attend to me when she wants to go out. Martha shall tell you when to
Then Mary understood Martha's troubled look when she had asked
questions about the crying.
"Martha knew about you all the time?" she said.
"Yes; she often attends to me. The nurse likes to get away from me and
then Martha comes."
"I have been here a long time," said Mary. "Shall I go away now? Your
eyes look sleepy."
"I wish I could go to sleep before you leave me," he said rather shyly.
"Shut your eyes," said Mary, drawing her footstool closer, "and I will
do what my Ayah used to do in India. I will pat your hand and stroke it
and sing something quite low."
"I should like that perhaps," he said drowsily.
Somehow she was sorry for him and did not want him to lie awake, so she
leaned against the bed and began to stroke and pat his hand and sing a
very low little chanting song in Hindustani.
"That is nice," he said more drowsily still, and she went on chanting
and stroking, but when she looked at him again his black lashes were
lying close against his cheeks, for his eyes were shut and he was fast
asleep. So she got up softly, took her candle and crept away without
making a sound.
A YOUNG RAJAH
The moor was hidden in mist when the morning came and the rain had not
stopped pouring down. There could be no going out of doors. Martha was
so busy that Mary had no opportunity of talking to her, but in the
afternoon she asked her to come and sit with her in the nursery. She
came bringing the stocking she was always knitting when she was doing
"What's the matter with thee?" she asked as soon as they sat down. "Tha'
looks as if tha'd somethin' to say."
"I have. I have found out what the crying was," said Mary.
Martha let her knitting drop on her knee and gazed at her with startled
"Tha' hasn't!" she exclaimed. "Never!"
"I heard it in the night," Mary went on. "And I got up and went to see
where it came from. It was Colin. I found him."
Martha's face became red with fright.
"Eh! Miss Mary!" she said half crying. "Tha' shouldn't have done
it--tha' shouldn't! Tha'll get me in trouble. I never told thee nothin'
about him--but tha'll get me in trouble. I shall lose my place and
what'll mother do!"
"You won't lose your place," said Mary. "He was glad I came. We talked
and talked and he said he was glad I came."
"Was he?" cried Martha. "Art tha' sure? Tha' doesn't know what he's like
when anything vexes him. He's a big lad to cry like a baby, but when
he's in a passion he'll fair scream just to frighten us. He knows us
daren't call our souls our own."
"He wasn't vexed," said Mary. "I asked him if I should go away and he
made me stay. He asked me questions and I sat on a big footstool and
talked to him about India and about the robin and gardens. He wouldn't
let me go. He let me see his mother's picture. Before I left him I sang
him to sleep."
Martha fairly gasped with amazement.
"I can scarcely believe thee!" she protested. "It's as if tha'd walked
straight into a lion's den. If he'd been like he is most times he'd have
throwed himself into one of his tantrums and roused th' house. He won't
let strangers look at him."
"He let me look at him. I looked at him all the time and he looked at
me. We stared!" said Mary.
"I don't know what to do!" cried agitated Martha. "If Mrs. Medlock finds
out, she'll think I broke orders and told thee and I shall be packed
back to mother."
"He is not going to tell Mrs. Medlock anything about it yet. It's to be
a sort of secret just at first," said Mary firmly. "And he says
everybody is obliged to do as he pleases."
"Aye, that's true enough--th' bad lad!" sighed Martha, wiping her
forehead with her apron.
"He says Mrs. Medlock must. And he wants me to come and talk to him
every day. And you are to tell me when he wants me."
"Me!" said Martha; "I shall lose my place--I shall for sure!"
"You can't if you are doing what he wants you to do and everybody is
ordered to obey him," Mary argued.
"Does tha' mean to say," cried Martha with wide open eyes, "that he was
nice to thee!"
"I think he almost liked me," Mary answered.
"Then tha' must have bewitched him!" decided Martha, drawing a long
"Do you mean Magic?" inquired Mary. "I've heard about Magic in India,
but I can't make it. I just went into his room and I was so surprised
to see him I stood and stared. And then he turned round and stared at
me. And he thought I was a ghost or a dream and I thought perhaps he
was. And it was so queer being there alone together in the middle of the
night and not knowing about each other. And we began to ask each other
questions. And when I asked him if I must go away he said I must not."
"Th' world's comin' to a end!" gasped Martha.
"What is the matter with him?" asked Mary.
"Nobody knows for sure and certain," said Martha. "Mr. Craven went off
his head like when he was born. Th' doctors thought he'd have to be put
in a 'sylum. It was because Mrs. Craven died like I told you. He
wouldn't set eyes on th' baby. He just raved and said it'd be another
hunchback like him and it'd better die."
"Is Colin a hunchback?" Mary asked. "He didn't look like one."
"He isn't yet," said Martha. "But he began all wrong. Mother said that
there was enough trouble and raging in th' house to set any child wrong.
They was afraid his back was weak an' they've always been takin' care of
it--keepin' him lyin' down and not lettin' him walk. Once they made him
wear a brace but he fretted so he was downright ill. Then a big doctor
came to see him an' made them take it off. He talked to th' other doctor
quite rough--in a polite way. He said there'd been too much medicine and
too much lettin' him have his own way."
"I think he's a very spoiled boy," said Mary.
"He's th' worst young nowt as ever was!" said Martha. "I won't say as he
hasn't been ill a good bit. He's had coughs an' colds that's nearly
killed him two or three times. Once he had rheumatic fever an' once he
had typhoid. Eh! Mrs. Medlock did get a fright then. He'd been out of
his head an' she was talkin' to th' nurse, thinkin' he didn't know
nothin', an' she said, 'He'll die this time sure enough, an' best thing
for him an' for everybody.' An' she looked at him an' there he was with
his big eyes open, starin' at her as sensible as she was herself. She
didn't know what'd happen but he just stared at her an' says, 'You give
me some water an' stop talkin'.'"
"Do you think he will die?" asked Mary.
"Mother says there's no reason why any child should live that gets no
fresh air an' doesn't do nothin' but lie on his back an' read
picture-books an' take medicine. He's weak and hates th' trouble o'
bein' taken out o' doors, an' he gets cold so easy he says it makes him
Mary sat and looked at the fire.
"I wonder," she said slowly, "if it would not do him good to go out into
a garden and watch things growing. It did me good."
"One of th' worst fits he ever had," said Martha, "was one time they
took him out where the roses is by the fountain. He'd been readin' in a
paper about people gettin' somethin' he called 'rose cold' an' he began
to sneeze an' said he'd got it an' then a new gardener as didn't know
th' rules passed by an' looked at him curious. He threw himself into a
passion an' he said he'd looked at him because he was going to be a
hunchback. He cried himself into a fever an' was ill all night."
"If he ever gets angry at me, I'll never go and see him again," said
"He'll have thee if he wants thee," said Martha. "Tha' may as well know
that at th' start."
Very soon afterward a bell rang and she rolled up her knitting.
"I dare say th' nurse wants me to stay with him a bit," she said. "I
hope he's in a good temper."
She was out of the room about ten minutes and then she came back with a
"Well, tha' has bewitched him," she said. "He's up on his sofa with his
picture-books. He's told the nurse to stay away until six o'clock. I'm
to wait in the next room. Th' minute she was gone he called me to him
an' says, 'I want Mary Lennox to come and talk to me, and remember
you're not to tell any one.' You'd better go as quick as you can."
Mary was quite willing to go quickly. She did not want to see Colin as
much as she wanted to see Dickon, but she wanted to see him very much.
There was a bright fire on the hearth when she entered his room, and in
the daylight she saw it was a very beautiful room indeed. There were
rich colors in the rugs and hangings and pictures and books on the walls
which made it look glowing and comfortable even in spite of the gray sky
and falling rain. Colin looked rather like a picture himself. He was
wrapped in a velvet dressing-gown and sat against a big brocaded
cushion. He had a red spot on each cheek.
"Come in," he said. "I've been thinking about you all morning."
"I've been thinking about you, too," answered Mary. "You don't know how
frightened Martha is. She says Mrs. Medlock will think she told me about
you and then she will be sent away."
"Go and tell her to come here," he said. "She is in the next room."
Mary went and brought her back. Poor Martha was shaking in her shoes.
Colin was still frowning.
"Have you to do what I please or have you not?" he demanded.
"I have to do what you please, sir," Martha faltered, turning quite red.
"Has Medlock to do what I please?"
"Everybody has, sir," said Martha.
"Well, then, if I order you to bring Miss Mary to me, how can Medlock
send you away if she finds it out?"
"Please don't let her, sir," pleaded Martha.
"I'll send "her" away if she dares to say a word about such a thing,"
said Master Craven grandly. "She wouldn't like that, I can tell you."
"Thank you, sir," bobbing a curtsy, "I want to do my duty, sir."
"What I want is your duty," said Colin more grandly still. "I'll take
care of you. Now go away."
When the door closed behind Martha, Colin found Mistress Mary gazing at
him as if he had set her wondering.
"Why do you look at me like that?" he asked her. "What are you thinking
"I am thinking about two things."
"What are they? Sit down and tell me."
"This is the first one," said Mary, seating herself on the big stool.
"Once in India I saw a boy who was a Rajah. He had rubies and emeralds
and diamonds stuck all over him. He spoke to his people just as you
spoke to Martha. Everybody had to do everything he told them--in a
minute. I think they would have been killed if they hadn't."
"I shall make you tell me about Rajahs presently," he said, "but first
tell me what the second thing was."
"I was thinking," said Mary, "how different you are from Dickon."
"Who is Dickon?" he said. "What a queer name!"
She might as well tell him, she thought. She could talk about Dickon
without mentioning the secret garden. She had liked to hear Martha talk
about him. Besides, she longed to talk about him. It would seem to bring
"He is Martha's brother. He is twelve years old," she explained. "He is
not like any one else in the world. He can charm foxes and squirrels and
birds just as the natives in India charm snakes. He plays a very soft
tune on a pipe and they come and listen."
There were some big books on a table at his side and he dragged one
suddenly toward him.
"There is a picture of a snake-charmer in this," he exclaimed. "Come and
look at it."
The book was a beautiful one with superb colored illustrations and he
turned to one of them.
"Can he do that?" he asked eagerly.
"He played on his pipe and they listened," Mary explained. "But he
doesn't call it Magic. He says it's because he lives on the moor so much
and he knows their ways. He says he feels sometimes as if he was a bird
or a rabbit himself, he likes them so. I think he asked the robin
questions. It seemed as if they talked to each other in soft chirps."
Colin lay back on his cushion and his eyes grew larger and larger and
the spots on his cheeks burned.
"Tell me some more about him," he said.
"He knows all about eggs and nests," Mary went on. "And he knows where
foxes and badgers and otters live. He keeps them secret so that other
boys won't find their holes and frighten them. He knows about everything
that grows or lives on the moor."
"Does he like the moor?" said Colin. "How can he when it's such a great,
bare, dreary place?"
"It's the most beautiful place," protested Mary. "Thousands of lovely
things grow on it and there are thousands of little creatures all busy
building nests and making holes and burrows and chippering or singing
or squeaking to each other. They are so busy and having such fun under
the earth or in the trees or heather. It's their world."
"How do you know all that?" said Colin, turning on his elbow to look at
"I have never been there once, really," said Mary suddenly remembering.
"I only drove over it in the dark. I thought it was hideous. Martha told
me about it first and then Dickon. When Dickon talks about it you feel
as if you saw things and heard them and as if you were standing in the
heather with the sun shining and the gorse smelling like honey--and all
full of bees and butterflies."
"You never see anything if you are ill," said Colin restlessly. He
looked like a person listening to a new sound in the distance and
wondering what it was.
"You can't if you stay in a room," said Mary.
"I couldn't go on the moor," he said in a resentful tone.
Mary was silent for a minute and then she said something bold.
He moved as if he were startled.
"Go on the moor! How could I? I am going to die."
"How do you know?" said Mary unsympathetically. She didn't like the way
he had of talking about dying. She did not feel very sympathetic. She
felt rather as if he almost boasted about it.
"Oh, I've heard it ever since I remember," he answered crossly. "They
are always whispering about it and thinking I don't notice. They wish I
Mistress Mary felt quite contrary. She pinched her lips together.
"If they wished I would," she said, "I wouldn't. Who wishes you would?"
"The servants--and of course Dr. Craven because he would get
Misselthwaite and be rich instead of poor. He daren't say so, but he
always looks cheerful when I am worse. When I had typhoid fever his face
got quite fat. I think my father wishes it, too."
"I don't believe he does," said Mary quite obstinately.
That made Colin turn and look at her again.
"Don't you?" he said.
And then he lay back on his cushion and was still, as if he were
thinking. And there was quite a long silence. Perhaps they were both of
them thinking strange things children do not usually think of.
"I like the grand doctor from London, because he made them take the iron
thing off," said Mary at last. "Did he say you were going to die?"
"What did he say?"
"He didn't whisper," Colin answered. "Perhaps he knew I hated
whispering. I heard him say one thing quite aloud. He said, 'The lad
might live if he would make up his mind to it. Put him in the humor.' It
sounded as if he was in a temper."
"I'll tell you who would put you in the humor, perhaps," said Mary
reflecting. She felt as if she would like this thing to be settled one
way or the other. "I believe Dickon would. He's always talking about
live things. He never talks about dead things or things that are ill.
He's always looking up in the sky to watch birds flying--or looking down
at the earth to see something growing. He has such round blue eyes and
they are so wide open with looking about. And he laughs such a big laugh
with his wide mouth--and his cheeks are as red--as red as cherries."
She pulled her stool nearer to the sofa and her expression quite changed
at the remembrance of the wide curving mouth and wide open eyes.
"See here," she said. "Don't let us talk about dying; I don't like it.
Let us talk about living. Let us talk and talk about Dickon. And then we
will look at your pictures."
It was the best thing she could have said. To talk about Dickon meant to
talk about the moor and about the cottage and the fourteen people who
lived in it on sixteen shillings a week--and the children who got fat on
the moor grass like the wild ponies. And about Dickon's mother--and the
skipping-rope--and the moor with the sun on it--and about pale green
points sticking up out of the black sod. And it was all so alive that
Mary talked more than she had ever talked before--and Colin both talked
and listened as he had never done either before. And they both began to
laugh over nothings as children will when they are happy together. And
they laughed so that in the end they were making as much noise as if
they had been two ordinary healthy natural ten-year-old
creatures--instead of a hard, little, unloving girl and a sickly boy who
believed that he was going to die.
They enjoyed themselves so much that they forgot the pictures and they
forgot about the time. They had been laughing quite loudly over Ben
Weatherstaff and his robin and Colin was actually sitting up as if he
had forgotten about his weak back when he suddenly remembered
"Do you know there is one thing we have never once thought of," he said.
"We are cousins."
It seemed so queer that they had talked so much and never remembered
this simple thing that they laughed more than ever, because they had got
into the humor to laugh at anything. And in the midst of the fun the
door opened and in walked Dr. Craven and Mrs. Medlock.
Dr. Craven started in actual alarm and Mrs. Medlock almost fell back
because he had accidentally bumped against her.
"Good Lord!" exclaimed poor Mrs. Medlock, with her eyes almost starting
out of her head. "Good Lord!"
"What is this?" said Dr. Craven, coming forward. "What does it mean?"
Then Mary was reminded of the boy Rajah again. Colin answered as if
neither the doctor's alarm nor Mrs. Medlock's terror were of the
slightest consequence. He was as little disturbed or frightened as if an
elderly cat and dog had walked into the room.
"This is my cousin, Mary Lennox," he said. "I asked her to come and talk
to me. I like her. She must come and talk to me whenever I send for
Dr. Craven turned reproachfully to Mrs. Medlock.
"Oh, sir," she panted. "I don't know how it's happened. There's not a
servant on the place that'd dare to talk--they all have their orders."
"Nobody told her anything," said Colin, "she heard me crying and found
me herself. I am glad she came. Don't be silly, Medlock."
Mary saw that Dr. Craven did not look pleased, but it was quite plain
that he dare not oppose his patient. He sat down by Colin and felt his
"I am afraid there has been too much excitement. Excitement is not good
for you, my boy," he said.
"I should be excited if she kept away," answered Colin, his eyes
beginning to look dangerously sparkling. "I am better. She makes me
better. The nurse must bring up her tea with mine. We will have tea
Mrs. Medlock and Dr. Craven looked at each other in a troubled way, but
there was evidently nothing to be done.
"He does look rather better, sir," ventured Mrs. Medlock.
"But"--thinking the matter over--"he looked better this morning before
she came into the room."
"She came into the room last night. She stayed with me a long time. She
sang a Hindustani song to me and it made me go to sleep," said Colin. "I
was better when I wakened up. I wanted my breakfast. I want my tea now.
Tell nurse, Medlock."
Dr. Craven did not stay very long. He talked to the nurse for a few
minutes when she came into the room and said a few words of warning to
Colin. He must not talk too much; he must not forget that he was ill; he
must not forget that he was very easily tired. Mary thought that there
seemed to be a number of uncomfortable things he was not to forget.
Colin looked fretful and kept his strange black-lashed eyes fixed on Dr.
"I "want" to forget it," he said at last. "She makes me forget it. That
is why I want her."
Dr. Craven did not look happy when he left the room. He gave a puzzled
glance at the little girl sitting on the large stool. She had become a
stiff, silent child again as soon as he entered and he could not see
what the attraction was. The boy actually did look brighter,
however--and he sighed rather heavily as he went down the corridor.
"They are always wanting me to eat things when I don't want to," said
Colin, as the nurse brought in the tea and put it on the table by the
sofa. "Now, if you'll eat I will. Those muffins look so nice and hot.
Tell me about Rajahs."
After another week of rain the high arch of blue sky appeared again and
the sun which poured down was quite hot. Though there had been no chance
to see either the secret garden or Dickon, Mistress Mary had enjoyed
herself very much. The week had not seemed long. She had spent hours of
every day with Colin in his room, talking about Rajahs or gardens or
Dickon and the cottage on the moor. They had looked at the splendid
books and pictures and sometimes Mary had read things to Colin, and
sometimes he had read a little to her. When he was amused and interested
she thought he scarcely looked like an invalid at all, except that his
face was so colorless and he was always on the sofa.
"You are a sly young one to listen and get out of your bed to go
following things up like you did that night," Mrs. Medlock said once.
"But there's no saying it's not been a sort of blessing to the lot of
us. He's not had a tantrum or a whining fit since you made friends. The
nurse was just going to give up the case because she was so sick of
him, but she says she doesn't mind staying now you've gone on duty with
her," laughing a little.
In her talks with Colin, Mary had tried to be very cautious about the
secret garden. There were certain things she wanted to find out from
him, but she felt that she must find them out without asking him direct
questions. In the first place, as she began to like to be with him, she
wanted to discover whether he was the kind of boy you could tell a
secret to. He was not in the least like Dickon, but he was evidently so
pleased with the idea of a garden no one knew anything about that she
thought perhaps he could be trusted. But she had not known him long
enough to be sure. The second thing she wanted to find out was this: If
he could be trusted--if he really could--wouldn't it be possible to take
him to the garden without having any one find it out? The grand doctor
had said that he must have fresh air and Colin had said that he would
not mind fresh air in a secret garden. Perhaps if he had a great deal of
fresh air and knew Dickon and the robin and saw things growing he might
not think so much about dying. Mary had seen herself in the glass
sometimes lately when she had realized that she looked quite a different
creature from the child she had seen when she arrived from India. This
child looked nicer. Even Martha had seen a change in her.
"Th' air from th' moor has done thee good already," she had said.
"Tha'rt not nigh so yeller and tha'rt not nigh so scrawny. Even tha'
hair doesn't slamp down on tha' head so flat. It's got some life in it
so as it sticks out a bit."
"It's like me," said Mary. "It's growing stronger and fatter. I'm sure
there's more of it."
"It looks it, for sure," said Martha, ruffling it up a little round her
face. "Tha'rt not half so ugly when it's that way an' there's a bit o'
red in tha' cheeks."
If gardens and fresh air had been good for her perhaps they would be
good for Colin. But then, if he hated people to look at him, perhaps he
would not like to see Dickon.
"Why does it make you angry when you are looked at?" she inquired one
"I always hated it," he answered, "even when I was very little. Then
when they took me to the seaside and I used to lie in my carriage
everybody used to stare and ladies would stop and talk to my nurse and
then they would begin to whisper and I knew then they were saying I
shouldn't live to grow up. Then sometimes the ladies would pat my
cheeks and say 'Poor child!' Once when a lady did that I screamed out
loud and bit her hand. She was so frightened she ran away."
"She thought you had gone mad like a dog," said Mary, not at all
"I don't care what she thought," said Colin, frowning.
"I wonder why you didn't scream and bite me when I came into your room?"
said Mary. Then she began to smile slowly.
"I thought you were a ghost or a dream," he said. "You can't bite a
ghost or a dream, and if you scream they don't care."
"Would you hate it if--if a boy looked at you?" Mary asked uncertainly.
He lay back on his cushion and paused thoughtfully.
"There's one boy," he said quite slowly, as if he were thinking over
every word, "there's one boy I believe I shouldn't mind. It's that boy
who knows where the foxes live--Dickon."
"I'm sure you wouldn't mind him," said Mary.
"The birds don't and other animals," he said, still thinking it over,
"perhaps that's why I shouldn't. He's a sort of animal charmer and I am
a boy animal."
Then he laughed and she laughed too; in fact it ended in their both
laughing a great deal and finding the idea of a boy animal hiding in
his hole very funny indeed.
What Mary felt afterward was that she need not fear about Dickon.
* * * * *
On that first morning when the sky was blue again Mary wakened very
early. The sun was pouring in slanting rays through the blinds and there
was something so joyous in the sight of it that she jumped out of bed
and ran to the window. She drew up the blinds and opened the window
itself and a great waft of fresh, scented air blew in upon her. The moor
was blue and the whole world looked as if something Magic had happened
to it. There were tender little fluting sounds here and there and
everywhere, as if scores of birds were beginning to tune up for a
concert. Mary put her hand out of the window and held it in the sun.
"It's warm--warm!" she said. "It will make the green points push up and
up and up, and it will make the bulbs and roots work and struggle with
all their might under the earth."
She kneeled down and leaned out of the window as far as she could,
breathing big breaths and sniffing the air until she laughed because she
remembered what Dickon's mother had said about the end of his nose
quivering like a rabbit's.
"It must be very early," she said. "The little clouds are all pink and
I've never seen the sky look like this. No one is up. I don't even hear
the stable boys."
A sudden thought made her scramble to her feet.
"I can't wait! I am going to see the garden!"
She had learned to dress herself by this time and she put on her clothes
in five minutes. She knew a small side door which she could unbolt
herself and she flew down-stairs in her stocking feet and put on her
shoes in the hall. She unchained and unbolted and unlocked and when the
door was open she sprang across the step with one bound, and there she
was standing on the grass, which seemed to have turned green, and with
the sun pouring down on her and warm sweet wafts about her and the
fluting and twittering and singing coming from every bush and tree. She
clasped her hands for pure joy and looked up in the sky and it was so
blue and pink and pearly and white and flooded with springtime light
that she felt as if she must flute and sing aloud herself and knew that
thrushes and robins and skylarks could not possibly help it. She ran
around the shrubs and paths toward the secret garden.
"It is all different already," she said. "The grass is greener and
things are sticking up everywhere and things are uncurling and green
buds of leaves are showing. This afternoon I am sure Dickon will come."
The long warm rain had done strange things to the herbaceous beds which
bordered the walk by the lower wall. There were things sprouting and
pushing out from the roots of clumps of plants and there were actually
here and there glimpses of royal purple and yellow unfurling among the
stems of crocuses. Six months before Mistress Mary would not have seen
how the world was waking up, but now she missed nothing.
When she had reached the place where the door hid itself under the ivy,
she was startled by a curious loud sound. It was the caw--caw of a crow
and it came from the top of the wall, and when she looked up, there sat
a big glossy-plumaged blue-black bird, looking down at her very wisely
indeed. She had never seen a crow so close before and he made her a
little nervous, but the next moment he spread his wings and flapped away
across the garden. She hoped he was not going to stay inside and she
pushed the door open wondering if he would. When she got fairly into the
garden she saw that he probably did intend to stay because he had
alighted on a dwarf apple-tree, and under the apple-tree was lying a
little reddish animal with a bushy tail, and both of them were watching
the stooping body and rust-red head of Dickon, who was kneeling on the
grass working hard.
Mary flew across the grass to him.
"Oh, Dickon! Dickon!" she cried out. "How could you get here so early!
How could you! The sun has only just got up!"
He got up himself, laughing and glowing, and tousled; his eyes like a
bit of the sky.
"Eh!" he said. "I was up long before him. How could I have stayed abed!
Th' world's all fair begun again this mornin', it has. An' it's workin'
an' hummin' an' scratchin' an' pipin' an' nest-buildin' an' breathin'
out scents, till you've got to be out on it 'stead o' lyin' on your
back. When th' sun did jump up, th' moor went mad for joy, an' I was in
the midst of th' heather, an' I run like mad myself, shoutin' an'
singin'. An' I come straight here. I couldn't have stayed away. Why, th'
garden was lyin' here waitin'!"
Mary put her hands on her chest, panting, as if she had been running
"Oh, Dickon! Dickon!" she said. "I'm so happy I can scarcely breathe!"
Seeing him talking to a stranger, the little bushy-tailed animal rose
from its place under the tree and came to him, and the rook, cawing
once, flew down from its branch and settled quietly on his shoulder.
"This is th' little fox cub," he said, rubbing the little reddish
animal's head. "It's named Captain. An' this here's Soot. Soot he flew
across th' moor with me an' Captain he run same as if th' hounds had
been after him. They both felt same as I did."
Neither of the creatures looked as if he were the least afraid of Mary.
When Dickon began to walk about, Soot stayed on his shoulder and Captain
trotted quietly close to his side.
"See here!" said Dickon. "See how these has pushed up, an' these an'
these! An' Eh! look at these here!"
He threw himself upon his knees and Mary went down beside him. They had
come upon a whole clump of crocuses burst into purple and orange and
gold. Mary bent her face down and kissed and kissed them.
"You never kiss a person in that way," she said when she lifted her
head. "Flowers are so different."
He looked puzzled but smiled.
"Eh!" he said, "I've kissed mother many a time that way when I come in
from th' moor after a day's roamin' an' she stood there at th' door in
th' sun, lookin' so glad an' comfortable."
They ran from one part of the garden to another and found so many
wonders that they were obliged to remind themselves that they must
whisper or speak low. He showed her swelling leaf-buds on rose branches
which had seemed dead. He showed her ten thousand new green points
pushing through the mould. They put their eager young noses close to the
earth and sniffed its warmed springtime breathing; they dug and pulled
and laughed low with rapture until Mistress Mary's hair was as tumbled
as Dickon's and her cheeks were almost as poppy red as his.
There was every joy on earth in the secret garden that morning, and in
the midst of them came a delight more delightful than all, because it
was more wonderful. Swiftly something flew across the wall and darted
through the trees to a close grown corner, a little flare of
red-breasted bird with something hanging from its beak. Dickon stood
quite still and put his hand on Mary almost as if they had suddenly
found themselves laughing in a church.
"We munnot stir," he whispered in broad Yorkshire. "We munnot scarce
breathe. I knowed he was mate-huntin' when I seed him last. It's Ben
Weatherstaff's robin. He's buildin' his nest. He'll stay here if us
don't flight him."
They settled down softly upon the grass and sat there without moving.
"Us mustn't seem as if us was watchin' him too close," said Dickon.
"He'd be out with us for good if he got th' notion us was interferin'
now. He'll be a good bit different till all this is over. He's settin'
up housekeepin'. He'll be shyer an' readier to take things ill. He's got
no time for visitin' an' gossipin'. Us must keep still a bit an' try to
look as if us was grass an' trees an' bushes. Then when he's got used to
seein' us I'll chirp a bit an' he'll know us'll not be in his way."
Mistress Mary was not at all sure that she knew, as Dickon seemed to,
how to try to look like grass and trees and bushes. But he had said the
queer thing as if it were the simplest and most natural thing in the
world, and she felt it must be quite easy to him, and indeed she watched
him for a few minutes carefully, wondering if it was possible for him to
quietly turn green and put out branches and leaves. But he only sat
wonderfully still, and when he spoke dropped his voice to such a
softness that it was curious that she could hear him, but she could.
"It's part o' th' springtime, this nest-buildin' is," he said. "I
warrant it's been goin' on in th' same way every year since th' world
was begun. They've got their way o' thinkin' and doin' things an' a
body had better not meddle. You can lose a friend in springtime easier
than any other season if you're too curious."
"If we talk about him I can't help looking at him," Mary said as softly
as possible. "We must talk of something else. There is something I want
to tell you."
"He'll like it better if us talks o' somethin' else," said Dickon. "What
is it tha's got to tell me?"
"Well--do you know about Colin?" she whispered.
He turned his head to look at her.
"What does tha' know about him?" he asked.
"I've seen him. I have been to talk to him every day this week. He wants
me to come. He says I'm making him forget about being ill and dying,"
Dickon looked actually relieved as soon as the surprise died away from
his round face.
"I am glad o' that," he exclaimed. "I'm right down glad. It makes me
easier. I knowed I must say nothin' about him an' I don't like havin' to
"Don't you like hiding the garden?" said Mary.
"I'll never tell about it," he answered. "But I says to mother,
'Mother,' I says, 'I got a secret to keep. It's not a bad 'un, tha'
knows that. It's no worse than hidin' where a bird's nest is. Tha'
doesn't mind it, does tha'?'"
Mary always wanted to hear about mother.
"What did she say?" she asked, not at all afraid to hear.
Dickon grinned sweet-temperedly.
"It was just like her, what she said," he answered. "She give my head a
bit of a rub an' laughed an' she says, 'Eh, lad, tha' can have all th'
secrets tha' likes. I've knowed thee twelve year'.'"
"How did you know about Colin?" asked Mary.
"Everybody as knowed about Mester Craven knowed there was a little lad
as was like to be a cripple, an' they knowed Mester Craven didn't like
him to be talked about. Folks is sorry for Mester Craven because Mrs.
Craven was such a pretty young lady an' they was so fond of each other.
Mrs. Medlock stops in our cottage whenever she goes to Thwaite an' she
doesn't mind talkin' to mother before us children, because she knows us
has been brought up to be trusty. How did tha' find out about him?
Martha was in fine trouble th' last time she came home. She said tha'd
heard him frettin' an' tha' was askin' questions an' she didn't know
what to say."
Mary told him her story about the midnight wuthering of the wind which
had wakened her and about the faint far-off sounds of the complaining
voice which had led her down the dark corridors with her candle and had
ended with her opening of the door of the dimly lighted room with the
carven four-posted bed in the corner. When she described the small
ivory-white face and the strange black-rimmed eyes Dickon shook his
"Them's just like his mother's eyes, only hers was always laughin', they
say," he said. "They say as Mr. Craven can't bear to see him when he's
awake an' it's because his eyes is so like his mother's an' yet looks so
different in his miserable bit of a face."
"Do you think he wants him to die?" whispered Mary.
"No, but he wishes he'd never been born. Mother she says that's th'
worst thing on earth for a child. Them as is not wanted scarce ever
thrives. Mester Craven he'd buy anythin' as money could buy for th' poor
lad but he'd like to forget as he's on earth. For one thing, he's afraid
he'll look at him some day and find he's growed hunchback."
"Colin's so afraid of it himself that he won't sit up," said Mary. "He
says he's always thinking that if he should feel a lump coming he
should go crazy and scream himself to death."
"Eh! he oughtn't to lie there thinkin' things like that," said Dickon.
"No lad could get well as thought them sort o' things."
The fox was lying on the grass close by him looking up to ask for a pat
now and then, and Dickon bent down and rubbed his neck softly and
thought a few minutes in silence. Presently he lifted his head and
looked round the garden.
"When first we got in here," he said, "it seemed like everything was
gray. Look round now and tell me if tha' doesn't see a difference."
Mary looked and caught her breath a little.
"Why!" she cried, "the gray wall is changing. It is as if a green mist
were creeping over it. It's almost like a green gauze veil."
"Aye," said Dickon. "An' it'll be greener and greener till th' gray's
all gone. Can tha' guess what I was thinkin'?"
"I know it was something nice," said Mary eagerly. "I believe it was
something about Colin."
"I was thinkin' that if he was out here he wouldn't be watchin' for
lumps to grow on his back; he'd be watchin' for buds to break on th'
rose-bushes, an' he'd likely be healthier," explained Dickon. "I was
wonderin' if us could ever get him in th' humor to come out here an'
lie under th' trees in his carriage."
"I've been wondering that myself. I've thought of it almost every time
I've talked to him," said Mary. "I've wondered if he could keep a secret
and I've wondered if we could bring him here without any one seeing us.
I thought perhaps you could push his carriage. The doctor said he must
have fresh air and if he wants us to take him out no one dare disobey
him. He won't go out for other people and perhaps they will be glad if
he will go out with us. He could order the gardeners to keep away so
they wouldn't find out."
Dickon was thinking very hard as he scratched Captain's back.
"It'd be good for him, I'll warrant," he said. "Us'd not be thinkin'
he'd better never been born. Us'd be just two children watchin' a garden
grow, an' he'd be another. Two lads an' a little lass just lookin' on at
th' springtime. I warrant it'd be better than doctor's stuff."
"He's been lying in his room so long and he's always been so afraid of
his back that it has made him queer," said Mary. "He knows a good many
things out of books but he doesn't know anything else. He says he has
been too ill to notice things and he hates going out of doors and hates
gardens and gardeners. But he likes to hear about this garden because
it is a secret. I daren't tell him much but he said he wanted to see
"Us'll have him out here sometime for sure," said Dickon. "I could push
his carriage well enough. Has tha' noticed how th' robin an' his mate
has been workin' while we've been sittin' here? Look at him perched on
that branch wonderin' where it'd be best to put that twig he's got in
He made one of his low whistling calls and the robin turned his head and
looked at him inquiringly, still holding his twig. Dickon spoke to him
as Ben Weatherstaff did, but Dickon's tone was one of friendly advice.
"Wheres'ever tha' puts it," he said, "it'll be all right. Tha' knew how
to build tha' nest before tha' came out o' th' egg. Get on with thee,
lad. Tha'st got no time to lose."
"Oh, I do like to hear you talk to him!" Mary said, laughing
delightedly. "Ben Weatherstaff scolds him and makes fun of him, and he
hops about and looks as if he understood every word, and I know he likes
it. Ben Weatherstaff says he is so conceited he would rather have stones
thrown at him than not be noticed."
Dickon laughed too and went on talking.
"Tha' knows us won't trouble thee," he said to the robin. "Us is near
bein' wild things ourselves. Us is nest-buildin' too, bless thee. Look
out tha' doesn't tell on us."
And though the robin did not answer, because his beak was occupied, Mary
knew that when he flew away with his twig to his own corner of the
garden the darkness of his dew-bright eye meant that he would not tell
their secret for the world.
"I WON'T!" SAID MARY
They found a great deal to do that morning and Mary was late in
returning to the house and was also in such a hurry to get back to her
work that she quite forgot Colin until the last moment.
"Tell Colin that I can't come and see him yet," she said to Martha. "I'm
very busy in the garden."
Martha looked rather frightened.
"Eh! Miss Mary," she said, "it may put him all out of humor when I tell
But Mary was not as afraid of him as other people were and she was not a
"I can't stay," she answered. "Dickon's waiting for me;" and she ran
The afternoon was even lovelier and busier than the morning had been.
Already nearly all the weeds were cleared out of the garden and most of
the roses and trees had been pruned or dug about. Dickon had brought a
spade of his own and he had taught Mary to use all her tools, so that
by this time it was plain that though the lovely wild place was not
likely to become a "gardener's garden" it would be a wilderness of
growing things before the springtime was over.
"There'll be apple blossoms an' cherry blossoms overhead," Dickon said,
working away with all his might. "An' there'll be peach an' plum trees
in bloom against th' walls, an' th' grass'll be a carpet o' flowers."
The little fox and the rook were as happy and busy as they were, and the
robin and his mate flew backward and forward like tiny streaks of
lightning. Sometimes the rook flapped his black wings and soared away
over the tree-tops in the park. Each time he came back and perched near
Dickon and cawed several times as if he were relating his adventures,
and Dickon talked to him just as he had talked to the robin. Once when
Dickon was so busy that he did not answer him at first, Soot flew on to
his shoulders and gently tweaked his ear with his large beak. When Mary
wanted to rest a little Dickon sat down with her under a tree and once
he took his pipe out of his pocket and played the soft strange little
notes and two squirrels appeared on the wall and looked and listened.
"Tha's a good bit stronger than tha' was," Dickon said, looking at her
as she was digging. "Tha's beginning to look different, for sure."
Mary was glowing with exercise and good spirits.
"I'm getting fatter and fatter every day," she said quite exultantly.
"Mrs. Medlock will have to get me some bigger dresses. Martha says my
hair is growing thicker. It isn't so flat and stringy."
The sun was beginning to set and sending deep gold-colored rays slanting
under the trees when they parted.
"It'll be fine to-morrow," said Dickon. "I'll be at work by sunrise."
"So will I," said Mary.
* * * * *
She ran back to the house as quickly as her feet would carry her. She
wanted to tell Colin about Dickon's fox cub and the rook and about what
the springtime had been doing. She felt sure he would like to hear. So
it was not very pleasant when she opened the door of her room, to see
Martha standing waiting for her with a doleful face.
"What is the matter?" she asked. "What did Colin say when you told him I
"Eh!" said Martha, "I wish tha'd gone. He was nigh goin' into one o'
his tantrums. There's been a nice to do all afternoon to keep him quiet.
He would watch the clock all th' time."
Mary's lips pinched themselves together. She was no more used to
considering other people than Colin was and she saw no reason why an
ill-tempered boy should interfere with the thing she liked best. She
knew nothing about the pitifulness of people who had been ill and
nervous and who did not know that they could control their tempers and
need not make other people ill and nervous, too. When she had had a
headache in India she had done her best to see that everybody else also
had a headache or something quite as bad. And she felt she was quite
right; but of course now she felt that Colin was quite wrong.
He was not on his sofa when she went into his room. He was lying flat on
his back in bed and he did not turn his head toward her as she came in.
This was a bad beginning and Mary marched up to him with her stiff
"Why didn't you get up?" she said.
"I did get up this morning when I thought you were coming," he answered,
without looking at her. "I made them put me back in bed this afternoon.
My back ached and my head ached and I was tired. Why didn't you come?"
"I was working in the garden with Dickon," said Mary.
Colin frowned and condescended to look at her.
"I won't let that boy come here if you go and stay with him instead of
coming to talk to me," he said.
Mary flew into a fine passion. She could fly into a passion without
making a noise. She just grew sour and obstinate and did not care what
"If you send Dickon away, I'll never come into this room again!" she
"You'll have to if I want you," said Colin.
"I won't!" said Mary.
"I'll make you," said Colin, "They shall drag you in."
"Shall they, Mr. Rajah!" said Mary fiercely. "They may drag me in but
they can't make me talk when they get me here. I'll sit and clench my
teeth and never tell you one thing. I won't even look at you. I'll stare
at the floor!"
They were a nice agreeable pair as they glared at each other. If they
had been two little street boys they would have sprung at each other and
had a rough-and-tumble fight. As it was, they did the next thing to it.
"You are a selfish thing!" cried Colin.
"What are you?" said Mary. "Selfish people always say that. Any one is
selfish who doesn't do what they want. You're more selfish than I am.
You're the most selfish boy I ever saw."
"I'm not!" snapped Colin. "I'm not as selfish as your fine Dickon is! He
keeps you playing in the dirt when he knows I am all by myself. He's
selfish, if you like!"
Mary's eyes flashed fire.
"He's nicer than any other boy that ever lived!" she said. "He's--he's
like an angel!" It might sound rather silly to say that but she did not
"A nice angel!" Colin sneered ferociously. "He's a common cottage boy
off the moor!"
"He's better than a common Rajah!" retorted Mary. "He's a thousand times
Because she was the stronger of the two she was beginning to get the
better of him. The truth was that he had never had a fight with any one
like himself in his life and, upon the whole, it was rather good for
him, though neither he nor Mary knew anything about that. He turned his
head on his pillow and shut his eyes and a big tear was squeezed out and
ran down his cheek. He was beginning to feel pathetic and sorry for
himself--not for any one else.
"I'm not as selfish as you, because I'm always ill, and I'm sure there
is a lump coming on my back," he said. "And I am going to die besides."
"You're not!" contradicted Mary unsympathetically.
He opened his eyes quite wide with indignation. He had never heard such
a thing said before. He was at once furious and slightly pleased, if a
person could be both at the same time.
"I'm not?" he cried. "I am! You know I am! Everybody says so."
"I don't believe it!" said Mary sourly. "You just say that to make
people sorry. I believe you're proud of it. I don't believe it! If you
were a nice boy it might be true--but you're too nasty!"
In spite of his invalid back Colin sat up in bed in quite a healthy
"Get out of the room!" he shouted and he caught hold of his pillow and
threw it at her. He was not strong enough to throw it far and it only
fell at her feet, but Mary's face looked as pinched as a nutcracker.
"I'm going," she said. "And I won't come back!"
She walked to the door and when she reached it she turned round and
"I was going to tell you all sorts of nice things," she said. "Dickon
brought his fox and his rook and I was going to tell you all about
them. Now I won't tell you a single thing!"
She marched out of the door and closed it behind her, and there to her
great astonishment she found the trained nurse standing as if she had
been listening and, more amazing still--she was laughing. She was a big
handsome young woman who ought not to have been a trained nurse at all,
as she could not bear invalids and she was always making excuses to
leave Colin to Martha or any one else who would take her place. Mary had
never liked her, and she simply stood and gazed up at her as she stood
giggling into her handkerchief.
"What are you laughing at?" she asked her.
"At you two young ones," said the nurse. "It's the best thing that could
happen to the sickly pampered thing to have some one to stand up to him
that's as spoiled as himself;" and she laughed into her handkerchief
again. "If he'd had a young vixen of a sister to fight with it would
have been the saving of him."
"Is he going to die?"
"I don't know and I don't care," said the nurse. "Hysterics and temper
are half what ails him."
"What are hysterics?" asked Mary.
"You'll find out if you work him into a tantrum after this--but at any
rate you've given him something to have hysterics about, and I'm glad
Mary went back to her room not feeling at all as she had felt when she
had come in from the garden. She was cross and disappointed but not at
all sorry for Colin. She had looked forward to telling him a great many
things and she had meant to try to make up her mind whether it would be
safe to trust him with the great secret. She had been beginning to think
it would be, but now she had changed her mind entirely. She would never
tell him and he could stay in his room and never get any fresh air and
die if he liked! It would serve him right! She felt so sour and
unrelenting that for a few minutes she almost forgot about Dickon and
the green veil creeping over the world and the soft wind blowing down
from the moor.
Martha was waiting for her and the trouble in her face had been
temporarily replaced by interest and curiosity. There was a wooden box
on the table and its cover had been removed and revealed that it was
full of neat packages.
"Mr. Craven sent it to you," said Martha. "It looks as if it had
picture-books in it."
Mary remembered what he had asked her the day she had gone to his room.
"Do you want anything--dolls--toys--books?" She opened the package
wondering if he had sent a doll, and also wondering what she should do
with it if he had. But he had not sent one. There were several beautiful
books such as Colin had, and two of them were about gardens and were
full of pictures. There were two or three games and there was a
beautiful little writing-case with a gold monogram on it and a gold pen
Everything was so nice that her pleasure began to crowd her anger out of
her mind. She had not expected him to remember her at all and her hard
little heart grew quite warm.
"I can write better than I can print," she said, "and the first thing I
shall write with that pen will be a letter to tell him I am much
If she had been friends with Colin she would have run to show him her
presents at once, and they would have looked at the pictures and read
some of the gardening books and perhaps tried playing the games, and he
would have enjoyed himself so much he would never once have thought he
was going to die or have put his hand on his spine to see if there was a
lump coming. He had a way of doing that which she could not bear. It
gave her an uncomfortable frightened feeling because he always looked so
frightened himself. He said that if he felt even quite a little lump
some day he should know his hunch had begun to grow. Something he had
heard Mrs. Medlock whispering to the nurse had given him the idea and he
had thought over it in secret until it was quite firmly fixed in his
mind. Mrs. Medlock had said his father's back had begun to show its
crookedness in that way when he was a child. He had never told any one
but Mary that most of his "tantrums" as they called them grew out of his
hysterical hidden fear. Mary had been sorry for him when he had told
"He always began to think about it when he was cross or tired," she said
to herself. "And he has been cross to-day. Perhaps--perhaps he has been
thinking about it all afternoon."
She stood still, looking down at the carpet and thinking.
"I said I would never go back again--" she hesitated, knitting her
brows--"but perhaps, just perhaps, I will go and see--if he wants me--in
the morning. Perhaps he'll try to throw his pillow at me again, but--I
She had got up very early in the morning and had worked hard in the
garden and she was tired and sleepy, so as soon as Martha had brought
her supper and she had eaten it, she was glad to go to bed. As she laid
her head on the pillow she murmured to herself:
"I'll go out before breakfast and work with Dickon and then afterward--I
believe--I'll go to see him."
She thought it was the middle of the night when she was wakened by such
dreadful sounds that she jumped out of bed in an instant. What was
it--what was it? The next minute she felt quite sure she knew. Doors
were opened and shut and there were hurrying feet in the corridors and
some one was crying and screaming at the same time, screaming and crying
in a horrible way.
"It's Colin," she said. "He's having one of those tantrums the nurse
called hysterics. How awful it sounds."
As she listened to the sobbing screams she did not wonder that people
were so frightened that they gave him his own way in everything rather
than hear them. She put her hands over her ears and felt sick and
"I don't know what to do. I don't know what to do," she kept saying. "I
can't bear it."
Once she wondered if he would stop if she dared go to him and then she
remembered how he had driven her out of the room and thought that
perhaps the sight of her might make him worse. Even when she pressed her
hands more tightly over her ears she could not keep the awful sounds
out. She hated them so and was so terrified by them that suddenly they
began to make her angry and she felt as if she should like to fly into a
tantrum herself and frighten him as he was frightening her. She was not
used to any one's tempers but her own. She took her hands from her ears
and sprang up and stamped her foot.
"He ought to be stopped! Somebody ought to make him stop! Somebody ought
to beat him!" she cried out.
Just then she heard feet almost running down the corridor and her door
opened and the nurse came in. She was not laughing now by any means. She
even looked rather pale.
"He's worked himself into hysterics," she said in a great hurry. "He'll
do himself harm. No one can do anything with him. You come and try,
like a good child. He likes you."
"He turned me out of the room this morning," said Mary, stamping her
foot with excitement.
The stamp rather pleased the nurse. The truth was that she had been
afraid she might find Mary crying and hiding her head under the
"That's right," she said. "You're in the right humor. You go and scold
him. Give him something new to think of. Do go, child, as quick as ever
It was not until afterward that Mary realized that the thing had been
funny as well as dreadful--that it was funny that all the grown-up
people were so frightened that they came to a little girl just because
they guessed she was almost as bad as Colin himself.
She flew along the corridor and the nearer she got to the screams the
higher her temper mounted. She felt quite wicked by the time she reached
the door. She slapped it open with her hand and ran across the room to
the four-posted bed.
"You stop!" she almost shouted. "You stop! I hate you! Everybody hates
you! I wish everybody would run out of the house and let you scream
yourself to death! You "will" scream yourself to death in a minute, and
I wish you would!"
A nice sympathetic child could neither have thought nor said such
things, but it just happened that the shock of hearing them was the best
possible thing for this hysterical boy whom no one had ever dared to
restrain or contradict.
He had been lying on his face beating his pillow with his hands and he
actually almost jumped around, he turned so quickly at the sound of the
furious little voice. His face looked dreadful, white and red and
swollen, and he was gasping and choking; but savage little Mary did not
care an atom.
"If you scream another scream," she said, "I'll scream too--and I can
scream louder than you can and I'll frighten you, I'll frighten you!"
He actually had stopped screaming because she had startled him so. The
scream which had been coming almost choked him. The tears were streaming
down his face and he shook all over.
"I can't stop!" he gasped and sobbed. "I can't--I can't!"
"You can!" shouted Mary. "Half that ails you is hysterics and
temper--just hysterics--hysterics--hysterics!" and she stamped each time
she said it.
"I felt the lump--I felt it," choked out Colin. "I knew I should. I
shall have a hunch on my back and then I shall die," and he began to
writhe again and turned on his face and sobbed and wailed but he didn't
"You didn't feel a lump!" contradicted Mary fiercely. "If you did it was
only a hysterical lump. Hysterics makes lumps. There's nothing the
matter with your horrid back--nothing but hysterics! Turn over and let
me look at it!"
She liked the word "hysterics" and felt somehow as if it had an effect
on him. He was probably like herself and had never heard it before.
"Nurse," she commanded, "come here and show me his back this minute!"
The nurse, Mrs. Medlock and Martha had been standing huddled together
near the door staring at her, their mouths half open. All three had
gasped with fright more than once. The nurse came forward as if she were
half afraid. Colin was heaving with great breathless sobs.
"Perhaps he--he won't let me," she hesitated in a low voice.
Colin heard her, however, and he gasped out between two sobs:
"Sh--show her! She--she'll see then!"
It was a poor thin back to look at when it was bared. Every rib could be
counted and every joint of the spine, though Mistress Mary did not count
them as she bent over and examined them with a solemn savage little
face. She looked so sour and old-fashioned that the nurse turned her
head aside to hide the twitching of her mouth. There was just a minute's
silence, for even Colin tried to hold his breath while Mary looked up
and down his spine, and down and up, as intently as if she had been the
great doctor from London.
"There's not a single lump there!" she said at last. "There's not a lump
as big as a pin--except backbone lumps, and you can only feel them
because you're thin. I've got backbone lumps myself, and they used to
stick out as much as yours do, until I began to get fatter, and I am not
fat enough yet to hide them. There's not a lump as big as a pin! If you
ever say there is again, I shall laugh!"
No one but Colin himself knew what effect those crossly spoken childish
words had on him. If he had ever had any one to talk to about his secret
terrors--if he had ever dared to let himself ask questions--if he had
had childish companions and had not lain on his back in the huge closed
house, breathing an atmosphere heavy with the fears of people who were
most of them ignorant and tired of him, he would have found out that
most of his fright and illness was created by himself. But he had lain
and thought of himself and his aches and weariness for hours and days
and months and years. And now that an angry unsympathetic little girl
insisted obstinately that he was not as ill as he thought he was he
actually felt as if she might be speaking the truth.
"I didn't know," ventured the nurse, "that he thought he had a lump on
his spine. His back is weak because he won't try to sit up. I could have
told him there was no lump there."
Colin gulped and turned his face a little to look at her.
"C-could you?" he said pathetically.
"There!" said Mary, and she gulped too.
Colin turned on his face again and but for his long-drawn broken
breaths, which were the dying down of his storm of sobbing, he lay still
for a minute, though great tears streamed down his face and wet the
pillow. Actually the tears meant that a curious great relief had come to
him. Presently he turned and looked at the nurse again and strangely
enough he was not like a Rajah at all as he spoke to her.
"Do you think--I could--live to grow up?" he said.
The nurse was neither clever nor soft-hearted but she could repeat some
of the London doctor's words.
"You probably will if you will do what you are told to do and not give
way to your temper, and stay out a great deal in the fresh air."
Colin's tantrum had passed and he was weak and worn out with crying and
this perhaps made him feel gentle. He put out his hand a little toward
Mary, and I am glad to say that, her own tantrum having passed, she was
softened too and met him half-way with her hand, so that it was a sort
of making up.
"I'll--I'll go out with you, Mary," he said. "I shan't hate fresh air if
we can find--" He remembered just in time to stop himself from saying
"if we can find the secret garden" and he ended, "I shall like to go out
with you if Dickon will come and push my chair. I do so want to see
Dickon and the fox and the crow."
The nurse remade the tumbled bed and shook and straightened the pillows.
Then she made Colin a cup of beef tea and gave a cup to Mary, who really
was very glad to get it after her excitement. Mrs. Medlock and Martha
gladly slipped away, and after everything was neat and calm and in order
the nurse looked as if she would very gladly slip away also. She was a
healthy young woman who resented being robbed of her sleep and she
yawned quite openly as she looked at Mary, who had pushed her big
footstool close to the four-posted bed and was holding Colin's hand.
"You must go back and get your sleep out," she said. "He'll drop off
after a while--if he's not too upset. Then I'll lie down myself in the
"Would you like me to sing you that song I learned from my Ayah?" Mary
whispered to Colin.
His hand pulled hers gently and he turned his tired eyes on her
"Oh, yes!" he answered. "It's such a soft song. I shall go to sleep in a
"I will put him to sleep," Mary said to the yawning nurse. "You can go
if you like."
"Well," said the nurse, with an attempt at reluctance. "If he doesn't go
to sleep in half an hour you must call me."
"Very well," answered Mary.
The nurse was out of the room in a minute and as soon as she was gone
Colin pulled Mary's hand again.
"I almost told," he said; "but I stopped myself in time. I won't talk
and I'll go to sleep, but you said you had a whole lot of nice things to
tell me. Have you--do you think you have found out anything at all about
the way into the secret garden?"
Mary looked at his poor little tired face and swollen eyes and her heart
"Ye-es," she answered, "I think I have. And if you will go to sleep I
will tell you to-morrow."
His hand quite trembled.
"Oh, Mary!" he said. "Oh, Mary! If I could get into it I think I should
live to grow up! Do you suppose that instead of singing the Ayah
song--you could just tell me softly as you did that first day what you
imagine it looks like inside? I am sure it will make me go to sleep."
"Yes," answered Mary. "Shut your eyes."
He closed his eyes and lay quite still and she held his hand and began
to speak very slowly and in a very low voice.
"I think it has been left alone so long--that it has grown all into a
lovely tangle. I think the roses have climbed and climbed and climbed
until they hang from the branches and walls and creep over the
ground--almost like a strange gray mist. Some of them have died but
many--are alive and when the summer comes there will be curtains and
fountains of roses. I think the ground is full of daffodils and
snowdrops and lilies and iris working their way out of the dark. Now the
spring has begun--perhaps--perhaps--"
The soft drone of her voice was making him stiller and stiller and she
saw it and went on.
"Perhaps they are coming up through the grass--perhaps there are
clusters of purple crocuses and gold ones--even now. Perhaps the leaves
are beginning to break out and uncurl--and perhaps--the gray is changing
and a green gauze veil is creeping--and creeping over--everything. And
the birds are coming to look at it--because it is--so safe and still.
And perhaps--perhaps--perhaps--" very softly and slowly indeed, "the
robin has found a mate--and is building a nest."
And Colin was asleep.
"THA' MUNNOT WASTE NO TIME"
Of course Mary did not waken early the next morning. She slept late
because she was tired, and when Martha brought her breakfast she told
her that though Colin was quite quiet he was ill and feverish as he
always was after he had worn himself out with a fit of crying. Mary ate
her breakfast slowly as she listened.
"He says he wishes tha' would please go and see him as soon as tha'
can," Martha said. "It's queer what a fancy he's took to thee. Tha' did
give it him last night for sure--didn't tha'? Nobody else would have
dared to do it. Eh! poor lad! He's been spoiled till salt won't save
him. Mother says as th' two worst things as can happen to a child is
never to have his own way--or always to have it. She doesn't know which
is th' worst. Tha' was in a fine temper tha'self, too. But he says to me
when I went into his room, 'Please ask Miss Mary if she'll please come
an' talk to me?' Think o' him saying please! Will you go, Miss?"
"I'll run and see Dickon first," said Mary. "No, I'll go and see Colin
first and tell him--I know what I'll tell him," with a sudden
She had her hat on when she appeared in Colin's room and for a second he
looked disappointed. He was in bed and his face was pitifully white and
there were dark circles round his eyes.
"I'm glad you came," he said. "My head aches and I ache all over because
I'm so tired. Are you going somewhere?"
Mary went and leaned against his bed.
"I won't be long," she said. "I'm going to Dickon, but I'll come back.
Colin, it's--it's something about the secret garden."
His whole face brightened and a little color came into it.
"Oh! is it!" he cried out. "I dreamed about it all night. I heard you
say something about gray changing into green, and I dreamed I was
standing in a place all filled with trembling little green leaves--and
there were birds on nests everywhere and they looked so soft and still.
I'll lie and think about it until you come back."
In five minutes Mary was with Dickon in their garden. The fox and the
crow were with him again and this time he had brought two tame
"I came over on the pony this mornin'," he said. "Eh! he is a good
little chap--Jump is! I brought these two in my pockets. This here one
he's called Nut an' this here other one's called Shell."
When he said "Nut" one squirrel leaped on to his right shoulder and when
he said "Shell" the other one leaped on to his left shoulder.
When they sat down on the grass with Captain curled at their feet, Soot
solemnly listening on a tree and Nut and Shell nosing about close to
them, it seemed to Mary that it would be scarcely bearable to leave such
delightfulness, but when she began to tell her story somehow the look in
Dickon's funny face gradually changed her mind. She could see he felt
sorrier for Colin than she did. He looked up at the sky and all about
"Just listen to them birds--th' world seems full of 'em--all whistlin'
an' pipin'," he said. "Look at 'em dartin' about, an' hearken at 'em
callin' to each other. Come springtime seems like as if all th' world's
callin'. The leaves is uncurlin' so you can see 'em--an', my word, th'
nice smells there is about!" sniffing with his happy turned-up nose.
"An' that poor lad lyin' shut up an' seein' so little that he gets to
thinkin' o' things as sets him screamin'. Eh! my! we mun get him out
here--we mun get him watchin' an' listenin' an' sniffin' up th' air an'
get him just soaked through wi' sunshine. An' we munnot lose no time
When he was very much interested he often spoke quite broad Yorkshire
though at other times he tried to modify his dialect so that Mary could
better understand. But she loved his broad Yorkshire and had in fact
been trying to learn to speak it herself. So she spoke a little now.
"Aye, that we mun," she said (which meant "Yes, indeed, we must"). "I'll
tell thee what us'll do first," she proceeded, and Dickon grinned,
because when the little wench tried to twist her tongue into speaking
Yorkshire it amused him very much. "He's took a graidely fancy to thee.
He wants to see thee and he wants to see Soot an' Captain. When I go
back to the house to talk to him I'll ax him if tha' canna' come an' see
him to-morrow mornin'--an' bring tha' creatures wi' thee--an' then--in a
bit, when there's more leaves out, an' happen a bud or two, we'll get
him to come out an' tha' shall push him in his chair an' we'll bring him
here an' show him everything."
When she stopped she was quite proud of herself. She had never made a
long speech in Yorkshire before and she had remembered very well.
"Tha' mun talk a bit o' Yorkshire like that to Mester Colin," Dickon
chuckled. "Tha'll make him laugh an' there's nowt as good for ill folk
as laughin' is. Mother says she believes as half a hour's good laugh
every mornin' 'ud cure a chap as was makin' ready for typhus fever."
"I'm going to talk Yorkshire to him this very day," said Mary, chuckling
The garden had reached the time when every day and every night it seemed
as if Magicians were passing through it drawing loveliness out of the
earth and the boughs with wands. It was hard to go away and leave it
all, particularly as Nut had actually crept on to her dress and Shell
had scrambled down the trunk of the apple-tree they sat under and stayed
there looking at her with inquiring eyes. But she went back to the house
and when she sat down close to Colin's bed he began to sniff as Dickon
did though not in such an experienced way.
"You smell like flowers and--and fresh things," he cried out quite
joyously. "What is it you smell of? It's cool and warm and sweet all at
the same time."
"It's th' wind from th' moor," said Mary. "It comes o' sittin' on th'
grass under a tree wi' Dickon an' wi' Captain an' Soot an' Nut an'
Shell. It's th' springtime an' out o' doors an' sunshine as smells so
She said it as broadly as she could, and you do not know how broadly
Yorkshire sounds until you have heard some one speak it. Colin began to
"What are you doing?" he said. "I never heard you talk like that before.
How funny it sounds."
"I'm givin' thee a bit o' Yorkshire," answered Mary triumphantly. "I
canna' talk as graidely as Dickon an' Martha can but tha' sees I can
shape a bit. Doesn't tha' understand a bit o' Yorkshire when tha' hears
it? An' tha' a Yorkshire lad thysel' bred an' born! Eh! I wonder tha'rt
not ashamed o' thy face."
And then she began to laugh too and they both laughed until they could
not stop themselves and they laughed until the room echoed and Mrs.
Medlock opening the door to come in drew back into the corridor and
stood listening amazed.
"Well, upon my word!" she said, speaking rather broad Yorkshire herself
because there was no one to hear her and she was so astonished. "Whoever
heard th' like! Whoever on earth would ha' thought it!"
There was so much to talk about. It seemed as if Colin could never hear
enough of Dickon and Captain and Soot and Nut and Shell and the pony
whose name was Jump. Mary had run round into the wood with Dickon to see
Jump. He was a tiny little shaggy moor pony with thick locks hanging
over his eyes and with a pretty face and a nuzzling velvet nose. He was
rather thin with living on moor grass but he was as tough and wiry as if
the muscle in his little legs had been made of steel springs. He had
lifted his head and whinnied softly the moment he saw Dickon and he had
trotted up to him and put his head across his shoulder and then Dickon
had talked into his ear and Jump had talked back in odd little whinnies
and puffs and snorts. Dickon had made him give Mary his small front hoof
and kiss her on her cheek with his velvet muzzle.
"Does he really understand everything Dickon says?" Colin asked.
"It seems as if he does," answered Mary. "Dickon says anything will
understand if you're friends with it for sure, but you have to be
friends for sure."
Colin lay quiet a little while and his strange gray eyes seemed to be
staring at the wall, but Mary saw he was thinking.
"I wish I was friends with things," he said at last, "but I'm not. I
never had anything to be friends with, and I can't bear people."
"Can't you bear me?" asked Mary.
"Yes, I can," he answered. "It's very funny but I even like you."
"Ben Weatherstaff said I was like him," said Mary. "He said he'd warrant
we'd both got the same nasty tempers. I think you are like him too. We
are all three alike--you and I and Ben Weatherstaff. He said we were
neither of us much to look at and we were as sour as we looked. But I
don't feel as sour as I used to before I knew the robin and Dickon."
"Did you feel as if you hated people?"
"Yes," answered Mary without any affectation. "I should have detested
you if I had seen you before I saw the robin and Dickon."
Colin put out his thin hand and touched her.
"Mary," he said, "I wish I hadn't said what I did about sending Dickon
away. I hated you when you said he was like an angel and I laughed at
you but--but perhaps he is."
"Well, it was rather funny to say it," she admitted frankly, "because
his nose does turn up and he has a big mouth and his clothes have
patches all over them and he talks broad Yorkshire, but--but if an angel
did come to Yorkshire and live on the moor--if there was a Yorkshire
angel--I believe he'd understand the green things and know how to make
them grow and he would know how to talk to the wild creatures as Dickon
does and they'd know he was friends for sure."
"I shouldn't mind Dickon looking at me," said Colin; "I want to see
"I'm glad you said that," answered Mary, "because--because--"
Quite suddenly it came into her mind that this was the minute to tell
him. Colin knew something new was coming.
"Because what?" he cried eagerly.
Mary was so anxious that she got up from her stool and came to him and
caught hold of both his hands.
"Can I trust you? I trusted Dickon because birds trusted him. Can I
trust you--for sure--"for sure"?" she implored.
Her face was so solemn that he almost whispered his answer.
"Well, Dickon will come to see you to-morrow morning, and he'll bring
his creatures with him."
"Oh! Oh!" Colin cried out in delight.
"But that's not all," Mary went on, almost pale with solemn excitement.
"The rest is better. There is a door into the garden. I found it. It is
under the ivy on the wall."
If he had been a strong healthy boy Colin would probably have shouted
"Hooray! Hooray! Hooray!" but he was weak and rather hysterical; his
eyes grew bigger and bigger and he gasped for breath.
"Oh! Mary!" he cried out with a half sob. "Shall I see it? Shall I get
into it? Shall I "live" to get into it?" and he clutched her hands and
dragged her toward him.
"Of course you'll see it!" snapped Mary indignantly. "Of course you'll
live to get into it! Don't be silly!"
And she was so un-hysterical and natural and childish that she brought
him to his senses and he began to laugh at himself and a few minutes
afterward she was sitting on her stool again telling him not what she
imagined the secret garden to be like but what it really was, and
Colin's aches and tiredness were forgotten and he was listening
"It is just what you thought it would be," he said at last. "It sounds
just as if you had really seen it. You know I said that when you told me
Mary hesitated about two minutes and then boldly spoke the truth.
"I had seen it--and I had been in," she said. "I found the key and got
in weeks ago. But I daren't tell you--I daren't because I was so afraid
I couldn't trust you--"for sure"!"
"IT HAS COME!"
Of course Dr. Craven had been sent for the morning after Colin had had
his tantrum. He was always sent for at once when such a thing occurred
and he always found, when he arrived, a white shaken boy lying on his
bed, sulky and still so hysterical that he was ready to break into fresh
sobbing at the least word. In fact, Dr. Craven dreaded and detested the
difficulties of these visits. On this occasion he was away from
Misselthwaite Manor until afternoon.
"How is he?" he asked Mrs. Medlock rather irritably when he arrived. "He
will break a blood-vessel in one of those fits some day. The boy is half
insane with hysteria and self-indulgence."
"Well, sir," answered Mrs. Medlock, "you'll scarcely believe your eyes
when you see him. That plain sour-faced child that's almost as bad as
himself has just bewitched him. How she's done it there's no telling.
The Lord knows she's nothing to look at and you scarcely ever hear her
speak, but she did what none of us dare do. She just flew at him like a
little cat last night, and stamped her feet and ordered him to stop
screaming, and somehow she startled him so that he actually did stop,
and this afternoon--well just come up and see, sir. It's past
The scene which Dr. Craven beheld when he entered his patient's room was
indeed rather astonishing to him. As Mrs. Medlock opened the door he
heard laughing and chattering. Colin was on his sofa in his
dressing-gown and he was sitting up quite straight looking at a picture
in one of the garden books and talking to the plain child who at that
moment could scarcely be called plain at all because her face was so
glowing with enjoyment.
"Those long spires of blue ones--we'll have a lot of those," Colin was
announcing. "They're called Del-phin-iums."
"Dickon says they're larkspurs made big and grand," cried Mistress Mary.
"There are clumps there already."
Then they saw Dr. Craven and stopped. Mary became quite still and Colin
"I am sorry to hear you were ill last night, my boy," Dr. Craven said a
trifle nervously. He was rather a nervous man.
"I'm better now--much better," Colin answered, rather like a Rajah.
"I'm going out in my chair in a day or two if it is fine. I want some
Dr. Craven sat down by him and felt his pulse and looked at him
"It must be a very fine day," he said, "and you must be very careful not
to tire yourself."
"Fresh air won't tire me," said the young Rajah.
As there had been occasions when this same young gentleman had shrieked
aloud with rage and had insisted that fresh air would give him cold and
kill him, it is not to be wondered at that his doctor felt somewhat
"I thought you did not like fresh air," he said.
"I don't when I am by myself," replied the Rajah; "but my cousin is
going out with me."
"And the nurse, of course?" suggested Dr. Craven.
"No, I will not have the nurse," so magnificently that Mary could not
help remembering how the young native Prince had looked with his
diamonds and emeralds and pearls stuck all over him and the great rubies
on the small dark hand he had waved to command his servants to approach
with salaams and receive his orders.
"My cousin knows how to take care of me. I am always better when she is
with me. She made me better last night. A very strong boy I know will
push my carriage."
Dr. Craven felt rather alarmed. If this tiresome hysterical boy should
chance to get well he himself would lose all chance of inheriting
Misselthwaite; but he was not an unscrupulous man, though he was a weak
one, and he did not intend to let him run into actual danger.
"He must be a strong boy and a steady boy," he said. "And I must know
something about him. Who is he? What is his name?"
"It's Dickon," Mary spoke up suddenly. She felt somehow that everybody
who knew the moor must know Dickon. And she was right, too. She saw that
in a moment Dr. Craven's serious face relaxed into a relieved smile.
"Oh, Dickon," he said. "If it is Dickon you will be safe enough. He's as
strong as a moor pony, is Dickon."
"And he's trusty," said Mary. "He's th' trustiest lad i' Yorkshire." She
had been talking Yorkshire to Colin and she forgot herself.
"Did Dickon teach you that?" asked Dr. Craven, laughing outright.
"I'm learning it as if it was French," said Mary rather coldly. "It's
like a native dialect in India. Very clever people try to learn them. I
like it and so does Colin."
"Well, well," he said. "If it amuses you perhaps it won't do you any
harm. Did you take your bromide last night, Colin?"
"No," Colin answered. "I wouldn't take it at first and after Mary made
me quiet she talked me to sleep--in a low voice--about the spring
creeping into a garden."
"That sounds soothing," said Dr. Craven, more perplexed than ever and
glancing sideways at Mistress Mary sitting on her stool and looking down
silently at the carpet. "You are evidently better, but you must
"I don't want to remember," interrupted the Rajah, appearing again.
"When I lie by myself and remember I begin to have pains everywhere and
I think of things that make me begin to scream because I hate them so.
If there was a doctor anywhere who could make you forget you were ill
instead of remembering it I would have him brought here." And he waved a
thin hand which ought really to have been covered with royal signet
rings made of rubies. "It is because my cousin makes me forget that she
makes me better."
Dr. Craven had never made such a short stay after a "tantrum"; usually
he was obliged to remain a very long time and do a great many things.
This afternoon he did not give any medicine or leave any new orders and
he was spared any disagreeable scenes. When he went down-stairs he
looked very thoughtful and when he talked to Mrs. Medlock in the library
she felt that he was a much puzzled man.
"Well, sir," she ventured, "could you have believed it?"
"It is certainly a new state of affairs," said the doctor. "And there's
no denying it is better than the old one."
"I believe Susan Sowerby's right--I do that," said Mrs. Medlock. "I
stopped in her cottage on my way to Thwaite yesterday and had a bit of
talk with her. And she says to me, 'Well, Sarah Ann, she mayn't be a
good child, an' she mayn't be a pretty one, but she's a child, an'
children needs children.' We went to school together, Susan Sowerby and
"She's the best sick nurse I know," said Dr. Craven. "When I find her in
a cottage I know the chances are that I shall save my patient."
Mrs. Medlock smiled. She was fond of Susan Sowerby.
"She's got a way with her, has Susan," she went on quite volubly. "I've
been thinking all morning of one thing she said yesterday. She says,
'Once when I was givin' th' children a bit of a preach after they'd been
fightin' I ses to 'em all, "When I was at school my jography told as
th' world was shaped like a orange an' I found out before I was ten
that th' whole orange doesn't belong to nobody. No one owns more than
his bit of a quarter an' there's times it seems like there's not enow
quarters to go round. But don't you--none o' you--think as you own th'
whole orange or you'll find out you're mistaken, an' you won't find it
out without hard knocks." What children learns from children,' she says,
'is that there's no sense in grabbin' at th' whole orange--peel an' all.
If you do you'll likely not get even th' pips, an' them's too bitter to
"She's a shrewd woman," said Dr. Craven, putting on his coat.
"Well, she's got a way of saying things," ended Mrs. Medlock, much
pleased. "Sometimes I've said to her, 'Eh! Susan, if you was a different
woman an' didn't talk such broad Yorkshire I've seen the times when I
should have said you was clever.'"
* * * * *
That night Colin slept without once awakening and when he opened his
eyes in the morning he lay still and smiled without knowing it--smiled
because he felt so curiously comfortable. It was actually nice to be
awake, and he turned over and stretched his limbs luxuriously. He felt
as if tight strings which had held him had loosened themselves and let
him go. He did not know that Dr. Craven would have said that his nerves
had relaxed and rested themselves. Instead of lying and staring at the
wall and wishing he had not awakened, his mind was full of the plans he
and Mary had made yesterday, of pictures of the garden and of Dickon and
his wild creatures. It was so nice to have things to think about. And he
had not been awake more than ten minutes when he heard feet running
along the corridor and Mary was at the door. The next minute she was in
the room and had run across to his bed, bringing with her a waft of
fresh air full of the scent of the morning.
"You've been out! You've been out! There's that nice smell of leaves!"
She had been running and her hair was loose and blown and she was bright
with the air and pink-cheeked, though he could not see it.
"It's so beautiful!" she said, a little breathless with her speed. "You
never saw anything so beautiful! It has "come"! I thought it had come
that other morning, but it was only coming. It is here now! It has come,
the Spring! Dickon says so!"
"Has it?" cried Colin, and though he really knew nothing about it he
felt his heart beat. He actually sat up in bed.
"Open the window!" he added, laughing half with joyful excitement and
half at his own fancy. "Perhaps we may hear golden trumpets!"
And though he laughed, Mary was at the window in a moment and in a
moment more it was opened wide and freshness and softness and scents and
birds' songs were pouring through.
"That's fresh air," she said. "Lie on your back and draw in long breaths
of it. That's what Dickon does when he's lying on the moor. He says he
feels it in his veins and it makes him strong and he feels as if he
could live forever and ever. Breathe it and breathe it."
She was only repeating what Dickon had told her, but she caught Colin's
"'Forever and ever'! Does it make him feel like that?" he said, and he
did as she told him, drawing in long deep breaths over and over again
until he felt that something quite new and delightful was happening to
Mary was at his bedside again.
"Things are crowding up out of the earth," she ran on in a hurry. "And
there are flowers uncurling and buds on everything and the green veil
has covered nearly all the gray and the birds are in such a hurry about
their nests for fear they may be too late that some of them are even
fighting for places in the secret garden. And the rose-bushes look as
wick as wick can be, and there are primroses in the lanes and woods, and
the seeds we planted are up, and Dickon has brought the fox and the crow
and the squirrels and a new-born lamb."
And then she paused for breath. The new-born lamb Dickon had found three
days before lying by its dead mother among the gorse bushes on the moor.
It was not the first motherless lamb he had found and he knew what to do
with it. He had taken it to the cottage wrapped in his jacket and he had
let it lie near the fire and had fed it with warm milk. It was a soft
thing with a darling silly baby face and legs rather long for its body.
Dickon had carried it over the moor in his arms and its feeding bottle
was in his pocket with a squirrel, and when Mary had sat under a tree
with its limp warmness huddled on her lap she had felt as if she were
too full of strange joy to speak. A lamb--a lamb! A living lamb who lay
on your lap like a baby!
She was describing it with great joy and Colin was listening and drawing
in long breaths of air when the nurse entered. She started a little at
the sight of the open window. She had sat stifling in the room many a
warm day because her patient was sure that open windows gave people
"Are you sure you are not chilly, Master Colin?" she inquired.
"No," was the answer. "I am breathing long breaths of fresh air. It
makes you strong. I am going to get up to the sofa for breakfast and my
cousin will have breakfast with me."
The nurse went away, concealing a smile, to give the order for two
breakfasts. She found the servants' hall a more amusing place than the
invalid's chamber and just now everybody wanted to hear the news from
up-stairs. There was a great deal of joking about the unpopular young
recluse who, as the cook said, "had found his master, and good for him."
The servants' hall had been very tired of the tantrums, and the butler,
who was a man with a family, had more than once expressed his opinion
that the invalid would be all the better "for a good hiding."
When Colin was on his sofa and the breakfast for two was put upon the
table he made an announcement to the nurse in his most Rajah-like
"A boy, and a fox, and a crow, and two squirrels, and a new-born lamb,
are coming to see me this morning. I want them brought up-stairs as soon
as they come," he said. "You are not to begin playing with the animals
in the servants' hall and keep them there. I want them here."
The nurse gave a slight gasp and tried to conceal it with a cough.
"Yes, sir," she answered.
"I'll tell you what you can do," added Colin, waving his hand. "You can
tell Martha to bring them here. The boy is Martha's brother. His name is
Dickon and he is an animal charmer."
"I hope the animals won't bite, Master Colin," said the nurse.
"I told you he was a charmer," said Colin austerely. "Charmers' animals
"There are snake-charmers in India," said Mary; "and they can put their
snakes' heads in their mouths."
"Goodness!" shuddered the nurse.
They ate their breakfast with the morning air pouring in upon them.
Colin's breakfast was a very good one and Mary watched him with serious
"You will begin to get fatter just as I did," she said. "I never wanted
my breakfast when I was in India and now I always want it."
"I wanted mine this morning," said Colin. "Perhaps it was the fresh air.
When do you think Dickon will come?"
He was not long in coming. In about ten minutes Mary held up her hand.
"Listen!" she said. "Did you hear a caw?"
Colin listened and heard it, the oddest sound in the world to hear
inside a house, a hoarse "caw-caw."
"Yes," he answered.
"That's Soot," said Mary. "Listen again! Do you hear a bleat--a tiny
"Oh, yes!" cried Colin, quite flushing.
"That's the new-born lamb," said Mary. "He's coming."
Dickon's moorland boots were thick and clumsy and though he tried to
walk quietly they made a clumping sound as he walked through the long
corridors. Mary and Colin heard him marching--marching, until he passed
through the tapestry door on to the soft carpet of Colin's own passage.
"If you please, sir," announced Martha, opening the door, "if you
please, sir, here's Dickon an' his creatures."
[Illustration: "DICKON CAME IN SMILING HIS NICEST WIDE SMILE."--"Page
Dickon came in smiling his nicest wide smile. The new-born lamb was in
his arms and the little red fox trotted by his side. Nut sat on his left
shoulder and Soot on his right and Shell's head and paws peeped out of
his coat pocket.
Colin slowly sat up and stared and stared--as he had stared when he
first saw Mary; but this was a stare of wonder and delight. The truth
was that in spite of all he had heard he had not in the least understood
what this boy would be like and that his fox and his crow and his
squirrels and his lamb were so near to him and his friendliness that
they seemed almost to be part of himself. Colin had never talked to a
boy in his life and he was so overwhelmed by his own pleasure and
curiosity that he did not even think of speaking.
But Dickon did not feel the least shy or awkward. He had not felt
embarrassed because the crow had not known his language and had only
stared and had not spoken to him the first time they met. Creatures were
always like that until they found out about you. He walked over to
Colin's sofa and put the new-born lamb quietly on his lap, and
immediately the little creature turned to the warm velvet dressing-gown
and began to nuzzle and nuzzle into its folds and butt its tight-curled
head with soft impatience against his side. Of course no boy could have
helped speaking then.
"What is it doing?" cried Colin. "What does it want?"
"It wants its mother," said Dickon, smiling more and more. "I brought it
to thee a bit hungry because I knowed tha'd like to see it feed."
He knelt down by the sofa and took a feeding-bottle from his pocket.
"Come on, little 'un," he said, turning the small woolly white head with
a gentle brown hand. "This is what tha's after. Tha'll get more out o'
this than tha' will out o' silk velvet coats. There now," and he pushed
the rubber tip of the bottle into the nuzzling mouth and the lamb began
to suck it with ravenous ecstasy.
After that there was no wondering what to say. By the time the lamb fell
asleep questions poured forth and Dickon answered them all. He told them
how he had found the lamb just as the sun was rising three mornings ago.
He had been standing on the moor listening to a skylark and watching him
swing higher and higher into the sky until he was only a speck in the
heights of blue.
"I'd almost lost him but for his song an' I was wonderin' how a chap
could hear it when it seemed as if he'd get out o' th' world in a
minute--an' just then I heard somethin' else far off among th' gorse
bushes. It was a weak bleatin' an' I knowed it was a new lamb as was
hungry an' I knowed it wouldn't be hungry if it hadn't lost its mother
somehow, so I set off searchin'. Eh! I did have a look for it. I went in
an' out among th' gorse bushes an' round an' round an' I always seemed
to take th' wrong turnin'. But at last I seed a bit o' white by a rock
on top o' th' moor an' I climbed up an' found th' little 'un half dead
wi' cold an' clemmin'."
While he talked, Soot flew solemnly in and out of the open window and
cawed remarks about the scenery while Nut and Shell made excursions into
the big trees outside and ran up and down trunks and explored branches.
Captain curled up near Dickon, who sat on the hearth-rug from
They looked at the pictures in the gardening books and Dickon knew all
the flowers by their country names and knew exactly which ones were
already growing in the secret garden.
"I couldna' say that there name," he said, pointing to one under which
was written "Aquilegia," "but us calls that a columbine, an' that there
one it's a snapdragon and they both grow wild in hedges, but these is
garden ones an' they're bigger an' grander. There's some big clumps o'
columbine in th' garden. They'll look like a bed o' blue an' white
butterflies flutterin' when they're out."
"I'm going to see them," cried Colin. "I am going to see them!"
"Aye, that tha' mun," said Mary quite seriously. "An tha' munnot lose no
time about it."
"I SHALL LIVE FOREVER--AND EVER--AND EVER!"
But they were obliged to wait more than a week because first there came
some very windy days and then Colin was threatened with a cold, which
two things happening one after the other would no doubt have thrown him
into a rage but that there was so much careful and mysterious planning
to do and almost every day Dickon came in, if only for a few minutes, to
talk about what was happening on the moor and in the lanes and hedges
and on the borders of streams. The things he had to tell about otters'
and badgers' and water-rats' houses, not to mention birds' nests and
field-mice and their burrows, were enough to make you almost tremble
with excitement when you heard all the intimate details from an animal
charmer and realized with what thrilling eagerness and anxiety the whole
busy underworld was working.
"They're same as us," said Dickon, "only they have to build their homes
every year. An' it keeps 'em so busy they fair scuffle to get 'em
The most absorbing thing, however, was the preparations to be made
before Colin could be transported with sufficient secrecy to the garden.
No one must see the chair-carriage and Dickon and Mary after they turned
a certain corner of the shrubbery and entered upon the walk outside the
ivied walls. As each day passed, Colin had become more and more fixed in
his feeling that the mystery surrounding the garden was one of its
greatest charms. Nothing must spoil that. No one must ever suspect that
they had a secret. People must think that he was simply going out with
Mary and Dickon because he liked them and did not object to their
looking at him. They had long and quite delightful talks about their
route. They would go up this path and down that one and cross the other
and go round among the fountain flower-beds as if they were looking at
the "bedding-out plants" the head gardener, Mr. Roach, had been having
arranged. That would seem such a rational thing to do that no one would
think it at all mysterious. They would turn into the shrubbery walks and
lose themselves until they came to the long walls. It was almost as
serious and elaborately thought out as the plans of march made by great
generals in time of war.
Rumors of the new and curious things which were occurring in the
invalid's apartments had of course filtered through the servants' hall
into the stable yards and out among the gardeners, but notwithstanding
this, Mr. Roach was startled one day when he received orders from Master
Colin's room to the effect that he must report himself in the apartment
no outsider had ever seen, as the invalid himself desired to speak to
"Well, well," he said to himself as he hurriedly changed his coat,
"what's to do now? His Royal Highness that wasn't to be looked at
calling up a man he's never set eyes on."
Mr. Roach was not without curiosity. He had never caught even a glimpse
of the boy and had heard a dozen exaggerated stories about his uncanny
looks and ways and his insane tempers. The thing he had heard oftenest
was that he might die at any moment and there had been numerous fanciful
descriptions of a humped back and helpless limbs, given by people who
had never seen him.
"Things are changing in this house, Mr. Roach," said Mrs. Medlock, as
she led him up the back staircase to the corridor on to which opened the
hitherto mysterious chamber.
"Let's hope they're changing for the better, Mrs. Medlock," he
"They couldn't well change for the worse," she continued; "and queer as
it all is there's them as finds their duties made a lot easier to stand
up under. Don't you be surprised, Mr. Roach, if you find yourself in the
middle of a menagerie and Martha Sowerby's Dickon more at home than you
or me could ever be."
There really was a sort of Magic about Dickon, as Mary always privately
believed. When Mr. Roach heard his name he smiled quite leniently.
"He'd be at home in Buckingham Palace or at the bottom of a coal mine,"
he said. "And yet it's not impudence, either. He's just fine, is that
It was perhaps well he had been prepared or he might have been startled.
When the bedroom door was opened a large crow, which seemed quite at
home perched on the high back of a carven chair, announced the entrance
of a visitor by saying "Caw--Caw" quite loudly. In spite of Mrs.
Medlock's warning, Mr. Roach only just escaped being sufficiently
undignified to jump backward.
The young Rajah was neither in bed nor on his sofa. He was sitting in an
armchair and a young lamb was standing by him shaking its tail in
feeding-lamb fashion as Dickon knelt giving it milk from its bottle. A
squirrel was perched on Dickon's bent back attentively nibbling a nut.
The little girl from India was sitting on a big footstool looking on.
"Here is Mr. Roach, Master Colin," said Mrs. Medlock.
The young Rajah turned and looked his servitor over--at least that was
what the head gardener felt happened.
"Oh, you are Roach, are you?" he said. "I sent for you to give you some
very important orders."
"Very good, sir," answered Roach, wondering if he was to receive
instructions to fell all the oaks in the park or to transform the
orchards into water-gardens.
"I am going out in my chair this afternoon," said Colin. "If the fresh
air agrees with me I may go out every day. When I go, none of the
gardeners are to be anywhere near the Long Walk by the garden walls. No
one is to be there. I shall go out about two o'clock and every one must
keep away until I send word that they may go back to their work."
"Very good, sir," replied Mr. Roach, much relieved to hear that the oaks
might remain and that the orchards were safe.
"Mary," said Colin, turning to her, "what is that thing you say in India
when you have finished talking and want people to go?"
"You say, 'You have my permission to go,'" answered Mary.
The Rajah waved his hand.
"You have my permission to go, Roach," he said. "But, remember, this is
"Caw--Caw!" remarked the crow hoarsely but not impolitely.
"Very good, sir. Thank you, sir," said Mr. Roach, and Mrs. Medlock took
him out of the room.
Outside in the corridor, being a rather good-natured man, he smiled
until he almost laughed.
"My word!" he said, "he's got a fine lordly way with him, hasn't he?
You'd think he was a whole Royal Family rolled into one--Prince Consort
"Eh!" protested Mrs. Medlock, "we've had to let him trample all over
every one of us ever since he had feet and he thinks that's what folks
was born for."
"Perhaps he'll grow out of it, if he lives," suggested Mr. Roach.
"Well, there's one thing pretty sure," said Mrs. Medlock. "If he does
live and that Indian child stays here I'll warrant she teaches him that
the whole orange does not belong to him, as Susan Sowerby says. And
he'll be likely to find out the size of his own quarter."
Inside the room Colin was leaning back on his cushions.
"It's all safe now," he said. "And this afternoon I shall see it--this
afternoon I shall be in it!"
Dickon went back to the garden with his creatures and Mary stayed with
Colin. She did not think he looked tired but he was very quiet before
their lunch came and he was quiet while they were eating it. She
wondered why and asked him about it.
"What big eyes you've got, Colin," she said. "When you are thinking they
get as big as saucers. What are you thinking about now?"
"I can't help thinking about what it will look like," he answered.
"The garden?" asked Mary.
"The springtime," he said. "I was thinking that I've really never seen
it before. I scarcely ever went out and when I did go I never looked at
it. I didn't even think about it."
"I never saw it in India because there wasn't any," said Mary.
Shut in and morbid as his life had been, Colin had more imagination than
she had and at least he had spent a good deal of time looking at
wonderful books and pictures.
"That morning when you ran in and said 'It's come! It's come!' you made
me feel quite queer. It sounded as if things were coming with a great
procession and big bursts and wafts of music. I've a picture like it in
one of my books--crowds of lovely people and children with garlands and
branches with blossoms on them, every one laughing and dancing and
crowding and playing on pipes. That was why I said, 'Perhaps we shall
hear golden trumpets' and told you to throw open the window."
"How funny!" said Mary. "That's really just what it feels like. And if
all the flowers and leaves and green things and birds and wild creatures
danced past at once, what a crowd it would be! I'm sure they'd dance and
sing and flute and that would be the wafts of music."
They both laughed but it was not because the idea was laughable but
because they both so liked it.
A little later the nurse made Colin ready. She noticed that instead of
lying like a log while his clothes were put on he sat up and made some
efforts to help himself, and he talked and laughed with Mary all the
"This is one of his good days, sir," she said to Dr. Craven, who
dropped in to inspect him. "He's in such good spirits that it makes him
"I'll call in again later in the afternoon, after he has come in," said
Dr. Craven. "I must see how the going out agrees with him. I wish," in a
very low voice, "that he would let you go with him."
"I'd rather give up the case this moment, sir, than even stay here while
it's suggested," answered the nurse with sudden firmness.
"I hadn't really decided to suggest it," said the doctor, with his
slight nervousness. "We'll try the experiment. Dickon's a lad I'd trust
with a new-born child."
The strongest footman in the house carried Colin down-stairs and put him
in his wheeled chair near which Dickon waited outside. After the
manservant had arranged his rugs and cushions the Rajah waved his hand
to him and to the nurse.
"You have my permission to go," he said, and they both disappeared
quickly and it must be confessed giggled when they were safely inside
Dickon began to push the wheeled chair slowly and steadily. Mistress
Mary walked beside it and Colin leaned back and lifted his face to the
sky. The arch of it looked very high and the small snowy clouds seemed
like white birds floating on outspread wings below its crystal blueness.
The wind swept in soft big breaths down from the moor and was strange
with a wild clear scented sweetness. Colin kept lifting his thin chest
to draw it in, and his big eyes looked as if it were they which were
listening--listening, instead of his ears.
"There are so many sounds of singing and humming and calling out," he
said. "What is that scent the puffs of wind bring?"
"It's gorse on th' moor that's openin' out," answered Dickon. "Eh! th'
bees are at it wonderful to-day."
Not a human creature was to be caught sight of in the paths they took.
In fact every gardener or gardener's lad had been witched away. But they
wound in and out among the shrubbery and out and round the fountain
beds, following their carefully planned route for the mere mysterious
pleasure of it. But when at last they turned into the Long Walk by the
ivied walls the excited sense of an approaching thrill made them, for
some curious reason they could not have explained, begin to speak in
"This is it," breathed Mary. "This is where I used to walk up and down
and wonder and wonder."
"Is it?" cried Colin, and his eyes began to search the ivy with eager
curiousness. "But I can see nothing," he whispered. "There is no door."
"That's what I thought," said Mary.
Then there was a lovely breathless silence and the chair w
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