Tantissimi classici della letteratura e della cultura politica,
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Abbe Prevost - MANON LESCAUT
Alcott, Louisa M. - AN OLDFASHIONED GIRL
Alcott, Louisa M. - LITTLE MEN
Alcott, Louisa M. - LITTLE WOMEN
Alcott, Louisa May - JACK AND JILL
Alcott, Louisa May - LIFE LETTERS AND JOURNALS
Andersen, Hans Christian - FAIRY TALES
Anonimo - BEOWULF
Ariosto, Ludovico - ORLANDO ENRAGED
Aurelius, Marcus - MEDITATIONS
Austen, Jane - EMMA
Austen, Jane - MANSFIELD PARK
Austen, Jane - NORTHANGER ABBEY
Austen, Jane - PERSUASION
Austen, Jane - PRIDE AND PREJUDICE
Austen, Jane - SENSE AND SENSIBILITY
Authors, Various - LETTERS OF ABELARD AND HELOISE
Authors, Various - SELECTED ENGLISH LETTERS
Autori Vari - THE WORLD ENGLISH BIBLE
Bacon, Francis - THE ADVANCEMENT OF LEARNING
Balzac, Honore de - EUGENIE GRANDET
Balzac, Honore de - FATHER GORIOT
Baroness Orczy - THE SCARLET PIMPERNEL
Barrie, J. M. - PETER AND WENDY
Barrie, James M. - PETER PAN
Bierce, Ambrose - THE DEVIL'S DICTIONARY
Blake, William - SONGS OF INNOCENCE AND EXPERIENCE
Boccaccio, Giovanni - DECAMERONE
Brent, Linda - INCIDENTS IN THE LIFE OF A SLAVE GIRL
Bronte, Charlotte - JANE EYRE
Bronte, Charlotte - VILLETTE
Buchan, John - GREENMANTLE
Buchan, John - MR STANDFAST
Buchan, John - THE 39 STEPS
Bunyan, John - THE PILGRIM'S PROGRESS
Burckhardt, Jacob - THE CIVILIZATION OF THE RENAISSANCE IN ITALY
Burnett, Frances H. - A LITTLE PRINCESS
Burnett, Frances H. - LITTLE LORD FAUNTLEROY
Burnett, Frances H. - THE SECRET GARDEN
Butler, Samuel - EREWHON
Carlyle, Thomas - PAST AND PRESENT
Carlyle, Thomas - THE FRENCH REVOLUTION
Cellini, Benvenuto - AUTOBIOGRAPHY
Cervantes - DON QUIXOTE
Chaucer, Geoffrey - THE CANTERBURY TALES
Chesterton, G. K. - A SHORT HISTORY OF ENGLAND
Chesterton, G. K. - THE BALLAD OF THE WHITE HORSE
Chesterton, G. K. - THE INNOCENCE OF FATHER BROWN
Chesterton, G. K. - THE MAN WHO KNEW TOO MUCH
Chesterton, G. K. - THE MAN WHO WAS THURSDAY
Chesterton, G. K. - THE WISDOM OF FATHER BROWN
Chesterton, G. K. - TWELVE TYPES
Chesterton, G. K. - WHAT I SAW IN AMERICA
Chesterton, Gilbert K. - HERETICS
Chopin, Kate - AT FAULT
Chopin, Kate - BAYOU FOLK
Chopin, Kate - THE AWAKENING AND SELECTED SHORT STORIES
Clark Hall, John R. - A CONCISE ANGLOSAXON DICTIONARY
Clarkson, Thomas - AN ESSAY ON THE SLAVERY AND COMMERCE OF THE HUMAN SPECIES
Clausewitz, Carl von - ON WAR
Coleridge, Herbert - A DICTIONARY OF THE FIRST OR OLDEST WORDS IN THE ENGLISH
Coleridge, S. T. - COMPLETE POETICAL WORKS
Coleridge, S. T. - HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY
Coleridge, S. T. - THE RIME OF THE ANCIENT MARINER
Collins, Wilkie - THE MOONSTONE
Collodi - PINOCCHIO
Conan Doyle, Arthur - A STUDY IN SCARLET
Conan Doyle, Arthur - MEMOIRS OF SHERLOCK HOLMES
Conan Doyle, Arthur - THE HOUND OF THE BASKERVILLES
Conan Doyle, Arthur - THE RETURN OF SHERLOCK HOLMES
Conan Doyle, Arthur - THE SIGN OF THE FOUR
Conrad, Joseph - HEART OF DARKNESS
Conrad, Joseph - LORD JIM
Conrad, Joseph - NOSTROMO
Conrad, Joseph - THE NIGGER OF THE NARCISSUS
Conrad, Joseph - TYPHOON
Crane, Stephen - LAST WORDS
Crane, Stephen - MAGGIE
Crane, Stephen - THE RED BADGE OF COURAGE
Crane, Stephen - WOUNDS IN THE RAIN
Dante - THE DIVINE COMEDY: HELL
Dante - THE DIVINE COMEDY: PARADISE
Dante - THE DIVINE COMEDY: PURGATORY
Darwin, Charles - THE AUTOBIOGRAPHY OF CHARLES DARWIN
Darwin, Charles - THE ORIGIN OF SPECIES
Defoe, Daniel - A GENERAL HISTORY OF THE PYRATES
Defoe, Daniel - A JOURNAL OF THE PLAGUE YEAR
Defoe, Daniel - CAPTAIN SINGLETON
Defoe, Daniel - MOLL FLANDERS
Defoe, Daniel - ROBINSON CRUSOE
Defoe, Daniel - THE COMPLETE ENGLISH TRADESMAN
Defoe, Daniel - THE FURTHER ADVENTURES OF ROBINSON CRUSOE
Deledda, Grazia - AFTER THE DIVORCE
Dickens, Charles - A CHRISTMAS CAROL
Dickens, Charles - A TALE OF TWO CITIES
Dickens, Charles - BLEAK HOUSE
Dickens, Charles - DAVID COPPERFIELD
Dickens, Charles - DONBEY AND SON
Dickens, Charles - GREAT EXPECTATIONS
Dickens, Charles - HARD TIMES
Dickens, Charles - LETTERS VOLUME 1
Dickens, Charles - LITTLE DORRIT
Dickens, Charles - MARTIN CHUZZLEWIT
Dickens, Charles - NICHOLAS NICKLEBY
Dickens, Charles - OLIVER TWIST
Dickens, Charles - OUR MUTUAL FRIEND
Dickens, Charles - PICTURES FROM ITALY
Dickens, Charles - THE MYSTERY OF EDWIN DROOD
Dickens, Charles - THE OLD CURIOSITY SHOP
Dickens, Charles - THE PICKWICK PAPERS
Dickinson, Emily - POEMS
Dostoevsky, Fyodor - CRIME AND PUNISHMENT
Dostoyevsky, Fyodor - THE BROTHERS KARAMAZOV
Du Maurier, George - TRILBY
Dumas, Alexandre - THE COUNT OF MONTE CRISTO
Dumas, Alexandre - THE MAN IN THE IRON MASK
Dumas, Alexandre - THE THREE MUSKETEERS
Eliot, George - DANIEL DERONDA
Eliot, George - MIDDLEMARCH
Eliot, George - SILAS MARNER
Eliot, George - THE MILL ON THE FLOSS
Engels, Frederick - THE CONDITION OF THE WORKING-CLASS IN ENGLAND IN 1844
Equiano - AUTOBIOGRAPHY
Esopo - FABLES
Fenimore Cooper, James - THE LAST OF THE MOHICANS
Fielding, Henry - TOM JONES
France, Anatole - THAIS
France, Anatole - THE GODS ARE ATHIRST
France, Anatole - THE LIFE OF JOAN OF ARC
France, Anatole - THE SEVEN WIVES OF BLUEBEARD
Frank Baum, L. - THE PATCHWORK GIRL OF OZ
Frank Baum, L. - THE WONDERFUL WIZARD OF OZ
Franklin, Benjamin - AUTOBIOGRAPHY
Frazer, James George - THE GOLDEN BOUGH
Freud, Sigmund - DREAM PSYCHOLOGY
Galsworthy, John - COMPLETE PLAYS
Galsworthy, John - STRIFE
Galsworthy, John - STUDIES AND ESSAYS
Galsworthy, John - THE FIRST AND THE LAST
Galsworthy, John - THE FORSYTE SAGA
Galsworthy, John - THE LITTLE MAN
Galsworthy, John - THE SILVER BOX
Galsworthy, John - THE SKIN GAME
Gaskell, Elizabeth - CRANFORD
Gaskell, Elizabeth - MARY BARTON
Gaskell, Elizabeth - NORTH AND SOUTH
Gaskell, Elizabeth - THE LIFE OF CHARLOTTE BRONTE
Gay, John - THE BEGGAR'S OPERA
Gentile, Maria - THE ITALIAN COOK BOOK
Gilbert and Sullivan - PLAYS
Goethe - FAUST
Gogol - DEAD SOULS
Goldsmith, Oliver - SHE STOOPS TO CONQUER
Goldsmith, Oliver - THE VICAR OF WAKEFIELD
Grahame, Kenneth - THE WIND IN THE WILLOWS
Grimm, Brothers - FAIRY TALES
Harding, A. R. - GINSENG AND OTHER MEDICINAL PLANTS
Hardy, Thomas - A CHANGED MAN AND OTHER TALES
Hardy, Thomas - FAR FROM THE MADDING CROWD
Hardy, Thomas - JUDE THE OBSCURE
Hardy, Thomas - TESS OF THE D'URBERVILLES
Hardy, Thomas - THE MAYOR OF CASTERBRIDGE
Hartley, Cecil B. - THE GENTLEMEN'S BOOK OF ETIQUETTE
Hawthorne, Nathaniel - LITTLE MASTERPIECES
Hawthorne, Nathaniel - THE SCARLET LETTER
Henry VIII - LOVE LETTERS TO ANNE BOLEYN
Henry, O. - CABBAGES AND KINGS
Henry, O. - SIXES AND SEVENS
Henry, O. - THE FOUR MILLION
Henry, O. - THE TRIMMED LAMP
Henry, O. - WHIRLIGIGS
Hindman Miller, Gustavus - TEN THOUSAND DREAMS INTERPRETED
Hobbes, Thomas - LEVIATHAN
Homer - THE ILIAD
Homer - THE ODYSSEY
Hornaday, William T. - THE EXTERMINATION OF THE AMERICAN BISON
Hume, David - A TREATISE OF HUMAN NATURE
Hume, David - AN ENQUIRY CONCERNING HUMAN UNDERSTANDING
Hume, David - DIALOGUES CONCERNING NATURAL RELIGION
Ibsen, Henrik - A DOLL'S HOUSE
Ibsen, Henrik - AN ENEMY OF THE PEOPLE
Ibsen, Henrik - GHOSTS
Ibsen, Henrik - HEDDA GABLER
Ibsen, Henrik - JOHN GABRIEL BORKMAN
Ibsen, Henrik - ROSMERHOLM
Ibsen, Henrik - THE LADY FROM THE SEA
Ibsen, Henrik - THE MASTER BUILDER
Ibsen, Henrik - WHEN WE DEAD AWAKEN
Irving, Washington - THE LEGEND OF SLEEPY HOLLOW
James, Henry - ITALIAN HOURS
James, Henry - THE ASPERN PAPERS
James, Henry - THE BOSTONIANS
James, Henry - THE PORTRAIT OF A LADY
James, Henry - THE TURN OF THE SCREW
James, Henry - WASHINGTON SQUARE
Jerome, Jerome K. - THREE MEN IN A BOAT
Jerome, Jerome K. - THREE MEN ON THE BUMMEL
Jevons, Stanley - POLITICAL ECONOMY
Johnson, Samuel - A GRAMMAR OF THE ENGLISH TONGUE
Jonson, Ben - THE ALCHEMIST
Jonson, Ben - VOLPONE
Joyce, James - A PORTRAIT OF THE ARTIST AS A YOUNG MAN
Joyce, James - CHAMBER MUSIC
Joyce, James - DUBLINERS
Joyce, James - ULYSSES
Keats, John - ENDYMION
Keats, John - POEMS PUBLISHED IN 1817
Keats, John - POEMS PUBLISHED IN 1820
King James - THE BIBLE
Kipling, Rudyard - CAPTAINS COURAGEOUS
Kipling, Rudyard - INDIAN TALES
Kipling, Rudyard - JUST SO STORIES
Kipling, Rudyard - KIM
Kipling, Rudyard - THE JUNGLE BOOK
Kipling, Rudyard - THE MAN WHO WOULD BE KING
Kipling, Rudyard - THE SECOND JUNGLE BOOK
Lawrence, D. H - THE RAINBOW
Lawrence, D. H - THE WHITE PEACOCK
Lawrence, D. H - TWILIGHT IN ITALY
Lawrence, D. H. - AARON'S ROD
Lawrence, D. H. - SONS AND LOVERS
Lawrence, D. H. - THE LOST GIRL
Lawrence, D. H. - WOMEN IN LOVE
Lear, Edward - BOOK OF NONSENSE
Lear, Edward - LAUGHABLE LYRICS
Lear, Edward - MORE NONSENSE
Lear, Edward - NONSENSE SONG
Leblanc, Maurice - ARSENE LUPIN VS SHERLOCK HOLMES
Leblanc, Maurice - THE ADVENTURES OF ARSENE LUPIN
Leblanc, Maurice - THE CONFESSIONS OF ARSENE LUPIN
Leblanc, Maurice - THE HOLLOW NEEDLE
Leblanc, Maurice - THE RETURN OF ARSENE LUPIN
Lehmann, Lilli - HOW TO SING
Leroux, Gaston - THE MAN WITH THE BLACK FEATHER
Leroux, Gaston - THE MYSTERY OF THE YELLOW ROOM
Leroux, Gaston - THE PHANTOM OF THE OPERA
London, Jack - MARTIN EDEN
London, Jack - THE CALL OF THE WILD
London, Jack - WHITE FANG
Machiavelli, Nicolo' - THE PRINCE
Malthus, Thomas - PRINCIPLE OF POPULATION
Mansfield, Katherine - THE GARDEN PARTY AND OTHER STORIES
Marlowe, Christopher - THE JEW OF MALTA
Marryat, Captain - THE CHILDREN OF THE NEW FOREST
Maupassant, Guy De - BEL AMI
Melville, Hermann - MOBY DICK
Melville, Hermann - TYPEE
Mill, John Stuart - PRINCIPLES OF POLITICAL ECONOMY
Milton, John - PARADISE LOST
Mitra, S. M. - HINDU TALES FROM THE SANSKRIT
Montaigne, Michel de - ESSAYS
Montgomery, Lucy Maud - ANNE OF GREEN GABLES
More, Thomas - UTOPIA
Nesbit, E. - FIVE CHILDREN AND IT
Nesbit, E. - THE PHOENIX AND THE CARPET
Nesbit, E. - THE RAILWAY CHILDREN
Nesbit, E. - THE STORY OF THE AMULET
Newton, Isaac - OPTICKS
Nietsche, Friedrich - BEYOND GOOD AND EVIL
Nietsche, Friedrich - THUS SPAKE ZARATHUSTRA
Nightingale, Florence - NOTES ON NURSING
Owen, Wilfred - POEMS
Ozaki, Yei Theodora - JAPANESE FAIRY TALES
Pascal, Blaise - PENSEES
Pellico, Silvio - MY TEN YEARS IMPRISONMENT
Perrault, Charles - FAIRY TALES
Pirandello, Luigi - THREE PLAYS
Plato - THE REPUBLIC
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 1
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 2
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 3
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 4
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 5
Poe, Edgar Allan - THE FALL OF THE HOUSE OF USHER
Potter, Beatrix - THE TALE OF PETER RABBIT
Proust, Marcel - SWANN'S WAY
Radcliffe, Ann - A SICILIAN ROMANCE
Ricardo, David - ON THE PRINCIPLES OF POLITICAL ECONOMY AND TAXATION
Richardson, Samuel - PAMELA
Rider Haggard, H. - ALLAN QUATERMAIN
Rider Haggard, H. - KING SOLOMON'S MINES
Rousseau, J. J. - THE ORIGIN AND FOUNDATION OF INEQUALITY AMONG MANKIND
Ruskin, John - THE SEVEN LAMPS OF ARCHITECTURE
Schiller, Friedrich - THE DEATH OF WALLENSTEIN
Schiller, Friedrich - THE PICCOLOMINI
Schopenhauer, Arthur - THE ART OF CONTROVERSY
Schopenhauer, Arthur - THE WISDOM OF LIFE
Scott Fitzgerald, F. - FLAPPERS AND PHILOSOPHERS
Scott Fitzgerald, F. - TALES OF THE JAZZ AGE
Scott Fitzgerald, F. - THE BEAUTIFUL AND DAMNED
Scott Fitzgerald, F. - THIS SIDE OF PARADISE
Scott, Walter - IVANHOE
Scott, Walter - QUENTIN DURWARD
Scott, Walter - ROB ROY
Scott, Walter - THE BRIDE OF LAMMERMOOR
Scott, Walter - WAVERLEY
Sedgwick, Anne Douglas - THE THIRD WINDOW
Sewell, Anna - BLACK BEAUTY
Shakespeare, William - COMPLETE WORKS
Shakespeare, William - HAMLET
Shakespeare, William - OTHELLO
Shakespeare, William - ROMEO AND JULIET
Shelley, Mary - FRANKENSTEIN
Shelley, Percy Bysshe - A DEFENCE OF POETRY AND OTHER ESSAYS
Shelley, Percy Bysshe - COMPLETE POETICAL WORKS
Sheridan, Richard B. - THE SCHOOL FOR SCANDAL
Sienkiewicz, Henryk - QUO VADIS
Smith, Adam - THE WEALTH OF NATIONS
Smollett, Tobias - TRAVELS THROUGH FRANCE AND ITALY
Spencer, Herbert - ESSAYS ON EDUCATION AND KINDRED SUBJECTS
Spyri, Johanna - HEIDI
Sterne, Laurence - A SENTIMENTAL JOURNEY
Sterne, Laurence - TRISTRAM SHANDY
Stevenson, Robert Louis - A CHILD'S GARDEN OF VERSES
Stevenson, Robert Louis - ESSAYS IN THE ART OF WRITING
Stevenson, Robert Louis - KIDNAPPED
Stevenson, Robert Louis - NEW ARABIAN NIGHTS
Stevenson, Robert Louis - THE BLACK ARROW
Stevenson, Robert Louis - THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE
Stevenson, Robert Louis - TREASURE ISLAND
Stoker, Bram - DRACULA
Strindberg, August - LUCKY PEHR
Strindberg, August - MASTER OLOF
Strindberg, August - THE RED ROOM
Strindberg, August - THE ROAD TO DAMASCUS
Strindberg, August - THERE ARE CRIMES AND CRIMES
Swift, Jonathan - A MODEST PROPOSAL
Swift, Jonathan - A TALE OF A TUB
Swift, Jonathan - GULLIVER'S TRAVELS
Swift, Jonathan - THE BATTLE OF THE BOOKS AND OTHER SHORT PIECES
Tagore, Rabindranath - FRUIT GATHERING
Tagore, Rabindranath - THE GARDENER
Tagore, Rabindranath - THE HUNGRY STONES AND OTHER STORIES
Thackeray, William - BARRY LYNDON
Thackeray, William - VANITY FAIR
Thackeray, William Makepeace - THE BOOK OF SNOBS
Thackeray, William Makepeace - THE ROSE AND THE RING
Thackeray, William Makepeace - THE VIRGINIANS
Thoreau, Henry David - WALDEN
Tolstoi, Leo - A LETTER TO A HINDU
Tolstoy, Lev - ANNA KARENINA
Tolstoy, Lev - WAR AND PEACE
Trollope, Anthony - AN AUTOBIOGRAPHY
Trollope, Anthony - BARCHESTER TOWERS
Trollope, Anthony - FRAMLEY PARSONAGE
Trollope, Anthony - THE EUSTACE DIAMONDS
Trollope, Anthony - THE MAN WHO KEPT HIS MONEY IN A BOX
Trollope, Anthony - THE WARDEN
Trollope, Anthony - THE WAY WE LIVE NOW
Twain, Mark - LIFE ON THE MISSISSIPPI
Twain, Mark - SPEECHES
Twain, Mark - THE ADVENTURES OF HUCKLEBERRY FINN
Twain, Mark - THE ADVENTURES OF TOM SAWYER
Twain, Mark - THE PRINCE AND THE PAUPER
Vari, Autori - THE MAGNA CARTA
Verga, Giovanni - SICILIAN STORIES
Verne, Jules - 20000 LEAGUES UNDER THE SEAS
Verne, Jules - A JOURNEY TO THE CENTRE OF THE EARTH
Verne, Jules - ALL AROUND THE MOON
Verne, Jules - AROUND THE WORLD IN 80 DAYS
Verne, Jules - FIVE WEEKS IN A BALLOON
Verne, Jules - FROM THE EARTH TO THE MOON
Verne, Jules - MICHAEL STROGOFF
Verne, Jules - THE MYSTERIOUS ISLAND
Voltaire - PHILOSOPHICAL DICTIONARY
Vyasa - MAHABHARATA
Wallace, Edgar - SANDERS OF THE RIVER
Wallace, Edgar - THE DAFFODIL MYSTERY
Wallace, Lew - BEN HUR
Webster, Jean - DADDY LONG LEGS
Wedekind, Franz - THE AWAKENING OF SPRING
Wells, H. G. - KIPPS
Wells, H. G. - THE INVISIBLE MAN
Wells, H. G. - THE ISLAND OF DOCTOR MOREAU
Wells, H. G. - THE STOLEN BACILLUS AND OTHER INCIDENTS
Wells, H. G. - THE TIME MACHINE
Wells, H. G. - THE WAR OF THE WORLDS
Wells, H. G. - WHAT IS COMING
Wharton, Edith - THE AGE OF INNOCENCE
White, Andrew Dickson - FIAT MONEY INFLATION IN FRANCE
Wilde, Oscar - A WOMAN OF NO IMPORTANCE
Wilde, Oscar - AN IDEAL HUSBAND
Wilde, Oscar - DE PROFUNDIS
Wilde, Oscar - LADY WINDERMERE'S FAN
Wilde, Oscar - SALOME
Wilde, Oscar - SELECTED POEMS
Wilde, Oscar - THE BALLAD OF READING GAOL
Wilde, Oscar - THE CANTERVILLE GHOST
Wilde, Oscar - THE HAPPY PRINCE AND OTHER TALES
Wilde, Oscar - THE IMPORTANCE OF BEING EARNEST
Wilde, Oscar - THE PICTURE OF DORIAN GREY
Wilde, Oscar - THE SOUL OF MAN
Wilson, Epiphanius - SACRED BOOKS OF THE EAST
Wollstonecraft, Mary - A VINDICATION OF THE RIGHTS OF WOMAN
Woolf, Virgina - NIGHT AND DAY
Woolf, Virgina - THE VOYAGE OUT
Woolf, Virginia - JACOB'S ROOM
Woolf, Virginia - MONDAY OR TUESDAY
Wordsworth, William - POEMS
Wordsworth, William - PROSE WORKS
Zola, Emile - THERESE RAQUIN
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ISTRUZIONI D'USO DETTAGLIATE
THE FOUR MILLION
by O. HENRY
Not very long ago some one invented the assertion that there were
only "Four Hundred" people in New York City who were really worth
noticing. But a wiser man has arisen--the census taker--and his
larger estimate of human interest has been preferred in marking out
the field of these little stories of the "Four Million."
THE GIFT OF THE MAGI
A COSMOPOLITE IN A CAFÉ
THE SKYLIGHT ROOM
A SERVICE OF LOVE
THE COMING-OUT OF MAGGIE
MAN ABOUT TOWN
THE COP AND THE ANTHEM
AN ADJUSTMENT OF NATURE
MEMOIRS OF A YELLOW DOG
THE LOVE-PHILTRE OF IKEY SCHOENSTEIN
MAMMON AND THE ARCHER
SPRINGTIME À LA CARTE
THE GREEN DOOR
FROM THE CABBY'S SEAT
AN UNFINISHED STORY
THE CALIPH, CUPID AND THE CLOCK
SISTERS OF THE GOLDEN CIRCLE
THE ROMANCE OF A BUSY BROKER
AFTER TWENTY YEARS
LOST ON DRESS PARADE
THE FURNISHED ROOM
THE BRIEF DÉBUT OF TILDY
Tobin and me, the two of us, went down to Coney one day, for there was
four dollars between us, and Tobin had need of distractions. For there
was Katie Mahorner, his sweetheart, of County Sligo, lost since she
started for America three months before with two hundred dollars, her
own savings, and one hundred dollars from the sale of Tobin's inherited
estate, a fine cottage and pig on the Bog Shannaugh. And since the
letter that Tobin got saying that she had started to come to him not a
bit of news had he heard or seen of Katie Mahorner. Tobin advertised in
the papers, but nothing could be found of the colleen.
So, to Coney me and Tobin went, thinking that a turn at the chutes and
the smell of the popcorn might raise the heart in his bosom. But Tobin
was a hardheaded man, and the sadness stuck in his skin. He ground his
teeth at the crying balloons; he cursed the moving pictures; and, though
he would drink whenever asked, he scorned Punch and Judy, and was for
licking the tintype men as they came.
So I gets him down a side way on a board walk where the attractions were
some less violent. At a little six by eight stall Tobin halts, with a
more human look in his eye.
"'Tis here," says he, "I will be diverted. I'll have the palm of me hand
investigated by the wonderful palmist of the Nile, and see if what is to
be will be."
Tobin was a believer in signs and the unnatural in nature. He possessed
illegal convictions in his mind along the subjects of black cats, lucky
numbers, and the weather predictions in the papers.
We went into the enchanted chicken coop, which was fixed mysterious with
red cloth and pictures of hands with lines crossing 'em like a railroad
centre. The sign over the door says it is Madame Zozo the Egyptian
Palmist. There was a fat woman inside in a red jumper with pothooks and
beasties embroidered upon it. Tobin gives her ten cents and extends one
of his hands. She lifts Tobin's hand, which is own brother to the hoof
of a drayhorse, and examines it to see whether 'tis a stone in the frog
or a cast shoe he has come for.
"Man," says this Madame Zozo, "the line of your fate shows--"
"Tis not me foot at all," says Tobin, interrupting. "Sure, 'tis no
beauty, but ye hold the palm of me hand."
"The line shows," says the Madame, "that ye've not arrived at your
time of life without bad luck. And there's more to come. The mount
of Venus--or is that a stone bruise?--shows that ye've been in love.
There's been trouble in your life on account of your sweetheart."
"'Tis Katie Mahorner she has references with," whispers Tobin to me in a
loud voice to one side.
"I see," says the palmist, "a great deal of sorrow and tribulation with
one whom ye cannot forget. I see the lines of designation point to the
letter K and the letter M in her name."
"Whist!" says Tobin to me, "do ye hear that?"
"Look out," goes on the palmist, "for a dark man and a light woman; for
they'll both bring ye trouble. Ye'll make a voyage upon the water very
soon, and have a financial loss. I see one line that brings good luck.
There's a man coming into your life who will fetch ye good fortune.
Ye'll know him when ye see him by his crooked nose."
"Is his name set down?" asks Tobin. "'Twill be convenient in the way of
greeting when he backs up to dump off the good luck."
"His name," says the palmist, thoughtful looking, "is not spelled out by
the lines, but they indicate 'tis a long one, and the letter 'o' should
be in it. There's no more to tell. Good-evening. Don't block up the
"'Tis wonderful how she knows," says Tobin as we walk to the pier.
As we squeezed through the gates a nigger man sticks his lighted segar
against Tobin's ear, and there is trouble. Tobin hammers his neck, and
the women squeal, and by presence of mind I drag the little man out of
the way before the police comes. Tobin is always in an ugly mood when
On the boat going back, when the man calls "Who wants the good-looking
waiter?" Tobin tried to plead guilty, feeling the desire to blow the
foam off a crock of suds, but when he felt in his pocket he found
himself discharged for lack of evidence. Somebody had disturbed his
change during the commotion. So we sat, dry, upon the stools, listening
to the Dagoes fiddling on deck. If anything, Tobin was lower in spirits
and less congenial with his misfortunes than when we started.
On a seat against the railing was a young woman dressed suitable for red
automobiles, with hair the colour of an unsmoked meerschaum. In passing
by, Tobin kicks her foot without intentions, and, being polite to ladies
when in drink, he tries to give his hat a twist while apologising. But
he knocks it off, and the wind carries it overboard.
Tobin came back and sat down, and I began to look out for him, for the
man's adversities were becoming frequent. He was apt, when pushed so
close by hard luck, to kick the best dressed man he could see, and try
to take command of the boat.
Presently Tobin grabs my arm and says, excited: "Jawn," says he, "do ye
know what we're doing? We're taking a voyage upon the water."
"There now," says I; "subdue yeself. The boat'll land in ten minutes
"Look," says he, "at the light lady upon the bench. And have ye
forgotten the nigger man that burned me ear? And isn't the money I had
gone--a dollar sixty-five it was?"
I thought he was no more than summing up his catastrophes so as to get
violent with good excuse, as men will do, and I tried to make him
understand such things was trifles.
"Listen," says Tobin. "Ye've no ear for the gift of prophecy or the
miracles of the inspired. What did the palmist lady tell ye out of me
hand? 'Tis coming true before your eyes. 'Look out,' says she, 'for a
dark man and a light woman; they'll bring ye trouble.' Have ye forgot
the nigger man, though he got some of it back from me fist? Can ye show
me a lighter woman than the blonde lady that was the cause of me hat
falling in the water? And where's the dollar sixty-five I had in me vest
when we left the shooting gallery?"
The way Tobin put it, it did seem to corroborate the art of prediction,
though it looked to me that these accidents could happen to any one at
Coney without the implication of palmistry.
Tobin got up and walked around on deck, looking close at the passengers
out of his little red eyes. I asked him the interpretation of his
movements. Ye never know what Tobin has in his mind until he begins to
carry it out.
"Ye should know," says he, "I'm working out the salvation promised by
the lines in me palm. I'm looking for the crooked-nose man that's to
bring the good luck. 'Tis all that will save us. Jawn, did ye ever see
a straighter-nosed gang of hellions in the days of your life?"
'Twas the nine-thirty boat, and we landed and walked up-town through
Twenty-second Street, Tobin being without his hat.
On a street corner, standing under a gas-light and looking over the
elevated road at the moon, was a man. A long man he was, dressed decent,
with a segar between his teeth, and I saw that his nose made two twists
from bridge to end, like the wriggle of a snake. Tobin saw it at the
same time, and I heard him breathe hard like a horse when you take the
saddle off. He went straight up to the man, and I went with him.
"Good-night to ye," Tobin says to the man. The man takes out his segar
and passes the compliments, sociable.
"Would ye hand us your name," asks Tobin, "and let us look at the size
of it? It may be our duty to become acquainted with ye."
"My name" says the man, polite, "is Friedenhausman--Maximus G.
"'Tis the right length," says Tobin. "Do you spell it with an 'o'
anywhere down the stretch of it?"
"I do not," says the man.
""Can" ye spell it with an 'o'?" inquires Tobin, turning anxious.
"If your conscience," says the man with the nose, "is indisposed toward
foreign idioms ye might, to please yourself, smuggle the letter into the
"'Tis well," says Tobin. "Ye're in the presence of Jawn Malone and
"Tis highly appreciated," says the man, with a bow. "And now since I
cannot conceive that ye would hold a spelling bee upon the street
corner, will ye name some reasonable excuse for being at large?"
"By the two signs," answers Tobin, trying to explain, "which ye display
according to the reading of the Egyptian palmist from the sole of me
hand, ye've been nominated to offset with good luck the lines of trouble
leading to the nigger man and the blonde lady with her feet crossed in
the boat, besides the financial loss of a dollar sixty-five, all so far
fulfilled according to Hoyle."
The man stopped smoking and looked at me.
"Have ye any amendments," he asks, "to offer to that statement, or are
ye one too? I thought by the looks of ye ye might have him in charge."
"None," says I to him, "except that as one horseshoe resembles another
so are ye the picture of good luck as predicted by the hand of me
friend. If not, then the lines of Danny's hand may have been crossed,
I don't know."
"There's two of ye," says the man with the nose, looking up and down
for the sight of a policeman. "I've enjoyed your company immense.
With that he shoves his segar in his mouth and moves across the street,
stepping fast. But Tobin sticks close to one side of him and me at the
"What!" says he, stopping on the opposite sidewalk and pushing back his
hat; "do ye follow me? I tell ye," he says, very loud, "I'm proud to
have met ye. But it is my desire to be rid of ye. I am off to me home."
"Do," says Tobin, leaning against his sleeve. "Do be off to your home.
And I will sit at the door of it till ye come out in the morning. For
the dependence is upon ye to obviate the curse of the nigger man and the
blonde lady and the financial loss of the one-sixty-five."
"'Tis a strange hallucination," says the man, turning to me as a more
reasonable lunatic. "Hadn't ye better get him home?"
"Listen, man," says I to him. "Daniel Tobin is as sensible as he ever
was. Maybe he is a bit deranged on account of having drink enough to
disturb but not enough to settle his wits, but he is no more than
following out the legitimate path of his superstitions and predicaments,
which I will explain to you." With that I relates the facts about
the palmist lady and how the finger of suspicion points to him as an
instrument of good fortune. "Now, understand," I concludes, "my position
in this riot. I am the friend of me friend Tobin, according to me
interpretations. 'Tis easy to be a friend to the prosperous, for it
pays; 'tis not hard to be a friend to the poor, for ye get puffed up by
gratitude and have your picture printed standing in front of a tenement
with a scuttle of coal and an orphan in each hand. But it strains the
art of friendship to be true friend to a born fool. And that's what I'm
doing," says I, "for, in my opinion, there's no fortune to be read from
the palm of me hand that wasn't printed there with the handle of a pick.
And, though ye've got the crookedest nose in New York City, I misdoubt
that all the fortune-tellers doing business could milk good luck from
ye. But the lines of Danny's hand pointed to ye fair, and I'll assist
him to experiment with ye until he's convinced ye're dry."
After that the man turns, sudden, to laughing. He leans against a corner
and laughs considerable. Then he claps me and Tobin on the backs of us
and takes us by an arm apiece.
"'Tis my mistake," says he. "How could I be expecting anything so fine
and wonderful to be turning the corner upon me? I came near being found
unworthy. Hard by," says he, "is a café, snug and suitable for the
entertainment of idiosyncrasies. Let us go there and have drink while we
discuss the unavailability of the categorical."
So saying, he marched me and Tobin to the back room of a saloon, and
ordered the drinks, and laid the money on the table. He looks at me and
Tobin like brothers of his, and we have the segars.
"Ye must know," says the man of destiny, "that me walk in life is
one that is called the literary. I wander abroad be night seeking
idiosyncrasies in the masses and truth in the heavens above. When ye
came upon me I was in contemplation of the elevated road in conjunction
with the chief luminary of night. The rapid transit is poetry and art:
the moon but a tedious, dry body, moving by rote. But these are private
opinions, for, in the business of literature, the conditions are
reversed. 'Tis me hope to be writing a book to explain the strange
things I have discovered in life."
"Ye will put me in a book," says Tobin, disgusted; "will ye put me in a
"I will not," says the man, "for the covers will not hold ye. Not yet.
The best I can do is to enjoy ye meself, for the time is not ripe for
destroying the limitations of print. Ye would look fantastic in type.
All alone by meself must I drink this cup of joy. But, I thank ye, boys;
I am truly grateful."
"The talk of ye," says Tobin, blowing through his moustache and pounding
the table with his fist, "is an eyesore to me patience. There was good
luck promised out of the crook of your nose, but ye bear fruit like the
bang of a drum. Ye resemble, with your noise of books, the wind blowing
through a crack. Sure, now, I would be thinking the palm of me hand lied
but for the coming true of the nigger man and the blonde lady and--"
"Whist!" says the long man; "would ye be led astray by physiognomy? Me
nose will do what it can within bounds. Let us have these glasses filled
again, for 'tis good to keep idiosyncrasies well moistened, they being
subject to deterioration in a dry moral atmosphere."
So, the man of literature makes good, to my notion, for he pays,
cheerful, for everything, the capital of me and Tobin being exhausted by
prediction. But Tobin is sore, and drinks quiet, with the red showing in
By and by we moved out, for 'twas eleven o'clock, and stands a bit upon
the sidewalk. And then the man says he must be going home, and invites
me and Tobin to walk that way. We arrives on a side street two blocks
away where there is a stretch of brick houses with high stoops and iron
fences. The man stops at one of them and looks up at the top windows
which he finds dark.
"'Tis me humble dwelling," says he, "and I begin to perceive by the
signs that me wife has retired to slumber. Therefore I will venture a
bit in the way of hospitality. 'Tis me wish that ye enter the basement
room, where we dine, and partake of a reasonable refreshment. There will
be some fine cold fowl and cheese and a bottle or two of ale. Ye will be
welcome to enter and eat, for I am indebted to ye for diversions."
The appetite and conscience of me and Tobin was congenial to the
proposition, though 'twas sticking hard in Danny's superstitions to
think that a few drinks and a cold lunch should represent the good
fortune promised by the palm of his hand.
"Step down the steps," says the man with the crooked nose, "and I will
enter by the door above and let ye in. I will ask the new girl we have
in the kitchen," says he, "to make ye a pot of coffee to drink before ye
go. 'Tis fine coffee Katie Mahorner makes for a green girl just landed
three months. Step in," says the man, "and I'll send her down to ye."
THE GIFT OF THE MAGI
One dollar and eighty-seven cents. That was all. And sixty cents of it
was in pennies. Pennies saved one and two at a time by bulldozing the
grocer and the vegetable man and the butcher until one's cheeks burned
with the silent imputation of parsimony that such close dealing implied.
Three times Della counted it. One dollar and eighty-seven cents. And the
next day would be Christmas.
There was clearly nothing to do but flop down on the shabby little
couch and howl. So Della did it. Which instigates the moral reflection
that life is made up of sobs, sniffles, and smiles, with sniffles
While the mistress of the home is gradually subsiding from the first
stage to the second, take a look at the home. A furnished flat at $8 per
week. It did not exactly beggar description, but it certainly had that
word on the lookout for the mendicancy squad.
In the vestibule below was a letter-box into which no letter would go,
and an electric button from which no mortal finger could coax a ring.
Also appertaining thereunto was a card bearing the name "Mr. James
Dillingham Young." The "Dillingham" had been flung to the breeze
during a former period of prosperity when its possessor was being paid
$30 per week. Now, when the income was shrunk to $20, the letters of
"Dillingham" looked blurred, as though they were thinking seriously
of contracting to a modest and unassuming D. But whenever Mr. James
Dillingham Young came home and reached his flat above he was called
"Jim" and greatly hugged by Mrs. James Dillingham Young, already
introduced to you as Della. Which is all very good.
Della finished her cry and attended to her cheeks with the powder rag.
She stood by the window and looked out dully at a grey cat walking a
grey fence in a grey backyard. Tomorrow would be Christmas Day, and she
had only $1.87 with which to buy Jim a present. She had been saving
every penny she could for months, with this result. Twenty dollars a
week doesn't go far. Expenses had been greater than she had calculated.
They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a
happy hour she had spent planning for something nice for him. Something
fine and rare and sterling--something just a little bit near to being
worthy of the honour of being owned by Jim.
There was a pier-glass between the windows of the room. Perhaps you have
seen a pier-glass in an $8 flat. A very thin and very agile person may,
by observing his reflection in a rapid sequence of longitudinal strips,
obtain a fairly accurate conception of his looks. Della, being slender,
had mastered the art.
Suddenly she whirled from the window and stood before the glass. Her
eyes were shining brilliantly, but her face had lost its colour within
twenty seconds. Rapidly she pulled down her hair and let it fall to its
Now, there were two possessions of the James Dillingham Youngs in which
they both took a mighty pride. One was Jim's gold watch that had been
his father's and his grandfather's. The other was Della's hair. Had the
Queen of Sheba lived in the flat across the airshaft, Della would have
let her hair hang out the window some day to dry just to depreciate Her
Majesty's jewels and gifts. Had King Solomon been the janitor, with all
his treasures piled up in the basement, Jim would have pulled out his
watch every time he passed, just to see him pluck at his beard from
So now Della's beautiful hair fell about her, rippling and shining like
a cascade of brown waters. It reached below her knee and made itself
almost a garment for her. And then she did it up again nervously and
quickly. Once she faltered for a minute and stood still while a tear or
two splashed on the worn red carpet.
On went her old brown jacket; on went her old brown hat. With a whirl of
skirts and with the brilliant sparkle still in her eyes, she fluttered
out the door and down the stairs to the street.
Where she stopped the sign read: "Mme. Sofronie. Hair Goods of All
Kinds." One flight up Della ran, and collected herself, panting. Madame,
large, too white, chilly, hardly looked the "Sofronie."
"Will you buy my hair?" asked Della.
"I buy hair," said Madame. "Take yer hat off and let's have a sight at
the looks of it."
Down rippled the brown cascade. "Twenty dollars," said Madame, lifting
the mass with a practised hand.
"Give it to me quick," said Della.
Oh, and the next two hours tripped by on rosy wings. Forget the hashed
metaphor. She was ransacking the stores for Jim's present.
She found it at last. It surely had been made for Jim and no one else.
There was no other like it in any of the stores, and she had turned all
of them inside out. It was a platinum fob chain simple and chaste in
design, properly proclaiming its value by substance alone and not by
meretricious ornamentation--as all good things should do. It was even
worthy of The Watch. As soon as she saw it she knew that it must be
Jim's. It was like him. Quietness and value--the description applied to
both. Twenty-one dollars they took from her for it, and she hurried home
with the 87 cents. With that chain on his watch Jim might be properly
anxious about the time in any company. Grand as the watch was, he
sometimes looked at it on the sly on account of the old leather strap
that he used in place of a chain.
When Della reached home her intoxication gave way a little to prudence
and reason. She got out her curling irons and lighted the gas and went
to work repairing the ravages made by generosity added to love. Which is
always a tremendous task, dear friends--a mammoth task.
Within forty minutes her head was covered with tiny, close-lying curls
that made her look wonderfully like a truant schoolboy. She looked at
her reflection in the mirror long, carefully, and critically.
"If Jim doesn't kill me," she said to herself, "before he takes a second
look at me, he'll say I look like a Coney Island chorus girl. But what
could I do--oh! what could I do with a dollar and eighty-seven cents?"
At 7 o'clock the coffee was made and the frying-pan was on the back of
the stove hot and ready to cook the chops.
Jim was never late. Della doubled the fob chain in her hand and sat on
the corner of the table near the door that he always entered. Then she
heard his step on the stair away down on the first flight, and she
turned white for just a moment. She had a habit for saying little silent
prayers about the simplest everyday things, and now she whispered:
"Please God, make him think I am still pretty."
The door opened and Jim stepped in and closed it. He looked thin and
very serious. Poor fellow, he was only twenty-two--and to be burdened
with a family! He needed a new overcoat and he was without gloves.
Jim stopped inside the door, as immovable as a setter at the scent of
quail. His eyes were fixed upon Della, and there was an expression in
them that she could not read, and it terrified her. It was not anger,
nor surprise, nor disapproval, nor horror, nor any of the sentiments
that she had been prepared for. He simply stared at her fixedly with
that peculiar expression on his face.
Della wriggled off the table and went for him.
"Jim, darling," she cried, "don't look at me that way. I had my hair cut
off and sold because I couldn't have lived through Christmas without
giving you a present. It'll grow out again--you won't mind, will you?
I just had to do it. My hair grows awfully fast. Say 'Merry Christmas!'
Jim, and let's be happy. You don't know what a nice--what a beautiful,
nice gift I've got for you."
"You've cut off your hair?" asked Jim, laboriously, as if he had not
arrived at that patent fact yet even after the hardest mental labor.
"Cut it off and sold it," said Della. "Don't you like me just as well,
anyhow? I'm me without my hair, ain't I?"
Jim looked about the room curiously.
"You say your hair is gone?" he said, with an air almost of idiocy.
"You needn't look for it," said Della. "It's sold, I tell you--sold and
gone, too. It's Christmas Eve, boy. Be good to me, for it went for you.
Maybe the hairs of my head were numbered," she went on with sudden
serious sweetness, "but nobody could ever count my love for you. Shall
I put the chops on, Jim?"
Out of his trance Jim seemed quickly to wake. He enfolded his Della. For
ten seconds let us regard with discreet scrutiny some inconsequential
object in the other direction. Eight dollars a week or a million a
year--what is the difference? A mathematician or a wit would give you
the wrong answer. The magi brought valuable gifts, but that was not
among them. This dark assertion will be illuminated later on.
Jim drew a package from his overcoat pocket and threw it upon the table.
"Don't make any mistake, Dell," he said, "about me. I don't think
there's anything in the way of a haircut or a shave or a shampoo that
could make me like my girl any less. But if you'll unwrap that package
you may see why you had me going a while at first."
White fingers and nimble tore at the string and paper. And then an
ecstatic scream of joy; and then, alas! a quick feminine change to
hysterical tears and wails, necessitating the immediate employment of
all the comforting powers of the lord of the flat.
For there lay The Combs--the set of combs, side and back, that Della had
worshipped long in a Broadway window. Beautiful combs, pure tortoise
shell, with jewelled rims--just the shade to wear in the beautiful
vanished hair. They were expensive combs, she knew, and her heart
had simply craved and yearned over them without the least hope of
possession. And now, they were hers, but the tresses that should have
adorned the coveted adornments were gone.
But she hugged them to her bosom, and at length she was able to look up
with dim eyes and a smile and say: "My hair grows so fast, Jim!"
And then Della leaped up like a little singed cat and cried, "Oh, oh!"
Jim had not yet seen his beautiful present. She held it out to him
eagerly upon her open palm. The dull precious metal seemed to flash with
a reflection of her bright and ardent spirit.
"Isn't it a dandy, Jim? I hunted all over town to find it. You'll have
to look at the time a hundred times a day now. Give me your watch. I
want to see how it looks on it."
Instead of obeying, Jim tumbled down on the couch and put his hands
under the back of his head and smiled.
"Dell," said he, "let's put our Christmas presents away and keep 'em a
while. They're too nice to use just at present. I sold the watch to get
the money to buy your combs. And now suppose you put the chops on."
The magi, as you know, were wise men--wonderfully wise men--who brought
gifts to the Babe in the manger. They invented the art of giving
Christmas presents. Being wise, their gifts were no doubt wise ones,
possibly bearing the privilege of exchange in case of duplication.
And here I have lamely related to you the uneventful chronicle of two
foolish children in a flat who most unwisely sacrificed for each other
the greatest treasures of their house. But in a last word to the wise of
these days let it be said that of all who give gifts these two were the
wisest. Of all who give and receive gifts, such as they are wisest.
Everywhere they are wisest. They are the magi.
A COSMOPOLITE IN A CAFÉ
At midnight the café was crowded. By some chance the little table at
which I sat had escaped the eye of incomers, and two vacant chairs at it
extended their arms with venal hospitality to the influx of patrons.
And then a cosmopolite sat in one of them, and I was glad, for I held
a theory that since Adam no true citizen of the world has existed. We
hear of them, and we see foreign labels on much luggage, but we find
travellers instead of cosmopolites.
I invoke your consideration of the scene--the marble-topped tables, the
range of leather-upholstered wall seats, the gay company, the ladies
dressed in demi-state toilets, speaking in an exquisite visible chorus
of taste, economy, opulence or art; the sedulous and largess-loving
"garçons", the music wisely catering to all with its raids upon the
composers; the "mélange" of talk and laughter--and, if you will, the
Würzburger in the tall glass cones that bend to your lips as a ripe
cherry sways on its branch to the beak of a robber jay. I was told by
a sculptor from Mauch Chunk that the scene was truly Parisian.
My cosmopolite was named E. Rushmore Coglan, and he will be heard from
next summer at Coney Island. He is to establish a new "attraction"
there, he informed me, offering kingly diversion. And then his
conversation rang along parallels of latitude and longitude. He took the
great, round world in his hand, so to speak, familiarly, contemptuously,
and it seemed no larger than the seed of a Maraschino cherry in a
"table d'hôte" grape fruit. He spoke disrespectfully of the equator, he
skipped from continent to continent, he derided the zones, he mopped
up the high seas with his napkin. With a wave of his hand he would
speak of a certain bazaar in Hyderabad. Whiff! He would have you on
skis in Lapland. Zip! Now you rode the breakers with the Kanakas at
Kealaikahiki. Presto! He dragged you through an Arkansas post-oak swamp,
let you dry for a moment on the alkali plains of his Idaho ranch, then
whirled you into the society of Viennese archdukes. Anon he would be
telling you of a cold he acquired in a Chicago lake breeze and how old
Escamila cured it in Buenos Ayres with a hot infusion of the "chuchula"
weed. You would have addressed a letter to "E. Rushmore Coglan, Esq.,
the Earth, Solar System, the Universe," and have mailed it, feeling
confident that it would be delivered to him.
I was sure that I had found at last the one true cosmopolite since Adam,
and I listened to his worldwide discourse fearful lest I should discover
in it the local note of the mere globe-trotter. But his opinions never
fluttered or drooped; he was as impartial to cities, countries and
continents as the winds or gravitation.
And as E. Rushmore Coglan prattled of this little planet I thought with
glee of a great almost-cosmopolite who wrote for the whole world and
dedicated himself to Bombay. In a poem he has to say that there is pride
and rivalry between the cities of the earth, and that "the men that
breed from them, they traffic up and down, but cling to their cities'
hem as a child to the mother's gown." And whenever they walk "by roaring
streets unknown" they remember their native city "most faithful,
foolish, fond; making her mere-breathed name their bond upon their
bond." And my glee was roused because I had caught Mr. Kipling napping.
Here I had found a man not made from dust; one who had no narrow boasts
of birthplace or country, one who, if he bragged at all, would brag of
his whole round globe against the Martians and the inhabitants of the
Expression on these subjects was precipitated from E. Rushmore Coglan
by the third corner to our table. While Coglan was describing to me
the topography along the Siberian Railway the orchestra glided into a
medley. The concluding air was "Dixie," and as the exhilarating notes
tumbled forth they were almost overpowered by a great clapping of hands
from almost every table.
It is worth a paragraph to say that this remarkable scene can be
witnessed every evening in numerous cafés in the City of New York. Tons
of brew have been consumed over theories to account for it. Some have
conjectured hastily that all Southerners in town hie themselves to cafés
at nightfall. This applause of the "rebel" air in a Northern city does
puzzle a little; but it is not insolvable. The war with Spain, many
years' generous mint and watermelon crops, a few long-shot winners at
the New Orleans race-track, and the brilliant banquets given by the
Indiana and Kansas citizens who compose the North Carolina Society have
made the South rather a "fad" in Manhattan. Your manicure will lisp
softly that your left forefinger reminds her so much of a gentleman's in
Richmond, Va. Oh, certainly; but many a lady has to work now--the war,
When "Dixie" was being played a dark-haired young man sprang up from
somewhere with a Mosby guerrilla yell and waved frantically his
soft-brimmed hat. Then he strayed through the smoke, dropped into the
vacant chair at our table and pulled out cigarettes.
The evening was at the period when reserve is thawed. One of us
mentioned three Würzburgers to the waiter; the dark-haired young man
acknowledged his inclusion in the order by a smile and a nod. I hastened
to ask him a question because I wanted to try out a theory I had.
"Would you mind telling me," I began, "whether you are from--"
The fist of E. Rushmore Coglan banged the table and I was jarred into
"Excuse me," said he, "but that's a question I never like to hear asked.
What does it matter where a man is from? Is it fair to judge a man by
his post-office address? Why, I've seen Kentuckians who hated whiskey,
Virginians who weren't descended from Pocahontas, Indianians who hadn't
written a novel, Mexicans who didn't wear velvet trousers with silver
dollars sewed along the seams, funny Englishmen, spendthrift Yankees,
cold-blooded Southerners, narrow-minded Westerners, and New Yorkers who
were too busy to stop for an hour on the street to watch a one-armed
grocer's clerk do up cranberries in paper bags. Let a man be a man and
don't handicap him with the label of any section."
"Pardon me," I said, "but my curiosity was not altogether an idle one.
I know the South, and when the band plays 'Dixie' I like to observe. I
have formed the belief that the man who applauds that air with special
violence and ostensible sectional loyalty is invariably a native of
either Secaucus, N.J., or the district between Murray Hill Lyceum and
the Harlem River, this city. I was about to put my opinion to the
test by inquiring of this gentleman when you interrupted with your
own--larger theory, I must confess."
And now the dark-haired young man spoke to me, and it became evident
that his mind also moved along its own set of grooves.
"I should like to be a periwinkle," said he, mysteriously, "on the top
of a valley, and sing tooralloo-ralloo."
This was clearly too obscure, so I turned again to Coglan.
"I've been around the world twelve times," said he. "I know an Esquimau
in Upernavik who sends to Cincinnati for his neckties, and I saw a
goat-herder in Uruguay who won a prize in a Battle Creek breakfast food
puzzle competition. I pay rent on a room in Cairo, Egypt, and another
in Yokohama all the year around. I've got slippers waiting for me in a
tea-house in Shanghai, and I don't have to tell 'em how to cook my eggs
in Rio de Janeiro or Seattle. It's a mighty little old world. What's the
use of bragging about being from the North, or the South, or the old
manor house in the dale, or Euclid avenue, Cleveland, or Pike's Peak, or
Fairfax County, Va., or Hooligan's Flats or any place? It'll be a better
world when we quit being fools about some mildewed town or ten acres of
swampland just because we happened to be born there."
"You seem to be a genuine cosmopolite," I said admiringly. "But it also
seems that you would decry patriotism."
"A relic of the stone age," declared Coglan, warmly. "We are all
brothers--Chinamen, Englishmen, Zulus, Patagonians and the people in the
bend of the Kaw River. Some day all this petty pride in one's city or
State or section or country will be wiped out, and we'll all be citizens
of the world, as we ought to be."
"But while you are wandering in foreign lands," I persisted, "do not
your thoughts revert to some spot--some dear and--"
"Nary a spot," interrupted E. R. Coglan, flippantly. "The terrestrial,
globular, planetary hunk of matter, slightly flattened at the poles, and
known as the Earth, is my abode. I've met a good many object-bound
citizens of this country abroad. I've seen men from Chicago sit in a
gondola in Venice on a moonlight night and brag about their drainage
canal. I've seen a Southerner on being introduced to the King of England
hand that monarch, without batting his eyes, the information that
his grand-aunt on his mother's side was related by marriage to the
Perkinses, of Charleston. I knew a New Yorker who was kidnapped for
ransom by some Afghanistan bandits. His people sent over the money and
he came back to Kabul with the agent. 'Afghanistan?' the natives said to
him through an interpreter. 'Well, not so slow, do you think?' 'Oh, I
don't know,' says he, and he begins to tell them about a cab driver at
Sixth avenue and Broadway. Those ideas don't suit me. I'm not tied down
to anything that isn't 8,000 miles in diameter. Just put me down as E.
Rushmore Coglan, citizen of the terrestrial sphere."
My cosmopolite made a large adieu and left me, for he thought he saw
some one through the chatter and smoke whom he knew. So I was left with
the would-be periwinkle, who was reduced to Würzburger without further
ability to voice his aspirations to perch, melodious, upon the summit of
I sat reflecting upon my evident cosmopolite and wondering how the poet
had managed to miss him. He was my discovery and I believed in him. How
was it? "The men that breed from them they traffic up and down, but
cling to their cities' hem as a child to the mother's gown."
Not so E. Rushmore Coglan. With the whole world for his--
My meditations were interrupted by a tremendous noise and conflict in
another part of the café. I saw above the heads of the seated patrons E.
Rushmore Coglan and a stranger to me engaged in terrific battle. They
fought between the tables like Titans, and glasses crashed, and men
caught their hats up and were knocked down, and a brunette screamed, and
a blonde began to sing "Teasing."
My cosmopolite was sustaining the pride and reputation of the Earth when
the waiters closed in on both combatants with their famous flying wedge
formation and bore them outside, still resisting.
I called McCarthy, one of the French "garçons", and asked him the cause
of the conflict.
"The man with the red tie" (that was my cosmopolite), said he, "got hot
on account of things said about the bum sidewalks and water supply of
the place he come from by the other guy."
"Why," said I, bewildered, "that man is a citizen of the world--a
"Originally from Mattawamkeag, Maine, he said," continued McCarthy,
"and he wouldn't stand for no knockin' the place."
The May moon shone bright upon the private boarding-house of Mrs.
Murphy. By reference to the almanac a large amount of territory will
be discovered upon which its rays also fell. Spring was in its heydey,
with hay fever soon to follow. The parks were green with new leaves and
buyers for the Western and Southern trade. Flowers and summer-resort
agents were blowing; the air and answers to Lawson were growing milder;
hand-organs, fountains and pinochle were playing everywhere.
The windows of Mrs. Murphy's boarding-house were open. A group of
boarders were seated on the high stoop upon round, flat mats like
In one of the second-floor front windows Mrs. McCaskey awaited her
husband. Supper was cooling on the table. Its heat went into Mrs.
At nine Mr. McCaskey came. He carried his coat on his arm and his pipe
in his teeth; and he apologised for disturbing the boarders on the steps
as he selected spots of stone between them on which to set his size 9,
As he opened the door of his room he received a surprise. Instead of the
usual stove-lid or potato-masher for him to dodge, came only words.
Mr. McCaskey reckoned that the benign May moon had softened the breast
of his spouse.
"I heard ye," came the oral substitutes for kitchenware. "Ye can
apollygise to riff-raff of the streets for settin' yer unhandy feet on
the tails of their frocks, but ye'd walk on the neck of yer wife the
length of a clothes-line without so much as a 'Kiss me fut,' and I'm
sure it's that long from rubberin' out the windy for ye and the victuals
cold such as there's money to buy after drinkin' up yer wages at
Gallegher's every Saturday evenin', and the gas man here twice to-day
"Woman!" said Mr. McCaskey, dashing his coat and hat upon a chair, "the
noise of ye is an insult to me appetite. When ye run down politeness ye
take the mortar from between the bricks of the foundations of society.
'Tis no more than exercisin' the acrimony of a gentleman when ye ask the
dissent of ladies blockin' the way for steppin' between them. Will ye
bring the pig's face of ye out of the windy and see to the food?"
Mrs. McCaskey arose heavily and went to the stove. There was something
in her manner that warned Mr. McCaskey. When the corners of her mouth
went down suddenly like a barometer it usually foretold a fall of
crockery and tinware.
"Pig's face, is it?" said Mrs. McCaskey, and hurled a stewpan full of
bacon and turnips at her lord.
Mr. McCaskey was no novice at repartee. He knew what should follow
the entrée. On the table was a roast sirloin of pork, garnished with
shamrocks. He retorted with this, and drew the appropriate return of
a bread pudding in an earthen dish. A hunk of Swiss cheese accurately
thrown by her husband struck Mrs. McCaskey below one eye. When she
replied with a well-aimed coffee-pot full of a hot, black, semi-fragrant
liquid the battle, according to courses, should have ended.
But Mr. McCaskey was no 50-cent "table d'hôter". Let cheap Bohemians
consider coffee the end, if they would. Let them make that "faux pas".
He was foxier still. Finger-bowls were not beyond the compass of his
experience. They were not to be had in the Pension Murphy; but their
equivalent was at hand. Triumphantly he sent the granite-ware wash
basin at the head of his matrimonial adversary. Mrs. McCaskey dodged in
time. She reached for a flatiron, with which, as a sort of cordial, she
hoped to bring the gastronomical duel to a close. But a loud, wailing
scream downstairs caused both her and Mr. McCaskey to pause in a sort of
On the sidewalk at the corner of the house Policeman Cleary was standing
with one ear upturned, listening to the crash of household utensils.
"'Tis Jawn McCaskey and his missis at it again," meditated the
policeman. "I wonder shall I go up and stop the row. I will not. Married
folks they are; and few pleasures they have. 'Twill not last long. Sure,
they'll have to borrow more dishes to keep it up with."
And just then came the loud scream below-stairs, betokening fear or dire
extremity. "'Tis probably the cat," said Policeman Cleary, and walked
hastily in the other direction.
The boarders on the steps were fluttered. Mr. Toomey, an insurance
solicitor by birth and an investigator by profession, went inside
to analyse the scream. He returned with the news that Mrs. Murphy's
little boy, Mike, was lost. Following the messenger, out bounced Mrs.
Murphy--two hundred pounds in tears and hysterics, clutching the air
and howling to the sky for the loss of thirty pounds of freckles and
mischief. Bathos, truly; but Mr. Toomey sat down at the side of Miss
Purdy, millinery, and their hands came together in sympathy. The two old
maids, Misses Walsh, who complained every day about the noise in the
halls, inquired immediately if anybody had looked behind the clock.
Major Grigg, who sat by his fat wife on the top step, arose and buttoned
his coat. "The little one lost?" he exclaimed. "I will scour the city."
His wife never allowed him out after dark. But now she said: "Go,
Ludovic!" in a baritone voice. "Whoever can look upon that mother's
grief without springing to her relief has a heart of stone." "Give me
some thirty or--sixty cents, my love," said the Major. "Lost children
sometimes stray far. I may need carfares."
Old man Denny, hall room, fourth floor back, who sat on the lowest step,
trying to read a paper by the street lamp, turned over a page to follow
up the article about the carpenters' strike. Mrs. Murphy shrieked to the
moon: "Oh, ar-r-Mike, f'r Gawd's sake, where is me little bit av a boy?"
"When'd ye see him last?" asked old man Denny, with one eye on the
report of the Building Trades League.
"Oh," wailed Mrs. Murphy, "'twas yisterday, or maybe four hours ago!
I dunno. But it's lost he is, me little boy Mike. He was playin' on
the sidewalk only this mornin'--or was it Wednesday? I'm that busy with
work, 'tis hard to keep up with dates. But I've looked the house over
from top to cellar, and it's gone he is. Oh, for the love av Hiven--"
Silent, grim, colossal, the big city has ever stood against its
revilers. They call it hard as iron; they say that no pulse of pity
beats in its bosom; they compare its streets with lonely forests and
deserts of lava. But beneath the hard crust of the lobster is found a
delectable and luscious food. Perhaps a different simile would have been
wiser. Still, nobody should take offence. We would call no one a lobster
without good and sufficient claws.
No calamity so touches the common heart of humanity as does the straying
of a little child. Their feet are so uncertain and feeble; the ways are
so steep and strange.
Major Griggs hurried down to the corner, and up the avenue into Billy's
place. "Gimme a rye-high," he said to the servitor. "Haven't seen a
bow-legged, dirty-faced little devil of a six-year-old lost kid around
here anywhere, have you?"
Mr. Toomey retained Miss Purdy's hand on the steps. "Think of that dear
little babe," said Miss Purdy, "lost from his mother's side--perhaps
already fallen beneath the iron hoofs of galloping steeds--oh, isn't it
"Ain't that right?" agreed Mr. Toomey, squeezing her hand. "Say I start
out and help look for um!"
"Perhaps," said Miss Purdy, "you should. But, oh, Mr. Toomey, you are so
dashing--so reckless--suppose in your enthusiasm some accident should
befall you, then what--"
Old man Denny read on about the arbitration agreement, with one finger
on the lines.
In the second floor front Mr. and Mrs. McCaskey came to the window to
recover their second wind. Mr. McCaskey was scooping turnips out of his
vest with a crooked forefinger, and his lady was wiping an eye that the
salt of the roast pork had not benefited. They heard the outcry below,
and thrust their heads out of the window.
"'Tis little Mike is lost," said Mrs. McCaskey, in a hushed voice, "the
beautiful, little, trouble-making angel of a gossoon!"
"The bit of a boy mislaid?" said Mr. McCaskey, leaning out of the
window. "Why, now, that's bad enough, entirely. The childer, they be
different. If 'twas a woman I'd be willin', for they leave peace behind
'em when they go."
Disregarding the thrust, Mrs. McCaskey caught her husband's arm.
"Jawn," she said, sentimentally, "Missis Murphy's little bye is lost.
'Tis a great city for losing little boys. Six years old he was. Jawn,
'tis the same age our little bye would have been if we had had one six
"We never did," said Mr. McCaskey, lingering with the fact.
"But if we had, Jawn, think what sorrow would be in our hearts this
night, with our little Phelan run away and stolen in the city nowheres
"Ye talk foolishness," said Mr. McCaskey. "'Tis Pat he would be named,
after me old father in Cantrim."
"Ye lie!" said Mrs. McCaskey, without anger. "Me brother was worth tin
dozen bog-trotting McCaskeys. After him would the bye be named." She
leaned over the window-sill and looked down at the hurrying and bustle
"Jawn," said Mrs. McCaskey, softly, "I'm sorry I was hasty wid ye."
"'Twas hasty puddin', as ye say," said her husband, "and hurry-up
turnips and get-a-move-on-ye coffee. 'Twas what ye could call a quick
lunch, all right, and tell no lie."
Mrs. McCaskey slipped her arm inside her husband's and took his rough
hand in hers.
"Listen at the cryin' of poor Mrs. Murphy," she said. "'Tis an awful
thing for a bit of a bye to be lost in this great big city. If 'twas our
little Phelan, Jawn, I'd be breakin' me heart."
Awkwardly Mr. McCaskey withdrew his hand. But he laid it around the
nearing shoulder of his wife.
"'Tis foolishness, of course," said he, roughly, "but I'd be cut up
some meself if our little Pat was kidnapped or anything. But there
never was any childer for us. Sometimes I've been ugly and hard with
ye, Judy. Forget it."
They leaned together, and looked down at the heart-drama being acted
Long they sat thus. People surged along the sidewalk, crowding,
questioning, filling the air with rumours, and inconsequent surmises.
Mrs. Murphy ploughed back and forth in their midst, like a soft
mountain down which plunged an audible cataract of tears. Couriers
came and went.
Loud voices and a renewed uproar were raised in front of the
"What's up now, Judy?" asked Mr. McCaskey.
"'Tis Missis Murphy's voice," said Mrs. McCaskey, harking. "She says
she's after finding little Mike asleep behind the roll of old linoleum
under the bed in her room."
Mr. McCaskey laughed loudly.
"That's yer Phelan," he shouted, sardonically. "Divil a bit would a Pat
have done that trick. If the bye we never had is strayed and stole, by
the powers, call him Phelan, and see him hide out under the bed like a
Mrs. McCaskey arose heavily, and went toward the dish closet, with the
corners of her mouth drawn down.
Policeman Cleary came back around the corner as the crowd dispersed.
Surprised, he upturned an ear toward the McCaskey apartment, where the
crash of irons and chinaware and the ring of hurled kitchen utensils
seemed as loud as before. Policeman Cleary took out his timepiece.
"By the deported snakes!" he exclaimed, "Jawn McCaskey and his lady have
been fightin' for an hour and a quarter by the watch. The missis could
give him forty pounds weight. Strength to his arm."
Policeman Cleary strolled back around the corner.
Old man Denny folded his paper and hurried up the steps just as Mrs.
Murphy was about to lock the door for the night.
THE SKYLIGHT ROOM
First Mrs. Parker would show you the double parlours. You would not dare
to interrupt her description of their advantages and of the merits of
the gentleman who had occupied them for eight years. Then you would
manage to stammer forth the confession that you were neither a doctor
nor a dentist. Mrs. Parker's manner of receiving the admission was such
that you could never afterward entertain the same feeling toward your
parents, who had neglected to train you up in one of the professions
that fitted Mrs. Parker's parlours.
Next you ascended one flight of stairs and looked at the
second-floor-back at $8. Convinced by her second-floor manner that it
was worth the $12 that Mr. Toosenberry always paid for it until he left
to take charge of his brother's orange plantation in Florida near Palm
Beach, where Mrs. McIntyre always spent the winters that had the double
front room with private bath, you managed to babble that you wanted
something still cheaper.
If you survived Mrs. Parker's scorn, you were taken to look at Mr.
Skidder's large hall room on the third floor. Mr. Skidder's room was not
vacant. He wrote plays and smoked cigarettes in it all day long. But
every room-hunter was made to visit his room to admire the lambrequins.
After each visit, Mr. Skidder, from the fright caused by possible
eviction, would pay something on his rent.
Then--oh, then--if you still stood on one foot, with your hot hand
clutching the three moist dollars in your pocket, and hoarsely
proclaimed your hideous and culpable poverty, nevermore would Mrs.
Parker be cicerone of yours. She would honk loudly the word "Clara," she
would show you her back, and march downstairs. Then Clara, the coloured
maid, would escort you up the carpeted ladder that served for the fourth
flight, and show you the Skylight Room. It occupied 7x8 feet of floor
space at the middle of the hall. On each side of it was a dark lumber
closet or storeroom.
In it was an iron cot, a washstand and a chair. A shelf was the dresser.
Its four bare walls seemed to close in upon you like the sides of a
coffin. Your hand crept to your throat, you gasped, you looked up as
from a well--and breathed once more. Through the glass of the little
skylight you saw a square of blue infinity.
"Two dollars, suh," Clara would say in her half-contemptuous,
One day Miss Leeson came hunting for a room. She carried a typewriter
made to be lugged around by a much larger lady. She was a very little
girl, with eyes and hair that had kept on growing after she had stopped
and that always looked as if they were saying: "Goodness me! Why didn't
you keep up with us?"
Mrs. Parker showed her the double parlours. "In this closet," she said,
"one could keep a skeleton or anaesthetic or coal--"
"But I am neither a doctor nor a dentist," said Miss Leeson, with a
Mrs. Parker gave her the incredulous, pitying, sneering, icy stare that
she kept for those who failed to qualify as doctors or dentists, and led
the way to the second floor back.
"Eight dollars?" said Miss Leeson. "Dear me! I'm not Hetty if I do look
green. I'm just a poor little working girl. Show me something higher and
Mr. Skidder jumped and strewed the floor with cigarette stubs at the rap
on his door.
"Excuse me, Mr. Skidder," said Mrs. Parker, with her demon's smile at
his pale looks. "I didn't know you were in. I asked the lady to have a
look at your lambrequins."
"They're too lovely for anything," said Miss Leeson, smiling in exactly
the way the angels do.
After they had gone Mr. Skidder got very busy erasing the tall,
black-haired heroine from his latest (unproduced) play and inserting a
small, roguish one with heavy, bright hair and vivacious features.
"Anna Held'll jump at it," said Mr. Skidder to himself, putting his feet
up against the lambrequins and disappearing in a cloud of smoke like an
Presently the tocsin call of "Clara!" sounded to the world the state
of Miss Leeson's purse. A dark goblin seized her, mounted a Stygian
stairway, thrust her into a vault with a glimmer of light in its top
and muttered the menacing and cabalistic words "Two dollars!"
"I'll take it!" sighed Miss Leeson, sinking down upon the squeaky iron
Every day Miss Leeson went out to work. At night she brought home papers
with handwriting on them and made copies with her typewriter. Sometimes
she had no work at night, and then she would sit on the steps of the
high stoop with the other roomers. Miss Leeson was not intended for
a sky-light room when the plans were drawn for her creation. She was
gay-hearted and full of tender, whimsical fancies. Once she let Mr.
Skidder read to her three acts of his great (unpublished) comedy, "It's
No Kid; or, The Heir of the Subway."
There was rejoicing among the gentlemen roomers whenever Miss Leeson had
time to sit on the steps for an hour or two. But Miss Longnecker, the
tall blonde who taught in a public school and said, "Well, really!" to
everything you said, sat on the top step and sniffed. And Miss Dorn,
who shot at the moving ducks at Coney every Sunday and worked in a
department store, sat on the bottom step and sniffed. Miss Leeson sat
on the middle step and the men would quickly group around her.
Especially Mr. Skidder, who had cast her in his mind for the star part
in a private, romantic (unspoken) drama in real life. And especially Mr.
Hoover, who was forty-five, fat, flush and foolish. And especially very
young Mr. Evans, who set up a hollow cough to induce her to ask him
to leave off cigarettes. The men voted her "the funniest and jolliest
ever," but the sniffs on the top step and the lower step were
* * * * * *
I pray you let the drama halt while Chorus stalks to the footlights and
drops an epicedian tear upon the fatness of Mr. Hoover. Tune the pipes
to the tragedy of tallow, the bane of bulk, the calamity of corpulence.
Tried out, Falstaff might have rendered more romance to the ton than
would have Romeo's rickety ribs to the ounce. A lover may sigh, but he
must not puff. To the train of Momus are the fat men remanded. In vain
beats the faithfullest heart above a 52-inch belt. Avaunt, Hoover!
Hoover, forty-five, flush and foolish, might carry off Helen herself;
Hoover, forty-five, flush, foolish and fat is meat for perdition. There
was never a chance for you, Hoover.
As Mrs. Parker's roomers sat thus one summer's evening, Miss Leeson
looked up into the firmament and cried with her little gay laugh:
"Why, there's Billy Jackson! I can see him from down here, too."
All looked up--some at the windows of skyscrapers, some casting about
for an airship, Jackson-guided.
"It's that star," explained Miss Leeson, pointing with a tiny finger.
"Not the big one that twinkles--the steady blue one near it. I can see
it every night through my skylight. I named it Billy Jackson."
"Well, really!" said Miss Longnecker. "I didn't know you were an
astronomer, Miss Leeson."
"Oh, yes," said the small star gazer, "I know as much as any of them
about the style of sleeves they're going to wear next fall in Mars."
"Well, really!" said Miss Longnecker. "The star you refer to is Gamma,
of the constellation Cassiopeia. It is nearly of the second magnitude,
and its meridian passage is--"
"Oh," said the very young Mr. Evans, "I think Billy Jackson is a much
better name for it."
"Same here," said Mr. Hoover, loudly breathing defiance to Miss
Longnecker. "I think Miss Leeson has just as much right to name stars
as any of those old astrologers had."
"Well, really!" said Miss Longnecker.
"I wonder whether it's a shooting star," remarked Miss Dorn. "I hit
nine ducks and a rabbit out of ten in the gallery at Coney Sunday."
"He doesn't show up very well from down here," said Miss Leeson. "You
ought to see him from my room. You know you can see stars even in the
daytime from the bottom of a well. At night my room is like the shaft of
a coal mine, and it makes Billy Jackson look like the big diamond pin
that Night fastens her kimono with."
There came a time after that when Miss Leeson brought no formidable
papers home to copy. And when she went out in the morning, instead of
working, she went from office to office and let her heart melt away in
the drip of cold refusals transmitted through insolent office boys. This
There came an evening when she wearily climbed Mrs. Parker's stoop at
the hour when she always returned from her dinner at the restaurant. But
she had had no dinner.
As she stepped into the hall Mr. Hoover met her and seized his chance.
He asked her to marry him, and his fatness hovered above her like an
avalanche. She dodged, and caught the balustrade. He tried for her hand,
and she raised it and smote him weakly in the face. Step by step she
went up, dragging herself by the railing. She passed Mr. Skidder's door
as he was red-inking a stage direction for Myrtle Delorme (Miss Leeson)
in his (unaccepted) comedy, to "pirouette across stage from L to the
side of the Count." Up the carpeted ladder she crawled at last and
opened the door of the skylight room.
She was too weak to light the lamp or to undress. She fell upon the iron
cot, her fragile body scarcely hollowing the worn springs. And in that
Erebus of the skylight room, she slowly raised her heavy eyelids, and
For Billy Jackson was shining down on her, calm and bright and constant
through the skylight. There was no world about her. She was sunk in a
pit of blackness, with but that small square of pallid light framing the
star that she had so whimsically and oh, so ineffectually named. Miss
Longnecker must be right; it was Gamma, of the constellation Cassiopeia,
and not Billy Jackson. And yet she could not let it be Gamma.
As she lay on her back she tried twice to raise her arm. The third time
she got two thin fingers to her lips and blew a kiss out of the black
pit to Billy Jackson. Her arm fell back limply.
"Good-bye, Billy," she murmured faintly. "You're millions of miles away
and you won't even twinkle once. But you kept where I could see you most
of the time up there when there wasn't anything else but darkness to
look at, didn't you? . . . Millions of miles. . . . Good-bye, Billy
Clara, the coloured maid, found the door locked at 10 the next day,
and they forced it open. Vinegar, and the slapping of wrists and burnt
feathers proving of no avail, some one ran to 'phone for an ambulance.
In due time it backed up to the door with much gong-clanging, and the
capable young medico, in his white linen coat, ready, active, confident,
with his smooth face half debonair, half grim, danced up the steps.
"Ambulance call to 49," he said briefly. "What's the trouble?"
"Oh, yes, doctor," sniffed Mrs. Parker, as though her trouble that there
should be trouble in the house was the greater. "I can't think what can
be the matter with her. Nothing we could do would bring her to. It's a
young woman, a Miss Elsie--yes, a Miss Elsie Leeson. Never
before in my house--"
"What room?" cried the doctor in a terrible voice, to which Mrs. Parker
was a stranger.
"The skylight room. It--"
Evidently the ambulance doctor was familiar with the location of
skylight rooms. He was gone up the stairs, four at a time. Mrs. Parker
followed slowly, as her dignity demanded.
On the first landing she met him coming back bearing the astronomer in
his arms. He stopped and let loose the practised scalpel of his tongue,
not loudly. Gradually Mrs. Parker crumpled as a stiff garment that slips
down from a nail. Ever afterward there remained crumples in her mind and
body. Sometimes her curious roomers would ask her what the doctor said
"Let that be," she would answer. "If I can get forgiveness for having
heard it I will be satisfied."
The ambulance physician strode with his burden through the pack of
hounds that follow the curiosity chase, and even they fell back along
the sidewalk abashed, for his face was that of one who bears his own
They noticed that he did not lay down upon the bed prepared for it in
the ambulance the form that he carried, and all that he said was: "Drive
like h----l, Wilson," to the driver.
That is all. Is it a story? In the next morning's paper I saw a little
news item, and the last sentence of it may help you (as it helped me)
to weld the incidents together.
It recounted the reception into Bellevue Hospital of a young woman who
had been removed from No. 49 East ---- street, suffering from debility
induced by starvation. It concluded with these words:
"Dr. William Jackson, the ambulance physician who attended the case,
says the patient will recover."
A SERVICE OF LOVE
When one loves one's Art no service seems too hard.
That is our premise. This story shall draw a conclusion from it, and
show at the same time that the premise is incorrect. That will be a new
thing in logic, and a feat in story-telling somewhat older than the
great wall of China.
Joe Larrabee came out of the post-oak flats of the Middle West pulsing
with a genius for pictorial art. At six he drew a picture of the town
pump with a prominent citizen passing it hastily. This effort was framed
and hung in the drug store window by the side of the ear of corn with an
uneven number of rows. At twenty he left for New York with a flowing
necktie and a capital tied up somewhat closer.
Delia Caruthers did things in six octaves so promisingly in a pine-tree
village in the South that her relatives chipped in enough in her chip
hat for her to go "North" and "finish." They could not see her f--, but
that is our story.
Joe and Delia met in an atelier where a number of art and music students
had gathered to discuss chiaroscuro, Wagner, music, Rembrandt's works,
pictures, Waldteufel, wall paper, Chopin and Oolong.
Joe and Delia became enamoured one of the other, or each of the other,
as you please, and in a short time were married--for (see above), when
one loves one's Art no service seems too hard.
Mr. and Mrs. Larrabee began housekeeping in a flat. It was a lonesome
flat--something like the A sharp way down at the left-hand end of the
keyboard. And they were happy; for they had their Art, and they had each
other. And my advice to the rich young man would be--sell all thou hast,
and give it to the poor--janitor for the privilege of living in a flat
with your Art and your Delia.
Flat-dwellers shall indorse my dictum that theirs is the only true
happiness. If a home is happy it cannot fit too close--let the dresser
collapse and become a billiard table; let the mantel turn to a rowing
machine, the escritoire to a spare bedchamber, the washstand to an
upright piano; let the four walls come together, if they will, so you
and your Delia are between. But if home be the other kind, let it be
wide and long--enter you at the Golden Gate, hang your hat on Hatteras,
your cape on Cape Horn and go out by the Labrador.
Joe was painting in the class of the great Magister--you know his fame.
His fees are high; his lessons are light--his high-lights have brought
him renown. Delia was studying under Rosenstock--you know his repute as
a disturber of the piano keys.
They were mighty happy as long as their money lasted. So is every--but
I will not be cynical. Their aims were very clear and defined. Joe was
to become capable very soon of turning out pictures that old gentlemen
with thin side-whiskers and thick pocketbooks would sandbag one another
in his studio for the privilege of buying. Delia was to become familiar
and then contemptuous with Music, so that when she saw the orchestra
seats and boxes unsold she could have sore throat and lobster in a
private dining-room and refuse to go on the stage.
But the best, in my opinion, was the home life in the little flat--the
ardent, voluble chats after the day's study; the cozy dinners and fresh,
light breakfasts; the interchange of ambitions--ambitions interwoven
each with the other's or else inconsiderable--the mutual help and
inspiration; and--overlook my artlessness--stuffed olives and cheese
sandwiches at 11 p.m.
But after a while Art flagged. It sometimes does, even if some switchman
doesn't flag it. Everything going out and nothing coming in, as
the vulgarians say. Money was lacking to pay Mr. Magister and Herr
Rosenstock their prices. When one loves one's Art no service seems too
hard. So, Delia said she must give music lessons to keep the chafing
For two or three days she went out canvassing for pupils. One evening
she came home elated.
"Joe, dear," she said, gleefully, "I've a pupil. And, oh, the loveliest
people! General--General A. B. Pinkney's daughter--on Seventy-first
street. Such a splendid house, Joe--you ought to see the front door!
Byzantine I think you would call it. And inside! Oh, Joe, I never saw
anything like it before.
"My pupil is his daughter Clementina. I dearly love her already. She's
a delicate thing--dresses always in white; and the sweetest, simplest
manners! Only eighteen years old. I'm to give three lessons a week; and,
just think, Joe! $5 a lesson. I don't mind it a bit; for when I get two
or three more pupils I can resume my lessons with Herr Rosenstock. Now,
smooth out that wrinkle between your brows, dear, and let's have a nice
"That's all right for you, Dele," said Joe, attacking a can of peas with
a carving knife and a hatchet, "but how about me? Do you think I'm going
to let you hustle for wages while I philander in the regions of high
art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or
lay cobblestones, and bring in a dollar or two."
Delia came and hung about his neck.
"Joe, dear, you are silly. You must keep on at your studies. It is not
as if I had quit my music and gone to work at something else. While I
teach I learn. I am always with my music. And we can live as happily as
millionaires on $15 a week. You mustn't think of leaving Mr. Magister."
"All right," said Joe, reaching for the blue scalloped vegetable dish.
"But I hate for you to be giving lessons. It isn't Art. But you're a
trump and a dear to do it."
"When one loves one's Art no service seems too hard," said Delia.
"Magister praised the sky in that sketch I made in the park," said Joe.
"And Tinkle gave me permission to hang two of them in his window. I may
sell one if the right kind of a moneyed idiot sees them."
"I'm sure you will," said Delia, sweetly. "And now let's be thankful for
Gen. Pinkney and this veal roast."
During all of the next week the Larrabees had an early breakfast. Joe
was enthusiastic about some morning-effect sketches he was doing in
Central Park, and Delia packed him off breakfasted, coddled, praised
and kissed at 7 o'clock. Art is an engaging mistress. It was most times
7 o'clock when he returned in the evening.
At the end of the week Delia, sweetly proud but languid, triumphantly
tossed three five-dollar bills on the 8x10 (inches) centre table of the
8x10 (feet) flat parlour.
"Sometimes," she said, a little wearily, "Clementina tries me. I'm
afraid she doesn't practise enough, and I have to tell her the same
things so often. And then she always dresses entirely in white, and that
does get monotonous. But Gen. Pinkney is the dearest old man! I wish you
could know him, Joe. He comes in sometimes when I am with Clementina at
the piano--he is a widower, you know--and stands there pulling his white
goatee. 'And how are the semiquavers and the demisemiquavers
progressing?' he always asks.
"I wish you could see the wainscoting in that drawing-room, Joe! And
those Astrakhan rug portières. And Clementina has such a funny little
cough. I hope she is stronger than she looks. Oh, I really am getting
attached to her, she is so gentle and high bred. Gen. Pinkney's brother
was once Minister to Bolivia."
And then Joe, with the air of a Monte Cristo, drew forth a ten, a five,
a two and a one--all legal tender notes--and laid them beside Delia's
"Sold that watercolour of the obelisk to a man from Peoria," he
"Don't joke with me," said Delia, "not from Peoria!"
"All the way. I wish you could see him, Dele. Fat man with a woollen
muffler and a quill toothpick. He saw the sketch in Tinkle's window and
thought it was a windmill at first. He was game, though, and bought it
anyhow. He ordered another--an oil sketch of the Lackawanna freight
depot--to take back with him. Music lessons! Oh, I guess Art is still in
"I'm so glad you've kept on," said Delia, heartily. "You're bound to
win, dear. Thirty-three dollars! We never had so much to spend before.
We'll have oysters to-night."
"And filet mignon with champignons," said Joe. "Where is the olive
On the next Saturday evening Joe reached home first. He spread his $18
on the parlour table and washed what seemed to be a great deal of dark
paint from his hands.
Half an hour later Delia arrived, her right hand tied up in a shapeless
bundle of wraps and bandages.
"How is this?" asked Joe after the usual greetings. Delia laughed, but
not very joyously.
"Clementina," she explained, "insisted upon a Welsh rabbit after her
lesson. She is such a queer girl. Welsh rabbits at 5 in the afternoon.
The General was there. You should have seen him run for the chafing
dish, Joe, just as if there wasn't a servant in the house. I know
Clementina isn't in good health; she is so nervous. In serving the
rabbit she spilled a great lot of it, boiling hot, over my hand and
wrist. It hurt awfully, Joe. And the dear girl was so sorry! But Gen.
Pinkney!--Joe, that old man nearly went distracted. He rushed downstairs
and sent somebody--they said the furnace man or somebody in the
basement--out to a drug store for some oil and things to bind it up
with. It doesn't hurt so much now."
"What's this?" asked Joe, taking the hand tenderly and pulling at some
white strands beneath the bandages.
"It's something soft," said Delia, "that had oil on it. Oh, Joe, did you
sell another sketch?" She had seen the money on the table.
"Did I?" said Joe; "just ask the man from Peoria. He got his depot
to-day, and he isn't sure but he thinks he wants another parkscape and
a view on the Hudson. What time this afternoon did you burn your hand,
"Five o'clock, I think," said Dele, plaintively. "The iron--I mean the
rabbit came off the fire about that time. You ought to have seen Gen.
Pinkney, Joe, when--"
"Sit down here a moment, Dele," said Joe. He drew her to the couch, sat
beside her and put his arm across her shoulders.
"What have you been doing for the last two weeks, Dele?" he asked.
She braved it for a moment or two with an eye full of love and
stubbornness, and murmured a phrase or two vaguely of Gen. Pinkney;
but at length down went her head and out came the truth and tears.
"I couldn't get any pupils," she confessed. "And I couldn't bear to have
you give up your lessons; and I got a place ironing shirts in that big
Twenty-fourth street laundry. And I think I did very well to make up
both General Pinkney and Clementina, don't you, Joe? And when a girl in
the laundry set down a hot iron on my hand this afternoon I was all the
way home making up that story about the Welsh rabbit. You're not angry,
are you, Joe? And if I hadn't got the work you mightn't have sold your
sketches to that man from Peoria."
"He wasn't from Peoria," said Joe, slowly.
"Well, it doesn't matter where he was from. How clever you are,
Joe--and--kiss me, Joe--and what made you ever suspect that I wasn't
giving music lessons to Clementina?"
"I didn't," said Joe, "until to-night. And I wouldn't have then, only I
sent up this cotton waste and oil from the engine-room this afternoon
for a girl upstairs who had her hand burned with a smoothing-iron. I've
been firing the engine in that laundry for the last two weeks."
"And then you didn't--"
"My purchaser from Peoria," said Joe, "and Gen. Pinkney are both
creations of the same art--but you wouldn't call it either painting or
And then they both laughed, and Joe began:
"When one loves one's Art no service seems--"
But Delia stopped him with her hand on his lips. "No," she said--"just
'When one loves.'"
THE COMING-OUT OF MAGGIE
Every Saturday night the Clover Leaf Social Club gave a hop in the
hall of the Give and Take Athletic Association on the East Side. In
order to attend one of these dances you must be a member of the Give
and Take--or, if you belong to the division that starts off with the
right foot in waltzing, you must work in Rhinegold's paper-box
factory. Still, any Clover Leaf was privileged to escort or be
escorted by an outsider to a single dance. But mostly each Give and
Take brought the paper-box girl that he affected; and few strangers
could boast of having shaken a foot at the regular hops.
Maggie Toole, on account of her dull eyes, broad mouth and left-handed
style of footwork in the two-step, went to the dances with Anna McCarty
and her "fellow." Anna and Maggie worked side by side in the factory,
and were the greatest chums ever. So Anna always made Jimmy Burns take
her by Maggie's house every Saturday night so that her friend could go
to the dance with them.
The Give and Take Athletic Association lived up to its name. The hall
of the association in Orchard street was fitted out with muscle-making
inventions. With the fibres thus builded up the members were wont to
engage the police and rival social and athletic organisations in joyous
combat. Between these more serious occupations the Saturday night hop
with the paper-box factory girls came as a refining influence and as an
efficient screen. For sometimes the tip went 'round, and if you were
among the elect that tiptoed up the dark back stairway you might see as
neat and satisfying a little welter-weight affair to a finish as ever
happened inside the ropes.
On Saturdays Rhinegold's paper-box factory closed at 3 P. M. On one such
afternoon Anna and Maggie walked homeward together. At Maggie's door
Anna said, as usual: "Be ready at seven, sharp, Mag; and Jimmy and me'll
come by for you."
But what was this? Instead of the customary humble and grateful thanks
from the non-escorted one there was to be perceived a high-poised head,
a prideful dimpling at the corners of a broad mouth, and almost a
sparkle in a dull brown eye.
"Thanks, Anna," said Maggie; "but you and Jimmy needn't bother to-night.
I've a gentleman friend that's coming 'round to escort me to the hop."
The comely Anna pounced upon her friend, shook her, chided and beseeched
her. Maggie Toole catch a fellow! Plain, dear, loyal, unattractive
Maggie, so sweet as a chum, so unsought for a two-step or a moonlit
bench in the little park. How was it? When did it happen? Who was it?
"You'll see to-night," said Maggie, flushed with the wine of the first
grapes she had gathered in Cupid's vineyard. "He's swell all right. He's
two inches taller than Jimmy, and an up-to-date dresser. I'll introduce
him, Anna, just as soon as we get to the hall."
Anna and Jimmy were among the first Clover Leafs to arrive that evening.
Anna's eyes were brightly fixed upon the door of the hall to catch the
first glimpse of her friend's "catch."
At 8:30 Miss Toole swept into the hall with her escort. Quickly her
triumphant eye discovered her chum under the wing of her faithful Jimmy.
"Oh, gee!" cried Anna, "Mag ain't made a hit--oh, no! Swell fellow?
well, I guess! Style? Look at 'um."
"Go as far as you like," said Jimmy, with sandpaper in his voice. "Cop
him out if you want him. These new guys always win out with the push.
Don't mind me. He don't squeeze all the limes, I guess. Huh!"
"Shut up, Jimmy. You know what I mean. I'm glad for Mag. First fellow
she ever had. Oh, here they come."
Across the floor Maggie sailed like a coquettish yacht convoyed by a
stately cruiser. And truly, her companion justified the encomiums of the
faithful chum. He stood two inches taller than the average Give and Take
athlete; his dark hair curled; his eyes and his teeth flashed whenever
he bestowed his frequent smiles. The young men of the Clover Leaf Club
pinned not their faith to the graces of person as much as they did
to its prowess, its achievements in hand-to-hand conflicts, and its
preservation from the legal duress that constantly menaced it. The
member of the association who would bind a paper-box maiden to his
conquering chariot scorned to employ Beau Brummel airs. They were not
considered honourable methods of warfare. The swelling biceps, the coat
straining at its buttons over the chest, the air of conscious conviction
of the supereminence of the male in the cosmogony of creation, even a
calm display of bow legs as subduing and enchanting agents in the gentle
tourneys of Cupid--these were the approved arms and ammunition of the
Clover Leaf gallants. They viewed, then, genuflexions and alluring poses
of this visitor with their chins at a new angle.
"A friend of mine, Mr. Terry O'Sullivan," was Maggie's formula of
introduction. She led him around the room, presenting him to each
new-arriving Clover Leaf. Almost was she pretty now, with the unique
luminosity in her eyes that comes to a girl with her first suitor and
a kitten with its first mouse.
"Maggie Toole's got a fellow at last," was the word that went round
among the paper-box girls. "Pipe Mag's floor-walker"--thus the Give and
Takes expressed their indifferent contempt.
Usually at the weekly hops Maggie kept a spot on the wall warm with her
back. She felt and showed so much gratitude whenever a self-sacrificing
partner invited her to dance that his pleasure was cheapened and
diminished. She had even grown used to noticing Anna joggle the
reluctant Jimmy with her elbow as a signal for him to invite her chum
to walk over his feet through a two-step.
But to-night the pumpkin had turned to a coach and six. Terry O'Sullivan
was a victorious Prince Charming, and Maggie Toole winged her first
butterfly flight. And though our tropes of fairyland be mixed with
those of entomology they shall not spill one drop of ambrosia from the
rose-crowned melody of Maggie's one perfect night.
The girls besieged her for introductions to her "fellow." The Clover
Leaf young men, after two years of blindness, suddenly perceived charms
in Miss Toole. They flexed their compelling muscles before her and
bespoke her for the dance.
Thus she scored; but to Terry O'Sullivan the honours of the evening fell
thick and fast. He shook his curls; he smiled and went easily through
the seven motions for acquiring grace in your own room before an open
window ten minutes each day. He danced like a faun; he introduced manner
and style and atmosphere; his words came trippingly upon his tongue,
and--he waltzed twice in succession with the paper-box girl that Dempsey
Dempsey was the leader of the association. He wore a dress suit, and
could chin the bar twice with one hand. He was one of "Big Mike"
O'Sullivan's lieutenants, and was never troubled by trouble. No cop
dared to arrest him. Whenever he broke a pushcart man's head or shot a
member of the Heinrick B. Sweeney Outing and Literary Association in
the kneecap, an officer would drop around and say:
"The Cap'n 'd like to see ye a few minutes round to the office whin ye
have time, Dempsey, me boy."
But there would be sundry gentlemen there with large gold fob chains and
black cigars; and somebody would tell a funny story, and then Dempsey
would go back and work half an hour with the six-pound dumbbells. So,
doing a tight-rope act on a wire stretched across Niagara was a safe
terpsichorean performance compared with waltzing twice with Dempsey
Donovan's paper-box girl. At 10 o'clock the jolly round face of "Big
Mike" O'Sullivan shone at the door for five minutes upon the scene. He
always looked in for five minutes, smiled at the girls and handed out
real perfectos to the delighted boys.
Dempsey Donovan was at his elbow instantly, talking rapidly. "Big Mike"
looked carefully at the dancers, smiled, shook his head and departed.
The music stopped. The dancers scattered to the chairs along the walls.
Terry O'Sullivan, with his entrancing bow, relinquished a pretty girl in
blue to her partner and started back to find Maggie. Dempsey intercepted
him in the middle of the floor.
Some fine instinct that Rome must have bequeathed to us caused nearly
every one to turn and look at them--there was a subtle feeling that two
gladiators had met in the arena. Two or three Give and Takes with tight
coat sleeves drew nearer.
"One moment, Mr. O'Sullivan," said Dempsey. "I hope you're enjoying
yourself. Where did you say you live?"
The two gladiators were well matched. Dempsey had, perhaps, ten
pounds of weight to give away. The O'Sullivan had breadth with
quickness. Dempsey had a glacial eye, a dominating slit of a mouth, an
indestructible jaw, a complexion like a belle's and the coolness of a
champion. The visitor showed more fire in his contempt and less control
over his conspicuous sneer. They were enemies by the law written when
the rocks were molten. They were each too splendid, too mighty, too
incomparable to divide pre-eminence. One only must survive.
"I live on Grand," said O'Sullivan, insolently; "and no trouble to find
me at home. Where do you live?"
Dempsey ignored the question.
"You say your name's O'Sullivan," he went on. "Well, 'Big Mike' says he
never saw you before."
"Lots of things he never saw," said the favourite of the hop.
"As a rule," went on Dempsey, huskily sweet, "O'Sullivans in this
district know one another. You escorted one of our lady members here,
and we want a chance to make good. If you've got a family tree let's
see a few historical O'Sullivan buds come out on it. Or do you want
us to dig it out of you by the roots?"
"Suppose you mind your own business," suggested O'Sullivan, blandly.
Dempsey's eye brightened. He held up an inspired forefinger as though a
brilliant idea had struck him.
"I've got it now," he said cordially. "It was just a little mistake. You
ain't no O'Sullivan. You are a ring-tailed monkey. Excuse us for not
recognising you at first."
O'Sullivan's eye flashed. He made a quick movement, but Andy Geoghan was
ready and caught his arm.
Dempsey nodded at Andy and William McMahan, the secretary of the club,
and walked rapidly toward a door at the rear of the hall. Two other
members of the Give and Take Association swiftly joined the little
group. Terry O'Sullivan was now in the hands of the Board of Rules and
Social Referees. They spoke to him briefly and softly, and conducted
him out through the same door at the rear.
This movement on the part of the Clover Leaf members requires a word of
elucidation. Back of the association hall was a smaller room rented by
the club. In this room personal difficulties that arose on the ballroom
floor were settled, man to man, with the weapons of nature, under the
supervision of the board. No lady could say that she had witnessed a
fight at a Clover Leaf hop in several years. Its gentlemen members
So easily and smoothly had Dempsey and the board done their preliminary
work that many in the hall had not noticed the checking of the
fascinating O'Sullivan's social triumph. Among these was Maggie. She
looked about for her escort.
"Smoke up!" said Rose Cassidy. "Wasn't you on? Demps Donovan picked a
scrap with your Lizzie-boy, and they've waltzed out to the slaughter
room with him. How's my hair look done up this way, Mag?"
Maggie laid a hand on the bosom of her cheesecloth waist.
"Gone to fight with Dempsey!" she said, breathlessly. "They've got to be
stopped. Dempsey Donovan can't fight him. Why, he'll--he'll kill him!"
"Ah, what do you care?" said Rosa. "Don't some of 'em fight every hop?"
But Maggie was off, darting her zig-zag way through the maze of dancers.
She burst through the rear door into the dark hall and then threw her
solid shoulder against the door of the room of single combat. It gave
way, and in the instant that she entered her eye caught the scene--the
Board standing about with open watches; Dempsey Donovan in his shirt
sleeves dancing, light-footed, with the wary grace of the modern
pugilist, within easy reach of his adversary; Terry O'Sullivan
standing with arms folded and a murderous look in his dark eyes. And
without slacking the speed of her entrance she leaped forward with a
scream--leaped in time to catch and hang upon the arm of O'Sullivan that
was suddenly uplifted, and to whisk from it the long, bright stiletto
that he had drawn from his bosom.
The knife fell and rang upon the floor. Cold steel drawn in the rooms of
the Give and Take Association! Such a thing had never happened before.
Every one stood motionless for a minute. Andy Geoghan kicked the
stiletto with the toe of his shoe curiously, like an antiquarian who has
come upon some ancient weapon unknown to his learning.
And then O'Sullivan hissed something unintelligible between his teeth.
Dempsey and the board exchanged looks. And then Dempsey looked at
O'Sullivan without anger, as one looks at a stray dog, and nodded his
head in the direction of the door.
"The back stairs, Giuseppi," he said, briefly. "Somebody'll pitch your
hat down after you."
Maggie walked up to Dempsey Donovan. There was a brilliant spot of red
in her cheeks, down which slow tears were running. But she looked him
bravely in the eye.
"I knew it, Dempsey," she said, as her eyes grew dull even in their
tears. "I knew he was a Guinea. His name's Tony Spinelli. I hurried in
when they told me you and him was scrappin'. Them Guineas always carries
knives. But you don't understand, Dempsey. I never had a fellow in my
life. I got tired of comin' with Anna and Jimmy every night, so I fixed
it with him to call himself O'Sullivan, and brought him along. I knew
there'd be nothin' doin' for him if he came as a Dago. I guess I'll
resign from the club now."
Dempsey turned to Andy Geoghan.
"Chuck that cheese slicer out of the window," he said, "and tell 'em
inside that Mr. O'Sullivan has had a telephone message to go down to
And then he turned back to Maggie.
"Say, Mag," he said, "I'll see you home. And how about next Saturday
night? Will you come to the hop with me if I call around for you?"
It was remarkable how quickly Maggie's eyes could change from dull to
a shining brown.
"With you, Dempsey?" she stammered. "Say--will a duck swim?"
MAN ABOUT TOWN
There were two or three things that I wanted to know. I do not care
about a mystery. So I began to inquire.
It took me two weeks to find out what women carry in dress suit cases.
And then I began to ask why a mattress is made in two pieces. This
serious query was at first received with suspicion because it sounded
like a conundrum. I was at last assured that its double form of
construction was designed to make lighter the burden of woman, who makes
up beds. I was so foolish as to persist, begging to know why, then, they
were not made in two equal pieces; whereupon I was shunned.
The third draught that I craved from the fount of knowledge was
enlightenment concerning the character known as A Man About Town. He was
more vague in my mind than a type should be. We must have a concrete
idea of anything, even if it be an imaginary idea, before we can
comprehend it. Now, I have a mental picture of John Doe that is as clear
as a steel engraving. His eyes are weak blue; he wears a brown vest
and a shiny black serge coat. He stands always in the sunshine chewing
something; and he keeps half-shutting his pocket knife and opening it
again with his thumb. And, if the Man Higher Up is ever found, take
my assurance for it, he will be a large, pale man with blue wristlets
showing under his cuffs, and he will be sitting to have his shoes
polished within sound of a bowling alley, and there will be somewhere
about him turquoises.
But the canvas of my imagination, when it came to limning the Man About
Town, was blank. I fancied that he had a detachable sneer (like the
smile of the Cheshire cat) and attached cuffs; and that was all.
Whereupon I asked a newspaper reporter about him.
"Why," said he, "a 'Man About Town' something between a 'rounder' and
a 'clubman.' He isn't exactly--well, he fits in between Mrs. Fish's
receptions and private boxing bouts. He doesn't--well, he doesn't belong
either to the Lotos Club or to the Jerry McGeogheghan Galvanised Iron
Workers' Apprentices' Left Hook Chowder Association. I don't exactly
know how to describe him to you. You'll see him everywhere there's
anything doing. Yes, I suppose he's a type. Dress clothes every evening;
knows the ropes; calls every policeman and waiter in town by their first
names. No; he never travels with the hydrogen derivatives. You generally
see him alone or with another man."
My friend the reporter left me, and I wandered further afield. By this
time the 3126 electric lights on the Rialto were alight. People passed,
but they held me not. Paphian eyes rayed upon me, and left me unscathed.
Diners, heimgangers, shop-girls, confidence men, panhandlers, actors,
highwaymen, millionaires and outlanders hurried, skipped, strolled,
sneaked, swaggered and scurried by me; but I took no note of them. I
knew them all; I had read their hearts; they had served. I wanted my Man
About Town. He was a type, and to drop him would be an error--a
typograph--but no! let us continue.
Let us continue with a moral digression. To see a family reading the
Sunday paper gratifies. The sections have been separated. Papa is
earnestly scanning the page that pictures the young lady exercising
before an open window, and bending--but there, there! Mamma is
interested in trying to guess the missing letters in the word N"w Yo"k.
The oldest girls are eagerly perusing the financial reports, for a
certain young man remarked last Sunday night that he had taken a flyer
in Q., X. & Z. Willie, the eighteen-year-old son, who attends the New
York public school, is absorbed in the weekly article describing how to
make over an old skirt, for he hopes to take a prize in sewing on
Grandma is holding to the comic supplement with a two-hours' grip; and
little Tottie, the baby, is rocking along the best she can with the real
estate transfers. This view is intended to be reassuring, for it is
desirable that a few lines of this story be skipped. For it introduces
I went into a café to--and while it was being mixed I asked the man
who grabs up your hot Scotch spoon as soon as you lay it down what
he understood by the term, epithet, description, designation,
characterisation or appellation, viz.: a "Man About Town."
"Why," said he, carefully, "it means a fly guy that's wise to the
all-night push--see? It's a hot sport that you can't bump to the rail
anywhere between the Flatirons--see? I guess that's about what it
I thanked him and departed.
On the sidewalk a Salvation lassie shook her contribution receptacle
gently against my waistcoat pocket.
"Would you mind telling me," I asked her, "if you ever meet with the
character commonly denominated as 'A Man About Town' during your daily
"I think I know whom you mean," she answered, with a gentle smile. "We
see them in the same places night after night. They are the devil's body
guard, and if the soldiers of any army are as faithful as they are,
their commanders are well served. We go among them, diverting a few
pennies from their wickedness to the Lord's service."
She shook the box again and I dropped a dime into it.
In front of a glittering hotel a friend of mine, a critic, was climbing
from a cab. He seemed at leisure; and I put my question to him. He
answered me conscientiously, as I was sure he would.
"There is a type of 'Man About Town' in New York," he answered. "The
term is quite familiar to me, but I don't think I was ever called upon
to define the character before. It would be difficult to point you out
an exact specimen. I would say, offhand, that it is a man who had a
hopeless case of the peculiar New York disease of wanting to see and
know. At 6 o'clock each day life begins with him. He follows rigidly the
conventions of dress and manners; but in the business of poking his nose
into places where he does not belong he could give pointers to a civet
cat or a jackdaw. He is the man who has chased Bohemia about the town
from rathskeller to roof garden and from Hester street to Harlem until
you can't find a place in the city where they don't cut their spaghetti
with a knife. Your 'Man About Town' has done that. He is always on the
scent of something new. He is curiosity, impudence and omnipresence.
Hansoms were made for him, and gold-banded cigars; and the curse of
music at dinner. There are not so many of him; but his minority report
is adopted everywhere.
"I'm glad you brought up the subject; I've felt the influence of this
nocturnal blight upon our city, but I never thought to analyse it
before. I can see now that your 'Man About Town' should have been
classified long ago. In his wake spring up wine agents and cloak models;
and the orchestra plays 'Let's All Go Up to Maud's' for him, by request,
instead of Händel. He makes his rounds every evening; while you and I
see the elephant once a week. When the cigar store is raided, he winks
at the officer, familiar with his ground, and walks away immune, while
you and I search among the Presidents for names, and among the stars for
addresses to give the desk sergeant."
My friend, the critic, paused to acquire breath for fresh eloquence.
I seized my advantage.
"You have classified him," I cried with joy. "You have painted his
portrait in the gallery of city types. But I must meet one face to face.
I must study the Man About Town at first hand. Where shall I find him?
How shall I know him?"
Without seeming to hear me, the critic went on. And his cab-driver was
waiting for his fare, too.
"He is the sublimated essence of Butt-in; the refined, intrinsic extract
of Rubber; the concentrated, purified, irrefutable, unavoidable spirit
of Curiosity and Inquisitiveness. A new sensation is the breath in his
nostrils; when his experience is exhausted he explores new fields with
the indefatigability of a--"
"Excuse me," I interrupted, "but can you produce one of this type? It is
a new thing to me. I must study it. I will search the town over until I
find one. Its habitat must be here on Broadway."
"I am about to dine here," said my friend. "Come inside, and if there is
a Man About Town present I will point him out to you. I know most of the
regular patrons here."
"I am not dining yet," I said to him. "You will excuse me. I am going to
find my Man About Town this night if I have to rake New York from the
Battery to Little Coney Island."
I left the hotel and walked down Broadway. The pursuit of my type gave a
pleasant savour of life and interest to the air I breathed. I was glad
to be in a city so great, so complex and diversified. Leisurely and
with something of an air I strolled along with my heart expanding at
the thought that I was a citizen of great Gotham, a sharer in its
magnificence and pleasures, a partaker in its glory and prestige.
I turned to cross the street. I heard something buzz like a bee, and
then I took a long, pleasant ride with Santos-Dumont.
When I opened my eyes I remembered a smell of gasoline, and I said
aloud: "Hasn't it passed yet?"
A hospital nurse laid a hand that was not particularly soft upon my brow
that was not at all fevered. A young doctor came along, grinned, and
handed me a morning newspaper.
"Want to see how it happened?" he asked cheerily. I read the article.
Its headlines began where I heard the buzzing leave off the night
before. It closed with these lines:
"--Bellevue Hospital, where it was said that his injuries were not
serious. He appeared to be a typical Man About Town."
THE COP AND THE ANTHEM
On his bench in Madison Square Soapy moved uneasily. When wild geese
honk high of nights, and when women without sealskin coats grow kind
to their husbands, and when Soapy moves uneasily on his bench in the
park, you may know that winter is near at hand.
A dead leaf fell in Soapy's lap. That was Jack Frost's card. Jack is
kind to the regular denizens of Madison Square, and gives fair warning
of his annual call. At the corners of four streets he hands his
pasteboard to the North Wind, footman of the mansion of All Outdoors,
so that the inhabitants thereof may make ready.
Soapy's mind became cognisant of the fact that the time had come for
him to resolve himself into a singular Committee of Ways and Means to
provide against the coming rigour. And therefore he moved uneasily
on his bench.
The hibernatorial ambitions of Soapy were not of the highest. In them
there were no considerations of Mediterranean cruises, of soporific
Southern skies drifting in the Vesuvian Bay. Three months on the Island
was what his soul craved. Three months of assured board and bed and
congenial company, safe from Boreas and bluecoats, seemed to Soapy the
essence of things desirable.
For years the hospitable Blackwell's had been his winter quarters. Just
as his more fortunate fellow New Yorkers had bought their tickets to
Palm Beach and the Riviera each winter, so Soapy had made his humble
arrangements for his annual hegira to the Island. And now the time
was come. On the previous night three Sabbath newspapers, distributed
beneath his coat, about his ankles and over his lap, had failed to
repulse the cold as he slept on his bench near the spurting fountain
in the ancient square. So the Island loomed big and timely in Soapy's
mind. He scorned the provisions made in the name of charity for the
city's dependents. In Soapy's opinion the Law was more benign than
Philanthropy. There was an endless round of institutions, municipal and
eleemosynary, on which he might set out and receive lodging and food
accordant with the simple life. But to one of Soapy's proud spirit
the gifts of charity are encumbered. If not in coin you must pay in
humiliation of spirit for every benefit received at the hands of
philanthropy. As Caesar had his Brutus, every bed of charity must have
its toll of a bath, every loaf of bread its compensation of a private
and personal inquisition. Wherefore it is better to be a guest of the
law, which though conducted by rules, does not meddle unduly with a
gentleman's private affairs.
Soapy, having decided to go to the Island, at once set about
accomplishing his desire. There were many easy ways of doing this.
The pleasantest was to dine luxuriously at some expensive restaurant;
and then, after declaring insolvency, be handed over quietly and
without uproar to a policeman. An accommodating magistrate would do
Soapy left his bench and strolled out of the square and across the
level sea of asphalt, where Broadway and Fifth Avenue flow together. Up
Broadway he turned, and halted at a glittering café, where are gathered
together nightly the choicest products of the grape, the silkworm and
Soapy had confidence in himself from the lowest button of his vest
upward. He was shaven, and his coat was decent and his neat black,
ready-tied four-in-hand had been presented to him by a lady missionary
on Thanksgiving Day. If he could reach a table in the restaurant
unsuspected success would be his. The portion of him that would show
above the table would raise no doubt in the waiter's mind. A roasted
mallard duck, thought Soapy, would be about the thing--with a bottle of
Chablis, and then Camembert, a demi-tasse and a cigar. One dollar for
the cigar would be enough. The total would not be so high as to call
forth any supreme manifestation of revenge from the café management; and
yet the meat would leave him filled and happy for the journey to his
But as Soapy set foot inside the restaurant door the head waiter's eye
fell upon his frayed trousers and decadent shoes. Strong and ready hands
turned him about and conveyed him in silence and haste to the sidewalk
and averted the ignoble fate of the menaced mallard.
Soapy turned off Broadway. It seemed that his route to the coveted
island was not to be an epicurean one. Some other way of entering
limbo must be thought of.
At a corner of Sixth Avenue electric lights and cunningly displayed
wares behind plate-glass made a shop window conspicuous. Soapy took a
cobblestone and dashed it through the glass. People came running around
the corner, a policeman in the lead. Soapy stood still, with his hands
in his pockets, and smiled at the sight of brass buttons.
"Where's the man that done that?" inquired the officer excitedly.
"Don't you figure out that I might have had something to do with it?"
said Soapy, not without sarcasm, but friendly, as one greets good
The policeman's mind refused to accept Soapy even as a clue. Men who
smash windows do not remain to parley with the law's minions. They take
to their heels. The policeman saw a man half way down the block running
to catch a car. With drawn club he joined in the pursuit. Soapy, with
disgust in his heart, loafed along, twice unsuccessful.
On the opposite side of the street was a restaurant of no great
pretensions. It catered to large appetites and modest purses. Its
crockery and atmosphere were thick; its soup and napery thin. Into
this place Soapy took his accusive shoes and telltale trousers without
challenge. At a table he sat and consumed beefsteak, flapjacks,
doughnuts and pie. And then to the waiter be betrayed the fact that
the minutest coin and himself were strangers.
"Now, get busy and call a cop," said Soapy. "And don't keep a gentleman
"No cop for youse," said the waiter, with a voice like butter cakes and
an eye like the cherry in a Manhattan cocktail. "Hey, Con!"
Neatly upon his left ear on the callous pavement two waiters pitched
Soapy. He arose, joint by joint, as a carpenter's rule opens, and beat
the dust from his clothes. Arrest seemed but a rosy dream. The Island
seemed very far away. A policeman who stood before a drug store two
doors away laughed and walked down the street.
Five blocks Soapy travelled before his courage permitted him to woo
capture again. This time the opportunity presented what he fatuously
termed to himself a "cinch." A young woman of a modest and pleasing
guise was standing before a show window gazing with sprightly interest
at its display of shaving mugs and inkstands, and two yards from the
window a large policeman of severe demeanour leaned against a water
It was Soapy's design to assume the role of the despicable and execrated
"masher." The refined and elegant appearance of his victim and the
contiguity of the conscientious cop encouraged him to believe that he
would soon feel the pleasant official clutch upon his arm that would
insure his winter quarters on the right little, tight little isle.
Soapy straightened the lady missionary's ready-made tie, dragged his
shrinking cuffs into the open, set his hat at a killing cant and sidled
toward the young woman. He made eyes at her, was taken with sudden
coughs and "hems," smiled, smirked and went brazenly through the
impudent and contemptible litany of the "masher." With half an eye Soapy
saw that the policeman was watching him fixedly. The young woman moved
away a few steps, and again bestowed her absorbed attention upon the
shaving mugs. Soapy followed, boldly stepping to her side, raised his
hat and said:
"Ah there, Bedelia! Don't you want to come and play in my yard?"
The policeman was still looking. The persecuted young woman had but to
beckon a finger and Soapy would be practically en route for his insular
haven. Already he imagined he could feel the cozy warmth of the
station-house. The young woman faced him and, stretching out a hand,
caught Soapy's coat sleeve.
"Sure, Mike," she said joyfully, "if you'll blow me to a pail of suds.
I'd have spoke to you sooner, but the cop was watching."
With the young woman playing the clinging ivy to his oak Soapy walked
past the policeman overcome with gloom. He seemed doomed to liberty.
At the next corner he shook off his companion and ran. He halted in the
district where by night are found the lightest streets, hearts, vows and
librettos. Women in furs and men in greatcoats moved gaily in the wintry
air. A sudden fear seized Soapy that some dreadful enchantment had
rendered him immune to arrest. The thought brought a little of panic
upon it, and when he came upon another policeman lounging grandly in
front of a transplendent theatre he caught at the immediate straw of
On the sidewalk Soapy began to yell drunken gibberish at the top of his
harsh voice. He danced, howled, raved and otherwise disturbed the
The policeman twirled his club, turned his back to Soapy and remarked to
"'Tis one of them Yale lads celebratin' the goose egg they give to the
Hartford College. Noisy; but no harm. We've instructions to lave them
Disconsolate, Soapy ceased his unavailing racket. Would never a
policeman lay hands on him? In his fancy the Island seemed an
unattainable Arcadia. He buttoned his thin coat against the chilling
In a cigar store he saw a well-dressed man lighting a cigar at a
swinging light. His silk umbrella he had set by the door on entering.
Soapy stepped inside, secured the umbrella and sauntered off with it
slowly. The man at the cigar light followed hastily.
"My umbrella," he said, sternly.
"Oh, is it?" sneered Soapy, adding insult to petit larceny. "Well, why
don't you call a policeman? I took it. Your umbrella! Why don't you call
a cop? There stands one on the corner."
The umbrella owner slowed his steps. Soapy did likewise, with a
presentiment that luck would again run against him. The policeman
looked at the two curiously.
"Of course," said the umbrella man--"that is--well, you know how these
mistakes occur--I--if it's your umbrella I hope you'll excuse me--I
picked it up this morning in a restaurant--If you recognise it as yours,
why--I hope you'll--"
"Of course it's mine," said Soapy, viciously.
The ex-umbrella man retreated. The policeman hurried to assist a tall
blonde in an opera cloak across the street in front of a street car that
was approaching two blocks away.
Soapy walked eastward through a street damaged by improvements. He
hurled the umbrella wrathfully into an excavation. He muttered against
the men who wear helmets and carry clubs. Because he wanted to fall into
their clutches, they seemed to regard him as a king who could do no
At length Soapy reached one of the avenues to the east where the glitter
and turmoil was but faint. He set his face down this toward Madison
Square, for the homing instinct survives even when the home is a park
But on an unusually quiet corner Soapy came to a standstill. Here was an
old church, quaint and rambling and gabled. Through one violet-stained
window a soft light glowed, where, no doubt, the organist loitered over
the keys, making sure of his mastery of the coming Sabbath anthem. For
there drifted out to Soapy's ears sweet music that caught and held him
transfixed against the convolutions of the iron fence.
The moon was above, lustrous and serene; vehicles and pedestrians were
few; sparrows twittered sleepily in the eaves--for a little while the
scene might have been a country churchyard. And the anthem that the
organist played cemented Soapy to the iron fence, for he had known it
well in the days when his life contained such things as mothers and
roses and ambitions and friends and immaculate thoughts and collars.
The conjunction of Soapy's receptive state of mind and the influences
about the old church wrought a sudden and wonderful change in his soul.
He viewed with swift horror the pit into which he had tumbled, the
degraded days, unworthy desires, dead hopes, wrecked faculties and base
motives that made up his existence.
And also in a moment his heart responded thrillingly to this novel
mood. An instantaneous and strong impulse moved him to battle with
his desperate fate. He would pull himself out of the mire; he would
make a man of himself again; he would conquer the evil that had taken
possession of him. There was time; he was comparatively young yet;
he would resurrect his old eager ambitions and pursue them without
faltering. Those solemn but sweet organ notes had set up a revolution in
him. To-morrow he would go into the roaring downtown district and find
work. A fur importer had once offered him a place as driver. He would
find him to-morrow and ask for the position. He would be somebody in the
world. He would--
Soapy felt a hand laid on his arm. He looked quickly around into the
broad face of a policeman.
"What are you doin' here?" asked the officer.
"Nothin'," said Soapy.
"Then come along," said the policeman.
"Three months on the Island," said the Magistrate in the Police Court
the next morning.
AN ADJUSTMENT OF NATURE
In an art exhibition the other day I saw a painting that had been
sold for $5,000. The painter was a young scrub out of the West named
Kraft, who had a favourite food and a pet theory. His pabulum was an
unquenchable belief in the Unerring Artistic Adjustment of Nature. His
theory was fixed around corned-beef hash with poached egg. There was
a story behind the picture, so I went home and let it drip out of a
fountain-pen. The idea of Kraft--but that is not the beginning of the
Three years ago Kraft, Bill Judkins (a poet), and I took our meals at
Cypher's, on Eighth Avenue. I say "took." When we had money, Cypher got
it "off of" us, as he expressed it. We had no credit; we went in, called
for food and ate it. We paid or we did not pay. We had confidence in
Cypher's sullenness and smouldering ferocity. Deep down in his sunless
soul he was either a prince, a fool or an artist. He sat at a worm-eaten
desk, covered with files of waiters' checks so old that I was sure the
bottomest one was for clams that Hendrik Hudson had eaten and paid for.
Cypher had the power, in common with Napoleon III. and the goggle-eyed
perch, of throwing a film over his eyes, rendering opaque the windows of
his soul. Once when we left him unpaid, with egregious excuses, I looked
back and saw him shaking with inaudible laughter behind his film. Now
and then we paid up back scores.
But the chief thing at Cypher's was Milly. Milly was a waitress. She
was a grand example of Kraft's theory of the artistic adjustment of
nature. She belonged, largely, to waiting, as Minerva did to the art of
scrapping, or Venus to the science of serious flirtation. Pedestalled
and in bronze she might have stood with the noblest of her heroic
sisters as "Liver-and-Bacon Enlivening the World." She belonged to
Cypher's. You expected to see her colossal figure loom through that
reeking blue cloud of smoke from frying fat just as you expect the
Palisades to appear through a drifting Hudson River fog. There amid the
steam of vegetables and the vapours of acres of "ham and," the crash of
crockery, the clatter of steel, the screaming of "short orders," the
cries of the hungering and all the horrid tumult of feeding man,
surrounded by swarms of the buzzing winged beasts bequeathed us by
Pharaoh, Milly steered her magnificent way like some great liner
cleaving among the canoes of howling savages.
Our Goddess of Grub was built on lines so majestic that they could be
followed only with awe. Her sleeves were always rolled above her elbows.
She could have taken us three musketeers in her two hands and dropped
us out of the window. She had seen fewer years than any of us, but she
was of such superb Evehood and simplicity that she mothered us from the
beginning. Cypher's store of eatables she poured out upon us with royal
indifference to price and quantity, as from a cornucopia that knew no
exhaustion. Her voice rang like a great silver bell; her smile was
many-toothed and frequent; she seemed like a yellow sunrise on mountain
tops. I never saw her but I thought of the Yosemite. And yet, somehow, I
could never think of her as existing outside of Cypher's. There nature
had placed her, and she had taken root and grown mightily. She seemed
happy, and took her few poor dollars on Saturday nights with the flushed
pleasure of a child that receives an unexpected donation.
It was Kraft who first voiced the fear that each of us must have held
latently. It came up apropos, of course, of certain questions of art at
which we were hammering. One of us compared the harmony existing between
a Haydn symphony and pistache ice cream to the exquisite congruity
between Milly and Cypher's.
"There is a certain fate hanging over Milly," said Kraft, "and if it
overtakes her she is lost to Cypher's and to us."
"She will grow fat?" asked Judkins, fearsomely.
"She will go to night school and become refined?" I ventured anxiously.
"It is this," said Kraft, punctuating in a puddle of spilled coffee with
a stiff forefinger. "Caesar had his Brutus--the cotton has its bollworm,
the chorus girl has her Pittsburger, the summer boarder has his poison
ivy, the hero has his Carnegie medal, art has its Morgan, the rose has
"Speak," I interrupted, much perturbed. "You do not think that Milly
will begin to lace?"
"One day," concluded Kraft, solemnly, "there will come to Cypher's for a
plate of beans a millionaire lumberman from Wisconsin, and he will marry
"Never!" exclaimed Judkins and I, in horror.
"A lumberman," repeated Kraft, hoarsely.
"And a millionaire lumberman!" I sighed, despairingly.
"From Wisconsin!" groaned Judkins.
We agreed that the awful fate seemed to menace her. Few things were less
improbable. Milly, like some vast virgin stretch of pine woods, was
made to catch the lumberman's eye. And well we knew the habits of the
Badgers, once fortune smiled upon them. Straight to New York they hie,
and lay their goods at the feet of the girl who serves them beans in a
beanery. Why, the alphabet itself connives. The Sunday newspaper's
headliner's work is cut for him.
"Winsome Waitress Wins Wealthy Wisconsin Woodsman."
For a while we felt that Milly was on the verge of being lost to us.
It was our love of the Unerring Artistic Adjustment of Nature that
inspired us. We could not give her over to a lumberman, doubly accursed
by wealth and provincialism. We shuddered to think of Milly, with her
voice modulated and her elbows covered, pouring tea in the marble teepee
of a tree murderer. No! In Cypher's she belonged--in the bacon smoke,
the cabbage perfume, the grand, Wagnerian chorus of hurled ironstone
china and rattling casters.
Our fears must have been prophetic, for on that same evening the
wildwood discharged upon us Milly's preordained confiscator--our fee to
adjustment and order. But Alaska and not Wisconsin bore the burden of
We were at our supper of beef stew and dried apples when he trotted in
as if on the heels of a dog team, and made one of the mess at our table.
With the freedom of the camps he assaulted our ears and claimed the
fellowship of men lost in the wilds of a hash house. We embraced him as
a specimen, and in three minutes we had all but died for one another as
He was rugged and bearded and wind-dried. He had just come off the
"trail," he said, at one of the North River ferries. I fancied I could
see the snow dust of Chilcoot yet powdering his shoulders. And then he
strewed the table with the nuggets, stuffed ptarmigans, bead work and
seal pelts of the returned Klondiker, and began to prate to us of his
"Bank drafts for two millions," was his summing up, "and a thousand a
day piling up from my claims. And now I want some beef stew and canned
peaches. I never got off the train since I mushed out of Seattle, and
I'm hungry. The stuff the niggers feed you on Pullmans don't count. You
gentlemen order what you want."
And then Milly loomed up with a thousand dishes on her bare arm--loomed
up big and white and pink and awful as Mount Saint Elias--with a smile
like day breaking in a gulch. And the Klondiker threw down his pelts
and nuggets as dross, and let his jaw fall half-way, and stared at
her. You could almost see the diamond tiaras on Milly's brow and the
hand-embroidered silk Paris gowns that he meant to buy for her.
At last the bollworm had attacked the cotton--the poison ivy was
reaching out its tendrils to entwine the summer boarder--the millionaire
lumberman, thinly disguised as the Alaskan miner, was about to engulf
our Milly and upset Nature's adjustment.
Kraft was the first to act. He leaped up and pounded the Klondiker's
back. "Come out and drink," he shouted. "Drink first and eat afterward."
Judkins seized one arm and I the other. Gaily, roaringly, irresistibly,
in jolly-good-fellow style, we dragged him from the restaurant to a
café, stuffing his pockets with his embalmed birds and indigestible
There he rumbled a roughly good-humoured protest. "That's the girl for
my money," he declared. "She can eat out of my skillet the rest of her
life. Why, I never see such a fine girl. I'm going back there and ask
her to marry me. I guess she won't want to sling hash any more when she
sees the pile of dust I've got."
"You'll take another whiskey and milk now," Kraft persuaded, with
Satan's smile. "I thought you up-country fellows were better sports."
Kraft spent his puny store of coin at the bar and then gave Judkins and
me such an appealing look that we went down to the last dime we had in
toasting our guest.
Then, when our ammunition was gone and the Klondiker, still somewhat
sober, began to babble again of Milly, Kraft whispered into his ear such
a polite, barbed insult relating to people who were miserly with their
funds, that the miner crashed down handful after handful of silver and
notes, calling for all the fluids in the world to drown the imputation.
Thus the work was accomplished. With his own guns we drove him from the
field. And then we had him carted to a distant small hotel and put to
bed with his nuggets and baby seal-skins stuffed around him.
"He will never find Cypher's again," said Kraft. "He will propose to the
first white apron he sees in a dairy restaurant to-morrow. And Milly--I
mean the Natural Adjustment--is saved!"
And back to Cypher's went we three, and, finding customers scarce, we
joined hands and did an Indian dance with Milly in the centre.
This, I say, happened three years ago. And about that time a little luck
descended upon us three, and we were enabled to buy costlier and less
wholesome food than Cypher's. Our paths separated, and I saw Kraft no
more and Judkins seldom.
But, as I said, I saw a painting the other day that was sold for
$5,000. The title was "Boadicea," and the figure seemed to fill all
out-of-doors. But of all the picture's admirers who stood before it, I
believe I was the only one who longed for Boadicea to stalk from her
frame, bringing me corned-beef hash with poached egg.
I hurried away to see Kraft. His satanic eyes were the same, his hair
was worse tangled, but his clothes had been made by a tailor.
"I didn't know," I said to him.
"We've bought a cottage in the Bronx with the money," said he. "Any
evening at 7."
"Then," said I, "when you led us against the lumberman--the--Klondiker
--it wasn't altogether on account of the Unerring Artistic Adjustment of
"Well, not altogether," said Kraft, with a grin.
MEMOIRS OF A YELLOW DOG
I don't suppose it will knock any of you people off your perch to read
a contribution from an animal. Mr. Kipling and a good many others
have demonstrated the fact that animals can express themselves in
remunerative English, and no magazine goes to press nowadays without
an animal story in it, except the old-style monthlies that are still
running pictures of Bryan and the Mont Pelée horror.
But you needn't look for any stuck-up literature in my piece, such as
Bearoo, the bear, and Snakoo, the snake, and Tammanoo, the tiger, talk
in the jungle books. A yellow dog that's spent most of his life in a
cheap New York flat, sleeping in a corner on an old sateen underskirt
(the one she spilled port wine on at the Lady Longshoremen's banquet),
mustn't be expected to perform any tricks with the art of speech.
I was born a yellow pup; date, locality, pedigree and weight unknown.
The first thing I can recollect, an old woman had me in a basket
at Broadway and Twenty-third trying to sell me to a fat lady.
Old Mother Hubbard was boosting me to beat the band as a genuine
terrier. The fat lady chased a V around among the samples of gros grain
flannelette in her shopping bag till she cornered it, and gave up. From
that moment I was a pet--a mamma's own wootsey squidlums. Say, gentle
reader, did you ever have a 200-pound woman breathing a flavour of
Camembert cheese and Peau d'Espagne pick you up and wallop her nose all
over you, remarking all the time in an Emma Eames tone of voice: "Oh,
oo's um oodlum, doodlum, woodlum, toodlum, bitsy-witsy skoodlums?"
From a pedigreed yellow pup I grew up to be an anonymous yellow cur
looking like a cross between an Angora cat and a box of lemons. But my
mistress never tumbled. She thought that the two primeval pups that Noah
chased into the ark were but a collateral branch of my ancestors. It
took two policemen to keep her from entering me at the Madison Square
Garden for the Siberian bloodhound prize.
I'll tell you about that flat. The house was the ordinary thing in New
York, paved with Parian marble in the entrance hall and cobblestones
above the first floor. Our fiat was three--well, not flights--climbs up.
My mistress rented it unfurnished, and put in the regular things--1903
antique unholstered parlour set, oil chromo of geishas in a Harlem tea
house, rubber plant and husband.
By Sirius! there was a biped I felt sorry for. He was a little man with
sandy hair and whiskers a good deal like mine. Henpecked?--well, toucans
and flamingoes and pelicans all had their bills in him. He wiped the
dishes and listened to my mistress tell about the cheap, ragged things
the lady with the squirrel-skin coat on the second floor hung out on her
line to dry. And every evening while she was getting supper she made him
take me out on the end of a string for a walk.
If men knew how women pass the time when they are alone they'd never
marry. Laura Lean Jibbey, peanut brittle, a little almond cream on the
neck muscles, dishes unwashed, half an hour's talk with the iceman,
reading a package of old letters, a couple of pickles and two bottles of
malt extract, one hour peeking through a hole in the window shade into
the flat across the air-shaft--that's about all there is to it. Twenty
minutes before time for him to come home from work she straightens up
the house, fixes her rat so it won't show, and gets out a lot of sewing
for a ten-minute bluff.
I led a dog's life in that flat. 'Most all day I lay there in my corner
watching that fat woman kill time. I slept sometimes and had pipe dreams
about being out chasing cats into basements and growling at old ladies
with black mittens, as a dog was intended to do. Then she would pounce
upon me with a lot of that drivelling poodle palaver and kiss me on the
nose--but what could I do? A dog can't chew cloves.
I began to feel sorry for Hubby, dog my cats if I didn't. We looked so
much alike that people noticed it when we went out; so we shook the
streets that Morgan's cab drives down, and took to climbing the piles
of last December's snow on the streets where cheap people live.
One evening when we were thus promenading, and I was trying to look like
a prize St. Bernard, and the old man was trying to look like he wouldn't
have murdered the first organ-grinder he heard play Mendelssohn's
wedding-march, I looked up at him and said, in my way:
"What are you looking so sour about, you oakum trimmed lobster? She
don't kiss you. You don't have to sit on her lap and listen to talk
that would make the book of a musical comedy sound like the maxims of
Epictetus. You ought to be thankful you're not a dog. Brace up,
Benedick, and bid the blues begone."
The matrimonial mishap looked down at me with almost canine intelligence
in his face.
"Why, doggie," says he, "good doggie. You almost look like you could
speak. What is it, doggie--Cats?"
Cats! Could speak!
But, of course, he couldn't understand. Humans were denied the speech of
animals. The only common ground of communication upon which dogs and men
can get together is in fiction.
In the flat across the hall from us lived a lady with a black-and-tan
terrier. Her husband strung it and took it out every evening, but he
always came home cheerful and whistling. One day I touched noses with
the black-and-tan in the hall, and I struck him for an elucidation.
"See, here, Wiggle-and-Skip," I says, "you know that it ain't the nature
of a real man to play dry nurse to a dog in public. I never saw one
leashed to a bow-wow yet that didn't look like he'd like to lick every
other man that looked at him. But your boss comes in every day as perky
and set up as an amateur prestidigitator doing the egg trick. How does
he do it? Don't tell me he likes it."
"Him?" says the black-and-tan. "Why, he uses Nature's Own Remedy. He
gets spifflicated. At first when we go out he's as shy as the man on the
steamer who would rather play pedro when they make 'em all jackpots. By
the time we've been in eight saloons he don't care whether the thing on
the end of his line is a dog or a catfish. I've lost two inches of my
tail trying to sidestep those swinging doors."
The pointer I got from that terrier--vaudeville please copy--set me to
One evening about 6 o'clock my mistress ordered him to get busy and do
the ozone act for Lovey. I have concealed it until now, but that is what
she called me. The black-and-tan was called "Tweetness." I consider
that I have the bulge on him as far as you could chase a rabbit. Still
"Lovey" is something of a nomenclatural tin can on the tail of one's
At a quiet place on a safe street I tightened the line of my custodian
in front of an attractive, refined saloon. I made a dead-ahead scramble
for the doors, whining like a dog in the press despatches that lets the
family know that little Alice is bogged while gathering lilies in the
"Why, darn my eyes," says the old man, with a grin; "darn my eyes if the
saffron-coloured son of a seltzer lemonade ain't asking me in to take
a drink. Lemme see--how long's it been since I saved shoe leather by
keeping one foot on the foot-rest? I believe I'll--"
I knew I had him. Hot Scotches he took, sitting at a table. For an hour
he kept the Campbells coming. I sat by his side rapping for the waiter
with my tail, and eating free lunch such as mamma in her flat never
equalled with her homemade truck bought at a delicatessen store eight
minutes before papa comes home.
When the products of Scotland were all exhausted except the rye bread
the old man unwound me from the table leg and played me outside like a
fisherman plays a salmon. Out there he took off my collar and threw it
into the street.
"Poor doggie," says he; "good doggie. She shan't kiss you any more. 'S a
darned shame. Good doggie, go away and get run over by a street car and
I refused to leave. I leaped and frisked around the old man's legs happy
as a pug on a rug.
"You old flea-headed woodchuck-chaser," I said to him--"you moon-baying,
rabbit-pointing, egg-stealing old beagle, can't you see that I don't
want to leave you? Can't you see that we're both Pups in the Wood and
the missis is the cruel uncle after you with the dish towel and me with
the flea liniment and a pink bow to tie on my tail. Why not cut that all
out and be pards forever more?"
Maybe you'll say he didn't understand--maybe he didn't. But he kind of
got a grip on the Hot Scotches, and stood still for a minute, thinking.
"Doggie," says he, finally, "we don't live more than a dozen lives on
this earth, and very few of us live to be more than 300. If I ever see
that flat any more I'm a flat, and if you do you're flatter; and that's
no flattery. I'm offering 60 to 1 that Westward Ho wins out by the
length of a dachshund."
There was no string, but I frolicked along with my master to the
Twenty-third street ferry. And the cats on the route saw reason to give
thanks that prehensile claws had been given them.
On the Jersey side my master said to a stranger who stood eating a
"Me and my doggie, we are bound for the Rocky Mountains."
But what pleased me most was when my old man pulled both of my ears
until I howled, and said:
"You common, monkey-headed, rat-tailed, sulphur-coloured son of a door
mat, do you know what I'm going to call you?"
I thought of "Lovey," and I whined dolefully.
"I'm going to call you 'Pete,'" says my master; and if I'd had five
tails I couldn't have done enough wagging to do justice to the occasion.
THE LOVE-PHILTRE OF IKEY SCHOENSTEIN
The Blue Light Drug Store is downtown, between the Bowery and First
Avenue, where the distance between the two streets is the shortest. The
Blue Light does not consider that pharmacy is a thing of bric-a-brac,
scent and ice-cream soda. If you ask it for pain-killer it will not
give you a bonbon.
The Blue Light scorns the labour-saving arts of modern pharmacy. It
macerates its opium and percolates its own laudanum and paregoric.
To this day pills are made behind its tall prescription desk--pills
rolled out on its own pill-tile, divided with a spatula, rolled with
the finger and thumb, dusted with calcined magnesia and delivered in
little round pasteboard pill-boxes. The store is on a corner about
which coveys of ragged-plumed, hilarious children play and become
candidates for the cough drops and soothing syrups that wait for them
Ikey Schoenstein was the night clerk of the Blue Light and the friend of
his customers. Thus it is on the East Side, where the heart of pharmacy
is not glacé. There, as it should be, the druggist is a counsellor, a
confessor, an adviser, an able and willing missionary and mentor whose
learning is respected, whose occult wisdom is venerated and whose
medicine is often poured, untasted, into the gutter. Therefore Ikey's
corniform, be-spectacled nose and narrow, knowledge-bowed figure was
well known in the vicinity of the Blue Light, and his advice and notice
were much desired.
Ikey roomed and breakfasted at Mrs. Riddle's two squares away. Mrs.
Riddle had a daughter named Rosy. The circumlocution has been in
vain--you must have guessed it--Ikey adored Rosy. She tinctured all
his thoughts; she was the compound extract of all that was chemically
pure and officinal--the dispensatory contained nothing equal to her.
But Ikey was timid, and his hopes remained insoluble in the menstruum
of his backwardness and fears. Behind his counter he was a superior
being, calmly conscious of special knowledge and worth; outside he
was a weak-kneed, purblind, motorman-cursed rambler, with ill-fitting
clothes stained with chemicals and smelling of socotrine aloes and
valerianate of ammonia.
The fly in Ikey's ointment (thrice welcome, pat trope!) was Chunk
Mr. McGowan was also striving to catch the bright smiles tossed about by
Rosy. But he was no outfielder as Ikey was; he picked them off the bat.
At the same time he was Ikey's friend and customer, and often dropped in
at the Blue Light Drug Store to have a bruise painted with iodine or get
a cut rubber-plastered after a pleasant evening spent along the Bowery.
One afternoon McGowan drifted in in his silent, easy way, and sat,
comely, smooth-faced, hard, indomitable, good-natured, upon a stool.
"Ikey," said he, when his friend had fetched his mortar and sat
opposite, grinding gum benzoin to a powder, "get busy with your ear.
It's drugs for me if you've got the line I need."
Ikey scanned the countenance of Mr. McGowan for the usual evidences of
conflict, but found none.
"Take your coat off," he ordered. "I guess already that you have been
stuck in the ribs with a knife. I have many times told you those Dagoes
would do you up."
Mr. McGowan smiled. "Not them," he said. "Not any Dagoes. But you've
located the diagnosis all right enough--it's under my coat, near the
ribs. Say! Ikey--Rosy and me are goin' to run away and get married
Ikey's left forefinger was doubled over the edge of the mortar, holding
it steady. He gave it a wild rap with the pestle, but felt it not.
Meanwhile Mr. McGowan's smile faded to a look of perplexed gloom.
"That is," he continued, "if she keeps in the notion until the time
comes. We've been layin' pipes for the getaway for two weeks. One day
she says she will; the same evenin' she says nixy. We've agreed on
to-night, and Rosy's stuck to the affirmative this time for two whole
days. But it's five hours yet till the time, and I'm afraid she'll
stand me up when it comes to the scratch."
"You said you wanted drugs," remarked Ikey.
Mr. McGowan looked ill at ease and harassed--a condition opposed to his
usual line of demeanour. He made a patent-medicine almanac into a roll
and fitted it with unprofitable carefulness about his finger.
"I wouldn't have this double handicap make a false start to-night for a
million," he said. "I've got a little flat up in Harlem all ready, with
chrysanthemums on the table and a kettle ready to boil. And I've engaged
a pulpit pounder to be ready at his house for us at 9.30. It's got to
come off. And if Rosy don't change her mind again!"--Mr. McGowan ceased,
a prey to his doubts.
"I don't see then yet," said Ikey, shortly, "what makes it that you talk
of drugs, or what I can be doing about it."
"Old man Riddle don't like me a little bit," went on the uneasy suitor,
bent upon marshalling his arguments. "For a week he hasn't let Rosy step
outside the door with me. If it wasn't for losin' a boarder they'd have
bounced me long ago. I'm makin' $20 a week and she'll never regret
flyin' the coop with Chunk McGowan."
"You will excuse me, Chunk," said Ikey. "I must make a prescription that
is to be called for soon."
"Say," said McGowan, looking up suddenly, "say, Ikey, ain't there a drug
of some kind--some kind of powders that'll make a girl like you better
if you give 'em to her?"
Ikey's lip beneath his nose curled with the scorn of superior
enlightenment; but before he could answer, McGowan continued:
"Tim Lacy told me he got some once from a croaker uptown and fed 'em to
his girl in soda water. From the very first dose he was ace-high and
everybody else looked like thirty cents to her. They was married in less
than two weeks."
Strong and simple was Chunk McGowan. A better reader of men than Ikey
was could have seen that his tough frame was strung upon fine wires.
Like a good general who was about to invade the enemy's territory he
was seeking to guard every point against possible failure.
"I thought," went on Chunk hopefully, "that if I had one of them powders
to give Rosy when I see her at supper to-night it might brace her up and
keep her from reneging on the proposition to skip. I guess she don't
need a mule team to drag her away, but women are better at coaching than
they are at running bases. If the stuff'll work just for a couple of
hours it'll do the trick."
"When is this foolishness of running away to be happening?" asked Ikey.
"Nine o'clock," said Mr. McGowan. "Supper's at seven. At eight Rosy goes
to bed with a headache. At nine old Parvenzano lets me through to his
back yard, where there's a board off Riddle's fence, next door. I go
under her window and help her down the fire-escape. We've got to make it
early on the preacher's account. It's all dead easy if Rosy don't balk
when the flag drops. Can you fix me one of them powders, Ikey?"
Ikey Schoenstein rubbed his nose slowly.
"Chunk," said he, "it is of drugs of that nature that pharmaceutists
must have much carefulness. To you alone of my acquaintance would I
intrust a powder like that. But for you I shall make it, and you shall
see how it makes Rosy to think of you."
Ikey went behind the prescription desk. There he crushed to a powder two
soluble tablets, each containing a quarter of a grain of morphia. To
them he added a little sugar of milk to increase the bulk, and folded
the mixture neatly in a white paper. Taken by an adult this powder would
insure several hours of heavy slumber without danger to the sleeper.
This he handed to Chunk McGowan, telling him to administer it in a
liquid if possible, and received the hearty thanks of the backyard
The subtlety of Ikey's action becomes apparent upon recital of his
subsequent move. He sent a messenger for Mr. Riddle and disclosed the
plans of Mr. McGowan for eloping with Rosy. Mr. Riddle was a stout man,
brick-dusty of complexion and sudden in action.
"Much obliged," he said, briefly, to Ikey. "The lazy Irish loafer! My
own room's just above Rosy's. I'll just go up there myself after supper
and load the shot-gun and wait. If he comes in my back yard he'll go
away in a ambulance instead of a bridal chaise."
With Rosy held in the clutches of Morpheus for a many-hours deep
slumber, and the bloodthirsty parent waiting, armed and forewarned,
Ikey felt that his rival was close, indeed, upon discomfiture.
All night in the Blue Light Drug Store he waited at his duties for
chance news of the tragedy, but none came.
At eight o'clock in the morning the day clerk arrived and Ikey started
hurriedly for Mrs. Riddle's to learn the outcome. And, lo! as he stepped
out of the store who but Chunk McGowan sprang from a passing street car
and grasped his hand--Chunk McGowan with a victor's smile and flushed
"Pulled it off," said Chunk with Elysium in his grin. "Rosy hit the
fire-escape on time to a second, and we was under the wire at the
Reverend's at 9.3O 1/4. She's up at the flat--she cooked eggs this
mornin' in a blue kimono--Lord! how lucky I am! You must pace up some
day, Ikey, and feed with us. I've got a job down near the bridge, and
that's where I'm heading for now."
"The--the--powder?" stammered Ikey.
"Oh, that stuff you gave me!" said Chunk, broadening his grin; "well, it
was this way. I sat down at the supper table last night at Riddle's, and
I looked at Rosy, and I says to myself, 'Chunk, if you get the girl get
her on the square--don't try any hocus-pocus with a thoroughbred like
her.' And I keeps the paper you give me in my pocket. And then my lamps
fall on another party present, who, I says to myself, is failin' in a
proper affection toward his comin' son-in-law, so I watches my chance
and dumps that powder in old man Riddle's coffee--see?"
MAMMON AND THE ARCHER
Old Anthony Rockwall, retired manufacturer and proprietor of Rockwall's
Eureka Soap, looked out the library window of his Fifth Avenue mansion
and grinned. His neighbour to the right--the aristocratic clubman,
G. Van Schuylight Suffolk-Jones--came out to his waiting motor-car,
wrinkling a contumelious nostril, as usual, at the Italian renaissance
sculpture of the soap palace's front elevation.
"Stuck-up old statuette of nothing doing!" commented the ex-Soap King.
"The Eden Musee'll get that old frozen Nesselrode yet if he don't watch
out. I'll have this house painted red, white, and blue next summer and
see if that'll make his Dutch nose turn up any higher."
And then Anthony Rockwall, who never cared for bells, went to the door
of his library and shouted "Mike!" in the same voice that had once
chipped off pieces of the welkin on the Kansas prairies.
"Tell my son," said Anthony to the answering menial, "to come in here
before he leaves the house."
When young Rockwall entered the library the old man laid aside his
newspaper, looked at him with a kindly grimness on his big, smooth,
ruddy countenance, rumpled his mop of white hair with one hand and
rattled the keys in his pocket with the other.
"Richard," said Anthony Rockwall, "what do you pay for the soap that
Richard, only six months home from college, was startled a little. He
had not yet taken the measure of this sire of his, who was as full of
unexpectednesses as a girl at her first party.
"Six dollars a dozen, I think, dad."
"And your clothes?"
"I suppose about sixty dollars, as a rule."
"You're a gentleman," said Anthony, decidedly. "I've heard of these
young bloods spending $24 a dozen for soap, and going over the hundred
mark for clothes. You've got as much money to waste as any of 'em,
and yet you stick to what's decent and moderate. Now I use the old
Eureka--not only for sentiment, but it's the purest soap made. Whenever
you pay more than 10 cents a cake for soap you buy bad perfumes and
labels. But 50 cents is doing very well for a young man in your
generation, position and condition. As I said, you're a gentleman. They
say it takes three generations to make one. They're off. Money'll do it
as slick as soap grease. It's made you one. By hokey! it's almost made
one of me. I'm nearly as impolite and disagreeable and ill-mannered as
these two old Knickerbocker gents on each side of me that can't sleep of
nights because I bought in between 'em."
"There are some things that money can't accomplish," remarked young
Rockwall, rather gloomily.
"Now, don't say that," said old Anthony, shocked. "I bet my money on
money every time. I've been through the encyclopaedia down to Y looking
for something you can't buy with it; and I expect to have to take up the
appendix next week. I'm for money against the field. Tell me something
money won't buy."
"For one thing," answered Richard, rankling a little, "it won't buy one
into the exclusive circles of society."
"Oho! won't it?" thundered the champion of the root of evil. "You tell
me where your exclusive circles would be if the first Astor hadn't had
the money to pay for his steerage passage over?"
"And that's what I was coming to," said the old man, less boisterously.
"That's why I asked you to come in. There's something going wrong with
you, boy. I've been noticing it for two weeks. Out with it. I guess I
could lay my hands on eleven millions within twenty-four hours, besides
the real estate. If it's your liver, there's the "Rambler" down in the
bay, coaled, and ready to steam down to the Bahamas in two days."
"Not a bad guess, dad; you haven't missed it far."
"Ah," said Anthony, keenly; "what's her name?"
Richard began to walk up and down the library floor. There was enough
comradeship and sympathy in this crude old father of his to draw his
"Why don't you ask her?" demanded old Anthony. "She'll jump at you.
You've got the money and the looks, and you're a decent boy. Your hands
are clean. You've got no Eureka soap on 'em. You've been to college, but
she'll overlook that."
"I haven't had a chance," said Richard.
"Make one," said Anthony. "Take her for a walk in the park, or a straw
ride, or walk home with her from church. Chance! Pshaw!"
"You don't know the social mill, dad. She's part of the stream that
turns it. Every hour and minute of her time is arranged for days in
advance. I must have that girl, dad, or this town is a blackjack swamp
forevermore. And I can't write it--I can't do that."
"Tut!" said the old man. "Do you mean to tell me that with all the money
I've got you can't get an hour or two of a girl's time for yourself?"
"I've put it off too late. She's going to sail for Europe at noon day
after to-morrow for a two years' stay. I'm to see her alone to-morrow
evening for a few minutes. She's at Larchmont now at her aunt's. I can't
go there. But I'm allowed to meet her with a cab at the Grand Central
Station to-morrow evening at the 8.30 train. We drive down Broadway to
Wallack's at a gallop, where her mother and a box party will be waiting
for us in the lobby. Do you think she would listen to a declaration from
me during that six or eight minutes under those circumstances? No. And
what chance would I have in the theatre or afterward? None. No, dad,
this is one tangle that your money can't unravel. We can't buy one
minute of time with cash; if we could, rich people would live longer.
There's no hope of getting a talk with Miss Lantry before she sails."
"All right, Richard, my boy," said old Anthony, cheerfully. "You may run
along down to your club now. I'm glad it ain't your liver. But don't
forget to burn a few punk sticks in the joss house to the great god
Mazuma from time to time. You say money won't buy time? Well, of course,
you can't order eternity wrapped up and delivered at your residence for
a price, but I've seen Father Time get pretty bad stone bruises on his
heels when he walked through the gold diggings."
That night came Aunt Ellen, gentle, sentimental, wrinkled, sighing,
oppressed by wealth, in to Brother Anthony at his evening paper, and
began discourse on the subject of lovers' woes.
"He told me all about it," said brother Anthony, yawning. "I told him my
bank account was at his service. And then he began to knock money. Said
money couldn't help. Said the rules of society couldn't be bucked for a
yard by a team of ten-millionaires."
"Oh, Anthony," sighed Aunt Ellen, "I wish you would not think so much of
money. Wealth is nothing where a true affection is concerned. Love is
all-powerful. If he only had spoken earlier! She could not have refused
our Richard. But now I fear it is too late. He will have no opportunity
to address her. All your gold cannot bring happiness to your son."
At eight o'clock the next evening Aunt Ellen took a quaint old gold ring
from a moth-eaten case and gave it to Richard.
"Wear it to-night, nephew," she begged. "Your mother gave it to me. Good
luck in love she said it brought. She asked me to give it to you when
you had found the one you loved."
Young Rockwall took the ring reverently and tried it on his smallest
finger. It slipped as far as the second joint and stopped. He took it
off and stuffed it into his vest pocket, after the manner of man. And
then he 'phoned for his cab.
At the station he captured Miss Lantry out of the gadding mob at eight
"We mustn't keep mamma and the others waiting," said she.
"To Wallack's Theatre as fast as you can drive!" said Richard loyally.
They whirled up Forty-second to Broadway, and then down the
white-starred lane that leads from the soft meadows of sunset to the
rocky hills of morning.
At Thirty-fourth Street young Richard quickly thrust up the trap and
ordered the cabman to stop.
"I've dropped a ring," he apologised, as he climbed out. "It was my
mother's, and I'd hate to lose it. I won't detain you a minute--I saw
where it fell."
In less than a minute he was back in the cab with the ring.
But within that minute a crosstown car had stopped directly in front of
the cab. The cabman tried to pass to the left, but a heavy express wagon
cut him off. He tried the right, and had to back away from a furniture
van that had no business to be there. He tried to back out, but dropped
his reins and swore dutifully. He was blockaded in a tangled mess of
vehicles and horses.
One of those street blockades had occurred that sometimes tie up
commerce and movement quite suddenly in the big city.
"Why don't you drive on?" said Miss Lantry, impatiently. "We'll be
Richard stood up in the cab and looked around. He saw a congested flood
of wagons, trucks, cabs, vans and street cars filling the vast space
where Broadway, Sixth Avenue and Thirty-fourth street cross one another
as a twenty-six inch maiden fills her twenty-two inch girdle. And still
from all the cross streets they were hurrying and rattling toward
the converging point at full speed, and hurling themselves into the
struggling mass, locking wheels and adding their drivers' imprecations
to the clamour. The entire traffic of Manhattan seemed to have jammed
itself around them. The oldest New Yorker among the thousands of
spectators that lined the sidewalks had not witnessed a street blockade
of the proportions of this one.
"I'm very sorry," said Richard, as he resumed his seat, "but it looks as
if we are stuck. They won't get this jumble loosened up in an hour. It
was my fault. If I hadn't dropped the ring we--"
"Let me see the ring," said Miss Lantry. "Now that it can't be helped,
I don't care. I think theatres are stupid, anyway."
At 11 o'clock that night somebody tapped lightly on Anthony Rockwall's
"Come in," shouted Anthony, who was in a red dressing-gown, reading a
book of piratical adventures.
Somebody was Aunt Ellen, looking like a grey-haired angel that had been
left on earth by mistake.
"They're engaged, Anthony," she said, softly. "She has promised to marry
our Richard. On their way to the theatre there was a street blockade,
and it was two hours before their cab could get out of it.
"And oh, brother Anthony, don't ever boast of the power of money again.
A little emblem of true love--a little ring that symbolised unending
and unmercenary affection--was the cause of our Richard finding his
happiness. He dropped it in the street, and got out to recover it. And
before they could continue the blockade occurred. He spoke to his love
and won her there while the cab was hemmed in. Money is dross compared
with true love, Anthony."
"All right," said old Anthony. "I'm glad the boy has got what he wanted.
I told him I wouldn't spare any expense in the matter if--"
"But, brother Anthony, what good could your money have done?"
"Sister," said Anthony Rockwall. "I've got my pirate in a devil of a
scrape. His ship has just been scuttled, and he's too good a judge of
the value of money to let drown. I wish you would let me go on with
The story should end here. I wish it would as heartily as you who read
it wish it did. But we must go to the bottom of the well for truth.
The next day a person with red hands and a blue polka-dot necktie, who
called himself Kelly, called at Anthony Rockwall's house, and was at
once received in the library.
"Well," said Anthony, reaching for his chequebook, "it was a good bilin'
of soap. Let's see--you had $5,000 in cash."
"I paid out $300 more of my own," said Kelly. "I had to go a little
above the estimate. I got the express wagons and cabs mostly for $5; but
the trucks and two-horse teams mostly raised me to $10. The motormen
wanted $10, and some of the loaded teams $20. The cops struck me
hardest--$50 I paid two, and the rest $20 and $25. But didn't it work
beautiful, Mr. Rockwall? I'm glad William A. Brady wasn't onto that
little outdoor vehicle mob scene. I wouldn't want William to break his
heart with jealousy. And never a rehearsal, either! The boys was on time
to the fraction of a second. It was two hours before a snake could get
below Greeley's statue."
"Thirteen hundred--there you are, Kelly," said Anthony, tearing off a
check. "Your thousand, and the $300 you were out. You don't despise
money, do you, Kelly?"
"Me?" said Kelly. "I can lick the man that invented poverty."
Anthony called Kelly when he was at the door.
"You didn't notice," said he, "anywhere in the tie-up, a kind of a fat
boy without any clothes on shooting arrows around with a bow, did you?"
"Why, no," said Kelly, mystified. "I didn't. If he was like you say,
maybe the cops pinched him before I got there."
"I thought the little rascal wouldn't be on hand," chuckled Anthony.
SPRINGTIME À LA CARTE
It was a day in March.
Never, never begin a story this way when you write one. No opening could
possibly be worse. It is unimaginative, flat, dry and likely to consist
of mere wind. But in this instance it is allowable. For the following
paragraph, which should have inaugurated the narrative, is too wildly
extravagant and preposterous to be flaunted in the face of the reader
Sarah was crying over her bill of fare.
Think of a New York girl shedding tears on the menu card!
To account for this you will be allowed to guess that the lobsters were
all out, or that she had sworn ice-cream off during Lent, or that she
had ordered onions, or that she had just come from a Hackett matinee.
And then, all these theories being wrong, you will please let the story
The gentleman who announced that the world was an oyster which he with
his sword would open made a larger hit than he deserved. It is not
difficult to open an oyster with a sword. But did you ever notice any
one try to open the terrestrial bivalve with a typewriter? Like to wait
for a dozen raw opened that way?
Sarah had managed to pry apart the shells with her unhandy weapon far
enough to nibble a wee bit at the cold and clammy world within. She knew
no more shorthand than if she had been a graduate in stenography just
let slip upon the world by a business college. So, not being able to
stenog, she could not enter that bright galaxy of office talent. She was
a free-lance typewriter and canvassed for odd jobs of copying.
The most brilliant and crowning feat of Sarah's battle with the world
was the deal she made with Schulenberg's Home Restaurant. The restaurant
was next door to the old red brick in which she ball-roomed. One
evening after dining at Schulenberg's 40-cent, five-course "table
d'hôte" (served as fast as you throw the five baseballs at the coloured
gentleman's head) Sarah took away with her the bill of fare. It was
written in an almost unreadable script neither English nor German, and
so arranged that if you were not careful you began with a toothpick and
rice pudding and ended with soup and the day of the week.
The next day Sarah showed Schulenberg a neat card on which the menu was
beautifully typewritten with the viands temptingly marshalled under
their right and proper heads from "hors d'oeuvre" to "not responsible
for overcoats and umbrellas."
Schulenberg became a naturalised citizen on the spot. Before Sarah left
him she had him willingly committed to an agreement. She was to furnish
typewritten bills of fare for the twenty-one tables in the restaurant--a
new bill for each day's dinner, and new ones for breakfast and lunch as
often as changes occurred in the food or as neatness required.
In return for this Schulenberg was to send three meals per diem to
Sarah's hall room by a waiter--an obsequious one if possible--and
furnish her each afternoon with a pencil draft of what Fate had in
store for Schulenberg's customers on the morrow.
Mutual satisfaction resulted from the agreement. Schulenberg's patrons
now knew what the food they ate was called even if its nature sometimes
puzzled them. And Sarah had food during a cold, dull winter, which was
the main thing with her.
And then the almanac lied, and said that spring had come. Spring comes
when it comes. The frozen snows of January still lay like adamant in
the crosstown streets. The hand-organs still played "In the Good Old
Summertime," with their December vivacity and expression. Men began to
make thirty-day notes to buy Easter dresses. Janitors shut off steam.
And when these things happen one may know that the city is still in the
clutches of winter.
One afternoon Sarah shivered in her elegant hall bedroom; "house heated;
scrupulously clean; conveniences; seen to be appreciated." She had no
work to do except Schulenberg's menu cards. Sarah sat in her squeaky
willow rocker, and looked out the window. The calendar on the wall kept
crying to her: "Springtime is here, Sarah--springtime is here, I tell
you. Look at me, Sarah, my figures show it. You've got a neat figure
yourself, Sarah--a--nice springtime figure--why do you look out the
window so sadly?"
Sarah's room was at the back of the house. Looking out the window she
could see the windowless rear brick wall of the box factory on the next
street. But the wall was clearest crystal; and Sarah was looking down a
grassy lane shaded with cherry trees and elms and bordered with
raspberry bushes and Cherokee roses.
Spring's real harbingers are too subtle for the eye and ear. Some must
have the flowering crocus, the wood-starring dogwood, the voice of
bluebird--even so gross a reminder as the farewell handshake of the
retiring buckwheat and oyster before they can welcome the Lady in
Green to their dull bosoms. But to old earth's choicest kin there come
straight, sweet messages from his newest bride, telling them they shall
be no stepchildren unless they choose to be.
On the previous summer Sarah had gone into the country and loved a
(In writing your story never hark back thus. It is bad art, and cripples
interest. Let it march, march.)
Sarah stayed two weeks at Sunnybrook Farm. There she learned to love old
Farmer Franklin's son Walter. Farmers have been loved and wedded and
turned out to grass in less time. But young Walter Franklin was a modern
agriculturist. He had a telephone in his cow house, and he could figure
up exactly what effect next year's Canada wheat crop would have on
potatoes planted in the dark of the moon.
It was in this shaded and raspberried lane that Walter had wooed and won
her. And together they had sat and woven a crown of dandelions for her
hair. He had immoderately praised the effect of the yellow blossoms
against her brown tresses; and she had left the chaplet there, and
walked back to the house swinging her straw sailor in her hands.
They were to marry in the spring--at the very first signs of spring,
Walter said. And Sarah came back to the city to pound her typewriter.
A knock at the door dispelled Sarah's visions of that happy day. A
waiter had brought the rough pencil draft of the Home Restaurant's next
day fare in old Schulenberg's angular hand.
Sarah sat down to her typewriter and slipped a card between the rollers.
She was a nimble worker. Generally in an hour and a half the twenty-one
menu cards were written and ready.
To-day there were more changes on the bill of fare than usual. The soups
were lighter; pork was eliminated from the entrées, figuring only with
Russian turnips among the roasts. The gracious spirit of spring pervaded
the entire menu. Lamb, that lately capered on the greening hillsides,
was becoming exploited with the sauce that commemorated its gambols. The
song of the oyster, though not silenced, was "dimuendo con amore". The
frying-pan seemed to be held, inactive, behind the beneficent bars of
the broiler. The pie list swelled; the richer puddings had vanished;
the sausage, with his drapery wrapped about him, barely lingered in a
pleasant thanatopsis with the buckwheats and the sweet but doomed maple.
Sarah's fingers danced like midgets above a summer stream. Down through
the courses she worked, giving each item its position according to its
length with an accurate eye. Just above the desserts came the list of
vegetables. Carrots and peas, asparagus on toast, the perennial tomatoes
and corn and succotash, lima beans, cabbage--and then--
Sarah was crying over her bill of fare. Tears from the depths of some
divine despair rose in her heart and gathered to her eyes. Down went her
head on the little typewriter stand; and the keyboard rattled a dry
accompaniment to her moist sobs.
For she had received no letter from Walter in two weeks, and the next
item on the bill of fare was dandelions--dandelions with some kind of
egg--but bother the egg!--dandelions, with whose golden blooms Walter
had crowned her his queen of love and future bride--dandelions, the
harbingers of spring, her sorrow's crown of sorrow--reminder of her
Madam, I dare you to smile until you suffer this test: Let the Marechal
Niel roses that Percy brought you on the night you gave him your
heart be served as a salad with French dressing before your eyes
at a Schulenberg "table d'hôte". Had Juliet so seen her love tokens
dishonoured the sooner would she have sought the lethean herbs of the
But what a witch is Spring! Into the great cold city of stone and iron a
message had to be sent. There was none to convey it but the little hardy
courier of the fields with his rough green coat and modest air. He is a
true soldier of fortune, this "dent-de-lion"--this lion's tooth, as the
French chefs call him. Flowered, he will assist at love-making, wreathed
in my lady's nut-brown hair; young and callow and unblossomed, he goes
into the boiling pot and delivers the word of his sovereign mistress.
By and by Sarah forced back her tears. The cards must be written. But,
still in a faint, golden glow from her dandeleonine dream, she fingered
the typewriter keys absently for a little while, with her mind and heart
in the meadow lane with her young farmer. But soon she came swiftly back
to the rock-bound lanes of Manhattan, and the typewriter began to rattle
and jump like a strike-breaker's motor car.
At 6 o'clock the waiter brought her dinner and carried away the
typewritten bill of fare. When Sarah ate she set aside, with a sigh,
the dish of dandelions with its crowning ovarious accompaniment. As this
dark mass had been transformed from a bright and love-indorsed flower
to be an ignominious vegetable, so had her summer hopes wilted and
perished. Love may, as Shakespeare said, feed on itself: but Sarah could
not bring herself to eat the dandelions that had graced, as ornaments,
the first spiritual banquet of her heart's true affection.
At 7:30 the couple in the next room began to quarrel: the man in the
room above sought for A on his flute; the gas went a little lower; three
coal wagons started to unload--the only sound of which the phonograph is
jealous; cats on the back fences slowly retreated toward Mukden. By
these signs Sarah knew that it was time for her to read. She got out
"The Cloister and the Hearth," the best non-selling book of the month,
settled her feet on her trunk, and began to wander with Gerard.
The front door bell rang. The landlady answered it. Sarah left Gerard
and Denys treed by a bear and listened. Oh, yes; you would, just as she
And then a strong voice was heard in the hall below, and Sarah jumped
for her door, leaving the book on the floor and the first round easily
the bear's. You have guessed it. She reached the top of the stairs just
as her farmer came up, three at a jump, and reaped and garnered her,
with nothing left for the gleaners.
"Why haven't you written--oh, why?" cried Sarah.
"New York is a pretty large town," said Walter Franklin. "I came in a
week ago to your old address. I found that you went away on a Thursday.
That consoled some; it eliminated the possible Friday bad luck. But it
didn't prevent my hunting for you with police and otherwise ever since!
"I wrote!" said Sarah, vehemently.
"Never got it!"
"Then how did you find me?"
The young farmer smiled a springtime smile.
"I dropped into that Home Restaurant next door this evening," said he.
"I don't care who knows it; I like a dish of some kind of greens at this
time of the year. I ran my eye down that nice typewritten bill of fare
looking for something in that line. When I got below cabbage I turned my
chair over and hollered for the proprietor. He told me where you lived."
"I remember," sighed Sarah, happily. "That was dandelions below
"I'd know that cranky capital W 'way above the line that your typewriter
makes anywhere in the world," said Franklin.
"Why, there's no W in dandelions," said Sarah, in surprise.
The young man drew the bill of fare from his pocket, and pointed to a
Sarah recognised the first card she had typewritten that afternoon.
There was still the rayed splotch in the upper right-hand corner where a
tear had fallen. But over the spot where one should have read the name
of the meadow plant, the clinging memory of their golden blossoms had
allowed her fingers to strike strange keys.
Between the red cabbage and the stuffed green peppers was the item:
"DEAREST WALTER, WITH HARD-BOILED EGG."
THE GREEN DOOR
Suppose you should be walking down Broadway after dinner, with ten
minutes allotted to the consummation of your cigar while you are
choosing between a diverting tragedy and something serious in the way
of vaudeville. Suddenly a hand is laid upon your arm. You turn to look
into the thrilling eyes of a beautiful woman, wonderful in diamonds and
Russian sables. She thrusts hurriedly into your hand an extremely hot
buttered roll, flashes out a tiny pair of scissors, snips off the
second button of your overcoat, meaningly ejaculates the one word,
"parallelogram!" and swiftly flies down a cross street, looking back
fearfully over her shoulder.
That would be pure adventure. Would you accept it? Not you. You would
flush with embarrassment; you would sheepishly drop the roll and
continue down Broadway, fumbling feebly for the missing button. This you
would do unless you are one of the blessed few in whom the pure spirit
of adventure is not dead.
True adventurers have never been plentiful. They who are set down in
print as such have been mostly business men with newly invented methods.
They have been out after the things they wanted--golden fleeces, holy
grails, lady loves, treasure, crowns and fame. The true adventurer goes
forth aimless and uncalculating to meet and greet unknown fate. A fine
example was the Prodigal Son--when he started back home.
Half-adventurers--brave and splendid figures--have been numerous. From
the Crusades to the Palisades they have enriched the arts of history
and fiction and the trade of historical fiction. But each of them had
a prize to win, a goal to kick, an axe to grind, a race to run, a new
thrust in tierce to deliver, a name to carve, a crow to pick--so they
were not followers of true adventure.
In the big city the twin spirits Romance and Adventure are always abroad
seeking worthy wooers. As we roam the streets they slyly peep at us and
challenge us in twenty different guises. Without knowing why, we look up
suddenly to see in a window a face that seems to belong to our gallery
of intimate portraits; in a sleeping thoroughfare we hear a cry of agony
and fear coming from an empty and shuttered house; instead of at our
familiar curb, a cab-driver deposits us before a strange door, which
one, with a smile, opens for us and bids us enter; a slip of paper,
written upon, flutters down to our feet from the high lattices of
Chance; we exchange glances of instantaneous hate, affection and
fear with hurrying strangers in the passing crowds; a sudden douse of
rain--and our umbrella may be sheltering the daughter of the Full Moon
and first cousin of the Sidereal System; at every corner handkerchiefs
drop, fingers beckon, eyes besiege, and the lost, the lonely, the
rapturous, the mysterious, the perilous, changing clues of adventure are
slipped into our fingers. But few of us are willing to hold and follow
them. We are grown stiff with the ramrod of convention down our backs.
We pass on; and some day we come, at the end of a very dull life, to
reflect that our romance has been a pallid thing of a marriage or two,
a satin rosette kept in a safe-deposit drawer, and a lifelong feud with
a steam radiator.
Rudolf Steiner was a true adventurer. Few were the evenings on which he
did not go forth from his hall bedchamber in search of the unexpected
and the egregious. The most interesting thing in life seemed to him to
be what might lie just around the next corner. Sometimes his willingness
to tempt fate led him into strange paths. Twice he had spent the night
in a station-house; again and again he had found himself the dupe of
ingenious and mercenary tricksters; his watch and money had been the
price of one flattering allurement. But with undiminished ardour he
picked up every glove cast before him into the merry lists of adventure.
One evening Rudolf was strolling along a crosstown street in the
older central part of the city. Two streams of people filled the
sidewalks--the home-hurrying, and that restless contingent that
abandons home for the specious welcome of the thousand-candle-power
The young adventurer was of pleasing presence, and moved serenely and
watchfully. By daylight he was a salesman in a piano store. He wore his
tie drawn through a topaz ring instead of fastened with a stick pin; and
once he had written to the editor of a magazine that "Junie's Love Test"
by Miss Libbey, had been the book that had most influenced his life.
During his walk a violent chattering of teeth in a glass case on the
sidewalk seemed at first to draw his attention (with a qualm), to a
restaurant before which it was set; but a second glance revealed the
electric letters of a dentist's sign high above the next door. A giant
negro, fantastically dressed in a red embroidered coat, yellow trousers
and a military cap, discreetly distributed cards to those of the passing
crowd who consented to take them.
This mode of dentistic advertising was a common sight to Rudolf. Usually
he passed the dispenser of the dentist's cards without reducing his
store; but tonight the African slipped one into his hand so deftly that
he retained it there smiling a little at the successful feat.
When he had travelled a few yards further he glanced at the card
indifferently. Surprised, he turned it over and looked again with
interest. One side of the card was blank; on the other was written in
ink three words, "The Green Door." And then Rudolf saw, three steps in
front of him, a man throw down the card the negro had given him as he
passed. Rudolf picked it up. It was printed with the dentist's name and
address and the usual schedule of "plate work" and "bridge work" and
"crowns," and specious promises of "painless" operations.
The adventurous piano salesman halted at the corner and considered. Then
he crossed the street, walked down a block, recrossed and joined the
upward current of people again. Without seeming to notice the negro as
he passed the second time, he carelessly took the card that was handed
him. Ten steps away he inspected it. In the same handwriting that
appeared on the first card "The Green Door" was inscribed upon it. Three
or four cards were tossed to the pavement by pedestrians both following
and leading him. These fell blank side up. Rudolf turned them over.
Every one bore the printed legend of the dental "parlours."
Rarely did the arch sprite Adventure need to beckon twice to Rudolf
Steiner, his true follower. But twice it had been done, and the quest
Rudolf walked slowly back to where the giant negro stood by the case of
rattling teeth. This time as he passed he received no card. In spite
of his gaudy and ridiculous garb, the Ethiopian displayed a natural
barbaric dignity as he stood, offering the cards suavely to some,
allowing others to pass unmolested. Every half minute he chanted a
harsh, unintelligible phrase akin to the jabber of car conductors and
grand opera. And not only did he withhold a card this time, but it
seemed to Rudolf that he received from the shining and massive black
countenance a look of cold, almost contemptuous disdain.
The look stung the adventurer. He read in it a silent accusation that
he had been found wanting. Whatever the mysterious written words on the
cards might mean, the black had selected him twice from the throng for
their recipient; and now seemed to have condemned him as deficient in
the wit and spirit to engage the enigma.
Standing aside from the rush, the young man made a rapid estimate of the
building in which he conceived that his adventure must lie. Five stories
high it rose. A small restaurant occupied the basement.
The first floor, now closed, seemed to house millinery or furs. The
second floor, by the winking electric letters, was the dentist's. Above
this a polyglot babel of signs struggled to indicate the abodes of
palmists, dressmakers, musicians and doctors. Still higher up draped
curtains and milk bottles white on the window sills proclaimed the
regions of domesticity.
After concluding his survey Rudolf walked briskly up the high flight of
stone steps into the house. Up two flights of the carpeted stairway he
continued; and at its top paused. The hallway there was dimly lighted
by two pale jets of gas one--far to his right, the other nearer, to his
left. He looked toward the nearer light and saw, within its wan halo,
a green door. For one moment he hesitated; then he seemed to see the
contumelious sneer of the African juggler of cards; and then he walked
straight to the green door and knocked against it.
Moments like those that passed before his knock was answered measure the
quick breath of true adventure. What might not be behind those green
panels! Gamesters at play; cunning rogues baiting their traps with
subtle skill; beauty in love with courage, and thus planning to be
sought by it; danger, death, love, disappointment, ridicule--any of
these might respond to that temerarious rap.
A faint rustle was heard inside, and the door slowly opened. A girl not
yet twenty stood there, white-faced and tottering. She loosed the knob
and swayed weakly, groping with one hand. Rudolf caught her and laid her
on a faded couch that stood against the wall. He closed the door and
took a swift glance around the room by the light of a flickering gas
jet. Neat, but extreme poverty was the story that he read.
The girl lay still, as if in a faint. Rudolf looked around the room
excitedly for a barrel. People must be rolled upon a barrel who--no, no;
that was for drowned persons. He began to fan her with his hat. That was
successful, for he struck her nose with the brim of his derby and she
opened her eyes. And then the young man saw that hers, indeed, was the
one missing face from his heart's gallery of intimate portraits. The
frank, grey eyes, the little nose, turning pertly outward; the chestnut
hair, curling like the tendrils of a pea vine, seemed the right end and
reward of all his wonderful adventures. But the face was wofully thin
The girl looked at him calmly, and then smiled.
"Fainted, didn't I?" she asked, weakly. "Well, who wouldn't? You try
going without anything to eat for three days and see!"
"Himmel!" exclaimed Rudolf, jumping up. "Wait till I come back."
He dashed out the green door and down the stairs. In twenty minutes he
was back again, kicking at the door with his toe for her to open it.
With both arms he hugged an array of wares from the grocery and the
restaurant. On the table he laid them--bread and butter, cold meats,
cakes, pies, pickles, oysters, a roasted chicken, a bottle of milk and
one of red-hot tea.
"This is ridiculous," said Rudolf, blusteringly, "to go without eating.
You must quit making election bets of this kind. Supper is ready." He
helped her to a chair at the table and asked: "Is there a cup for the
tea?" "On the shelf by the window," she answered. When he turned again
with the cup he saw her, with eyes shining rapturously, beginning upon
a huge Dill pickle that she had rooted out from the paper bags with a
woman's unerring instinct. He took it from her, laughingly, and poured
the cup full of milk. "Drink that first" he ordered, "and then you shall
have some tea, and then a chicken wing. If you are very good you shall
have a pickle to-morrow. And now, if you'll allow me to be your guest
we'll have supper."
He drew up the other chair. The tea brightened the girl's eyes and
brought back some of her colour. She began to eat with a sort of dainty
ferocity like some starved wild animal. She seemed to regard the young
man's presence and the aid he had rendered her as a natural thing--not
as though she undervalued the conventions; but as one whose great stress
gave her the right to put aside the artificial for the human. But
gradually, with the return of strength and comfort, came also a sense of
the little conventions that belong; and she began to tell him her little
story. It was one of a thousand such as the city yawns at every day--the
shop girl's story of insufficient wages, further reduced by "fines" that
go to swell the store's profits; of time lost through illness; and then
of lost positions, lost hope, and--the knock of the adventurer upon the
But to Rudolf the history sounded as big as the Iliad or the crisis in
"Junie's Love Test."
"To think of you going through all that," he exclaimed.
"It was something fierce," said the girl, solemnly.
"And you have no relatives or friends in the city?"
"I am all alone in the world, too," said Rudolf, after a pause.
"I am glad of that," said the girl, promptly; and somehow it pleased the
young man to hear that she approved of his bereft condition.
Very suddenly her eyelids dropped and she sighed deeply.
"I'm awfully sleepy," she said, "and I feel so good."
Then Rudolf rose and took his hat. "I'll say good-night. A long night's
sleep will be fine for you."
He held out his hand, and she took it and said "good-night." But her
eyes asked a question so eloquently, so frankly and pathetically that
he answered it with words.
"Oh, I'm coming back to-morrow to see how you are getting along. You
can't get rid of me so easily."
Then, at the door, as though the way of his coming had been so much less
important than the fact that he had come, she asked: "How did you come
to knock at my door?"
He looked at her for a moment, remembering the cards, and felt a sudden
jealous pain. What if they had fallen into other hands as adventurous
as his? Quickly he decided that she must never know the truth. He would
never let her know that he was aware of the strange expedient to which
she had been driven by her great distress.
"One of our piano tuners lives in this house," he said. "I knocked at
your door by mistake."
The last thing he saw in the room before the green door closed was her
At the head of the stairway he paused and looked curiously about him.
And then he went along the hallway to its other end; and, coming back,
ascended to the floor above and continued his puzzled explorations.
Every door that he found in the house was painted green.
Wondering, he descended to the sidewalk. The fantastic African was still
there. Rudolf confronted him with his two cards in his hand.
"Will you tell me why you gave me these cards and what they mean?" he
In a broad, good-natured grin the negro exhibited a splendid
advertisement of his master's profession.
"Dar it is, boss," he said, pointing down the street. "But I 'spect you
is a little late for de fust act."
Looking the way he pointed Rudolf saw above the entrance to a theatre
the blazing electric sign of its new play, "The Green Door."
"I'm informed dat it's a fust-rate show, sah," said the negro. "De agent
what represents it pussented me with a dollar, sah, to distribute a few
of his cards along with de doctah's. May I offer you one of de doctah's
At the corner of the block in which he lived Rudolf stopped for a glass
of beer and a cigar. When he had come out with his lighted weed he
buttoned his coat, pushed back his hat and said, stoutly, to the lamp
post on the corner:
"All the same, I believe it was the hand of Fate that doped out the way
for me to find her."
Which conclusion, under the circumstances, certainly admits Rudolf
Steiner to the ranks of the true followers of Romance and Adventure.
FROM THE CABBY'S SEAT
The cabby has his point of view. It is more single-minded, perhaps, than
that of a follower of any other calling. From the high, swaying seat
of his hansom he looks upon his fellow-men as nomadic particles, of no
account except when possessed of migratory desires. He is Jehu, and you
are goods in transit. Be you President or vagabond, to cabby you are
only a Fare, he takes you up, cracks his whip, joggles your vertebrae
and sets you down.
When time for payment arrives, if you exhibit a familiarity with legal
rates you come to know what contempt is; if you find that you have left
your pocketbook behind you are made to realise the mildness of Dante's
It is not an extravagant theory that the cabby's singleness of purpose
and concentrated view of life are the results of the hansom's peculiar
construction. The cock-of-the-roost sits aloft like Jupiter on an
unsharable seat, holding your fate between two thongs of inconstant
leather. Helpless, ridiculous, confined, bobbing like a toy mandarin,
you sit like a rat in a trap--you, before whom butlers cringe on solid
land--and must squeak upward through a slit in your peripatetic
sarcophagus to make your feeble wishes known.
Then, in a cab, you are not even an occupant; you are contents. You are
a cargo at sea, and the "cherub that sits up aloft" has Davy Jones's
street and number by heart.
One night there were sounds of revelry in the big brick tenement-house
next door but one to McGary's Family Café. The sounds seemed to emanate
from the apartments of the Walsh family. The sidewalk was obstructed by
an assortment of interested neighbours, who opened a lane from time to
time for a hurrying messenger bearing from McGary's goods pertinent to
festivity and diversion. The sidewalk contingent was engaged in comment
and discussion from which it made no effort to eliminate the news that
Norah Walsh was being married.
In the fulness of time there was an eruption of the merry-makers to
the sidewalk. The uninvited guests enveloped and permeated them, and
upon the night air rose joyous cries, congratulations, laughter and
unclassified noises born of McGary's oblations to the hymeneal scene.
Close to the curb stood Jerry O'Donovan's cab. Night-hawk was Jerry
called; but no more lustrous or cleaner hansom than his ever closed its
doors upon point lace and November violets. And Jerry's horse! I am
within bounds when I tell you that he was stuffed with oats until one of
those old ladies who leave their dishes unwashed at home and go about
having expressmen arrested, would have smiled--yes, smiled--to have seen
Among the shifting, sonorous, pulsing crowd glimpses could be had of
Jerry's high hat, battered by the winds and rains of many years; of his
nose like a carrot, battered by the frolicsome, athletic progeny of
millionaires and by contumacious fares; of his brass-buttoned green
coat, admired in the vicinity of McGary's. It was plain that Jerry had
usurped the functions of his cab, and was carrying a "load." Indeed, the
figure may be extended and he be likened to a bread-waggon if we admit
the testimony of a youthful spectator, who was heard to remark "Jerry
has got a bun."
From somewhere among the throng in the street or else out of the thin
stream of pedestrians a young woman tripped and stood by the cab. The
professional hawk's eye of Jerry caught the movement. He made a lurch
for the cab, overturning three or four onlookers and himself--no! he
caught the cap of a water-plug and kept his feet. Like a sailor shinning
up the ratlins during a squall Jerry mounted to his professional seat.
Once he was there McGary's liquids were baffled. He seesawed on the
mizzenmast of his craft as safe as a Steeple Jack rigged to the flagpole
of a skyscraper.
"Step in, lady," said Jerry, gathering his lines. The young woman
stepped into the cab; the doors shut with a bang; Jerry's whip cracked
in the air; the crowd in the gutter scattered, and the fine hansom
dashed away 'crosstown.
When the oat-spry horse had hedged a little his first spurt of speed
Jerry broke the lid of his cab and called down through the aperture in
the voice of a cracked megaphone, trying to please:
"Where, now, will ye be drivin' to?"
"Anywhere you please," came up the answer, musical and contented.
"'Tis drivin' for pleasure she is," thought Jerry. And then he suggested
as a matter of course:
"Take a thrip around in the park, lady. 'Twill be ilegant cool and
"Just as you like," answered the fare, pleasantly.
The cab headed for Fifth avenue and sped up that perfect street. Jerry
bounced and swayed in his seat. The potent fluids of McGary were
disquieted and they sent new fumes to his head. He sang an ancient
song of Killisnook and brandished his whip like a baton.
Inside the cab the fare sat up straight on the cushions, looking to
right and left at the lights and houses. Even in the shadowed hansom
her eyes shone like stars at twilight.
When they reached Fifty-ninth street Jerry's head was bobbing and his
reins were slack. But his horse turned in through the park gate and
began the old familiar nocturnal round. And then the fare leaned back,
entranced, and breathed deep the clean, wholesome odours of grass and
leaf and bloom. And the wise beast in the shafts, knowing his ground,
struck into his by-the-hour gait and kept to the right of the road.
Habit also struggled successfully against Jerry's increasing torpor. He
raised the hatch of his storm-tossed vessel and made the inquiry that
cabbies do make in the park.
"Like shtop at the Cas-sino, lady? Gezzer r'freshm's, 'n lish'n the
music. Ev'body shtops."
"I think that would be nice," said the fare.
They reined up with a plunge at the Casino entrance. The cab doors flew
open. The fare stepped directly upon the floor. At once she was caught
in a web of ravishing music and dazzled by a panorama of lights and
colours. Some one slipped a little square card into her hand on which
was printed a number--34. She looked around and saw her cab twenty yards
away already lining up in its place among the waiting mass of carriages,
cabs and motor cars. And then a man who seemed to be all shirt-front
danced backward before her; and next she was seated at a little table by
a railing over which climbed a jessamine vine.
There seemed to be a wordless invitation to purchase; she consulted
a collection of small coins in a thin purse, and received from them
license to order a glass of beer. There she sat, inhaling and absorbing
it all--the new-coloured, new-shaped life in a fairy palace in an
At fifty tables sat princes and queens clad in all the silks and gems of
the world. And now and then one of them would look curiously at Jerry's
fare. They saw a plain figure dressed in a pink silk of the kind that is
tempered by the word "foulard," and a plain face that wore a look of
love of life that the queens envied.
Twice the long hands of the clocks went round, Royalties thinned from
their "al fresco" thrones, and buzzed or clattered away in their
vehicles of state. The music retired into cases of wood and bags of
leather and baize. Waiters removed cloths pointedly near the plain
figure sitting almost alone.
Jerry's fare rose, and held out her numbered card simply:
"Is there anything coming on the ticket?" she asked.
A waiter told her it was her cab check, and that she should give it to
the man at the entrance. This man took it, and called the number. Only
three hansoms stood in line. The driver of one of them went and routed
out Jerry asleep in his cab. He swore deeply, climbed to the captain's
bridge and steered his craft to the pier. His fare entered, and the cab
whirled into the cool fastnesses of the park along the shortest homeward
At the gate a glimmer of reason in the form of sudden suspicion seized
upon Jerry's beclouded mind. One or two things occurred to him. He
stopped his horse, raised the trap and dropped his phonographic voice,
like a lead plummet, through the aperture:
"I want to see four dollars before goin' any further on th' thrip. Have
ye got th' dough?"
"Four dollars!" laughed the fare, softly, "dear me, no. I've only got a
few pennies and a dime or two."
Jerry shut down the trap and slashed his oat-fed horse. The clatter
of hoofs strangled but could not drown the sound of his profanity.
He shouted choking and gurgling curses at the starry heavens; he cut
viciously with his whip at passing vehicles; he scattered fierce and
ever-changing oaths and imprecations along the streets, so that a late
truck driver, crawling homeward, heard and was abashed. But he knew his
recourse, and made for it at a gallop.
At the house with the green lights beside the steps he pulled up. He
flung wide the cab doors and tumbled heavily to the ground.
"Come on, you," he said, roughly.
His fare came forth with the Casino dreamy smile still on her plain
face. Jerry took her by the arm and led her into the police station. A
gray-moustached sergeant looked keenly across the desk. He and the cabby
were no strangers.
"Sargeant," began Jerry in his old raucous, martyred, thunderous tones
of complaint. "I've got a fare here that--"
Jerry paused. He drew a knotted, red hand across his brow. The fog set
up by McGary was beginning to clear away.
"A fare, sargeant," he continued, with a grin, "that I want to
inthroduce to ye. It's me wife that I married at ould man Walsh's this
avening. And a divil of a time we had, 'tis thrue. Shake hands wid th'
sargeant, Norah, and we'll be off to home."
Before stepping into the cab Norah sighed profoundly.
"I've had such a nice time, Jerry," said she.
AN UNFINISHED STORY
We no longer groan and heap ashes upon our heads when the flames of
Tophet are mentioned. For, even the preachers have begun to tell us
that God is radium, or ether or some scientific compound, and that
the worst we wicked ones may expect is a chemical reaction. This is
a pleasing hypothesis; but there lingers yet some of the old, goodly
terror of orthodoxy.
There are but two subjects upon which one may discourse with a free
imagination, and without the possibility of being controverted. You may
talk of your dreams; and you may tell what you heard a parrot say. Both
Morpheus and the bird are incompetent witnesses; and your listener dare
not attack your recital. The baseless fabric of a vision, then, shall
furnish my theme--chosen with apologies and regrets instead of the more
limited field of pretty Polly's small talk.
I had a dream that was so far removed from the higher criticism that it
had to do with the ancient, respectable, and lamented bar-of-judgment
Gabriel had played his trump; and those of us who could not follow suit
were arraigned for examination. I noticed at one side a gathering of
professional bondsmen in solemn black and collars that buttoned behind;
but it seemed there was some trouble about their real estate titles; and
they did not appear to be getting any of us out.
A fly cop--an angel policeman--flew over to me and took me by the left
wing. Near at hand was a group of very prosperous-looking spirits
arraigned for judgment.
"Do you belong with that bunch?" the policeman asked.
"Who are they?" was my answer.
"Why," said he, "they are--"
But this irrelevant stuff is taking up space that the story should
Dulcie worked in a department store. She sold Hamburg edging, or stuffed
peppers, or automobiles, or other little trinkets such as they keep in
department stores. Of what she earned, Dulcie received six dollars per
week. The remainder was credited to her and debited to somebody else's
account in the ledger kept by G---- Oh, primal energy, you say, Reverend
Doctor--Well then, in the Ledger of Primal Energy.
During her first year in the store, Dulcie was paid five dollars per
week. It would be instructive to know how she lived on that amount.
Don't care? Very well; probably you are interested in larger amounts.
Six dollars is a larger amount. I will tell you how she lived on six
dollars per week.
One afternoon at six, when Dulcie was sticking her hat-pin within an
eighth of an inch of her "medulla oblongata", she said to her chum,
Sadie--the girl that waits on you with her left side:
"Say, Sade, I made a date for dinner this evening with Piggy."
"You never did!" exclaimed Sadie admiringly. "Well, ain't you the lucky
one? Piggy's an awful swell; and he always takes a girl to swell places.
He took Blanche up to the Hoffman House one evening, where they have
swell music, and you see a lot of swells. You'll have a swell time,
Dulcie hurried homeward. Her eyes were shining, and her cheeks showed
the delicate pink of life's--real life's--approaching dawn. It was
Friday; and she had fifty cents left of her last week's wages.
The streets were filled with the rush-hour floods of people. The
electric lights of Broadway were glowing--calling moths from miles, from
leagues, from hundreds of leagues out of darkness around to come in and
attend the singeing school. Men in accurate clothes, with faces like
those carved on cherry stones by the old salts in sailors' homes, turned
and stared at Dulcie as she sped, unheeding, past them. Manhattan,
the night-blooming cereus, was beginning to unfold its dead-white,
Dulcie stopped in a store where goods were cheap and bought an imitation
lace collar with her fifty cents. That money was to have been spent
otherwise--fifteen cents for supper, ten cents for breakfast, ten cents
for lunch. Another dime was to be added to her small store of savings;
and five cents was to be squandered for licorice drops--the kind that
made your cheek look like the toothache, and last as long. The licorice
was an extravagance--almost a carouse--but what is life without
Dulcie lived in a furnished room. There is this difference between a
furnished room and a boardinghouse. In a furnished room, other people
do not know it when you go hungry.
Dulcie went up to her room--the third floor back in a West Side
brownstone-front. She lit the gas. Scientists tell us that the diamond
is the hardest substance known. Their mistake. Landladies know of a
compound beside which the diamond is as putty. They pack it in the tips
of gas-burners; and one may stand on a chair and dig at it in vain
until one's fingers are pink and bruised. A hairpin will not remove it;
therefore let us call it immovable.
So Dulcie lit the gas. In its one-fourth-candlepower glow we will
observe the room.
Couch-bed, dresser, table, washstand, chair--of this much the landlady
was guilty. The rest was Dulcie's. On the dresser were her treasures--a
gilt china vase presented to her by Sadie, a calendar issued by a pickle
works, a book on the divination of dreams, some rice powder in a glass
dish, and a cluster of artificial cherries tied with a pink ribbon.
Against the wrinkly mirror stood pictures of General Kitchener, William
Muldoon, the Duchess of Marlborough, and Benvenuto Cellini. Against one
wall was a plaster of Paris plaque of an O'Callahan in a Roman helmet.
Near it was a violent oleograph of a lemon-coloured child assaulting an
inflammatory butterfly. This was Dulcie's final judgment in art; but
it had never been upset. Her rest had never been disturbed by whispers
of stolen copes; no critic had elevated his eyebrows at her infantile
Piggy was to call for her at seven. While she swiftly makes ready, let
us discreetly face the other way and gossip.
For the room, Dulcie paid two dollars per week. On week-days her
breakfast cost ten cents; she made coffee and cooked an egg over the
gaslight while she was dressing. On Sunday mornings she feasted royally
on veal chops and pineapple fritters at "Billy's" restaurant, at a
cost of twenty-five cents--and tipped the waitress ten cents. New York
presents so many temptations for one to run into extravagance. She had
her lunches in the department-store restaurant at a cost of sixty cents
for the week; dinners were $1.05. The evening papers--show me a New
Yorker going without his daily paper!--came to six cents; and two
Sunday papers--one for the personal column and the other to read--were
ten cents. The total amounts to $4.76. Now, one has to buy clothes,
I give it up. I hear of wonderful bargains in fabrics, and of miracles
performed with needle and thread; but I am in doubt. I hold my pen
poised in vain when I would add to Dulcie's life some of those joys
that belong to woman by virtue of all the unwritten, sacred, natural,
inactive ordinances of the equity of heaven. Twice she had been to Coney
Island and had ridden the hobby-horses. 'Tis a weary thing to count your
pleasures by summers instead of by hours.
Piggy needs but a word. When the girls named him, an undeserving stigma
was cast upon the noble family of swine. The words-of-three-letters
lesson in the old blue spelling book begins with Piggy's biography.
He was fat; he had the soul of a rat, the habits of a bat, and the
magnanimity of a cat. . . He wore expensive clothes; and was a
connoisseur in starvation. He could look at a shop-girl and tell you
to an hour how long it had been since she had eaten anything more
nourishing than marshmallows and tea. He hung about the shopping
districts, and prowled around in department stores with his invitations
to dinner. Men who escort dogs upon the streets at the end of a string
look down upon him. He is a type; I can dwell upon him no longer; my
pen is not the kind intended for him; I am no carpenter.
At ten minutes to seven Dulcie was ready. She looked at herself in the
wrinkly mirror. The reflection was satisfactory. The dark blue dress,
fitting without a wrinkle, the hat with its jaunty black feather, the
but-slightly-soiled gloves--all representing self-denial, even of food
itself--were vastly becoming.
Dulcie forgot everything else for a moment except that she was
beautiful, and that life was about to lift a corner of its mysterious
veil for her to observe its wonders. No gentleman had ever asked her
out before. Now she was going for a brief moment into the glitter and
The girls said that Piggy was a "spender." There would be a grand
dinner, and music, and splendidly dressed ladies to look at, and things
to eat that strangely twisted the girls' jaws when they tried to tell
about them. No doubt she would be asked out again. There was a blue
pongee suit in a window that she knew--by saving twenty cents a week
instead of ten, in--let's see--Oh, it would run into years! But there
was a second-hand store in Seventh Avenue where--
Somebody knocked at the door. Dulcie opened it. The landlady stood there
with a spurious smile, sniffing for cooking by stolen gas.
"A gentleman's downstairs to see you," she said. "Name is Mr. Wiggins."
By such epithet was Piggy known to unfortunate ones who had to take him
Dulcie turned to the dresser to get her handkerchief; and then she
stopped still, and bit her underlip hard. While looking in her mirror
she had seen fairyland and herself, a princess, just awakening from a
long slumber. She had forgotten one that was watching her with sad,
beautiful, stern eyes--the only one there was to approve or condemn
what she did. Straight and slender and tall, with a look of sorrowful
reproach on his handsome, melancholy face, General Kitchener fixed his
wonderful eyes on her out of his gilt photograph frame on the dresser.
Dulcie turned like an automatic doll to the landlady.
"Tell him I can't go," she said dully. "Tell him I'm sick, or something.
Tell him I'm not going out."
After the door was closed and locked, Dulcie fell upon her bed, crushing
her black tip, and cried for ten minutes. General Kitchener was her only
friend. He was Dulcie's ideal of a gallant knight. He looked as if he
might have a secret sorrow, and his wonderful moustache was a dream, and
she was a little afraid of that stern yet tender look in his eyes. She
used to have little fancies that he would call at the house sometime,
and ask for her, with his sword clanking against his high boots. Once,
when a boy was rattling a piece of chain against a lamp-post she had
opened the window and looked out. But there was no use. She knew that
General Kitchener was away over in Japan, leading his army against the
savage Turks; and he would never step out of his gilt frame for her. Yet
one look from him had vanquished Piggy that night. Yes, for that night.
When her cry was over Dulcie got up and took off her best dress, and put
on her old blue kimono. She wanted no dinner. She sang two verses of
"Sammy." Then she became intensely interested in a little red speck on
the side of her nose. And after that was attended to, she drew up a
chair to the rickety table, and told her fortune with an old deck of
"The horrid, impudent thing!" she said aloud. "And I never gave him a
word or a look to make him think it!"
At nine o'clock Dulcie took a tin box of crackers and a little pot of
raspberry jam out of her trunk, and had a feast. She offered General
Kitchener some jam on a cracker; but he only looked at her as the sphinx
would have looked at a butterfly--if there are butterflies in the
"Don't eat it if you don't want to," said Dulcie. "And don't put on so
many airs and scold so with your eyes. I wonder if you'd be so superior
and snippy if you had to live on six dollars a week."
It was not a good sign for Dulcie to be rude to General Kitchener. And
then she turned Benvenuto Cellini face downward with a severe gesture.
But that was not inexcusable; for she had always thought he was Henry
VIII, and she did not approve of him.
At half-past nine Dulcie took a last look at the pictures on the
dresser, turned out the light, and skipped into bed. It's an awful
thing to go to bed with a good-night look at General Kitchener, William
Muldoon, the Duchess of Marlborough, and Benvenuto Cellini. This story
really doesn't get anywhere at all. The rest of it comes later--sometime
when Piggy asks Dulcie again to dine with him, and she is feeling
lonelier than usual, and General Kitchener happens to be looking the
other way; and then--
As I said before, I dreamed that I was standing near a crowd of
prosperous-looking angels, and a policeman took me by the wing and
asked if I belonged with them.
"Who are they?" I asked.
"Why," said he, "they are the men who hired working-girls, and paid 'em
five or six dollars a week to live on. Are you one of the bunch?"
"Not on your immortality," said I. "I'm only the fellow that set fire to
an orphan asylum, and murdered a blind man for his pennies."
THE CALIPH, CUPID AND THE CLOCK
Prince Michael, of the Electorate of Valleluna, sat on his favourite
bench in the park. The coolness of the September night quickened the
life in him like a rare, tonic wine. The benches were not filled; for
park loungers, with their stagnant blood, are prompt to detect and fly
home from the crispness of early autumn. The moon was just clearing the
roofs of the range of dwellings that bounded the quadrangle on the east.
Children laughed and played about the fine-sprayed fountain. In the
shadowed spots fauns and hamadryads wooed, unconscious of the gaze of
mortal eyes. A hand organ--Philomel by the grace of our stage carpenter,
Fancy--fluted and droned in a side street. Around the enchanted
boundaries of the little park street cars spat and mewed and the stilted
trains roared like tigers and lions prowling for a place to enter. And
above the trees shone the great, round, shining face of an illuminated
clock in the tower of an antique public building.
Prince Michael's shoes were wrecked far beyond the skill of the
carefullest cobbler. The ragman would have declined any negotiations
concerning his clothes. The two weeks' stubble on his face was grey
and brown and red and greenish yellow--as if it had been made up from
individual contributions from the chorus of a musical comedy. No man
existed who had money enough to wear so bad a hat as his.
Prince Michael sat on his favourite bench and smiled. It was a diverting
thought to him that he was wealthy enough to buy every one of those
close-ranged, bulky, window-lit mansions that faced him, if he chose. He
could have matched gold, equipages, jewels, art treasures, estates and
acres with any Croesus in this proud city of Manhattan, and scarcely
have entered upon the bulk of his holdings. He could have sat at table
with reigning sovereigns. The social world, the world of art, the
fellowship of the elect, adulation, imitation, the homage of the
fairest, honours from the highest, praise from the wisest, flattery,
esteem, credit, pleasure, fame--all the honey of life was waiting in the
comb in the hive of the world for Prince Michael, of the Electorate of
Valleluna, whenever he might choose to take it. But his choice was to
sit in rags and dinginess on a bench in a park. For he had tasted of
the fruit of the tree of life, and, finding it bitter in his mouth,
had stepped out of Eden for a time to seek distraction close to the
unarmoured, beating heart of the world.
These thoughts strayed dreamily through the mind of Prince Michael, as
he smiled under the stubble of his polychromatic beard. Lounging thus,
clad as the poorest of mendicants in the parks, he loved to study
humanity. He found in altruism more pleasure than his riches, his
station and all the grosser sweets of life had given him. It was his
chief solace and satisfaction to alleviate individual distress, to
confer favours upon worthy ones who had need of succour, to dazzle
unfortunates by unexpected and bewildering gifts of truly royal
magnificence, bestowed, however, with wisdom and judiciousness.
And as Prince Michael's eye rested upon the glowing face of the great
clock in the tower, his smile, altruistic as it was, became slightly
tinged with contempt. Big thoughts were the Prince's; and it was always
with a shake of his head that he considered the subjugation of the world
to the arbitrary measures of Time. The comings and goings of people in
hurry and dread, controlled by the little metal moving hands of a clock,
always made him sad.
By and by came a young man in evening clothes and sat upon the third
bench from the Prince. For half an hour he smoked cigars with nervous
haste, and then he fell to watching the face of the illuminated clock
above the trees. His perturbation was evident, and the Prince noted, in
sorrow, that its cause was connected, in some manner, with the slowly
moving hands of the timepiece.
His Highness arose and went to the young man's bench.
"I beg your pardon for addressing you," he said, "but I perceive that
you are disturbed in mind. If it may serve to mitigate the liberty I
have taken I will add that I am Prince Michael, heir to the throne of
the Electorate of Valleluna. I appear incognito, of course, as you may
gather from my appearance. It is a fancy of mine to render aid to others
whom I think worthy of it. Perhaps the matter that seems to distress you
is one that would more readily yield to our mutual efforts."
The young man looked up brightly at the Prince. Brightly, but the
perpendicular line of perplexity between his brows was not smoothed
away. He laughed, and even then it did not. But he accepted the
"Glad to meet you, Prince," he said, good humouredly. "Yes, I'd say you
were incog. all right. Thanks for your offer of assistance--but I don't
see where your butting-in would help things any. It's a kind of private
affair, you know--but thanks all the same."
Prince Michael sat at the young man's side. He was often rebuffed but
never offensively. His courteous manner and words forbade that.
"Clocks," said the Prince, "are shackles on the feet of mankind. I have
observed you looking persistently at that clock. Its face is that of a
tyrant, its numbers are false as those on a lottery ticket; its hands
are those of a bunco steerer, who makes an appointment with you to your
ruin. Let me entreat you to throw off its humiliating bonds and to cease
to order your affairs by that insensate monitor of brass and steel."
"I don't usually," said the young man. "I carry a watch except when I've
got my radiant rags on."
"I know human nature as I do the trees and grass," said the Prince, with
earnest dignity. "I am a master of philosophy, a graduate in art, and I
hold the purse of a Fortunatus. There are few mortal misfortunes that I
cannot alleviate or overcome. I have read your countenance, and found
in it honesty and nobility as well as distress. I beg of you to accept
my advice or aid. Do not belie the intelligence I see in your face by
judging from my appearance of my ability to defeat your troubles."
The young man glanced at the clock again and frowned darkly. When his
gaze strayed from the glowing horologue of time it rested intently upon
a four-story red brick house in the row of dwellings opposite to where
he sat. The shades were drawn, and the lights in many rooms shone dimly
"Ten minutes to nine!" exclaimed the young man, with an impatient
gesture of despair. He turned his back upon the house and took a rapid
step or two in a contrary direction.
"Remain!" commanded Prince Michael, in so potent a voice that the
disturbed one wheeled around with a somewhat chagrined laugh.
"I'll give her the ten minutes and then I'm off," he muttered, and
then aloud to the Prince: "I'll join you in confounding all clocks, my
friend, and throw in women, too."
"Sit down," said the Prince calmly. "I do not accept your addition.
Women are the natural enemies of clocks, and, therefore, the allies of
those who would seek liberation from these monsters that measure our
follies and limit our pleasures. If you will so far confide in me I
would ask you to relate to me your story."
The young man threw himself upon the bench with a reckless laugh.
"Your Royal Highness, I will," he said, in tones of mock deference. "Do
you see yonder house--the one with three upper windows lighted? Well,
at 6 o'clock I stood in that house with the young lady I am--that is,
I was--engaged to. I had been doing wrong, my dear Prince--I had been
a naughty boy, and she had heard of it. I wanted to be forgiven, of
course--we are always wanting women to forgive us, aren't we, Prince?"
"'I want time to think it over,' said she. 'There is one thing certain;
I will either fully forgive you, or I will never see your face again.
There will be no half-way business. At half-past eight,' she said, 'at
exactly half-past eight you may be watching the middle upper window of
the top floor. If I decide to forgive I will hang out of that window a
white silk scarf. You will know by that that all is as was before, and
you may come to me. If you see no scarf you may consider that everything
between us is ended forever.' That," concluded the young man bitterly,
"is why I have been watching that clock. The time for the signal to
appear has passed twenty-three minutes ago. Do you wonder that I am a
little disturbed, my Prince of Rags and Whiskers?"
"Let me repeat to you," said Prince Michael, in his even, well-modulated
tones, "that women are the natural enemies of clocks. Clocks are an
evil, women a blessing. The signal may yet appear."
"Never, on your principality!" exclaimed the young man, hopelessly. "You
don't know Marian--of course. She's always on time, to the minute. That
was the first thing about her that attracted me. I've got the mitten
instead of the scarf. I ought to have known at 8.31 that my goose was
cooked. I'll go West on the 11.45 to-night with Jack Milburn. The jig's
up. I'll try Jack's ranch awhile and top off with the Klondike and
Prince Michael smiled his enigmatic, gentle, comprehending smile and
caught the coat sleeve of the other. The brilliant light in the Prince's
eyes was softening to a dreamier, cloudy translucence.
"Wait," he said solemnly, "till the clock strikes. I have wealth and
power and knowledge above most men, but when the clock strikes I am
afraid. Stay by me until then. This woman shall be yours. You have the
word of the hereditary Prince of Valleluna. On the day of your marriage
I will give you $100,000 and a palace on the Hudson. But there must be
no clocks in that palace--they measure our follies and limit our
pleasures. Do you agree to that?"
"Of course," said the young man, cheerfully, "they're a nuisance,
anyway--always ticking and striking and getting you late for dinner."
He glanced again at the clock in the tower. The hands stood at three
minutes to nine.
"I think," said Prince Michael, "that I will sleep a little. The day
has been fatiguing."
He stretched himself upon a bench with the manner of one who had slept
"You will find me in this park on any evening when the weather is
suitable," said the Prince, sleepily. "Come to me when your marriage
day is set and I will give you a cheque for the money."
"Thanks, Your Highness," said the young man, seriously. "It doesn't look
as if I would need that palace on the Hudson, but I appreciate your
offer, just the same."
Prince Michael sank into deep slumber. His battered hat rolled from
the bench to the ground. The young man lifted it, placed it over the
frowsy face and moved one of the grotesquely relaxed limbs into a more
comfortable position. "Poor devil!" he said, as he drew the tattered
clothes closer about the Prince's breast.
Sonorous and startling came the stroke of 9 from the clock tower. The
young man sighed again, turned his face for one last look at the house
of his relinquished hopes--and cried aloud profane words of
From the middle upper window blossomed in the dusk a waving, snowy,
fluttering, wonderful, divine emblem of forgiveness and promised joy.
By came a citizen, rotund, comfortable, home-hurrying, unknowing of the
delights of waving silken scarfs on the borders of dimly-lit parks.
"Will you oblige me with the time, sir?" asked the young man; and the
citizen, shrewdly conjecturing his watch to be safe, dragged it out and
"Twenty-nine and a half minutes past eight, sir."
And then, from habit, he glanced at the clock in the tower, and made
"By George! that clock's half an hour fast! First time in ten years I've
known it to be off. This watch of mine never varies a--"
But the citizen was talking to vacancy. He turned and saw his hearer,
a fast receding black shadow, flying in the direction of a hous
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