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Tantissimi classici della letteratura e della cultura politica, economica e scientifica in lingua inglese con audio di ReadSpeaker e traduttore automatico interattivo FGA Translate

  1. Abbe Prevost - MANON LESCAUT
  2. Alcott, Louisa M. - AN OLDFASHIONED GIRL
  3. Alcott, Louisa M. - LITTLE MEN
  4. Alcott, Louisa M. - LITTLE WOMEN
  5. Alcott, Louisa May - JACK AND JILL
  6. Alcott, Louisa May - LIFE LETTERS AND JOURNALS
  7. Andersen, Hans Christian - FAIRY TALES
  8. Anonimo - BEOWULF
  9. Ariosto, Ludovico - ORLANDO ENRAGED
  10. Aurelius, Marcus - MEDITATIONS
  11. Austen, Jane - EMMA
  12. Austen, Jane - MANSFIELD PARK
  13. Austen, Jane - NORTHANGER ABBEY
  14. Austen, Jane - PERSUASION
  15. Austen, Jane - PRIDE AND PREJUDICE
  16. Austen, Jane - SENSE AND SENSIBILITY
  17. Authors, Various - LETTERS OF ABELARD AND HELOISE
  18. Authors, Various - SELECTED ENGLISH LETTERS
  19. Autori Vari - THE WORLD ENGLISH BIBLE
  20. Bacon, Francis - THE ADVANCEMENT OF LEARNING
  21. Balzac, Honore de - EUGENIE GRANDET
  22. Balzac, Honore de - FATHER GORIOT
  23. Baroness Orczy - THE SCARLET PIMPERNEL
  24. Barrie, J. M. - PETER AND WENDY
  25. Barrie, James M. - PETER PAN
  26. Bierce, Ambrose - THE DEVIL'S DICTIONARY
  27. Blake, William - SONGS OF INNOCENCE AND EXPERIENCE
  28. Boccaccio, Giovanni - DECAMERONE
  29. Brent, Linda - INCIDENTS IN THE LIFE OF A SLAVE GIRL
  30. Bronte, Charlotte - JANE EYRE
  31. Bronte, Charlotte - VILLETTE
  32. Buchan, John - GREENMANTLE
  33. Buchan, John - MR STANDFAST
  34. Buchan, John - THE 39 STEPS
  35. Bunyan, John - THE PILGRIM'S PROGRESS
  36. Burckhardt, Jacob - THE CIVILIZATION OF THE RENAISSANCE IN ITALY
  37. Burnett, Frances H. - A LITTLE PRINCESS
  38. Burnett, Frances H. - LITTLE LORD FAUNTLEROY
  39. Burnett, Frances H. - THE SECRET GARDEN
  40. Butler, Samuel - EREWHON
  41. Carlyle, Thomas - PAST AND PRESENT
  42. Carlyle, Thomas - THE FRENCH REVOLUTION
  43. Cellini, Benvenuto - AUTOBIOGRAPHY
  44. Cervantes - DON QUIXOTE
  45. Chaucer, Geoffrey - THE CANTERBURY TALES
  46. Chesterton, G. K. - A SHORT HISTORY OF ENGLAND
  47. Chesterton, G. K. - THE BALLAD OF THE WHITE HORSE
  48. Chesterton, G. K. - THE INNOCENCE OF FATHER BROWN
  49. Chesterton, G. K. - THE MAN WHO KNEW TOO MUCH
  50. Chesterton, G. K. - THE MAN WHO WAS THURSDAY
  51. Chesterton, G. K. - THE WISDOM OF FATHER BROWN
  52. Chesterton, G. K. - TWELVE TYPES
  53. Chesterton, G. K. - WHAT I SAW IN AMERICA
  54. Chesterton, Gilbert K. - HERETICS
  55. Chopin, Kate - AT FAULT
  56. Chopin, Kate - BAYOU FOLK
  57. Chopin, Kate - THE AWAKENING AND SELECTED SHORT STORIES
  58. Clark Hall, John R. - A CONCISE ANGLOSAXON DICTIONARY
  59. Clarkson, Thomas - AN ESSAY ON THE SLAVERY AND COMMERCE OF THE HUMAN SPECIES
  60. Clausewitz, Carl von - ON WAR
  61. Coleridge, Herbert - A DICTIONARY OF THE FIRST OR OLDEST WORDS IN THE ENGLISH LANGUAGE
  62. Coleridge, S. T. - COMPLETE POETICAL WORKS
  63. Coleridge, S. T. - HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY OF LIFE
  64. Coleridge, S. T. - THE RIME OF THE ANCIENT MARINER
  65. Collins, Wilkie - THE MOONSTONE
  66. Collodi - PINOCCHIO
  67. Conan Doyle, Arthur - A STUDY IN SCARLET
  68. Conan Doyle, Arthur - MEMOIRS OF SHERLOCK HOLMES
  69. Conan Doyle, Arthur - THE HOUND OF THE BASKERVILLES
  70. Conan Doyle, Arthur - THE RETURN OF SHERLOCK HOLMES
  71. Conan Doyle, Arthur - THE SIGN OF THE FOUR
  72. Conrad, Joseph - HEART OF DARKNESS
  73. Conrad, Joseph - LORD JIM
  74. Conrad, Joseph - NOSTROMO
  75. Conrad, Joseph - THE NIGGER OF THE NARCISSUS
  76. Conrad, Joseph - TYPHOON
  77. Crane, Stephen - LAST WORDS
  78. Crane, Stephen - MAGGIE
  79. Crane, Stephen - THE RED BADGE OF COURAGE
  80. Crane, Stephen - WOUNDS IN THE RAIN
  81. Dante - THE DIVINE COMEDY: HELL
  82. Dante - THE DIVINE COMEDY: PARADISE
  83. Dante - THE DIVINE COMEDY: PURGATORY
  84. Darwin, Charles - THE AUTOBIOGRAPHY OF CHARLES DARWIN
  85. Darwin, Charles - THE ORIGIN OF SPECIES
  86. Defoe, Daniel - A GENERAL HISTORY OF THE PYRATES
  87. Defoe, Daniel - A JOURNAL OF THE PLAGUE YEAR
  88. Defoe, Daniel - CAPTAIN SINGLETON
  89. Defoe, Daniel - MOLL FLANDERS
  90. Defoe, Daniel - ROBINSON CRUSOE
  91. Defoe, Daniel - THE COMPLETE ENGLISH TRADESMAN
  92. Defoe, Daniel - THE FURTHER ADVENTURES OF ROBINSON CRUSOE
  93. Deledda, Grazia - AFTER THE DIVORCE
  94. Dickens, Charles - A CHRISTMAS CAROL
  95. Dickens, Charles - A TALE OF TWO CITIES
  96. Dickens, Charles - BLEAK HOUSE
  97. Dickens, Charles - DAVID COPPERFIELD
  98. Dickens, Charles - DONBEY AND SON
  99. Dickens, Charles - GREAT EXPECTATIONS
  100. Dickens, Charles - HARD TIMES
  101. Dickens, Charles - LETTERS VOLUME 1
  102. Dickens, Charles - LITTLE DORRIT
  103. Dickens, Charles - MARTIN CHUZZLEWIT
  104. Dickens, Charles - NICHOLAS NICKLEBY
  105. Dickens, Charles - OLIVER TWIST
  106. Dickens, Charles - OUR MUTUAL FRIEND
  107. Dickens, Charles - PICTURES FROM ITALY
  108. Dickens, Charles - THE MYSTERY OF EDWIN DROOD
  109. Dickens, Charles - THE OLD CURIOSITY SHOP
  110. Dickens, Charles - THE PICKWICK PAPERS
  111. Dickinson, Emily - POEMS
  112. Dostoevsky, Fyodor - CRIME AND PUNISHMENT
  113. Dostoyevsky, Fyodor - THE BROTHERS KARAMAZOV
  114. Du Maurier, George - TRILBY
  115. Dumas, Alexandre - THE COUNT OF MONTE CRISTO
  116. Dumas, Alexandre - THE MAN IN THE IRON MASK
  117. Dumas, Alexandre - THE THREE MUSKETEERS
  118. Eliot, George - DANIEL DERONDA
  119. Eliot, George - MIDDLEMARCH
  120. Eliot, George - SILAS MARNER
  121. Eliot, George - THE MILL ON THE FLOSS
  122. Engels, Frederick - THE CONDITION OF THE WORKING-CLASS IN ENGLAND IN 1844
  123. Equiano - AUTOBIOGRAPHY
  124. Esopo - FABLES
  125. Fenimore Cooper, James - THE LAST OF THE MOHICANS
  126. Fielding, Henry - TOM JONES
  127. France, Anatole - THAIS
  128. France, Anatole - THE GODS ARE ATHIRST
  129. France, Anatole - THE LIFE OF JOAN OF ARC
  130. France, Anatole - THE SEVEN WIVES OF BLUEBEARD
  131. Frank Baum, L. - THE PATCHWORK GIRL OF OZ
  132. Frank Baum, L. - THE WONDERFUL WIZARD OF OZ
  133. Franklin, Benjamin - AUTOBIOGRAPHY
  134. Frazer, James George - THE GOLDEN BOUGH
  135. Freud, Sigmund - DREAM PSYCHOLOGY
  136. Galsworthy, John - COMPLETE PLAYS
  137. Galsworthy, John - STRIFE
  138. Galsworthy, John - STUDIES AND ESSAYS
  139. Galsworthy, John - THE FIRST AND THE LAST
  140. Galsworthy, John - THE FORSYTE SAGA
  141. Galsworthy, John - THE LITTLE MAN
  142. Galsworthy, John - THE SILVER BOX
  143. Galsworthy, John - THE SKIN GAME
  144. Gaskell, Elizabeth - CRANFORD
  145. Gaskell, Elizabeth - MARY BARTON
  146. Gaskell, Elizabeth - NORTH AND SOUTH
  147. Gaskell, Elizabeth - THE LIFE OF CHARLOTTE BRONTE
  148. Gay, John - THE BEGGAR'S OPERA
  149. Gentile, Maria - THE ITALIAN COOK BOOK
  150. Gilbert and Sullivan - PLAYS
  151. Goethe - FAUST
  152. Gogol - DEAD SOULS
  153. Goldsmith, Oliver - SHE STOOPS TO CONQUER
  154. Goldsmith, Oliver - THE VICAR OF WAKEFIELD
  155. Grahame, Kenneth - THE WIND IN THE WILLOWS
  156. Grimm, Brothers - FAIRY TALES
  157. Harding, A. R. - GINSENG AND OTHER MEDICINAL PLANTS
  158. Hardy, Thomas - A CHANGED MAN AND OTHER TALES
  159. Hardy, Thomas - FAR FROM THE MADDING CROWD
  160. Hardy, Thomas - JUDE THE OBSCURE
  161. Hardy, Thomas - TESS OF THE D'URBERVILLES
  162. Hardy, Thomas - THE MAYOR OF CASTERBRIDGE
  163. Hartley, Cecil B. - THE GENTLEMEN'S BOOK OF ETIQUETTE
  164. Hawthorne, Nathaniel - LITTLE MASTERPIECES
  165. Hawthorne, Nathaniel - THE SCARLET LETTER
  166. Henry VIII - LOVE LETTERS TO ANNE BOLEYN
  167. Henry, O. - CABBAGES AND KINGS
  168. Henry, O. - SIXES AND SEVENS
  169. Henry, O. - THE FOUR MILLION
  170. Henry, O. - THE TRIMMED LAMP
  171. Henry, O. - WHIRLIGIGS
  172. Hindman Miller, Gustavus - TEN THOUSAND DREAMS INTERPRETED
  173. Hobbes, Thomas - LEVIATHAN
  174. Homer - THE ILIAD
  175. Homer - THE ODYSSEY
  176. Hornaday, William T. - THE EXTERMINATION OF THE AMERICAN BISON
  177. Hume, David - A TREATISE OF HUMAN NATURE
  178. Hume, David - AN ENQUIRY CONCERNING HUMAN UNDERSTANDING
  179. Hume, David - DIALOGUES CONCERNING NATURAL RELIGION
  180. Ibsen, Henrik - A DOLL'S HOUSE
  181. Ibsen, Henrik - AN ENEMY OF THE PEOPLE
  182. Ibsen, Henrik - GHOSTS
  183. Ibsen, Henrik - HEDDA GABLER
  184. Ibsen, Henrik - JOHN GABRIEL BORKMAN
  185. Ibsen, Henrik - ROSMERHOLM
  186. Ibsen, Henrik - THE LADY FROM THE SEA
  187. Ibsen, Henrik - THE MASTER BUILDER
  188. Ibsen, Henrik - WHEN WE DEAD AWAKEN
  189. Irving, Washington - THE LEGEND OF SLEEPY HOLLOW
  190. James, Henry - ITALIAN HOURS
  191. James, Henry - THE ASPERN PAPERS
  192. James, Henry - THE BOSTONIANS
  193. James, Henry - THE PORTRAIT OF A LADY
  194. James, Henry - THE TURN OF THE SCREW
  195. James, Henry - WASHINGTON SQUARE
  196. Jerome, Jerome K. - THREE MEN IN A BOAT
  197. Jerome, Jerome K. - THREE MEN ON THE BUMMEL
  198. Jevons, Stanley - POLITICAL ECONOMY
  199. Johnson, Samuel - A GRAMMAR OF THE ENGLISH TONGUE
  200. Jonson, Ben - THE ALCHEMIST
  201. Jonson, Ben - VOLPONE
  202. Joyce, James - A PORTRAIT OF THE ARTIST AS A YOUNG MAN
  203. Joyce, James - CHAMBER MUSIC
  204. Joyce, James - DUBLINERS
  205. Joyce, James - ULYSSES
  206. Keats, John - ENDYMION
  207. Keats, John - POEMS PUBLISHED IN 1817
  208. Keats, John - POEMS PUBLISHED IN 1820
  209. King James - THE BIBLE
  210. Kipling, Rudyard - CAPTAINS COURAGEOUS
  211. Kipling, Rudyard - INDIAN TALES
  212. Kipling, Rudyard - JUST SO STORIES
  213. Kipling, Rudyard - KIM
  214. Kipling, Rudyard - THE JUNGLE BOOK
  215. Kipling, Rudyard - THE MAN WHO WOULD BE KING
  216. Kipling, Rudyard - THE SECOND JUNGLE BOOK
  217. Lawrence, D. H - THE RAINBOW
  218. Lawrence, D. H - THE WHITE PEACOCK
  219. Lawrence, D. H - TWILIGHT IN ITALY
  220. Lawrence, D. H. - AARON'S ROD
  221. Lawrence, D. H. - SONS AND LOVERS
  222. Lawrence, D. H. - THE LOST GIRL
  223. Lawrence, D. H. - WOMEN IN LOVE
  224. Lear, Edward - BOOK OF NONSENSE
  225. Lear, Edward - LAUGHABLE LYRICS
  226. Lear, Edward - MORE NONSENSE
  227. Lear, Edward - NONSENSE SONG
  228. Leblanc, Maurice - ARSENE LUPIN VS SHERLOCK HOLMES
  229. Leblanc, Maurice - THE ADVENTURES OF ARSENE LUPIN
  230. Leblanc, Maurice - THE CONFESSIONS OF ARSENE LUPIN
  231. Leblanc, Maurice - THE HOLLOW NEEDLE
  232. Leblanc, Maurice - THE RETURN OF ARSENE LUPIN
  233. Lehmann, Lilli - HOW TO SING
  234. Leroux, Gaston - THE MAN WITH THE BLACK FEATHER
  235. Leroux, Gaston - THE MYSTERY OF THE YELLOW ROOM
  236. Leroux, Gaston - THE PHANTOM OF THE OPERA
  237. London, Jack - MARTIN EDEN
  238. London, Jack - THE CALL OF THE WILD
  239. London, Jack - WHITE FANG
  240. Machiavelli, Nicolo' - THE PRINCE
  241. Malthus, Thomas - PRINCIPLE OF POPULATION
  242. Mansfield, Katherine - THE GARDEN PARTY AND OTHER STORIES
  243. Marlowe, Christopher - THE JEW OF MALTA
  244. Marryat, Captain - THE CHILDREN OF THE NEW FOREST
  245. Maupassant, Guy De - BEL AMI
  246. Melville, Hermann - MOBY DICK
  247. Melville, Hermann - TYPEE
  248. Mill, John Stuart - PRINCIPLES OF POLITICAL ECONOMY
  249. Milton, John - PARADISE LOST
  250. Mitra, S. M. - HINDU TALES FROM THE SANSKRIT
  251. Montaigne, Michel de - ESSAYS
  252. Montgomery, Lucy Maud - ANNE OF GREEN GABLES
  253. More, Thomas - UTOPIA
  254. Nesbit, E. - FIVE CHILDREN AND IT
  255. Nesbit, E. - THE PHOENIX AND THE CARPET
  256. Nesbit, E. - THE RAILWAY CHILDREN
  257. Nesbit, E. - THE STORY OF THE AMULET
  258. Newton, Isaac - OPTICKS
  259. Nietsche, Friedrich - BEYOND GOOD AND EVIL
  260. Nietsche, Friedrich - THUS SPAKE ZARATHUSTRA
  261. Nightingale, Florence - NOTES ON NURSING
  262. Owen, Wilfred - POEMS
  263. Ozaki, Yei Theodora - JAPANESE FAIRY TALES
  264. Pascal, Blaise - PENSEES
  265. Pellico, Silvio - MY TEN YEARS IMPRISONMENT
  266. Perrault, Charles - FAIRY TALES
  267. Pirandello, Luigi - THREE PLAYS
  268. Plato - THE REPUBLIC
  269. Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 1
  270. Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 2
  271. Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 3
  272. Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 4
  273. Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 5
  274. Poe, Edgar Allan - THE FALL OF THE HOUSE OF USHER
  275. Potter, Beatrix - THE TALE OF PETER RABBIT
  276. Proust, Marcel - SWANN'S WAY
  277. Radcliffe, Ann - A SICILIAN ROMANCE
  278. Ricardo, David - ON THE PRINCIPLES OF POLITICAL ECONOMY AND TAXATION
  279. Richardson, Samuel - PAMELA
  280. Rider Haggard, H. - ALLAN QUATERMAIN
  281. Rider Haggard, H. - KING SOLOMON'S MINES
  282. Rousseau, J. J. - THE ORIGIN AND FOUNDATION OF INEQUALITY AMONG MANKIND
  283. Ruskin, John - THE SEVEN LAMPS OF ARCHITECTURE
  284. Schiller, Friedrich - THE DEATH OF WALLENSTEIN
  285. Schiller, Friedrich - THE PICCOLOMINI
  286. Schopenhauer, Arthur - THE ART OF CONTROVERSY
  287. Schopenhauer, Arthur - THE WISDOM OF LIFE
  288. Scott Fitzgerald, F. - FLAPPERS AND PHILOSOPHERS
  289. Scott Fitzgerald, F. - TALES OF THE JAZZ AGE
  290. Scott Fitzgerald, F. - THE BEAUTIFUL AND DAMNED
  291. Scott Fitzgerald, F. - THIS SIDE OF PARADISE
  292. Scott, Walter - IVANHOE
  293. Scott, Walter - QUENTIN DURWARD
  294. Scott, Walter - ROB ROY
  295. Scott, Walter - THE BRIDE OF LAMMERMOOR
  296. Scott, Walter - WAVERLEY
  297. Sedgwick, Anne Douglas - THE THIRD WINDOW
  298. Sewell, Anna - BLACK BEAUTY
  299. Shakespeare, William - COMPLETE WORKS
  300. Shakespeare, William - HAMLET
  301. Shakespeare, William - OTHELLO
  302. Shakespeare, William - ROMEO AND JULIET
  303. Shelley, Mary - FRANKENSTEIN
  304. Shelley, Percy Bysshe - A DEFENCE OF POETRY AND OTHER ESSAYS
  305. Shelley, Percy Bysshe - COMPLETE POETICAL WORKS
  306. Sheridan, Richard B. - THE SCHOOL FOR SCANDAL
  307. Sienkiewicz, Henryk - QUO VADIS
  308. Smith, Adam - THE WEALTH OF NATIONS
  309. Smollett, Tobias - TRAVELS THROUGH FRANCE AND ITALY
  310. Spencer, Herbert - ESSAYS ON EDUCATION AND KINDRED SUBJECTS
  311. Spyri, Johanna - HEIDI
  312. Sterne, Laurence - A SENTIMENTAL JOURNEY
  313. Sterne, Laurence - TRISTRAM SHANDY
  314. Stevenson, Robert Louis - A CHILD'S GARDEN OF VERSES
  315. Stevenson, Robert Louis - ESSAYS IN THE ART OF WRITING
  316. Stevenson, Robert Louis - KIDNAPPED
  317. Stevenson, Robert Louis - NEW ARABIAN NIGHTS
  318. Stevenson, Robert Louis - THE BLACK ARROW
  319. Stevenson, Robert Louis - THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE
  320. Stevenson, Robert Louis - TREASURE ISLAND
  321. Stoker, Bram - DRACULA
  322. Strindberg, August - LUCKY PEHR
  323. Strindberg, August - MASTER OLOF
  324. Strindberg, August - THE RED ROOM
  325. Strindberg, August - THE ROAD TO DAMASCUS
  326. Strindberg, August - THERE ARE CRIMES AND CRIMES
  327. Swift, Jonathan - A MODEST PROPOSAL
  328. Swift, Jonathan - A TALE OF A TUB
  329. Swift, Jonathan - GULLIVER'S TRAVELS
  330. Swift, Jonathan - THE BATTLE OF THE BOOKS AND OTHER SHORT PIECES
  331. Tagore, Rabindranath - FRUIT GATHERING
  332. Tagore, Rabindranath - THE GARDENER
  333. Tagore, Rabindranath - THE HUNGRY STONES AND OTHER STORIES
  334. Thackeray, William - BARRY LYNDON
  335. Thackeray, William - VANITY FAIR
  336. Thackeray, William Makepeace - THE BOOK OF SNOBS
  337. Thackeray, William Makepeace - THE ROSE AND THE RING
  338. Thackeray, William Makepeace - THE VIRGINIANS
  339. Thoreau, Henry David - WALDEN
  340. Tolstoi, Leo - A LETTER TO A HINDU
  341. Tolstoy, Lev - ANNA KARENINA
  342. Tolstoy, Lev - WAR AND PEACE
  343. Trollope, Anthony - AN AUTOBIOGRAPHY
  344. Trollope, Anthony - BARCHESTER TOWERS
  345. Trollope, Anthony - FRAMLEY PARSONAGE
  346. Trollope, Anthony - THE EUSTACE DIAMONDS
  347. Trollope, Anthony - THE MAN WHO KEPT HIS MONEY IN A BOX
  348. Trollope, Anthony - THE WARDEN
  349. Trollope, Anthony - THE WAY WE LIVE NOW
  350. Twain, Mark - LIFE ON THE MISSISSIPPI
  351. Twain, Mark - SPEECHES
  352. Twain, Mark - THE ADVENTURES OF HUCKLEBERRY FINN
  353. Twain, Mark - THE ADVENTURES OF TOM SAWYER
  354. Twain, Mark - THE PRINCE AND THE PAUPER
  355. Vari, Autori - THE MAGNA CARTA
  356. Verga, Giovanni - SICILIAN STORIES
  357. Verne, Jules - 20000 LEAGUES UNDER THE SEAS
  358. Verne, Jules - A JOURNEY TO THE CENTRE OF THE EARTH
  359. Verne, Jules - ALL AROUND THE MOON
  360. Verne, Jules - AROUND THE WORLD IN 80 DAYS
  361. Verne, Jules - FIVE WEEKS IN A BALLOON
  362. Verne, Jules - FROM THE EARTH TO THE MOON
  363. Verne, Jules - MICHAEL STROGOFF
  364. Verne, Jules - THE MYSTERIOUS ISLAND
  365. Voltaire - PHILOSOPHICAL DICTIONARY
  366. Vyasa - MAHABHARATA
  367. Wallace, Edgar - SANDERS OF THE RIVER
  368. Wallace, Edgar - THE DAFFODIL MYSTERY
  369. Wallace, Lew - BEN HUR
  370. Webster, Jean - DADDY LONG LEGS
  371. Wedekind, Franz - THE AWAKENING OF SPRING
  372. Wells, H. G. - KIPPS
  373. Wells, H. G. - THE INVISIBLE MAN
  374. Wells, H. G. - THE ISLAND OF DOCTOR MOREAU
  375. Wells, H. G. - THE STOLEN BACILLUS AND OTHER INCIDENTS
  376. Wells, H. G. - THE TIME MACHINE
  377. Wells, H. G. - THE WAR OF THE WORLDS
  378. Wells, H. G. - WHAT IS COMING
  379. Wharton, Edith - THE AGE OF INNOCENCE
  380. White, Andrew Dickson - FIAT MONEY INFLATION IN FRANCE
  381. Wilde, Oscar - A WOMAN OF NO IMPORTANCE
  382. Wilde, Oscar - AN IDEAL HUSBAND
  383. Wilde, Oscar - DE PROFUNDIS
  384. Wilde, Oscar - LADY WINDERMERE'S FAN
  385. Wilde, Oscar - SALOME
  386. Wilde, Oscar - SELECTED POEMS
  387. Wilde, Oscar - THE BALLAD OF READING GAOL
  388. Wilde, Oscar - THE CANTERVILLE GHOST
  389. Wilde, Oscar - THE HAPPY PRINCE AND OTHER TALES
  390. Wilde, Oscar - THE IMPORTANCE OF BEING EARNEST
  391. Wilde, Oscar - THE PICTURE OF DORIAN GREY
  392. Wilde, Oscar - THE SOUL OF MAN
  393. Wilson, Epiphanius - SACRED BOOKS OF THE EAST
  394. Wollstonecraft, Mary - A VINDICATION OF THE RIGHTS OF WOMAN
  395. Woolf, Virgina - NIGHT AND DAY
  396. Woolf, Virgina - THE VOYAGE OUT
  397. Woolf, Virginia - JACOB'S ROOM
  398. Woolf, Virginia - MONDAY OR TUESDAY
  399. Wordsworth, William - POEMS
  400. Wordsworth, William - PROSE WORKS
  401. Zola, Emile - THERESE RAQUIN

 




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Yei Theodora Ozaki
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JAPANESE FAIRY TALES

COMPILED BY YEI THEODORA OZAKI

TO ELEANOR MARION-CRAWFORD.

I DEDICATE THIS BOOK TO YOU AND TO THE SWEET CHILD-FRIENDSHIP THAT YOU GAVE ME IN THE DAYS SPENT WITH YOU BY THE SOUTHERN SEA, WHEN YOU USED TO LISTEN WITH UNFEIGNED PLEASURE TO THESE FAIRY STORIES FROM FAR JAPAN. MAY THEY NOW REMIND YOU OF MY CHANGELESS LOVE AND REMEMBRANCE.

Y. T. O.

Tokio, 1908.

PREFACE.

This collection of Japanese fairy tales is the outcome of a suggestion made to me indirectly through a friend by Mr. Andrew Lang. They have been translated from the modern version written by Sadanami Sanjin. These stories are not literal translations, and though the Japanese story and all quaint Japanese expressions have been faithfully preserved, they have been told more with the view to interest young readers of the West than the technical student of folk-lore.

Grateful acknowledgment is due to Mr. Y. Yasuoka, Miss Fusa Okamoto, my brother Nobumori Ozaki, Dr. Yoshihiro Takaki, and Miss Kameko Yamao, who have helped me with translations.

The story which I have named "The Story of the Man who did not Wish to Die" is taken from a little book written a hundred years ago by one Shinsui Tamenaga. It is named Chosei Furo, or "Longevity." "The Bamboo-cutter and the Moon-child" is taken from the classic "Taketari Monogatari," and is NOT classed by the Japanese among their fairy tales, though it really belongs to this class of literature.

The pictures were drawn by Mr. Kakuzo Fujiyama, a Tokio artist.

In telling these stories in English I have followed my fancy in adding such touches of local color or description as they seemed to need or as pleased me, and in one or two instances I have gathered in an incident from another version. At all times, among my friends, both young and old, English or American, I have always found eager listeners to the beautiful legends and fairy tales of Japan, and in telling them I have also found that they were still unknown to the vast majority, and this has encouraged me to write them for the children of the West.

Y. T. O.

Tokio, 1908.

CONTENTS.

MY LORD BAG OF RICE

THE TONGUE-CUT SPARROW

THE STORY OF URASHIMA TARO, THE FISHER LAD

THE FARMER AND THE BADGER

THE "shinansha," OR THE SOUTH POINTING CARRIAGE

THE ADVENTURES OF KINTARO, THE GOLDEN BOY

THE STORY OF PRINCESS HASE

THE STORY OF THE MAN WHO DID NOT WISH TO DIE

THE BAMBOO-CUTTER AND THE MOON-CHILD

THE MIRROR OF MATSUYAMA

THE GOBLIN OF ADACHIGAHARA

THE SAGACIOUS MONKEY AND THE BOAR

THE HAPPY HUNTER AND THE SKILLFUL FISHER

THE STORY OF THE OLD MAN WHO MADE WITHERED TREES TO FLOWER

THE JELLY FISH AND THE MONKEY

THE QUARREL OF THE MONKEY AND THE CRAB

THE WHITE HARE AND THE CROCODILES

THE STORY OF PRINCE YAMATO TAKE

MOMOTARO, OR THE STORY OF THE SON OF A PEACH

THE OGRE OF RASHOMON

HOW AN OLD MAN LOST HIS WEN

THE STONES OF FIVE COLORS AND THE EMPRESS JOKWA

JAPANESE FAIRY TALES.

MY LORD BAG OF RICE.

Long, long ago there lived, in Japan a brave warrior known to all as Tawara Toda, or "My Lord Bag of Rice." His true name was Fujiwara Hidesato, and there is a very interesting story of how he came to change his name.

One day he sallied forth in search of adventures, for he had the nature of a warrior and could not bear to be idle. So he buckled on his two swords, took his huge bow, much taller than himself, in his hand, and slinging his quiver on his back started out. He had not gone far when he came to the bridge of Seta-no-Karashi spanning one end of the beautiful Lake Biwa. No sooner had he set foot on the bridge than he saw lying right across his path a huge serpent-dragon. Its body was so big that it looked like the trunk of a large pine tree and it took up the whole width of the bridge. One of its huge claws rested on the parapet of one side of the bridge, while its tail lay right against the other. The monster seemed to be asleep, and as it breathed, fire and smoke came out of its nostrils.

At first Hidesato could not help feeling alarmed at the sight of this horrible reptile lying in his path, for he must either turn back or walk right over its body. He was a brave man, however, and putting aside all fear went forward dauntlessly. Crunch, crunch! he stepped now on the dragon's body, now between its coils, and without even one glance backward he went on his way.

He had only gone a few steps when he heard some one calling him from behind. On turning back he was much surprised to see that the monster dragon had entirely disappeared and in its place was a strange-looking man, who was bowing most ceremoniously to the ground. His red hair streamed over his shoulders and was surmounted by a crown in the shape of a dragon's head, and his sea-green dress was patterned with shells. Hidesato knew at once that this was no ordinary mortal and he wondered much at the strange occurrence. Where had the dragon gone in such a short space of time? Or had it transformed itself into this man, and what did the whole thing mean? While these thoughts passed through his mind he had come up to the man on the bridge and now addressed him:

"Was it you that called me just now?"

"Yes, it was I," answered the man: "I have an earnest request to make to you. Do you think you can grant it to me?"

"If it is in my power to do so I will," answered Hidesato, "but first tell me who you are?"

"I am the Dragon King of the Lake, and my home is in these waters just under this bridge."

"And what is it you have to ask of me!" said Hidesato.

"I want you to kill my mortal enemy the centipede, who lives on the mountain beyond," and the Dragon King pointed to a high peak on the opposite shore of the lake.

"I have lived now for many years in this lake and I have a large family of children and grand-children. For some time past we have lived in terror, for a monster centipede has discovered our home, and night after night it comes and carries off one of my family. I am powerless to save them. If it goes on much longer like this, not only shall I lose all my children, but I myself must fall a victim to the monster. I am, therefore, very unhappy, and in my extremity I determined to ask the help of a human being. For many days with this intention I have waited on the bridge in the shape of the horrible serpent-dragon that you saw, in the hope that some strong brave man would come along. But all who came this way, as soon as they saw me were terrified and ran away as fast as they could. You are the first man I have found able to look at me without fear, so I knew at once that you were a man of great courage. I beg you to have pity upon me. Will you not help me and kill my enemy the centipede?"

Hidesato felt very sorry for the Dragon King on hearing his story, and readily promised to do what he could to help him. The warrior asked where the centipede lived, so that he might attack the creature at once. The Dragon King replied that its home was on the mountain Mikami, but that as it came every night at a certain hour to the palace of the lake, it would be better to wait till then. So Hidesato was conducted to the palace of the Dragon King, under the bridge. Strange to say, as he followed his host downwards the waters parted to let them pass, and his clothes did not even feel damp as he passed through the flood. Never had Hidesato seen anything so beautiful as this palace built of white marble beneath the lake. He had often heard of the Sea King's palace at the bottom of the sea, where all the servants and retainers were salt-water fishes, but here was a magnificent building in the heart of Lake Biwa. The dainty goldfishes, red carp, and silvery trout, waited upon the Dragon King and his guest.

Hidesato was astonished at the feast that was spread for him. The dishes were crystallized lotus leaves and flowers, and the chopsticks were of the rarest ebony. As soon as they sat down, the sliding doors opened and ten lovely goldfish dancers came out, and behind them followed ten red-carp musicians with the koto and the samisen. Thus the hours flew by till midnight, and the beautiful music and dancing had banished all thoughts of the centipede. The Dragon King was about to pledge the warrior in a fresh cup of wine when the palace was suddenly shaken by a tramp, tramp! as if a mighty army had begun to march not far away.

Hidesato and his host both rose to their feet and rushed to the balcony, and the warrior saw on the opposite mountain two great balls of glowing fire coming nearer and nearer. The Dragon King stood by the warrior's side trembling with fear.

"The centipede! The centipede! Those two balls of fire are its eyes. It is coming for its prey! Now is the time to kill it."

Hidesato looked where his host pointed, and, in the dim light of the starlit evening, behind the two balls of fire he saw the long body of an enormous centipede winding round the mountains, and the light in its hundred feet glowed like so many distant lanterns moving slowly towards the shore.

Hidesato showed not the least sign of fear. He tried to calm the Dragon King.

"Don't be afraid. I shall surely kill the centipede. Just bring me my bow and arrows."

The Dragon King did as he was bid, and the warrior noticed that he had only three arrows left in his quiver. He took the bow, and fitting an arrow to the notch, took careful aim and let fly.

The arrow hit the centipede right in the middle of its head, but instead of penetrating, it glanced off harmless and fell to the ground.

Nothing daunted, Hidesato took another arrow, fitted it to the notch of the bow and let fly. Again the arrow hit the mark, it struck the centipede right in the middle of its head, only to glance off and fall to the ground. The centipede was invulnerable to weapons! When the Dragon King saw that even this brave warrior's arrows were powerless to kill the centipede, he lost heart and began to tremble with fear.

The warrior saw that he had now only one arrow left in his quiver, and if this one failed he could not kill the centipede. He looked across the waters. The huge reptile had wound its horrid body seven times round the mountain and would soon come down to the lake. Nearer and nearer gleamed fireballs of eyes, and the light of its hundred feet began to throw reflections in the still waters of the lake.

Then suddenly the warrior remembered that he had heard that human saliva was deadly to centipedes. But this was no ordinary centipede. This was so monstrous that even to think of such a creature made one creep with horror. Hidesato determined to try his last chance. So taking his last arrow and first putting the end of it in his mouth, he fitted the notch to his bow, took careful aim once more and let fly.

This time the arrow again hit the centipede right in the middle of its head, but instead of glancing off harmlessly as before, it struck home to the creature's brain. Then with a convulsive shudder the serpentine body stopped moving, and the fiery light of its great eyes and hundred feet darkened to a dull glare like the sunset of a stormy day, and then went out in blackness. A great darkness now overspread the heavens, the thunder rolled and the lightning flashed, and the wind roared in fury, and it seemed as if the world were coming to an end. The Dragon King and his children and retainers all crouched in different parts of the palace, frightened to death, for the building was shaken to its foundation. At last the dreadful night was over. Day dawned beautiful and clear. The centipede was gone from the mountain.

Then Hidesato called to the Dragon King to come out with him on the balcony, for the centipede was dead and he had nothing more to fear.

Then all the inhabitants of the palace came out with joy, and Hidesato pointed to the lake. There lay the body of the dead centipede floating on the water, which was dyed red with its blood.

The gratitude of the Dragon King knew no bounds. The whole family came and bowed down before the warrior, calling him their preserver and the bravest warrior in all Japan.

Another feast was prepared, more sumptuous than the first. All kinds of fish, prepared in every imaginable way, raw, stewed, boiled and roasted, served on coral trays and crystal dishes, were put before him, and the wine was the best that Hidesato had ever tasted in his life. To add to the beauty of everything the sun shone brightly, the lake glittered like a liquid diamond, and the palace was a thousand times more beautiful by day than by night.

His host tried to persuade the warrior to stay a few days, but Hidesato insisted on going home, saying that he had now finished what he had come to do, and must return. The Dragon King and his family were all very sorry to have him leave so soon, but since he would go they begged him to accept a few small presents (so they said) in token of their gratitude to him for delivering them forever from their horrible enemy the centipede.

As the warrior stood in the porch taking leave, a train of fish was suddenly transformed into a retinue of men, all wearing ceremonial robes and dragon's crowns on their heads to show that they were servants of the great Dragon King. The presents that they carried were as follows:

First, a large bronze bell. Second, a bag of rice. Third, a roll of silk. Fourth, a cooking pot. Fifth, a bell.

Hidesato did not want to accept all these presents, but as the Dragon King insisted, he could not well refuse.

The Dragon King himself accompanied the warrior as far as the bridge, and then took leave of him with many bows and good wishes, leaving the procession of servants to accompany Hidesato to his house with the presents.

The warrior's household and servants had been very much concerned when they found that he did not return the night before, but they finally concluded that he had been kept by the violent storm and had taken shelter somewhere. When the servants on the watch for his return caught sight of him they called to every one that he was approaching, and the whole household turned out to meet him, wondering much what the retinue of men, bearing presents and banners, that followed him, could mean.

As soon as the Dragon King's retainers had put down the presents they vanished, and Hidesato told all that had happened to him.

The presents which he had received from the grateful Dragon King were found to be of magic power. The bell only was ordinary, and as Hidesato had no use for it he presented it to the temple near by, where it was hung up, to boom out the hour of day over the surrounding neighborhood.

The single bag of rice, however much was taken from it day after day for the meals of the knight and his whole family, never grew less--the supply in the bag was inexhaustible.

The roll of silk, too, never grew shorter, though time after time long pieces were cut off to make the warrior a new suit of clothes to go to Court in at the New Year.

The cooking pot was wonderful, too. No matter what was put into it, it cooked deliciously whatever was wanted without any firing--truly a very economical saucepan.

The fame of Hidesato's fortune spread far and wide, and as there was no need for him to spend money on rice or silk or firing, he became very rich and prosperous, and was henceforth known as My Lord Bag of Rice.

THE TONGUE-CUT SPARROW.

Long, long ago in Japan there lived an old man and his wife. The old man was a good, kind-hearted, hard-working old fellow, but his wife was a regular cross-patch, who spoiled the happiness of her home by her scolding tongue. She was always grumbling about something from morning to night. The old man had for a long time ceased to take any notice of her crossness. He was out most of the day at work in the fields, and as he had no child, for his amusement when he came home, he kept a tame sparrow. He loved the little bird just as much as if she had been his child.

When he came back at night after his hard day's work in the open air it was his only pleasure to pet the sparrow, to talk to her and to teach her little tricks, which she learned very quickly. The old man would open her cage and let her fly about the room, and they would play together. Then when supper-time came, he always saved some tit-bits from his meal with which to feed his little bird.

Now one day the old man went out to chop wood in the forest, and the old woman stopped at home to wash clothes. The day before, she had made some starch, and now when she came to look for it, it was all gone; the bowl which she had filled full yesterday was quite empty.

While she was wondering who could have used or stolen the starch, down flew the pet sparrow, and bowing her little feathered head--a trick which she had been taught by her master--the pretty bird chirped and said:

"It is I who have taken the starch. I thought it was some food put out for me in that basin, and I ate it all. If I have made a mistake I beg you to forgive me! tweet, tweet, tweet!"

You see from this that the sparrow was a truthful bird, and the old woman ought to have been willing to forgive her at once when she asked her pardon so nicely. But not so.

The old woman had never loved the sparrow, and had often quarreled with her husband for keeping what she called a dirty bird about the house, saying that it only made extra work for her. Now she was only too delighted to have some cause of complaint against the pet. She scolded and even cursed the poor little bird for her bad behavior, and not content with using these harsh, unfeeling words, in a fit of rage she seized the sparrow--who all this time had spread out her wings and bowed her head before the old woman, to show how sorry she was--and fetched the scissors and cut off the poor little bird's tongue.

"I suppose you took my starch with that tongue! Now you may see what it is like to go without it!" And with these dreadful words she drove the bird away, not caring in the least what might happen to it and without the smallest pity for its suffering, so unkind was she!

The old woman, after she had driven the sparrow away, made some more rice-paste, grumbling all the time at the trouble, and after starching all her clothes, spread the things on boards to dry in the sun, instead of ironing them as they do in England.

In the evening the old man came home. As usual, on the way back he looked forward to the time when he should reach his gate and see his pet come flying and chirping to meet him, ruffling out her feathers to show her joy, and at last coming to rest on his shoulder. But to-night the old man was very disappointed, for not even the shadow of his dear sparrow was to be seen.

He quickened his steps, hastily drew off his straw sandals, and stepped on to the veranda. Still no sparrow was to be seen. He now felt sure that his wife, in one of her cross tempers, had shut the sparrow up in its cage. So he called her and said anxiously:

"Where is Suzume San (Miss Sparrow) today?"

The old woman pretended not to know at first, and answered:

"Your sparrow? I am sure I don't know. Now I come to think of it, I haven't seen her all the afternoon. I shouldn't wonder if the ungrateful bird had flown away and left you after all your petting!"

But at last, when the old man gave her no peace, but asked her again and again, insisting that she must know what had happened to his pet, she confessed all. She told him crossly how the sparrow had eaten the rice-paste she had specially made for starching her clothes, and how when the sparrow had confessed to what she had done, in great anger she had taken her scissors and cut out her tongue, and how finally she had driven the bird away and forbidden her to return to the house again.

Then the old woman showed her husband the sparrow's tongue, saying:

"Here is the tongue I cut off! Horrid little bird, why did it eat all my starch?"

"How could you be so cruel? Oh! how could you so cruel?" was all that the old man could answer. He was too kind-hearted to punish his be shrew of a wife, but he was terribly distressed at what had happened to his poor little sparrow.

"What a dreadful misfortune for my poor Suzume San to lose her tongue!" he said to himself. "She won't be able to chirp any more, and surely the pain of the cutting of it out in that rough way must have made her ill! Is there nothing to be done?"

The old man shed many tears after his cross wife had gone to sleep. While he wiped away the tears with the sleeve of his cotton robe, a bright thought comforted him: he would go and look for the sparrow on the morrow. Having decided this he was able to go to sleep at last.

The next morning he rose early, as soon as ever the day broke, and snatching a hasty breakfast, started out over the hills and through the woods, stopping at every clump of bamboos to cry:

"Where, oh where does my tongue-cut sparrow stay? Where, oh where, does my tongue-cut sparrow stay!"

He never stopped to rest for his noonday meal, and it was far on in the afternoon when he found himself near a large bamboo wood. Bamboo groves are the favorite haunts of sparrows, and there sure enough at the edge of the wood he saw his own dear sparrow waiting to welcome him. He could hardly believe his eyes for joy, and ran forward quickly to greet her. She bowed her little head and went through a number of the tricks her master had taught her, to show her pleasure at seeing her old friend again, and, wonderful to relate, she could talk as of old. The old man told her how sorry he was for all that had happened, and inquired after her tongue, wondering how she could speak so well without it. Then the sparrow opened her beak and showed him that a new tongue had grown in place of the old one, and begged him not to think any more about the past, for she was quite well now. Then the old man knew that his sparrow was a fairy, and no common bird. It would be difficult to exaggerate the old man's rejoicing now. He forgot all his troubles, he forgot even how tired he was, for he had found his lost sparrow, and instead of being ill and without a tongue as he had feared and expected to find her, she was well and happy and with a new tongue, and without a sign of the ill-treatment she had received from his wife. And above all she was a fairy.

The sparrow asked him to follow her, and flying before him she led him to a beautiful house in the heart of the bamboo grove. The old man was utterly astonished when he entered the house to find what a beautiful place it was. It was built of the whitest wood, the soft cream-colored mats which took the place of carpets were the finest he had ever seen, and the cushions that the sparrow brought out for him to sit on were made of the finest silk and crape. Beautiful vases and lacquer boxes adorned the tokonoma[1] of every room.

[1] An alcove where precious objects are displayed.

The sparrow led the old man to the place of honor, and then, taking her place at a humble distance, she thanked him with many polite bows for all the kindness he had shown her for many long years.

Then the Lady Sparrow, as we will now call her, introduced all her family to the old man. This done, her daughters, robed in dainty crape gowns, brought in on beautiful old-fashioned trays a feast of all kinds of delicious foods, till the old man began to think he must be dreaming. In the middle of the dinner some of the sparrow's daughters performed a wonderful dance, called the "suzume-odori" or the "Sparrow's dance," to amuse the guest.

Never had the old man enjoyed himself so much. The hours flew by too quickly in this lovely spot, with all these fairy sparrows to wait upon him and to feast him and to dance before him.

But the night came on and the darkness reminded him that he had a long way to go and must think about taking his leave and return home. He thanked his kind hostess for her splendid entertainment, and begged her for his sake to forget all she had suffered at the hands of his cross old wife. He told the Lady Sparrow that it was a great comfort and happiness to him to find her in such a beautiful home and to know that she wanted for nothing. It was his anxiety to know how she fared and what had really happened to her that had led him to seek her. Now he knew that all was well he could return home with a light heart. If ever she wanted him for anything she had only to send for him and he would come at once.

The Lady Sparrow begged him to stay and rest several days and enjoy the change, but the old man said he must return to his old wife--who would probably be cross at his not coming home at the usual time--and to his work, and there-fore, much as he wished to do so, he could not accept her kind invitation. But now that he knew where the Lady Sparrow lived he would come to see her whenever he had the time.

When the Lady Sparrow saw that she could not persuade the old man to stay longer, she gave an order to some of her servants, and they at once brought in two boxes, one large and the other small. These were placed before the old man, and the Lady Sparrow asked him to choose whichever he liked for a present, which she wished to give him.

The old man could not refuse this kind proposal, and he chose the smaller box, saying:

"I am now too old and feeble to carry the big and heavy box. As you are so kind as to say that I may take whichever I like, I will choose the small one, which will be easier for me to carry."

Then the sparrows all helped him put it on his back and went to the gate to see him off, bidding him good-by with many bows and entreating him to come again whenever he had the time. Thus the old man and his pet sparrow separated quite happily, the sparrow showing not the least ill-will for all the unkindness she had suffered at the hands of the old wife. Indeed, she only felt sorrow for the old man who had to put up with it all his life.

When the old man reached home he found his wife even crosser than usual, for it was late on in the night and she had been waiting up for him for a long time.

"Where have you been all this time?" she asked in a big voice. "Why do you come back so late?"

The old man tried to pacify her by showing her the box of presents he had brought back with him, and then he told her of all that had happened to him, and how wonderfully he had been entertained at the sparrow's house.

"Now let us see what is in the box," said the old man, not giving her time to grumble again. "You must help me open it." And they both sat down before the box and opened it.

To their utter astonishment they found the box filled to the brim with gold and silver coins and many other precious things. The mats of their little cottage fairly glittered as they took out the things one by one and put them down and handled them over and over again. The old man was overjoyed at the sight of the riches that were now his. Beyond his brightest expectations was the sparrow's gift, which would enable him to give up work and live in ease and comfort the rest of his days.

He said: "Thanks to my good little sparrow! Thanks to my good little sparrow!" many times.

But the old woman, after the first moments of surprise and satisfaction at the sight of the gold and silver were over, could not suppress the greed of her wicked nature. She now began to reproach the old man for not having brought home the big box of presents, for in the innocence of his heart he had told her how he had refused the large box of presents which the sparrows had offered him, preferring the smaller one because it was light and easy to carry home.

"You silly old man," said she, "Why did you not bring the large box? Just think what we have lost. We might have had twice as much silver and gold as this. You are certainly an old fool!" she screamed, and then went to bed as angry as she could be.

The old man now wished that he had said nothing about the big box, but it was too late; the greedy old woman, not contented with the good luck which had so unexpectedly befallen them and which she so little deserved, made up her mind, if possible, to get more.

Early the next morning she got up and made the old man describe the way to the sparrow's house. When he saw what was in her mind he tried to keep her from going, but it was useless. She would not listen to one word he said. It is strange that the old woman did not feel ashamed of going to see the sparrow after the cruel way she had treated her in cutting off her tongue in a fit of rage. But her greed to get the big box made her forget everything else. It did not even enter her thoughts that the sparrows might be angry with her--as, indeed, they were--and might punish her for what she had done.

Ever since the Lady Sparrow had returned home in the sad plight in which they had first found her, weeping and bleeding from the mouth, her whole family and relations had done little else but speak of the cruelty of the old woman. "How could she," they asked each other, "inflict such a heavy punishment for such a trifling offense as that of eating some rice-paste by mistake?" They all loved the old man who was so kind and good and patient under all his troubles, but the old woman they hated, and they determined, if ever they had the chance, to punish her as she deserved. They had not long to wait.

After walking for some hours the old woman had at last found the bamboo grove which she had made her husband carefully describe, and now she stood before it crying out:

"Where is the tongue-cut sparrow's house? Where is the tongue-cut sparrow's house?"

At last she saw the eaves of the house peeping out from amongst the bamboo foliage. She hastened to the door and knocked loudly.

When the servants told the Lady Sparrow that her old mistress was at the door asking to see her, she was somewhat surprised at the unexpected visit, after all that had taken place, and she wondered not a little at the boldness of the old woman in venturing to come to the house. The Lady Sparrow, however, was a polite bird, and so she went out to greet the old woman, remembering that she had once been her mistress.

The old woman intended, however, to waste no time in words, she went right to the point, without the least shame, and said:

"You need not trouble to entertain me as you did my old man. I have come myself to get the box which he so stupidly left behind. I shall soon take my leave if you will give me the big box--that is all I want!"

The Lady Sparrow at once consented, and told her servants to bring out the big box. The old woman eagerly seized it and hoisted it on her back, and without even stopping to thank the Lady Sparrow began to hurry homewards.

The box was so heavy that she could not walk fast, much less run, as she would have liked to do, so anxious was she to get home and see what was inside the box, but she had often to sit down and rest herself by the way.

While she was staggering along under the heavy load, her desire to open the box became too great to be resisted. She could wait no longer, for she supposed this big box to be full of gold and silver and precious jewels like the small one her husband had received.

At last this greedy and selfish old woman put down the box by the wayside and opened it carefully, expecting to gloat her eyes on a mine of wealth. What she saw, however, so terrified her that she nearly lost her senses. As soon as she lifted the lid, a number of horrible and frightful looking demons bounced out of the box and surrounded her as if they intended to kill her. Not even in nightmares had she ever seen such horrible creatures as her much-coveted box contained. A demon with one huge eye right in the middle of its forehead came and glared at her, monsters with gaping mouths looked as if they would devour her, a huge snake coiled and hissed about her, and a big frog hopped and croaked towards her.

The old woman had never been so frightened in her life, and ran from the spot as fast as her quaking legs would carry her, glad to escape alive. When she reached home she fell to the floor and told her husband with tears all that had happened to her, and how she had been nearly killed by the demons in the box.

Then she began to blame the sparrow, but the old man stopped her at once, saying:

"Don't blame the sparrow, it is your wickedness which has at last met with its reward. I only hope this may be a lesson to you in the future!"

The old woman said nothing more, and from that day she repented of her cross, unkind ways, and by degrees became a good old woman, so that her husband hardly knew her to be the same person, and they spent their last days together happily, free from want or care, spending carefully the treasure the old man had received from his pet, the tongue-cut sparrow.

THE STORY OF URASHIMA TARO, THE FISHER LAD.

Long, long ago in the province of Tango there lived on the shore of Japan in the little fishing village of Mizu-no-ye a young fisherman named Urashima Taro. His father had been a fisherman before him, and his skill had more than doubly descended to his son, for Urashima was the most skillful fisher in all that country side, and could catch more Bonito and Tai in a day than his comrades could in a week.

But in the little fishing village, more than for being a clever fisher of the sea was he known for his kind heart. In his whole life he had never hurt anything, either great or small, and when a boy, his companions had always laughed at him, for he would never join with them in teasing animals, but always tried to keep them from this cruel sport.

One soft summer twilight he was going home at the end of a day's fishing when he came upon a group of children. They were all screaming and talking at the tops of their voices, and seemed to be in a state of great excitement about something, and on his going up to them to see what was the matter he saw that they were tormenting a tortoise. First one boy pulled it this way, then another boy pulled it that way, while a third child beat it with a stick, and the fourth hammered its shell with a stone.

Now Urashima felt very sorry for the poor tortoise and made up his mind to rescue it. He spoke to the boys:

"Look here, boys, you are treating that poor tortoise so badly that it will soon die!"

The boys, who were all of an age when children seem to delight in being cruel to animals, took no notice of Urashima's gentle reproof, but went on teasing it as before. One of the older boys answered:

"Who cares whether it lives or dies? We do not. Here, boys, go on, go on!"

And they began to treat the poor tortoise more cruelly than ever. Urashima waited a moment, turning over in his mind what would be the best way to deal with the boys. He would try to persuade them to give the tortoise up to him, so he smiled at them and said:

"I am sure you are all good, kind boys! Now won't you give me the tortoise? I should like to have it so much!"

"No, we won't give you the tortoise," said one of the boys. "Why should we? We caught it ourselves."

"What you say is true," said Urashima, "but I do not ask you to give it to me for nothing. I will give you some money for it--in other words, the Ojisan (Uncle) will buy it of you. Won't that do for you, my boys?" He held up the money to them, strung on a piece of string through a hole in the center of each coin. "Look, boys, you can buy anything you like with this money. You can do much more with this money than you can with that poor tortoise. See what good boys you are to listen to me."

The boys were not bad boys at all, they were only mischievous, and as Urashima spoke they were won by his kind smile and gentle words and began "to be of his spirit," as they say in Japan. Gradually they all came up to him, the ringleader of the little band holding out the tortoise to him.

"Very well, Ojisan, we will give you the tortoise if you will give us the money!" And Urashima took the tortoise and gave the money to the boys, who, calling to each other, scampered away and were soon out of sight.

Then Urashima stroked the tortoise's back, saying as he did so:

"Oh, you poor thing! Poor thing!--there, there! you are safe now! They say that a stork lives for a thousand years, but the tortoise for ten thousand years. You have the longest life of any creature in this world, and you were in great danger of having that precious life cut short by those cruel boys. Luckily I was passing by and saved you, and so life is still yours. Now I am going to take you back to your home, the sea, at once. Do not let yourself be caught again, for there might be no one to save you next time!"

All the time that the kind fisherman was speaking he was walking quickly to the shore and out upon the rocks; then putting the tortoise into the water he watched the animal disappear, and turned homewards himself, for he was tired and the sun had set.

The next morning Urashima went out as usual in his boat. The weather was fine and the sea and sky were both blue and soft in the tender haze of the summer morning. Urashima got into his boat and dreamily pushed out to sea, throwing his line as he did so. He soon passed the other fishing boats and left them behind him till they were lost to sight in the distance, and his boat drifted further and further out upon the blue waters. Somehow, he knew not why, he felt unusually happy that morning; and he could not help wishing that, like the tortoise he set free the day before, he had thousands of years to live instead of his own short span of human life.

He was suddenly startled from his reverie by hearing his own name called:

"Urashima, Urashima!"

Clear as a bell and soft as the summer wind the name floated over the sea.

He stood up and looked in every direction, thinking that one of the other boats had overtaken him, but gaze as he might over the wide expanse of water, near or far there was no sign of a boat, so the voice could not have come from any human being.

Startled, and wondering who or what it was that had called him so clearly, he looked in all directions round about him and saw that without his knowing it a tortoise had come to the side of the boat. Urashima saw with surprise that it was the very tortoise he had rescued the day before.

"Well, Mr. Tortoise," said Urashima, "was it you who called my name just now?"

The tortoise nodded its head several times and said:

"Yes, it was I. Yesterday in your honorable shadow (o kage sama de) my life was saved, and I have come to offer you my thanks and to tell you how grateful I am for your kindness to me."

"Indeed," said Urashima, "that is very polite of you. Come up into the boat. I would offer you a smoke, but as you are a tortoise doubtless you do not smoke," and the fisherman laughed at the joke.

"He-he-he-he!" laughed the tortoise; "sake (rice wine) is my favorite refreshment, but I do not care for tobacco."

"Indeed," said Urashima, "I regret very much that I have no "sake" in my boat to offer you, but come up and dry your back in the sun--tortoises always love to do that."

So the tortoise climbed into the boat, the fisherman helping him, and after an exchange of complimentary speeches the tortoise said:

"Have you ever seen Rin Gin, the Palace of the Dragon King of the Sea, Urashima?"

The fisherman shook his head and replied; "No; year after year the sea has been my home, but though I have often heard of the Dragon King's realm under the sea I have never yet set eyes on that wonderful place. It must be very far away, if it exists at all!"

"Is that really so? You have never seen the Sea King's Palace? Then you have missed seeing one of the most wonderful sights in the whole universe. It is far away at the bottom of the sea, but if I take you there we shall soon reach the place. If you would like to see the Sea King's land I will be your guide."

"I should like to go there, certainly, and you are very kind to think of taking me, but you must remember that I am only a poor mortal and have not the power of swimming like a sea creature such as you are--"

Before the fisherman could say more the tortoise stopped him, saying:

"What? You need not swim yourself. If you will ride on my back I will take you without any trouble on your part."

"But," said Urashima, "how is it possible for me to ride on your small back?"

"It may seem absurd to you, but I assure you that you can do so. Try at once! Just come and get on my back, and see if it is as impossible as you think!"

As the tortoise finished speaking, Urashima looked at its shell, and strange to say he saw that the creature had suddenly grown so big that a man could easily sit on its back.

"This is strange indeed!" said Urashima; "then. Mr. Tortoise, with your kind permission I will get on your back. Dokoisho!"[2] he exclaimed as he jumped on.

[2] "All right" (only used by lower classes).

The tortoise, with an unmoved face, as if this strange proceeding were quite an ordinary event, said:

"Now we will set out at our leisure," and with these words he leapt into the sea with Urashima on his back. Down through the water the tortoise dived. For a long time these two strange companions rode through the sea. Urashima never grew tired, nor his clothes moist with the water. At last, far away in the distance a magnificent gate appeared, and behind the gate, the long, sloping roofs of a palace on the horizon.

"Ya," exclaimed Urashima. "That looks like the gate of some large palace just appearing! Mr. Tortoise, can you tell what that place is we can now see?"

"That is the great gate of the Rin Gin Palace, the large roof that you see behind the gate is the Sea King's Palace itself."

"Then we have at last come to the realm of the Sea King and to his Palace," said Urashima.

"Yes, indeed," answered the tortoise, "and don't you think we have come very quickly?" And while he was speaking the tortoise reached the side of the gate. "And here we are, and you must please walk from here."

The tortoise now went in front, and speaking to the gatekeeper, said:

"This is Urashima Taro, from the country of Japan. I have had the honor of bringing him as a visitor to this kingdom. Please show him the way."

Then the gatekeeper, who was a fish, at once led the way through the gate before them.

The red bream, the flounder, the sole, the cuttlefish, and all the chief vassals of the Dragon King of the Sea now came out with courtly bows to welcome the stranger.

"Urashima Sama, Urashima Sama! welcome to the Sea Palace, the home of the Dragon King of the Sea. Thrice welcome are you, having come from such a distant country. And you, Mr. Tortoise, we are greatly indebted to you for all your trouble in bringing Urashima here." Then, turning again to Urashima, they said, "Please follow us this way," and from here the whole band of fishes became his guides.

Urashima, being only a poor fisher lad, did not know how to behave in a palace; but, strange though it was all to him, he did not feel ashamed or embarrassed, but followed his kind guides quite calmly where they led to the inner palace. When he reached the portals a beautiful Princess with her attendant maidens came out to welcome him. She was more beautiful than any human being, and was robed in flowing garments of red and soft green like the under side of a wave, and golden threads glimmered through the folds of her gown. Her lovely black hair streamed over her shoulders in the fashion of a king's daughter many hundreds of years ago, and when she spoke her voice sounded like music over the water. Urashima was lost in wonder while he looked upon her, and he could not speak. Then he remembered that he ought to bow, but before he could make a low obeisance the Princess took him by the hand and led him to a beautiful hall, and to the seat of honor at the upper end, and bade him be seated.

"Urashima Taro, it gives me the highest pleasure to welcome you to my father's kingdom," said the Princess. "Yesterday you set free a tortoise, and I have sent for you to thank you for saving my life, for I was that tortoise. Now if you like you shall live here forever in the land of eternal youth, where summer never dies and where sorrow never comes, and I will be your bride if you will, and we will live together happily forever afterwards!"

And as Urashima listened to her sweet words and gazed upon her lovely face his heart was filled with a great wonder and joy, and he answered her, wondering if it was not all a dream:

"Thank you a thousand times for your kind speech. There is nothing I could wish for more than to be permitted to stay here with you in this beautiful land, of which I have often heard, but have never seen to this day. Beyond all words, this is the most wonderful place I have ever seen."

While he was speaking a train of fishes appeared, all dressed in ceremonial, trailing garments. One by one, silently and with stately steps, they entered the hall, bearing on coral trays delicacies of fish and seaweed, such as no one can dream of, and this wondrous feast was set before the bride and bridegroom. The bridal was celebrated with dazzling splendor, and in the Sea King's realm there was great rejoicing. As soon as the young pair had pledged themselves in the wedding cup of wine, three times three, music was played, and songs were sung, and fishes with silver scales and golden tails stepped in from the waves and danced. Urashima enjoyed himself with all his heart. Never in his whole life had he sat down to such a marvelous feast.

When the feast was over the Princes asked the bridegroom if he would like to walk through the palace and see all there was to be seen. Then the happy fisherman, following his bride, the Sea King's daughter, was shown all the wonders of that enchanted land where youth and joy go hand in hand and neither time nor age can touch them. The palace was built of coral and adorned with pearls, and the beauties and wonders of the place were so great that the tongue fails to describe them.

But, to Urashima, more wonderful than the palace was the garden that surrounded it. Here was to be seen at one time the scenery of the four different seasons; the beauties of summer and winter, spring and autumn, were displayed to the wondering visitor at once.

First, when he looked to the east, the plum and cherry trees were seen in full bloom, the nightingales sang in the pink avenues, and butterflies flitted from flower to flower.

Looking to the south all the trees were green in the fullness of summer, and the day cicala and the night cricket chirruped loudly.

Looking to the west the autumn maples were ablaze like a sunset sky, and the chrysanthemums were in perfection.

Looking to the north the change made Urashima start, for the ground was silver white with snow, and trees and bamboos were also covered with snow and the pond was thick with ice.

And each day there were new joys and new wonders for Urashima, and so great was his happiness that he forgot everything, even the home he had left behind and his parents and his own country, and three days passed without his even thinking of all he had left behind. Then his mind came back to him and he remembered who he was, and that he did not belong to this wonderful land or the Sea King's palace, and he said to himself:

"O dear! I must not stay on here, for I have an old father and mother at home. What can have happened to them all this time? How anxious they must have been these days when I did not return as usual. I must go back at once without letting one more day pass." And he began to prepare for the journey in great haste.

Then he went to his beautiful wife, the Princess, and bowing low before her he said:

"Indeed, I have been very happy with you for a long time, Otohime Sama" (for that was her name), "and you have been kinder to me than any words can tell. But now I must say good-by. I must go back to my old parents."

Then Otohime Sama began to weep, and said softly and sadly:

"Is it not well with you here, Urashima, that you wish to leave me so soon? Where is the haste? Stay with me yet another day only!"

But Urashima had remembered his old parents, and in Japan the duty to parents is stronger than everything else, stronger even than pleasure or love, and he would not be persuaded, but answered:

"Indeed, I must go. Do not think that I wish to leave you. It is not that. I must go and see my old parents. Let me go for one day and I will come back to you."

"Then," said the Princess sorrowfully, "there is nothing to be done. I will send you back to-day to your father and mother, and instead of trying to keep you with me one more day, I shall give you this as a token of our love--please take it back with you;" and she brought him a beautiful lacquer box tied about with a silken cord and tassels of red silk.

Urashima had received so much from the Princess already that he felt some compunction in taking the gift, and said:

"It does not seem right for me to take yet another gift from you after all the many favors I have received at your hands, but because it is your wish I will do so," and then he added:

"Tell me what is this box?"

"That," answered the Princess "is the tamate-bako (Box of the Jewel Hand), and it contains something very precious. You must not open this box, whatever happens! If you open it something dreadful will happen to you! Now promise me that you will never open this box!"

And Urashima promised that he would never, never open the box whatever happened.

Then bidding good-by to Otohime Sama he went down to the seashore, the Princess and her attendants following him, and there he found a large tortoise waiting for him.

He quickly mounted the creature's back and was carried away over the shining sea into the East. He looked back to wave his hand to Otohime Sama till at last he could see her no more, and the land of the Sea King and the roofs of the wonderful palace were lost in the far, far distance. Then, with his face turned eagerly towards his own land, he looked for the rising of the blue hills on the horizon before him.

At last the tortoise carried him into the bay he knew so well, and to the shore from whence he had set out. He stepped on to the shore and looked about him while the tortoise rode away back to the Sea King's realm.

But what is the strange fear that seizes Urashima as he stands and looks about him? Why does he gaze so fixedly at the people that pass him by, and why do they in turn stand and look at him? The shore is the same and the hills are the same, but the people that he sees walking past him have very different faces to those he had known so well before.

Wondering what it can mean he walks quickly towards his old home. Even that looks different, but a house stands on the spot, and he calls out:

"Father, I have just returned!" and he was about to enter, when he saw a strange man coming out.

"Perhaps my parents have moved while I have been away, and have gone somewhere else," was the fisherman's thought. Somehow he began to feel strangely anxious, he could not tell why.

"Excuse me," said he to the man who was staring at him, "but till within the last few days I have lived in this house. My name is Urashima Taro. Where have my parents gone whom I left here?"

A very bewildered expression came over the face of the man, and, still gazing intently on Urashima's face, he said:

"What? Are you Urashima Taro?"

"Yes," said the fisherman, "I am Urashima Taro!"

"Ha, ha!" laughed the man, "you must not make such jokes. It is true that once upon a time a man called Urashima Taro did live in this village, but that is a story three hundred years old. He could not possibly be alive now!"

When Urashima heard these strange words he was frightened, and said:

"Please, please, you must not joke with me, I am greatly perplexed. I am really Urashima Taro, and I certainly have not lived three hundred years. Till four or five days ago I lived on this spot. Tell me what I want to know without more joking, please."

But the man's face grew more and more grave, and he answered:

"You may or may not be Urashima Taro, I don't know. But the Urashima Taro of whom I have heard is a man who lived three hundred years ago. Perhaps you are his spirit come to revisit your old home?"

"Why do you mock me?" said Urashima. "I am no spirit! I am a living man--do you not see my feet;" and "don-don," he stamped on the ground, first with one foot and then with the other to show the man. (Japanese ghosts have no feet.)

"But Urashima Taro lived three hundred years ago, that is all I know; it is written in the village chronicles," persisted the man, who could not believe what the fisherman said.

Urashima was lost in bewilderment and trouble. He stood looking all around him, terribly puzzled, and, indeed, something in the appearance of everything was different to what he remembered before he went away, and the awful feeling came over him that what the man said was perhaps true. He seemed to be in a strange dream. The few days he had spent in the Sea King's palace beyond the sea had not been days at all: they had been hundreds of years, and in that time his parents had died and all the people he had ever known, and the village had written down his story. There was no use in staying here any longer. He must get back to his beautiful wife beyond the sea.

He made his way back to the beach, carrying in his hand the box which the Princess had given him. But which was the way? He could not find it alone! Suddenly he remembered the box, the tamate-bako.

"The Princess told me when she gave me the box never to open it--that it contained a very precious thing. But now that I have no home, now that I have lost everything that was dear to me here, and my heart grows thin with sadness, at such a time, if I open the box, surely I shall find something that will help me, something that will show me the way back to my beautiful Princess over the sea. There is nothing else for me to do now. Yes, yes, I will open the box and look in!"

And so his heart consented to this act of disobedience, and he tried to persuade himself that he was doing the right thing in breaking his promise.

Slowly, very slowly, he untied the red silk cord, slowly and wonderingly he lifted the lid of the precious box. And what did he find? Strange to say only a beautiful little purple cloud rose out of the box in three soft wisps. For an instant it covered his face and wavered over him as if loath to go, and then it floated away like vapor over the sea.

Urashima, who had been till that moment like a strong and handsome youth of twenty-four, suddenly became very, very old. His back doubled up with age, his hair turned snowy white, his face wrinkled and he fell down dead on the beach.

Poor Urashima! because of his disobedience he could never return to the Sea King's realm or the lovely Princess beyond the sea.

Little children, never be disobedient to those who are wiser than you for disobedience was the beginning of all the miseries and sorrows of life.

THE FARMER AND THE BADGER

Long, long ago, there lived an old farmer and his wife who had made their home in the mountains, far from any town. Their only neighbor was a bad and malicious badger. This badger used to come out every night and run across to the farmer's field and spoil the vegetables and the rice which the farmer spent his time in carefully cultivating. The badger at last grew so ruthless in his mischievous work, and did so much harm everywhere on the farm, that the good-natured farmer could not stand it any longer, and determined to put a stop to it. So he lay in wait day after day and night after night, with a big club, hoping to catch the badger, but all in vain. Then he laid traps for the wicked animal.

The farmer's trouble and patience was rewarded, for one fine day on going his rounds he found the badger caught in a hole he had dug for that purpose. The farmer was delighted at having caught his enemy, and carried him home securely bound with rope. When he reached the house the farmer said to his wife:

"I have at last caught the bad badger. You must keep an eye on him while I am out at work and not let him escape, because I want to make him into soup to-night."

Saying this, he hung the badger up to the rafters of his storehouse and went out to his work in the fields. The badger was in great distress, for he did not at all like the idea of being made into soup that night, and he thought and thought for a long time, trying to hit upon some plan by which he might escape. It was hard to think clearly in his uncomfortable position, for he had been hung upside down. Very near him, at the entrance to the storehouse, looking out towards the green fields and the trees and the pleasant sunshine, stood the farmer's old wife pounding barley. She looked tired and old. Her face was seamed with many wrinkles, and was as brown as leather, and every now and then she stopped to wipe the perspiration which rolled down her face.

"Dear lady," said the wily badger, "you must be very weary doing such heavy work in your old age. Won't you let me do that for you? My arms are very strong, and I could relieve you for a little while!"

"Thank you for your kindness," said the old woman, "but I cannot let you do this work for me because I must not untie you, for you might escape if I did, and my husband would be very angry if he came home and found you gone."

Now, the badger is one of the most cunning of animals, and he said again in a very sad, gentle, voice:

"You are very unkind. You might untie me, for I promise not to try to escape. If you are afraid of your husband, I will let you bind me again before his return when I have finished pounding the barley. I am so tired and sore tied up like this. If you would only let me down for a few minutes I would indeed be thankful!"

The old woman had a good and simple nature, and could not think badly of any one. Much less did she think that the badger was only deceiving her in order to get away. She felt sorry, too, for the animal as she turned to look at him. He looked in such a sad plight hanging downwards from the ceiling by his legs, which were all tied together so tightly that the rope and the knots were cutting into the skin. So in the kindness of her heart, and believing the creature's promise that he would not run away, she untied the cord and let him down.

The old woman then gave him the wooden pestle and told him to do the work for a short time while she rested. He took the pestle, but instead of doing the work as he was told, the badger at once sprang upon the old woman and knocked her down with the heavy piece of wood. He then killed her and cut her up and made soup of her, and waited for the return of the old farmer. The old man worked hard in his fields all day, and as he worked he thought with pleasure that no more now would his labor be spoiled by the destructive badger.

Towards sunset he left his work and turned to go home. He was very tired, but the thought of the nice supper of hot badger soup awaiting his return cheered him. The thought that the badger might get free and take revenge on the poor old woman never once came into his mind.

The badger meanwhile assumed the old woman's form, and as soon as he saw the old farmer approaching came out to greet him on the veranda of the little house, saying:

"So you have come back at last. I have made the badger soup and have been waiting for you for a long time."

The old farmer quickly took off his straw sandals and sat down before his tiny dinner-tray. The innocent man never even dreamed that it was not his wife but the badger who was waiting upon him, and asked at once for the soup. Then the badger suddenly transformed himself back to his natural form and cried out:

"You wife-eating old man! Look out for the bones in the kitchen!"

Laughing loudly and derisively he escaped out of the house and ran away to his den in the hills. The old man was left behind alone. He could hardly believe what he had seen and heard. Then when he understood the whole truth he was so scared and horrified that he fainted right away. After a while he came round and burst into tears. He cried loudly and bitterly. He rocked himself to and fro in his hopeless grief. It seemed too terrible to be real that his faithful old wife had been killed and cooked by the badger while he was working quietly in the fields, knowing nothing of what was going on at home, and congratulating himself on having once for all got rid of the wicked animal who had so often spoiled his fields. And oh! the horrible thought; he had very nearly drunk the soup which the creature had made of his poor old woman. "Oh dear, oh dear, oh dear!" he wailed aloud. Now, not far away there lived in the same mountain a kind, good-natured old rabbit. He heard the old man crying and sobbing and at once set out to see what was the matter, and if there was anything he could do to help his neighbor. The old man told him all that had happened. When the rabbit heard the story he was very angry at the wicked and deceitful badger, and told the old man to leave everything to him and he would avenge his wife's death. The farmer was at last comforted, and, wiping away his tears, thanked the rabbit for his goodness in coming to him in his distress.

The rabbit, seeing that the farmer was growing calmer, went back to his home to lay his plans for the punishment of the badger.

The next day the weather was fine, and the rabbit went out to find the badger. He was not to be seen in the woods or on the hillside or in the fields anywhere, so the rabbit went to his den and found the badger hiding there, for the animal had been afraid to show himself ever since he had escaped from the farmer's house, for fear of the old man's wrath.

The rabbit called out:

"Why are you not out on such a beautiful day? Come out with me, and we will go and cut grass on the hills together."

The badger, never doubting but that the rabbit was his friend, willingly consented to go out with him, only too glad to get away from the neighborhood of the farmer and the fear of meeting him. The rabbit led the way miles away from their homes, out on the hills where the grass grew tall and thick and sweet. They both set to work to cut down as much as they could carry home, to store it up for their winter's food. When they had each cut down all they wanted they tied it in bundles and then started homewards, each carrying his bundle of grass on his back. This time the rabbit made the badger go first.

When they had gone a little way the rabbit took out a flint and steel, and, striking it over the badger's back as he stepped along in front, set his bundle of grass on fire. The badger heard the flint striking, and asked:

"What is that noise. 'Crack, crack'?"

"Oh, that is nothing." replied the rabbit; "I only said 'Crack, crack' because this mountain is called Crackling Mountain."

The fire soon spread in the bundle of dry grass on the badger's back. The badger, hearing the crackle of the burning grass, asked, "What is that?"

"Now we have come to the 'Burning Mountain,'" answered the rabbit.

By this time the bundle was nearly burned out and all the hair had been burned off the badger's back. He now knew what had happened by the smell of the smoke of the burning grass. Screaming with pain the badger ran as fast as he could to his hole. The rabbit followed and found him lying on his bed groaning with pain.

"What an unlucky fellow you are!" said the rabbit. "I can't imagine how this happened! I will bring you some medicine which will heal your back quickly!"

The rabbit went away glad and smiling to think that the punishment upon the badger had already begun. He hoped that the badger would die of his burns, for he felt that nothing could be too bad for the animal, who was guilty of murdering a poor helpless old woman who had trusted him. He went home and made an ointment by mixing some sauce and red pepper together.

He carried this to the badger, but before putting it on he told him that it would cause him great pain, but that he must bear it patiently, because it was a very wonderful medicine for burns and scalds and such wounds. The badger thanked him and begged him to apply it at once. But no language can describe the agony of the badger as soon as the red pepper had been pasted all over his sore back. He rolled over and over and howled loudly. The rabbit, looking on, felt that the farmer's wife was beginning to be avenged.

The badger was in bed for about a month; but at last, in spite of the red pepper application, his burns healed and he got well. When the rabbit saw that the badger was getting well, he thought of another plan by which he could compass the creature's death. So he went one day to pay the badger a visit and to congratulate him on his recovery.

During the conversation the rabbit mentioned that he was going fishing, and described how pleasant fishing was when the weather was fine and the sea smooth.

The badger listened with pleasure to the rabbit's account of the way he passed his time now, and forgot all his pains and his month's illness, and thought what fun it would be if he could go fishing too; so he asked the rabbit if he would take him the next time he went out to fish. This was just what the rabbit wanted, so he agreed.

Then he went home and built two boats, one of wood and the other of clay. At last they were both finished, and as the rabbit stood and looked at his work he felt that all his trouble would be well rewarded if his plan succeeded, and he could manage to kill the wicked badger now.

The day came when the rabbit had arranged to take the badger fishing. He kept the wooden boat himself and gave the badger the clay boat. The badger, who knew nothing about boats, was delighted with his new boat and thought how kind it was of the rabbit to give it to him. They both got into their boats and set out. After going some distance from the shore the rabbit proposed that they should try their boats and see which one could go the quickest. The badger fell in with the proposal, and they both set to work to row as fast as they could for some time. In the middle of the race the badger found his boat going to pieces, for the water now began to soften the clay. He cried out in great fear to the rabbit to help him. But the rabbit answered that he was avenging the old woman's murder, and that this had been his intention all along, and that he was happy to think that the badger had at last met his deserts for all his evil crimes, and was to drown with no one to help him. Then he raised his oar and struck at the badger with all his strength till he fell with the sinking clay boat and was seen no more.

Thus at last he kept his promise to the old farmer. The rabbit now turned and rowed shorewards, and having landed and pulled his boat upon the beach, hurried back to tell the old farmer everything, and how the badger, his enemy, had been killed.

The old farmer thanked him with tears in his eyes. He said that till now he could never sleep at night or be at peace in the daytime, thinking of how his wife's death was unavenged, but from this time he would be able to sleep and eat as of old. He begged the rabbit to stay with him and share his home, so from this day the rabbit went to stay with the old farmer and they both lived together as good friends to the end of their days.

THE shinansha, OR THE SOUTH POINTING CARRIAGE.

The compass, with its needle always pointing to the North, is quite a common thing, and no one thinks that it is remarkable now, though when it was first invented it must have been a wonder.

Now long ago in China, there was a still more wonderful invention called the shinansha. This was a kind of chariot with the figure of a man on it always pointing to the South. No matter how the chariot was placed the figure always wheeled about and pointed to the South.

This curious instrument was invented by Kotei, one of the three Chinese Emperors of the Mythological age. Kotei was the son of the Emperor Yuhi. Before he was born his mother had a vision which foretold that her son would be a great man.

One summer evening she went out to walk in the meadows to seek the cool breezes which blow at the end of the day and to gaze with pleasure at the star-lit heavens above her. As she looked at the North Star, strange to relate, it shot forth vivid flashes of lightning in every direction. Soon after this her son Kotei came into the world.

Kotei in time grew to manhood and succeeded his father the Emperor Yuhi. His early reign was greatly troubled by the rebel Shiyu. This rebel wanted to make himself King, and many were the battles which he fought to this end. Shiyu was a wicked magician, his head was made of iron, and there was no man that could conquer him.

At last Kotei declared war against the rebel and led his army to battle, and the two armies met on a plain called Takuroku. The Emperor boldly attacked the enemy, but the magician brought down a dense fog upon the battlefield, and while the royal army were wandering about in confusion, trying to find their way, Shiyu retreated with his troops, laughing at having fooled the royal army.

No matter however strong and brave the Emperor's soldiers were, the rebel with his magic could always escape in the end.

Kotei returned to his Palace, and thought and pondered deeply as to how he should conquer the magician, for he was determined not to give up yet. After a long time he invented the shinansha with the figure of a man always pointing South, for there were no compasses in those days. With this instrument to show him the way he need not fear the dense fogs raised up by the magician to confound his men.

Kotei again declared war against Shiyu. He placed the shinansha in front of his army and led the way to the battlefield.

The battle began in earnest. The rebel was being driven backward by the royal troops when he again resorted to magic, and upon his saying some strange words in a loud voice, immediately a dense fog came down upon the battlefield.

But this time no soldier minded the fog, not one was confused. Kotei by pointing to the shinansha could find his way and directed the army without a single mistake. He closely pursued the rebel army and drove them backward till they came to a big river. This river Kotei and his men found was swollen by the floods and impossible to cross.

Shiyu by using his magic art quickly passed over with his army and shut himself up in a fortress on the opposite bank.

When Kotei found his march checked he was wild with disappointment, for he had very nearly overtaken the rebel when the river stopped him.

He could do nothing, for there were no boats in those days, so the Emperor ordered his tent to be pitched in the pleasantest spot that the place afforded.

One day he stepped forth from his tent and after walking about for a short time he came to a pond. Here he sat down on the bank and was lost in thought.

It was autumn. The trees growing along the edge of the water were shedding their leaves, which floated hither and thither on the surface of the pond. By and by, Kotei's attention was attracted to a spider on the brink of the water. The little insect was trying to get on to one of the floating leaves near by. It did so at last, and was soon floating over the water to the other side of the pond.

This little incident made the clever Emperor think that he might try to make something that could carry himself and his men over the river in the same way that the leaf had carried over the spider. He set to work and persevered till he invented the first boat. When he found that it was a success he set all his men to make more, and in time there were enough boats for the whole army.

Kotei now took his army across the river, and attacked Shiyu's headquarters. He gained a complete victory, and so put an end to the war which had troubled his country for so long.

This wise and good Emperor did not rest till he had secured peace and prosperity throughout his whole land. He was beloved by his subjects, who now enjoyed their happiness of peace for many long years under him. He spent a great deal of time in making inventions which would benefit his people, and he succeeded in many besides the boat and the South Pointing shinansha.

He had reigned about a hundred years when one day, as Kotei was looking upwards, the sky became suddenly red, and something came glittering like gold towards the earth. As it came nearer Kotei saw that it was a great Dragon. The Dragon approached and bowed down its head before the Emperor. The Empress and the courtiers were so frightened that they ran away screaming.

But the Emperor only smiled and called to them to stop, and said:

"Do not be afraid. This is a messenger from Heaven. My time here is finished!" He then mounted the Dragon, which began to ascend towards the sky.

When the Empress and the courtiers saw this they all cried out together:

"Wait a moment! We wish to come too." And they all ran and caught hold of the Dragon's beard and tried to mount him.

But it was impossible for so many people to ride on the Dragon. Several of them hung on to the creature's beard so that when it tried to mount the hair was pulled out and they fell to the ground.

Meanwhile the Empress and a few of the courtiers were safely seated on the Dragon's back. The Dragon flew up so high in the heavens that in a short time the inmates of the Palace, who had been left behind disappointed, could see them no more.

After some time a bow and an arrow dropped to the earth in the courtyard of the Palace. They were recognized as having belonged to the Emperor Kotei. The courtiers took them up carefully and preserved them as sacred relics in the Palace.

THE ADVENTURES OF KINTARO, THE GOLDEN BOY.

Long, long ago there lived in Kyoto a brave soldier named Kintoki. Now he fell in love with a beautiful lady and married her. Not long after this, through the malice of some of his friends, he fell into disgrace at Court and was dismissed. This misfortune so preyed upon his mind that he did not long survive his dismissal--he died, leaving behind him his beautiful young wife to face the world alone. Fearing her husband's enemies, she fled to the Ashigara Mountains as soon as her husband was dead, and there in the lonely forests where no one ever came except woodcutters, a little boy was born to her. She called him Kintaro or the Golden Boy. Now the remarkable thing about this child was his great strength, and as he grew older he grew stronger and stronger, so that by the time he was eight years of age he was able to cut down trees as quickly as the woodcutters. Then his mother gave him a large ax, and he used to go out in the forest and help the woodcutters, who called him "Wonder-child," and his mother the "Old Nurse of the Mountains," for they did not know her high rank. Another favorite pastime of Kintaro's was to smash up rocks and stones. You can imagine how strong he was!

Quite unlike other boys, Kintaro, grew up all alone in the mountain wilds, and as he had no companions he made friends with all the animals and learned to understand them and to speak their strange talk. By degrees they all grew quite tame and looked upon Kintaro as their master, and he used them as his servants and messengers. But his special retainers were the bear, the deer, the monkey and the hare.

The bear often brought her cubs for Kintaro to romp with, and when she came to take them home Kintaro would get on her back and have a ride to her cave. He was very fond of the deer too, and would often put his arms round the creature's neck to show that its long horns did not frighten him. Great was the fun they all had together.

One day, as usual, Kintaro went up into the mountains, followed by the bear, the deer, the monkey, and the hare. After walking for some time up hill and down dale and over rough roads, they suddenly came out upon a wide and grassy plain covered with pretty wild flowers.

Here, indeed, was a nice place where they could all have a good romp together. The deer rubbed his horns against a tree for pleasure, the monkey scratched his back, the hare smoothed his long ears, and the bear gave a grunt of satisfaction.

Kintaro said, "Here is a place for a good game. What do you all say to a wrestling match?"

The bear being the biggest and the oldest, answered for the others:

"That will be great fun," said she. "I am the strongest animal, so I will make the platform for the wrestlers;" and she set to work with a will to dig up the earth and to pat it into shape.

"All right," said Kintaro, "I will look on while you all wrestle with each other. I shall give a prize to the one who wins in each round."

"What fun! we shall all try to get the prize," said the bear.

The deer, the monkey and the hare set to work to help the bear raise the platform on which they were all to wrestle. When this was finished, Kintaro cried out:

"Now begin! the monkey and the hare shall open the sports and the deer shall be umpire. Now, Mr. Deer, you are to be umpire!"

"He, he!" answered the deer. "I will be umpire. Now, Mr. Monkey and Mr. Hare, if you are both ready, please walk out and take your places on the platform."

Then the monkey and the hare both hopped out, quickly and nimbly, to the wrestling platform. The deer, as umpire, stood between the two and called out:

"Red-back! Red-back!" (this to the monkey, who has a red back in Japan). "Are you ready?"

Then he turned to the hare:

"Long-ears! Long-ears! are you ready?"

Both the little wrestlers faced each other while the deer raised a leaf on high as signal. When he dropped the leaf the monkey and the hare rushed upon each other, crying "Yoisho, yoisho!"

While the monkey and the hare wrestled, the deer called out encouragingly or shouted warnings to each of them as the hare or the monkey pushed each other near the edge of the platform and were in danger of falling over.

"Red-back! Red-back! stand your ground!" called out the deer.

"Long-ears! Long-ears! be strong, be strong--don't let the monkey beat you!" grunted the bear.

So the monkey and the hare, encouraged by their friends, tried their very hardest to beat each other. The hare at last gained on the monkey. The monkey seemed to trip up, and the hare giving him a good push sent him flying off the platform with a bound.

The poor monkey sat up rubbing his back, and his face was very long as he screamed angrily. "Oh, oh! how my back hurts--my back hurts me!"

Seeing the monkey in this plight on the ground, the deer holding his leaf on high said:

"This round is finished--the hare has won."

Kintaro then opened his luncheon box and taking out a rice-dumpling, gave it to the hare saying:

"Here is your prize, and you have earned, it well!"

Now the monkey got up looking very cross, and as they say in Japan "his stomach stood up," for he felt that he had not been fairly beaten. So he said to Kintaro and the others who were standing by:

"I have not been fairly beaten. My foot slipped and I tumbled. Please give me another chance and let the hare wrestle with me for another round."

Then Kintaro consenting, the hare and the monkey began to wrestle again. Now, as every one knows, the monkey is a cunning animal by nature, and he made up his mind to get the best of the hare this time if it were possible. To do this, he thought that the best and surest way would be to get hold of the hare's long ear. This he soon managed to do. The hare was quite thrown off his guard by the pain of having his long ear pulled so hard, and the monkey seizing his opportunity at last, caught hold of one of the hare's legs and sent him sprawling in the middle of the dais. The monkey was now the victor and received, a rice-dumpling from Kintaro, which pleased him so much that he quite forgot his sore back.

The deer now came up and asked the hare if he felt ready for another round, and if so whether he would try a round with him, and the hare consenting, they both stood up to wrestle. The bear came forward as umpire.

The deer with long horns and the hare with long ears, it must have been an amusing sight to those who watched this queer match. Suddenly the deer went down on one of his knees, and the bear with the leaf on high declared him beaten. In this way, sometimes the one, sometimes the other, conquering, the little party amused themselves till they were tired.

At last Kintaro got up and said:

"This is enough for to-day. What a nice place we have found for wrestling; let us come again to-morrow. Now, we will all go home. Come along!" So saying, Kintaro led the way while the animals followed.

After walking some little distance they came out on the banks of a river flowing through a valley. Kintaro and his four furry friends stood and looked about for some means of crossing. Bridge there was none. The river rushed "don, don" on its way. All the animals looked serious, wondering how they could cross the stream and get home that evening.

Kintaro, however, said:

"Wait a moment. I will make a good bridge for you all in a few minutes."

The bear, the deer, the monkey and the hare looked at him to see what he would do now.

Kintaro went from one tree to another that grew along the river bank. At last he stopped in front of a very large tree that was growing at the water's edge. He took hold of the trunk and pulled it with all his might, once, twice, thrice! At the third pull, so great was Kintaro's strength that the roots gave way, and "meri, meri" (crash, crash), over fell the tree, forming an excellent bridge across the stream.

"There," said Kintaro, "what do you think of my bridge? It is quite safe, so follow me," and he stepped across first. The four animals followed. Never had they seen any one so strong before, and they all exclaimed:

"How strong he is! how strong he is!"

While all this was going on by the river a woodcutter, who happened to be standing on a rock overlooking the stream, had seen all that passed beneath him. He watched with great surprise Kintaro and his animal companions. He rubbed his eyes to be sure that he was not dreaming when he saw this boy pull over a tree by the roots and throw it across the stream to form a bridge.

The woodcutter, for such he seemed to be by his dress, marveled at all he saw, and said to himself:

"This is no ordinary child. Whose son can he be? I will find out before this day is done."

He hastened after the strange party and crossed the bridge behind them. Kintaro knew nothing of all this, and little guessed that he was being followed. On reaching the other side of the river he and the animals separated, they to their lairs in the woods and he to his mother, who was waiting for him.

As soon as he entered the cottage, which stood like a matchbox in the heart of the pine-woods, he went to greet his mother, saying:

"Okkasan (mother), here I am!"

"O, Kimbo!" said his mother with a bright smile, glad to see her boy home safe after the long day. "How late you are to-day. I feared that something had happened to you. Where have you been all the time?"

"I took my four friends, the bear, the deer, the monkey, and the hare, up into the hills, and there I made them try a wrestling match, to see which was the strongest. We all enjoyed the sport, and are going to the same place to-morrow to have another match."

"Now tell me who is the strongest of all?" asked his mother, pretending not to know.

"Oh, mother," said Kintaro, "don't you know that I am the strongest? There was no need for me to wrestle with any of them."

"But next to you then, who is the strongest?"

"The bear comes next to me in strength," answered Kintaro.

"And after the bear?" asked his mother again.

"Next to the bear it is not easy to say which is the strongest, for the deer, the monkey, and the hare all seem to be as strong as each other," said Kintaro.

Suddenly Kintaro and his mother were startled by a voice from outside.

"Listen to me, little boy! Next time you go, take this old man with you to the wrestling match. He would like to join the sport too!"

It was the old woodcutter who had followed Kintaro from the river. He slipped off his clogs and entered the cottage. Yama-uba and her son were both taken by surprise. They looked at the intruder wonderingly and saw that he was some one they had never seen before.

"Who are you?" they both exclaimed.

Then the woodcutter laughed and said:

"It does not matter who I am yet, but let us see who has the strongest arm--this boy or myself?"

Then Kintaro, who had lived all his life in the forest, answered the old man without any ceremony, saying:

"We will have a try if you wish it, but you must not be angry whoever is beaten."

Then Kintaro and the woodcutter both put out their right arms and grasped each other's hands. For a long time Kintaro and the old man wrestled together in this way, each trying to bend the other's arm, but the old man was very strong, and the strange pair were evenly matched. At last the old man desisted, declaring it a drawn game.

"You are, indeed, a very strong child. There are few men who can boast of the strength of my right arm!" said the woodcutter. "I saw you first on the hanks of the river a few hours ago, when you pulled up that large tree to make a bridge across the torrent. Hardly able to believe what I saw I followed you home. Your strength of arm, which I have just tried, proves what I saw this afternoon. When you are full-grown you will surely be the strongest man in all Japan. It is a pity that you are hidden away in these wild mountains."

Then he turned to Kintaro's mother:

"And you, mother, have you no thought of taking your child to the Capital, and of teaching him to carry a sword as befits a samurai (a Japanese knight)?"

"You are very kind to take so much interest in my son." replied the mother; "but he is as you see, wild and uneducated, and I fear it would be very difficult to do as you say. Because of his great strength as an infant I hid him away in this unknown part of the country, for he hurt every one that came near him. I have often wished that I could, one day, see my boy a knight wearing two swords, but as we have no influential friend to introduce us at the Capital, I fear my hope will never come true."

"You need not trouble yourself about that. To tell you the truth I am no woodcutter! I am one of the great generals of Japan. My name is Sadamitsu, and I am a vassal of the powerful Lord Minamoto-no-Raiko. He ordered me to go round the country and look for boys who give promise of remarkable strength, so that they may be trained as soldiers for his army. I thought that I could best do this by assuming the disguise of a woodcutter. By good fortune, I have thus unexpectedly come across your son. Now if you really wish him to be a SAMURAI (a knight), I will take him and present him to the Lord Raiko as a candidate for his service. What do you say to this?"

As the kind general gradually unfolded his plan the mother's heart was filled with a great joy. She saw that here was a wonderful chance of the one wish of her life being fulfilled--that of seeing Kintaro a SAMURAI before she died.

Bowing her head to the ground, she replied:

"I will then intrust my son to you if you really mean what you say."

Kintaro had all this time been sitting by his mother's side listening to what they said. When his mother finished speaking, he exclaimed:

"Oh, joy! joy! I am to go with the general and one day I shall be a SAMURAI!"

Thus Kintaro's fate was settled, and the general decided to start for the Capital at once, taking Kintaro with him. It need hardly be said that Yama-uba was sad at parting with her boy, for he was all that was left to her. But she hid her grief with a strong face, as they say in Japan. She knew that it was for her boy's good that he should leave her now, and she must not discourage him just as he was setting out. Kintaro promised never to forget her, and said that as soon as he was a knight wearing two swords he would build her a home and take care of her in her old age.

All the animals, those he had tamed to serve him, the bear, the deer, the monkey, and the hare, as soon as they found out that he was going away, came to ask if they might attend him as usual. When they learned that he was going away for good they followed him to the foot of the mountain to see him off.

"Kimbo," said his mother, "mind and be a good boy."

"Mr. Kintaro," said the faithful animals, "we wish you good health on your travels."

Then they all climbed a tree to see the last of him, and from that height they watched him and his shadow gradually grow smaller and smaller, till he was lost to sight.

The general Sadamitsu went on his way rejoicing at having so unexpectedly found such a prodigy as Kintaro.

Having arrived at their destination the general took Kintaro at once to his Lord, Minamoto-no-Raiko, and told him all about Kintaro and how he had found the child. Lord Raiko was delighted with the story, and having commanded Kintaro to be brought to him, made him one of his vassals at once.

Lord Raiko's army was famous for its band called "The Four Braves." These warriors were chosen by himself from amongst the bravest and strongest of his soldiers, and the small and well-picked band was distinguished throughout the whole of Japan for the dauntless courage of its men.

When Kintaro grew up to be a man his master made him the Chief of the Four Braves. He was by far the strongest of them all. Soon after this event, news was brought to the city that a cannibal monster had taken up his abode not far away and that people were stricken with fear. Lord Raiko ordered Kintaro to the rescue. He immediately started off, delighted at the prospect of trying his sword.

Surprising the monster in its den, he made short work of cutting off its great head, which he carried back in triumph to his master.

Kintaro now rose to be the greatest hero of his country, and great was the power and honor and wealth that came to him. He now kept his promise and built a comfortable home for his old mother, who lived happily with him in the Capital to the end of her days.

Is not this the story of a great hero?

THE STORY OF PRINCESS HASE.

A STORY OF OLD JAPAN.

Many, many years ago there lived in Nara, the ancient Capital of Japan, a wise State minister, by name Prince Toyonari Fujiwara. His wife was a noble, good, and beautiful woman called Princess Murasaki (Violet). They had been married by their respective families according to Japanese custom when very young, and had lived together happily ever since. They had, however, one cause for great sorrow, for as the years went by no child was born to them. This made them very unhappy, for they both longed to see a child of their own who would grow up to gladden their old age, carry on the family name, and keep up the ancestral rites when they were dead. The Prince and his lovely wife, after long consultation and much thought, determined to make a pilgrimage to the temple of Hase-no-Kwannon (Goddess of Mercy at Hase), for they believed, according to the beautiful tradition of their religion, that the Mother of Mercy, Kwannon, comes to answer the prayers of mortals in the form that they need the most. Surely after all these years of prayer she would come to them in the form of a beloved child in answer to their special pilgrimage, for that was the greatest need of their two lives. Everything else they had that this life could give them, but it was all as nothing because the cry of their hearts was unsatisfied.

So the Prince Toyonari and his wife went to the temple of Kwannon at Hase and stayed there for a long time, both daily offering incense and praying to Kwannon, the Heavenly Mother, to grant them the desire of their whole lives. And their prayer was answered.

A daughter was born at last to the Princess Murasaki, and great was the joy of her heart. On presenting the child to her husband, they both decided to call her Hase-Hime, or the Princess of Hase, because she was the gift of the Kwannon at that place. They both reared her with great care and tenderness, and the child grew in strength and beauty.

When the little girl was five years old her mother fell dangerously ill and all the doctors and their medicines could not save her. A little before she breathed her last she called her daughter to her, and gently stroking her head, said:

"Hase-Hime, do you know that your mother cannot live any longer? Though I die, you must grow up a good girl. Do your best not to give trouble to your nurse or any other of your family. Perhaps your father will marry again and some one will fill my place as your mother. If so do not grieve for me, but look upon your father's second wife as your true mother, and be obedient and filial to both her and your father. Remember when you are grown up to be submissive to those who are your superiors, and to be kind to all those who are under you. Don't forget this. I die with the hope that you will grow up a model woman."

Hase-Hime listened in an attitude of respect while her mother spoke, and promised to do all that she was told. There is a proverb which says "As the soul is at three so it is at one hundred," and so Hase-Hime grew up as her mother had wished, a good and obedient little Princess, though she was now too young to understand how great was the loss of her mother.

Not long after the death of his first wife, Prince Toyonari married again, a lady of noble birth named Princess Terute. Very different in character, alas! to the good and wise Princess Murasaki, this woman had a cruel, bad heart. She did not love her step-daughter at all, and was often very unkind to the little motherless girl, saving to herself:

"This is not my child! this is not my child!"

But Hase-Hime bore every unkindness with patience, and even waited upon her step-mother kindly and obeyed her in every way and never gave any trouble, just as she had been trained by her own good mother, so that the Lady Terute had no cause for complaint against her.

The little Princess was very diligent, and her favorite studies were music and poetry. She would spend several hours practicing every day, and her father had the most proficient of masters he could find to teach her the koto (Japanese harp), the art of writing letters and verse. When she was twelve years of age she could play so beautifully that she and her step-mother were summoned to the Palace to perform before the Emperor.

It was the Festival of the Cherry Flowers, and there were great festivities at the Court. The Emperor threw himself into the enjoyment of the season, and commanded that Princess Hase should perform before him on the koto, and that her mother Princess Terute should accompany her on the flute.

The Emperor sat on a raised dais, before which was hung a curtain of finely-sliced bamboo and purple tassels, so that His Majesty might see all and not be seen, for no ordinary subject was allowed to looked upon his sacred face.

Hase-Hime was a skilled musician though so young, and often astonished her masters by her wonderful memory and talent. On this momentous occasion she played well. But Princess Terute, her step-mother, who was a lazy woman and never took the trouble to practice daily, broke down in her accompaniment and had to request one of the Court ladies to take her place. This was a great disgrace, and she was furiously jealous to think that she had failed where her step-daughter succeeded; and to make matters worse the Emperor sent many beautiful gifts to the little Princess to reward her for playing so well at the Palace.

There was also now another reason why Princess Terute hated her step-daughter, for she had had the good fortune to have a son born to her, and in her inmost heart she kept saying:

"If only Hase-Hime were not here, my son would have all the love of his father."

And never having learned to control herself, she allowed this wicked thought to grow into the awful desire of taking her step-daughter's life.

So one day she secretly ordered some poison and poisoned some sweet wine. This poisoned wine she put into a bottle. Into another similar bottle she poured some good wine. It was the occasion of the Boys' Festival on the fifth of May, and Hase-Hime was playing with her little brother. All his toys of warriors and heroes were spread out and she was telling him wonderful stories about each of them. They were both enjoying themselves and laughing merrily with their attendants when his mother entered with the two bottles of wine and some delicious cakes.

"You are both so good and happy." said the wicked Princess Terute with a smile, "that I have brought you some sweet wine as a reward--and here are some nice cakes for my good children."

And she filled two cups from the different bottles.

Hase-Hime, never dreaming of the dreadful part her step-mother was acting, took one of the cups of wine and gave to her little step brother the other that had been poured out for him.

The wicked woman had carefully marked the poisoned bottle, but on coming into the room she had grown nervous, and pouring out the wine hurriedly had unconsciously given the poisoned cup to her own child. All this time she was anxiously watching the little Princess, but to her amazement no change whatever took place in the young girl's face. Suddenly the little boy screamed and threw himself on the floor, doubled up with pain. His mother flew to him, taking the precaution to upset the two tiny jars of wine which she had brought into the room, and lifted him up. The attendants rushed for the doctor, but nothing could save the child--he died within the hour in his mother's arms. Doctors did not know much in those ancient times, and it was thought that the wine had disagreed with the boy, causing convulsions of which he died.

Thus was the wicked woman punished in losing her own child when she had tried to do away with her step-daughter; but instead of blaming herself she began to hate Hase-Hime more than ever in the bitterness and wretchedness of her own heart, and she eagerly watched for an opportunity to do her harm, which was, however, long in coming.

When Hase-Hime was thirteen years of age, she had already become mentioned as a poetess of some merit. This was an accomplishment very much cultivated by the women of old Japan and one held in high esteem.

It was the rainy season at Nara, and floods were reported every day as doing damage in the neighborhood. The river Tatsuta, which flowed through the Imperial Palace grounds, was swollen to the top of its banks, and the roaring of the torrents of water rushing along a narrow bed so disturbed the Emperor's rest day and night, that a serious nervous disorder was the result. An Imperial Edict was sent forth to all the Buddhist temples commanding the priests to offer up continuous prayers to Heaven to stop the noise of the flood. But this was of no avail.

Then it was whispered in Court circles that the Princess Hase, the daughter of Prince Toyonari Fujiwara, second minister at Court, was the most gifted poetess of the day, though still so young, and her masters confirmed the report. Long ago, a beautiful and gifted maiden-poetess had moved Heaven by praying in verse, had brought down rain upon a land famished with drought--so said the ancient biographers of the poetess Ono-no-Komachi. If the Princess Hase were to write a poem and offer it in prayer, might it not stop the noise of the rushing river and remove the cause of the Imperial illness? What the Court said at last reached the ears of the Emperor himself, and he sent an order to the minister Prince Toyonari to this effect.

Great indeed was Hase-Hime's fear and astonishment when her father sent for her and told her what was required of her. Heavy, indeed, was the duty that was laid on her young shoulders--that of saving the Emperor's life by the merit of her verse.

At last the day came and her poem was finished. It was written on a leaflet of paper heavily flecked with gold-dust. With her father and attendants and some of the Court officials, she proceeded to the bank of the roaring torrent and raising up her heart to Heaven, she read the poem she had composed, aloud, lifting it heavenwards in her two hands.

Strange indeed it seemed to all those standing round. The waters ceased their roaring, and the river was quiet in direct answer to her prayer. After this the Emperor soon recovered his health.

His Majesty was highly pleased, and sent for her to the Palace and rewarded her with the rank of Chinjo--that of Lieutenant-General--to distinguish her. From that time she was called Chinjo-hime, or the Lieutenant-General Princess, and respected and loved by all.

There was only one person who was not pleased at Hase-Hime's success. That one was her stepmother. Forever brooding over the death of her own child whom she had killed when trying to poison her step-daughter, she had the mortification of seeing her rise to power and honor, marked by Imperial favor and the admiration of the whole Court. Her envy and jealousy burned in her heart like fire. Many were the lies she carried to her husband about Hase-Hime, but all to no purpose. He would listen to none of her tales, telling her sharply that she was quite mistaken.

At last the step-mother, seizing the opportunity of her husband's absence, ordered one of her old servants to take the innocent girl to the Hibari Mountains, the wildest part of the country, and to kill her there. She invented a dreadful story about the little Princess, saying that this was the only way to prevent disgrace falling upon the family--by killing her.

Katoda, her vassal, was bound to obey his mistress. Anyhow, he saw that it would be the wisest plan to pretend obedience in the absence of the girl's father, so he placed Hase-Hime in a palanquin and accompanied her to the most solitary place he could find in the wild district. The poor child knew there was no good in protesting to her unkind step-mother at being sent away in this strange manner, so she went as she was told.

But the old servant knew that the young Princess was quite innocent of all the things her step-mother had invented to him as reasons for her outrageous orders, and he determined to save her life. Unless he killed her, however, he could not return to his cruel task-mistress, so he decided to stay out in the wilderness. With the help of some peasants he soon built a little cottage, and having sent secretly for his wife to come, these two good old people did all in their power to take care of the now unfortunate Princess. She all the time trusted in her father, knowing that as soon as he returned home and found her absent, he would search for her.

Prince Toyonari, after some weeks, came home, and was told by his wife that his daughter Hime had done something wrong and had run away for fear of being punished. He was nearly ill with anxiety. Every one in the house told the same story--that Hase-Hime had suddenly disappeared, none of them knew why or whither. For fear of scandal he kept the matter quite and searched everywhere he could think of, but all to no purpose.

One day, trying to forget his terrible worry, he called all his men together and told them to make ready for a several days' hunt in the mountains. They were soon ready and mounted, waiting at the gate for their lord. He rode hard and fast to the district of the Hibari Mountains, a great company following him. He was soon far ahead of every one, and at last found himself in a narrow picturesque valley.

Looking round and admiring the scenery, he noticed a tiny house on one of the hills quite near, and then he distinctly heard a beautiful clear voice reading aloud. Seized with curiosity as to who could be studying so diligently in such a lonely spot, he dismounted, and leaving his horse to his groom, he walked up the hillside and approached the cottage. As he drew nearer his surprise increased, for he could see that the reader was a beautiful girl. The cottage was wide open and she was sitting facing the view. Listening attentively, he heard her reading the Buddhist scriptures with great devotion. More and more curious, he hurried on to the tiny gate and entered the little garden, and looking up beheld his lost daughter Hase-Hime. She was so intent on what she was saying that she neither heard nor saw her father till he spoke.

"Hase-Hime!" he cried, "it is you, my Hase-Hime!"

Taken by surprise, she could hardly realize that it was her own dear father who was calling her, and for a moment she was utterly bereft of the power to speak or move.

"My father, my father! It is indeed you--oh, my father!" was all she could say, and running to him she caught hold of his thick sleeve, and burying her face burst into a passion of tears.

Her father stroked her dark hair, asking her gently to tell him all that had happened, but she only wept on, and he wondered if he were not really dreaming.

Then the faithful old servant Katoda came out, and bowing himself to the ground before his master, poured out the long tale of wrong, telling him all that had happened, and how it was that he found his daughter in such a wild and desolate spot with only two old servants to take care of her.

The Prince's astonishment and indignation knew no bounds. He gave up the hunt at once and hurried home with his daughter. One of the company galloped ahead to inform the household of the glad news, and the step-mother hearing what had happened, and fearful of meeting her husband now that her wickedness was discovered, fled from the house and returned in disgrace to her father's roof, and nothing more was heard of her.

The old servant Katoda was rewarded with the highest promotion in his master's service, and lived happily to the end of his days, devoted to the little Princess, who never forgot that she owed her life to this faithful retainer. She was no longer troubled by an unkind step-mother, and her days passed happily and quietly with her father.

As Prince Toyonari had no son, he adopted a younger son of one of the Court nobles to be his heir, and to marry his daughter Hase-Hime, and in a few years the marriage took place. Hase-Hime lived to a good old age, and all said that she was the wisest, most devout, and most beautiful mistress that had ever reigned in Prince Toyonari's ancient house. She had the joy of presenting her son, the future lord of the family, to her father just before he retired from active life.

To this day there is preserved a piece of needle-work in one of the Buddhist temples of Kioto. It is a beautiful piece of tapestry, with the figure of Buddha embroidered in the silky threads drawn from the stem of the lotus. This is said to have been the work of the hands of the good Princess Hase.

THE STORY OF THE MAN WHO DID NOT WISH TO DIE.

Long, long ago there lived a man called Sentaro. His surname meant "Millionaire," but although he was not so rich as all that, he was still very far removed from being poor. He had inherited a small fortune from his father and lived on this, spending his time carelessly, without any serious thoughts of work, till he was about thirty-two years of age.

One day, without any reason whatsoever, the thought of death and sickness came to him. The idea of falling ill or dying made him very wretched.

"I should like to live," he said to himself, "till I am five or six hundred years old at least, free from all sickness. The ordinary span of a man's life is very short."

He wondered whether it were possible, by living simply and frugally henceforth, to prolong his life as long as he wished.

He knew there were many stories in ancient history of emperors who had lived a thousand years, and there was a Princess of Yamato, who, it was said, lived to the age of five hundred This was the latest story of a very long life record.

Sentaro had often heard the tale of the Chinese King named Shin-no-Shiko. He was one of the most able and powerful rulers in Chinese history. He built all the large palaces, and also the famous great wall of China. He had everything in the world he could wish for, but in spite of all his happiness and the luxury and the splendor of his Court, the wisdom of his councilors and the glory of his reign, he was miserable because he knew that one day he must die and leave it all.

When Shin-no-Shiko went to bed at night, when he rose in the morning, as he went through his day, the thought of death was always with him. He could not get away from it. Ah--if only he could find the "Elixir of Life," he would be happy.

The Emperor at last called a meeting of his courtiers and asked them all if they could not find for him the "Elixir of Life" of which he had so often read and heard.

One old courtier, Jofuku by name, said that far away across the seas there was a country called Horaizan, and that certain hermits lived there who possessed the secret of the "Elixir of Life." Whoever drank of this wonderful draught lived forever.

The Emperor ordered Jofuku to set out for the land of Horaizan, to find the hermits, and to bring him back a phial of the magic elixir. He gave Jofuku one of his best junks, fitted it out for him, and loaded it with great quantities of treasures and precious stones for Jofuku to take as presents to the hermits.

Jofuku sailed for the land of Horaizan, but he never returned to the waiting Emperor; but ever since that time Mount Fuji has been said to be the fabled Horaizan and the home of hermits who had the secret of the elixir, and Jofuku has been worshiped as their patron god.

Now Sentaro determined to set out to find the hermits, and if he could, to become one, so that he might obtain the water of perpetual life. He remembered that as a child he had been told that not only did these hermits live on Mount Fuji, but that they were said to inhabit all the very high peaks.

So he left his old home to the care of his relatives, and started out on his quest. He traveled through all the mountainous regions of the land, climbing to the tops of the highest peaks, but never a hermit did he find.

At last, after wandering in an unknown region for many days, he met a hunter.

"Can you tell me," asked Sentaro, "where the hermits live who have the Elixir of Life?"

"No." said the hunter; "I can't tell you where such hermits live, but there is a notorious robber living in these parts. It is said that he is chief of a band of two hundred followers."

This odd answer irritated Sentaro very much, and he thought how foolish it was to waste more time in looking for the hermits in this way, so he decided to go at once to the shrine of Jofuku, who is worshiped as the patron god of the hermits in the south of Japan.

Sentaro reached the shrine and prayed for seven days, entreating Jofuku to show him the way to a hermit who could give him what he wanted so much to find.

At midnight of the seventh day, as Sentaro knelt in the temple, the door of the innermost shrine flew open, and Jofuku appeared in a luminous cloud, and calling to Sentaro to come nearer, spoke thus:

"Your desire is a very selfish one and cannot be easily granted. You think that you would like to become a hermit so as to find the Elixir of Life. Do you know how hard a hermit's life is? A hermit is only allowed to eat fruit and berries and the bark of pine trees; a hermit must cut himself off from the world so that his heart may become as pure as gold and free from every earthly desire. Gradually after following these strict rules, the hermit ceases to feel hunger or cold or heat, and his body becomes so light that he can ride on a crane or a carp, and can walk on water without getting his feet wet."

"You, Sentaro, are fond of good living and of every comfort. You are not even like an ordinary man, for you are exceptionally idle, and more sensitive to heat and cold than most people. You would never be able to go barefoot or to wear only one thin dress in the winter time! Do you think that you would ever have the patience or the endurance to live a hermit's life?"

"In answer to your prayer, however, I will help you in another way. I will send you to the country of Perpetual Life, where death never comes--where the people live forever!"

Saying this, Jofuku put into Sentaro's hand a little crane made of paper, telling him to sit on its back and it would carry him there.

Sentaro obeyed wonderingly. The crane grew large enough for him to ride on it with comfort. It then spread its wings, rose high in the air, and flew away over the mountains right out to sea.

Sentaro was at first quite frightened; but by degrees he grew accustomed to the swift flight through the air. On and on they went for thousands of miles. The bird never stopped for rest or food, but as it was a paper bird it doubtless did not require any nourishment, and strange to say, neither did Sentaro.

After several days they reached an island. The crane flew some distance inland and then alighted.

As soon as Sentaro got down from the bird's back, the crane folded up of its own accord and flew into his pocket.

Now Sentaro began to look about him wonderingly, curious to see what the country of Perpetual Life was like. He walked first round about the country and then through the town. Everything was, of course, quite strange, and different from his own land. But both the land and the people seemed prosperous, so he decided that it would be good for him to stay there and took up lodgings at one of the hotels.

The proprietor was a kind man, and when Sentaro told him that he was a stranger and had come to live there, he promised to arrange everything that was necessary with the governor of the city concerning Sentaro's sojourn there. He even found a house for his guest, and in this way Sentaro obtained his great wish and became a resident in the country of Perpetual Life.

Within the memory of all the islanders no man had ever died there, and sickness was a thing unknown. Priests had come over from India and China and told them of a beautiful country called Paradise, where happiness and bliss and contentment fill all men's hearts, but its gates could only be reached by dying. This tradition was handed down for ages from generation to generation--but none knew exactly what death was except that it led to Paradise.

Quite unlike Sentaro and other ordinary people, instead of having a great dread of death, they all, both rich and poor, longed for it as something good and desirable. They were all tired of their long, long lives, and longed to go to the happy land of contentment called Paradise of which the priests had told them centuries ago.

All this Sentaro soon found out by talking to the islanders. He found himself, according to his ideas, in the land of Topsyturvydom. Everything was upside down. He had wished to escape from dying. He had come to the land of Perpetual Life with great relief and joy, only to find that the inhabitants themselves, doomed never to die, would consider it bliss to find death.

What he had hitherto considered poison these people ate as good food, and all the things to which he had been accustomed as food they rejected. Whenever any merchants from other countries arrived, the rich people rushed to them eager to buy poisons. These they swallowed eagerly, hoping for death to come so that they might go to Paradise.

But what were deadly poisons in other lands were without effect in this strange place, and people who swallowed them with the hope of dying, only found that in a short time they felt better in health instead of worse.

Vainly they tried to imagine what death could be like. The wealthy would have given all their money and all their goods if they could but shorten their lives to two or three hundred years even. Without any change to live on forever seemed to this people wearisome and sad.

In the chemist shops there was a drug which was in constant demand, because after using it for a hundred years, it was supposed to turn the hair slightly gray and to bring about disorders of the stomach.

Sentaro was astonished to find that the poisonous globe-fish was served up in restaurants as a delectable dish, and hawkers in the streets went about selling sauces made of Spanish flies. He never saw any one ill after eating these horrible things, nor did he ever see any one with as much as a cold.

Sentaro was delighted. He said to himself that he would never grow tired of living, and that he considered it profane to wish for death. He was the only happy man on the island. For his part he wished to live thousands of years and to enjoy life. He set himself up in business, and for the present never even dreamed of going back to his native land.

As years went by, however, things did not go as smoothly as at first. He had heavy losses in business, and several times some affairs went wrong with his neighbors. This caused him great annoyance.

Time passed like the flight of an arrow for him, for he was busy from morning till night. Three hundred years went by in this monotonous way, and then at last he began to grow tired of life in this country, and he longed to see his own land and his old home. However long he lived here, life would always be the game, so was it not foolish and wearisome to stay on here forever?

Sentaro, in his wish to escape from the country of Perpetual Life, recollected Jofuku, who had helped him before when he was wishing to escape from death--and he prayed to the saint to bring him back to his own land again.

No sooner did he pray than the paper crane popped out of his pocket. Sentaro was amazed to see that it had remained undamaged after all these years. Once more the bird grew and grew till it was large enough for him to mount it. As he did so, the bird spread its wings and flew, swiftly out across the sea in the direction of Japan.

Such was the willfulness of the man's nature that he looked back and regretted all he had left behind. He tried to stop the bird in vain. The crane held on its way for thousands of miles across the ocean.

Then a storm came on, and the wonderful paper crane got damp, crumpled up, and fell into the sea. Sentaro fell with it. Very much frightened at the thought of being drowned, he cried out loudly to Jofuku to save him. He looked round, but there was no ship in sight. He swallowed a quantity of sea-water, which only increased his miserable plight. While he was thus struggling to keep himself afloat, he saw a monstrous shark swimming towards him. As it came nearer it opened its huge mouth ready to devour him. Sentaro was all but paralyzed with fear now that he felt his end so near, and screamed out as loudly as ever he could to Jofuku to come and rescue him.

Lo, and behold, Sentaro was awakened by his own screams, to find that during his long prayer he had fallen asleep before the shrine, and that all his extraordinary and frightful adventures had been only a wild dream. He was in a cold perspiration with fright, and utterly bewildered.

Suddenly a bright light came towards him, and in the light stood a messenger. The messenger held a book in his hand, and spoke to Sentaro:

"I am sent to you by Jofuku, who in answer to your prayer, has permitted you in a dream to see the land of Perpetual Life. But you grew weary of living there, and begged to be allowed to return to your native land so that you might die. Jofuku, so that he might try you, allowed you to drop into the sea, and then sent a shark to swallow you up. Your desire for death was not real, for even at that moment you cried out loudly and shouted for help."

"It is also vain for you to wish to become a hermit, or to find the Elixir of Life. These things are not for such as you--your life is not austere enough. It is best for you to go back to your paternal home, and to live a good and industrious life. Never neglect to keep the anniversaries of your ancestors, and make it your duty to provide for your children's future. Thus will you live to a good old age and be happy, but give up the vain desire to escape death, for no man can do that, and by this time you have surely found out that even when selfish desires are granted they do not bring happiness."

"In this book I give you there are many precepts good for you to know--if you study them, you will be guided in the way I have pointed out to you."

The angel disappeared as soon as he had finished speaking, and Sentaro took the lesson to heart. With the book in his hand he returned to his old home, and giving up all his old vain wishes, tried to live a good and useful life and to observe the lessons taught him in the book, and he and his house prospered henceforth.

THE BAMBOO-CUTTER AND THE MOON-CHILD.

Long, long ago, there lived an old bamboo wood-cutter. He was very poor and sad also, for no child had Heaven sent to cheer his old age, and in his heart there was no hope of rest from work till he died and was laid in the quiet grave. Every morning he went forth into the woods and hills wherever the bamboo reared its lithe green plumes against the sky. When he had made his choice, he would cut down these feathers of the forest, and splitting them lengthwise, or cutting them into joints, would carry the bamboo wood home and make it into various articles for the household, and he and his old wife gained a small livelihood by selling them.

One morning as usual he had gone out to his work, and having found a nice clump of bamboos, had set to work to cut some of them down. Suddenly the green grove of bamboos was flooded with a bright soft light, as if the full moon had risen over the spot. Looking round in astonishment, he saw that the brilliance was streaming from one bamboo. The old man, full of wonder, dropped his ax and went towards the light. On nearer approach he saw that this soft splendor came from a hollow in the green bamboo stem, and still more wonderful to behold, in the midst of the brilliance stood a tiny human being, only three inches in height, and exquisitely beautiful in appearance.

"You must be sent to be my child, for I find you here among the bamboos where lies my daily work," said the old man, and taking the little creature in his hand he took it home to his wife to bring up. The tiny girl was so exceedingly beautiful and so small, that the old woman put her into a basket to safeguard her from the least possibility of being hurt in any way.

The old couple were now very happy, for it had been a lifelong regret that they had no children of their own, and with joy they now expended all the love of their old age on the little child who had come to them in so marvelous a manner.

From this time on, the old man often found gold in the notches of the bamboos when he hewed them down and cut them up; not only gold, but precious stones also, so that by degrees he became rich. He built himself a fine house, and was no longer known as the poor bamboo woodcutter, but as a wealthy man.

Three months passed quickly away, and in that time the bamboo child had, wonderful to say, become a full-grown girl, so her foster-parents did up her hair and dressed her in beautiful kimonos. She was of such wondrous beauty that they placed her behind the screens like a princess, and allowed no one to see her, waiting upon her themselves. It seemed as if she were made of light, for the house was filled with a soft shining, so that even in the dark of night it was like daytime. Her presence seemed to have a benign influence on those there. Whenever the old man felt sad, he had only to look upon his foster-daughter and his sorrow vanished, and he became as happy as when he was a youth.

At last the day came for the naming of their new-found child, so the old couple called in a celebrated name-giver, and he gave her the name of Princess Moonlight, because her body gave forth so much soft bright light that she might have been a daughter of the Moon God.

For three days the festival was kept up with song and dance and music. All the friends and relations of the old couple were present, and great was their enjoyment of the festivities held to celebrate the naming of Princess Moonlight. Everyone who saw her declared that there never had been seen any one so lovely; all the beauties throughout the length and breadth of the land would grow pale beside her, so they said. The fame of the Princess's loveliness spread far and wide, and many were the suitors who desired to win her hand, or even so much as to see her.

Suitors from far and near posted themselves outside the house, and made little holes in the fence, in the hope of catching a glimpse of the Princess as she went from one room to the other along the veranda. They stayed there day and night, sacrificing even their sleep for a chance of seeing her, but all in vain. Then they approached the house, and tried to speak to the old man and his wife or some of the servants, but not even this was granted them.

Still, in spite of all this disappointment they stayed on day after day, and night after night, and counted it as nothing, so great was their desire to see the Princess.

At last, however, most of the men, seeing how hopeless their quest was, lost heart and hope both, and returned to their homes. All except five Knights, whose ardor and determination, instead of waning, seemed to wax greater with obstacles. These five men even went without their meals, and took snatches of whatever they could get brought to them, so that they might always stand outside the dwelling. They stood there in all weathers, in sunshine and in rain.

Sometimes they wrote letters to the Princess, but no answer was vouchsafed to them. Then when letters failed to draw any reply, they wrote poems to her telling her of the hopeless love which kept them from sleep, from food, from rest, and even from their homes. Still Princes Moonlight gave no sign of having received their verses.

In this hopeless state the winter passed. The snow and frost and the cold winds gradually gave place to the gentle warmth of spring. Then the summer came, and the sun burned white and scorching in the heavens above and on the earth beneath, and still these faithful Knights kept watch and waited. At the end of these long months they called out to the old bamboo-cutter and entreated him to have some mercy upon them and to show them the Princess, but he answered only that as he was not her real father he could not insist on her obeying him against her wishes.

The five Knights on receiving this stern answer returned to their several homes, and pondered over the best means of touching the proud Princess's heart, even so much as to grant them a hearing. They took their rosaries in hand and knelt before their household shrines, and burned precious incense, praying to Buddha to give them their heart's desire. Thus several days passed, but even so they could not rest in their homes.

So again they set out for the bamboo-cutter's house. This time the old man came out to see them, and they asked him to let them know if it was the Princess's resolution never to see any man whatsoever, and they implored him to speak for them and to tell her the greatness of their love, and how long they had waited through the cold of winter and the heat of summer, sleepless and roofless through all weathers, without food and without rest, in the ardent hope of winning her, and they were willing to consider this long vigil as pleasure if she would but give them one chance of pleading their cause with her.

The old man lent a willing ear to their tale of love, for in his inmost heart he felt sorry for these faithful suitors and would have liked to see his lovely foster-daughter married to one of them. So he went in to Princess Moonlight and said reverently:

"Although you have always seemed to me to be a heavenly being, yet I have had the trouble of bringing you up as my own child and you have been glad of the protection of my roof. Will you refuse to do as I wish?"

Then Princess Moonlight replied that there was nothing she would not do for him, that she honored and loved him as her own father, and that as for herself she could not remember the time before she came to earth.

The old man listened with great joy as she spoke these dutiful words. Then he told her how anxious he was to see her safely and happily married before he died.

"I am an old man, over seventy years of age, and my end may come any time now. It is necessary and right that you should see these five suitors and choose one of them."

"Oh, why," said the Princess in distress, "must I do this? I have no wish to marry now."

"I found you," answered the old man, "many years ago, when you were a little creature three inches high, in the midst of a great white light. The light streamed from the bamboo in which you were hid and led me to you. So I have always thought that you were more than mortal woman. While I am alive it is right for you to remain as you are if you wish to do so, but some day I shall cease to be and who will take care of you then? Therefore I pray you to meet these five brave men one at a time and make up your mind to marry one of them!"

Then the Princess answered that she felt sure that she was not as beautiful as perhaps report made her out to be, and that even if she consented to marry any one of them, not really knowing her before, his heart might change afterwards. So as she did not feel sure of them, even though her father told her they were worthy Knights, she did not feel it wise to see them.

"All you say is very reasonable," said the old man, "but what kind of men will you consent to see? I do not call these five men who have waited on you for months, light-hearted. They have stood outside this house through the winter and the summer, often denying themselves food and sleep so that they may win you. What more can you demand?"

Then Princess Moonlight said she must make further trial of their love before she would grant their request to interview her. The five warriors were to prove their love by each bringing her from distant countries something that she desired to possess.

That same evening the suitors arrived and began to play their flutes in turn, and to sing their self-composed songs telling of their great and tireless love. The bamboo-cutter went out to them and offered them his sympathy for all they had endured and all the patience they had shown in their desire to win his foster-daughter. Then he gave them her message, that she would consent to marry whosoever was successful in bringing her what she wanted. This was to test them.

The five all accepted the trial, and thought it an excellent plan, for it would prevent jealousy between them.

Princess Moonlight then sent word to the First Knight that she requested him to bring her the stone bowl which had belonged to Buddha in India.

The Second Knight was asked to go to the Mountain of Horai, said to be situated in the Eastern Sea, and to bring her a branch of the wonderful tree that grew on its summit. The roots of this tree were of silver, the trunk of gold, and the branches bore as fruit white jewels.

The Third Knight was told to go to China and search for the fire-rat and to bring her its skin.

The Fourth Knight was told to search for the dragon that carried on its head the stone radiating five colors and to bring the stone to her.

The Fifth Knight was to find the swallow which carried a shell in its stomach and to bring the shell to her.

The old man thought these very hard tasks and hesitated to carry the messages, but the Princess would make no other conditions. So her commands were issued word for word to the five men who, when they heard what was required of them, were all disheartened and disgusted at what seemed to them the impossibility of the tasks given them and returned to their own homes in despair.

But after a time, when they thought of the Princess, the love in their hearts revived for her, and they resolved to make an attempt to get what she desired of them.

The First Knight sent word to the Princess that he was starting out that day on the quest of Buddha's bowl, and he hoped soon to bring it to her. But he had not the courage to go all the way to India, for in those days traveling was very difficult and full of danger, so he went to one of the temples in Kyoto and took a stone bowl from the altar there, paying the priest a large sum of money for it. He then wrapped it in a cloth of gold and, waiting quietly for three years, returned and carried it to the old man.

Princess Moonlight wondered that the Knight should have returned so soon. She took the bowl from its gold wrapping, expecting it to make the room full of light, but it did not shine at all, so she knew that it was a sham thing and not the true bowl of Buddha. She returned it at once and refused to see him. The Knight threw the bowl away and returned to his home in despair. He gave up now all hopes of ever winning the Princess.

The Second Knight told his parents that he needed change of air for his health, for he was ashamed to tell them that love for the Princess Moonlight was the real cause of his leaving them. He then left his home, at the same time sending word to the Princess that he was setting out for Mount Horai in the hope of getting her a branch of the gold and silver tree which she so much wished to have. He only allowed his servants to accompany him half-way, and then sent them back. He reached the seashore and embarked on a small ship, and after sailing away for three days he landed and employed several carpenters to build him a house contrived in such a way that no one could get access to it. He then shut himself up with six skilled jewelers, and endeavored to make such a gold and silver branch as he thought would satisfy the Princess as having come from the wonderful tree growing on Mount Horai. Every one whom he had asked declared that Mount Horai belonged to the land of fable and not to fact.

When the branch was finished, he took his journey home and tried to make himself look as if he were wearied and worn out with travel. He put the jeweled branch into a lacquer box and carried it to the bamboo-cutter, begging him to present it to the Princess.

The old man was quite deceived by the travel-stained appearance of the Knight, and thought that he had only just returned from his long journey with the branch. So he tried to persuade the Princess to consent to see the man. But she remained silent and looked very sad. The old man began to take out the branch and praised it as a wonderful treasure to be found nowhere in the whole land. Then he spoke of the Knight, how handsome and how brave he was to have undertaken a journey to so remote a place as the Mount of Horai.

Princess Moonlight took the branch in her hand and looked at it carefully. She then told her foster-parent that she knew it was impossible for the man to have obtained a branch from the gold and silver tree growing on Mount Horai so quickly or so easily, and she was sorry to say she believed it artificial.

The old man then went out to the expectant Knight, who had now approached the house, and asked where he had found the branch. Then the man did not scruple to make up a long story.

"Two years ago I took a ship and started in search of Mount Horai. After going before the wind for some time I reached the far Eastern Sea. Then a great storm arose and I was tossed about for many days, losing all count of the points of the compass, and finally we were blown ashore on an unknown island. Here I found the place inhabited by demons who at one time threatened to kill and eat me. However, I managed to make friends with these horrible creatures, and they helped me and my sailors to repair the boat, and I set sail again. Our food gave out, and we suffered much from sickness on board. At last, on the five-hundredth day from the day of starting, I saw far off on the horizon what looked like the peak of a mountain. On nearer approach, this proved to be an island, in the center of which rose a high mountain. I landed, and after wandering about for two or three days, I saw a shining being coming towards me on the beach, holding in his hands a golden bowl. I went up to him and asked him if I had, by good chance, found the island of Mount Horai, and he answered:"

"'Yes, this is Mount Horai!'"

"With much difficulty I climbed to the summit, here stood the golden tree growing with silver roots in the ground. The wonders of that strange land are many, and if I began to tell you about them I could never stop. In spite of my wish to stay there long, on breaking off the branch I hurried back. With utmost speed it has taken me four hundred days to get back, and, as you see, my clothes are still damp from exposure on the long sea voyage. I have not even waited to change my raiment, so anxious was I to bring the branch to the Princess quickly."

Just at this moment the six jewelers, who had been employed on the making of the branch, but not yet paid by the Knight, arrived at the house and sent in a petition to the Princess to be paid for their labor. They said that they had worked for over a thousand days making the branch of gold, with its silver twigs and its jeweled fruit, that was now presented to her by the Knight, but as yet they had received nothing in payment. So this Knight's deception was thus found out, and the Princess, glad of an escape from one more importunate suitor, was only too pleased to send back the branch. She called in the workmen and had them paid liberally, and they went away happy. But on the way home they were overtaken by the disappointed man, who beat them till they were nearly dead, for letting out the secret, and they barely escaped with their lives. The Knight then returned home, raging in his heart; and in despair of ever winning the Princess gave up society and retired to a solitary life among the mountains.

Now the Third Knight had a friend in China, so he wrote to him to get the skin of the fire-rat. The virtue of any part of this animal was that no fire could harm it. He promised his friend any amount of money he liked to ask if only he could get him the desired article. As soon as the news came that the ship on which his friend had sailed home had come into port, he rode seven days on horseback to meet him. He handed his friend a large sum of money, and received the fire-rat's skin. When he reached home he put it carefully in a box and sent it in to the Princess while he waited outside for her answer.

The bamboo-cutter took the box from the Knight and, as usual, carried it in to her and tried to coax her to see the Knight at once, but Princess Moonlight refused, saying that she must first put the skin to test by putting it into the fire. If it were the real thing it would not burn. So she took off the crape wrapper and opened the box, and then threw the skin into the fire. The skin crackled and burnt up at once, and the Princess knew that this man also had not fulfilled his word. So the Third Knight failed also.

Now the Fourth Knight was no more enterprising than the rest. Instead of starting out on the quest of the dragon bearing on its head the five-color-radiating jewel, he called all his servants together and gave them the order to seek for it far and wide in Japan and in China, and he strictly forbade any of them to return till they had found it.

His numerous retainers and servants started out in different directions, with no intention, however, of obeying what they considered an impossible order. They simply took a holiday, went to pleasant country places together, and grumbled at their master's unreasonableness.

The Knight meanwhile, thinking that his retainers could not fail to find the jewel, repaired to his house, and fitted it up beautifully for the reception of the Princess, he felt so sure of winning her.

One year passed away in weary waiting, and still his men did not return with the dragon-jewel. The Knight became desperate. He could wait no longer, so taking with him only two men he hired a ship and commanded the captain to go in search of the dragon; the captain and the sailors refused to undertake what they said was an absurd search, but the Knight compelled them at last to put out to sea.

When they had been but a few days out they encountered a great storm which lasted so long that, by the time its fury abated, the Knight had determined to give up the hunt of the dragon. They were at last blown on shore, for navigation was primitive in those days. Worn out with his travels and anxiety, the fourth suitor gave himself up to rest. He had caught a very heavy cold, and had to go to bed with a swollen face.

The governor of the place, hearing of his plight, sent messengers with a letter inviting him to his house. While he was there thinking over all his troubles, his love for the Princess turned to anger, and he blamed her for all the hardships he had undergone. He thought that it was quite probable she had wished to kill him so that she might be rid of him, and in order to carry out her wish had sent him upon his impossible quest.

At this point all the servants he had sent out to find the jewel came to see him, and were surprised to find praise instead of displeasure awaiting them. Their master told them that he was heartily sick of adventure, and said that he never intended to go near the Princess's house again in the future.

Like all the rest, the Fifth Knight failed in his quest--he could not find the swallow's shell.

By this time the fame of Princess Moonlight's beauty had reached the ears of the Emperor, and he sent one of the Court ladies to see if she were really as lovely as report said; if so he would summon her to the Palace and make her one of the ladies-in-waiting.

When the Court lady arrived, in spite of her father's entreaties, Princess Moonlight refused to see her. The Imperial messenger insisted, saying it was the Emperor's order. Then Princess Moonlight told the old man that if she was forced to go to the Palace in obedience to the Emperor's order, she would vanish from the earth.

When the Emperor was told of her persistence in refusing to obey his summons, and that if pressed to obey she would disappear altogether from sight, he determined to go and see her. So he planned to go on a hunting excursion in the neighborhood of the bamboo-cutter's house, and see the Princess himself. He sent word to the old man of his intention, and he received consent to the scheme. The next day the Emperor set out with his retinue, which he soon managed to outride. He found the bamboo-cutter's house and dismounted. He then entered the house and went straight to where the Princess was sitting with her attendant maidens.

Never had he seen any one so wonderfully beautiful, and he could not but look at her, for she was more lovely than any human being as she shone in her own soft radiance. When Princess Moonlight became aware that a stranger was looking at her she tried to escape from the room, but the Emperor caught her and begged her to listen to what he had to say. Her only answer was to hide her face in her sleeves.

The Emperor fell deeply in love with her, and begged her to come to the Court, where he would give her a position of honor and everything she could wish for. He was about to send for one of the Imperial palanquins to take her back with him at once, saying that her grace and beauty should adorn a Court, and not be hidden in a bamboo-cutter's cottage.

But the Princess stopped him. She said that if she were forced to go to the Palace she would turn at once into a shadow, and even as she spoke she began to lose her form. Her figure faded from his sight while he looked.

The Emperor then promised to leave her free if only she would resume her former shape, which she did.

It was now time for him to return, for his retinue would be wondering what had happened to their Royal master when they missed him for so long. So he bade her good-by, and left the house with a sad heart. Princess Moonlight was for him the most beautiful woman in the world; all others were dark beside her, and he thought of her night and day. His Majesty now spent much of his time in writing poems, telling her of his love and devotion, and sent them to her, and though she refused to see him again she answered with many verses of her own composing, which told him gently and kindly that she could never marry any one on this earth. These little songs always gave him pleasure.

At this time her foster-parents noticed that night after night the Princess would sit on her balcony and gaze for hours at the moon, in a spirit of the deepest dejection, ending always in a burst of tears. One night the old man found her thus weeping as if her heart were broken, and he besought her to tell him the reason of her sorrow.

With many tears she told him that he had guessed rightly when he supposed her not to belong to this world--that she had in truth come from the moon, and that her time on earth would soon be over. On the fifteenth day of that very month of August her friends from the moon would come to fetch her, and she would have to return. Her parents were both there, but having spent a lifetime on the earth she had forgotten them, and also the moon-world to which she belonged. It made her weep, she said, to think of leaving her kind foster-parents, and the home where she had been happy for so long.

When her attendants heard this they were very sad, and could not eat or drink for sadness at the thought that the Princess was so soon to leave them.

The Emperor, as soon as the news was carried to him, sent messengers to the house to find out if the report were true or not.

The old bamboo-cutter went out to meet the Imperial messengers. The last few days of sorrow had told upon the old man; he had aged greatly, and looked much more than his seventy years. Weeping bitterly, he told them that the report was only too true, but he intended, however, to make prisoners of the envoys from the moon, and to do all he could to prevent the Princess from being carried back.

The men returned and told His Majesty all that had passed. On the fifteenth day of that month the Emperor sent a guard of two thousand warriors to watch the house. One thousand stationed themselves on the roof, another thousand kept watch round all the entrances of the house. All were well trained archers, with bows and arrows. The bamboo-cutter and his wife hid Princess Moonlight in an inner room.

The old man gave orders that no one was to sleep that night, all in the house were to keep a strict watch, and be ready to protect the Princess. With these precautions, and the help of the Emperor's men-at-arms, he hoped to withstand the moon-messengers, but the Princess told him that all these measures to keep her would be useless, and that when her people came for her nothing whatever could prevent them from carrying out their purpose. Even the Emperors men would be powerless. Then she added with tears that she was very, very sorry to leave him and his wife, whom she had learned to love as her parents, that if she could do as she liked she would stay with them in their old age, and try to make some return for all the love and kindness they had showered upon her during all her earthly life.

The night wore on! The yellow harvest moon rose high in the heavens, flooding the world asleep with her golden light. Silence reigned over the pine and the bamboo forests, and on the roof where the thousand men-at-arms waited.

Then the night grew gray towards the dawn and all hoped that the danger was over--that Princess Moonlight would not have to leave them after all. Then suddenly the watchers saw a cloud form round the moon--and while they looked this cloud began to roll earthwards. Nearer and nearer it came, and every one saw with dismay that its course lay towards the house.

In a short time the sky was entirely obscured, till at last the cloud lay over the dwelling only ten feet off the ground. In the midst of the cloud there stood a flying chariot, and in the chariot a band of luminous beings. One amongst them who looked like a king and appeared to be the chief stepped out of the chariot, and, poised in air, called to the old man to come out.

"The time has come," he said, "for Princess Moonlight to return to the moon from whence she came. She committed a grave fault, and as a punishment was sent to live down here for a time. We know what good care you have taken of the Princess, and we have rewarded you for this and have sent you wealth and prosperity. We put the gold in the bamboos for you to find."

"I have brought up this Princess for twenty years and never once has she done a wrong thing, therefore the lady you are seeking cannot be this one," said the old man. "I pray you to look elsewhere."

Then the messenger called aloud, saying:

"Princess Moonlight, come out from this lowly dwelling. Rest not here another moment."

At these words the screens of the Princess's room slid open of their own accord, revealing the Princess shining in her own radiance, bright and wonderful and full of beauty.

The messenger led her forth and placed her in the chariot. She looked back, and saw with pity the deep sorrow of the old man. She spoke to him many comforting words, and told him that it was not her will to leave him and that he must always think of her when looking at the moon.

The bamboo-cutter implored to be allowed to accompany her, but this was not allowed. The Princess took off her embroidered outer garment and gave it to him as a keepsake.

One of the moon beings in the chariot held a wonderful coat of wings, another had a phial full of the Elixir of Life which was given the Princess to drink. She swallowed a little and was about to give the rest to the old man, but she was prevented from doing so.

The robe of wings was about to be put upon her shoulders, but she said:

"Wait a little. I must not forget my good friend the Emperor. I must write him once more to say good-by while still in this human form."

In spite of the impatience of the messengers and charioteers she kept them waiting while she wrote. She placed the phial of the Elixir of Life with the letter, and, giving them to the old man, she asked him to deliver them to the Emperor.

Then the chariot began to roll heavenwards towards the moon, and as they all gazed with tearful eyes at the receding Princess, the dawn broke, and in the rosy light of day the moon-chariot and all in it were lost amongst the fleecy clouds that were now wafted across the sky on the wings of the morning wind.

Princess Moonlight's letter was carried to the Palace. His Majesty was afraid to touch the Elixir of Life, so he sent it with the letter to the top of the most sacred mountain in the land. Mount Fuji, and there the Royal emissaries burnt it on the summit at sunrise. So to this day people say there is smoke to be seen rising from the top of Mount Fuji to the clouds.

THE MIRROR OF MATSUYAMA

A STORY OF OLD JAPAN.

Long years ago in old Japan there lived in the Province of Echigo, a very remote part of Japan even in these days, a man and his wife. When this story begins they had been married for some years and were blessed with one little daughter. She was the joy and pride of both their lives, and in her they stored an endless source of happiness for their old age.

What golden letter days in their memory were these that had marked her growing up from babyhood; the visit to the temple when she was just thirty days old, her proud mother carrying her, robed in ceremonial kimono, to be put under the patronage of the family's household god; then her first dolls festival, when her parents gave her a set of dolls' and their miniature belongings, to be added to as year succeeded year; and perhaps the most important occasion of all, on her third birthday, when her first OBI (broad brocade sash) of scarlet and gold was tied round her small waist, a sign that she had crossed the threshold of girlhood and left infancy behind. Now that she was seven years of age, and had learned to talk and to wait upon her parents in those several little ways so dear to the hearts of fond parents, their cup of happiness seemed full. There could not be found in the whole of the Island Empire a happier little family.

One day there was much excitement in the home, for the father had been suddenly summoned to the capital on business. In these days of railways and jinrickshas and other rapid modes of traveling, it is difficult to realize what such a journey as that from Matsuyama to Kyoto meant. The roads were rough and bad, and ordinary people had to walk every step of the way, whether the distance were one hundred or several hundred miles. Indeed, in those days it was as great an undertaking to go up to the capital as it is for a Japanese to make a voyage to Europe now.

So the wife was very anxious while she helped her husband get ready for the long journey, knowing what an arduous task lay before him. Vainly she wished that she could accompany him, but the distance was too great for the mother and child to go, and besides that, it was the wife's duty to take care of the home.

All was ready at last, and the husband stood in the porch with his little family round him.

"Do not be anxious, I will come back soon," said the man. "While I am away take care of everything, and especially of our little daughter."

"Yes, we shall be all right--but you--you must take care of yourself and delay not a day in coming back to us," said the wife, while the tears fell like rain from her eyes.

The little girl was the only one to smile, for she was ignorant of the sorrow of parting, and did not know that going to the capital was at all different from walking to the next village, which her father did very often. She ran to his side, and caught hold of his long sleeve to keep him a moment.

"Father, I will be very good while I am waiting for you to come back, so please bring me a present."

As the father turned to take a last look at his weeping wife and smiling, eager child, he felt as if some one were pulling him back by the hair, so hard was it for him to leave them behind, for they had never been separated before. But he knew that he must go, for the call was imperative. With a great effort he ceased to think, and resolutely turning away he went quickly down the little garden and out through the gate. His wife, catching up the child in her arms, ran as far as the gate, and watched him as he went down the road between the pines till he was lost in the haze of the distance and all she could see was his quaint peaked hat, and at last that vanished too.

"Now father has gone, you and I must take care of everything till he comes back," said the mother, as she made her way back to the house.

"Yes, I will be very good," said the child, nodding her head, "and when father comes home please tell him how good I have been, and then perhaps he will give me a present."

"Father is sure to bring you something that you want very much. I know, for I asked him to bring you a doll. You must think of father every day, and pray for a safe journey till he comes back."

"O, yes, when he comes home again how happy I shall be," said the child, clapping her hands, and her face growing bright with joy at the glad thought. It seemed to the mother as she looked at the child's face that her love for her grew deeper and deeper.

Then she set to work to make the winter clothes for the three of them. She set up her simple wooden spinning-wheel and spun the thread before she began to weave the stuffs. In the intervals of her work she directed the little girl's games and taught her to read the old stories of her country. Thus did the wife find consolation in work during the lonely days of her husband's absence. While the time was thus slipping quickly by in the quiet home, the husband finished his business and returned.

It would have been difficult for any one who did not know the man well to recognize him. He had traveled day after day, exposed to all weathers, for about a month altogether, and was sunburnt to bronze, but his fond wife and child knew him at a glance, and flew to meet him from either side, each catching hold of one of his sleeves in their eager greeting. Both the man and his wife rejoiced to find each other well. It seemed a very long time to all till--the mother and child helping--his straw sandals were untied, his large umbrella hat taken off, and he was again in their midst in the old familiar sitting-room that had been so empty while he was away.

As soon as they had sat down on the white mats, the father opened a bamboo basket that he had brought in with him, and took out a beautiful doll and a lacquer box full of cakes.

"Here," he said to the little girl, "is a present for you. It is a prize for taking care of mother and the house so well while I was away."

"Thank you," said the child, as she bowed her head to the ground, and then put out her hand just like a little maple leaf with its eager wide-spread fingers to take the doll and the box, both of which, coming from the capital, were prettier than anything she had ever seen. No words can tell how delighted the little girl was--her face seemed as if it would melt with joy, and she had no eyes and no thought for anything else.

Again the husband dived into the basket, and brought out this time a square wooden box, carefully tied up with red and white string, and handing it to his wife, said:

"And this is for you."

The wife took the box, and opening it carefully took out a metal disk with a handle attached. One side was bright and shining like a crystal, and the other was covered with raised figures of pine-trees and storks, which had been carved out of its smooth surface in lifelike reality. Never had she seen such a thing in her life, for she had been born and bred in the rural province of Echigo. She gazed into the shining disk, and looking up with surprise and wonder pictured on her face, she said:

"I see somebody looking at me in this round thing! What is it that you have given me?"

The husband laughed and said:

"Why, it is your own face that you see. What I have brought you is called a mirror, and whoever looks into its clear surface can see their own form reflected there. Although there are none to be found in this out of the way place, yet they have been in use in the capital from the most ancient times. There the mirror is considered a very necessary requisite for a woman to possess. There is an old proverb that 'As the sword is the soul of a samurai, so is the mirror the soul of a woman,' and according to popular tradition, a woman's mirror is an index to her own heart--if she keeps it bright and clear, so is her heart pure and good. It is also one of the treasures that form the insignia of the Emperor. So you must lay great store by your mirror, and use it carefully."

The wife listened to all her husband told her, and was pleased at learning so much that was new to her. She was still more pleased at the precious gift--his token of remembrance while he had been away.

"If the mirror represents my soul, I shall certainly treasure it as a valuable possession, and never will I use it carelessly." Saying so, she lifted it as high as her forehead, in grateful acknowledgment of the gift, and then shut it up in its box and put it away.

The wife saw that her husband was very tired, and set about serving the evening meal and making everything as comfortable as she could for him. It seemed to the little family as if they had not known what true happiness was before, so glad were they to be together again, and this evening the father had much to tell of his journey and of all he had seen at the great capital.

Time passed away in the peaceful home, and the parents saw their fondest hopes realized as their daughter grew from childhood into a beautiful girl of sixteen. As a gem of priceless value is held in its proud owner's hand, so had they reared her with unceasing love and care: and now their pains were more than doubly rewarded. What a comfort she was to her mother as she went about the house taking her part in the housekeeping, and how proud her father was of her, for she daily reminded him of her mother when he had first married her.

But, alas! in this world nothing lasts forever. Even the moon is not always perfect in shape, but loses its roundness with time, and flowers bloom and then fade. So at last the happiness of this family was broken up by a great sorrow. The good and gentle wife and mother was one day taken ill.

In the first days of her illness the father and daughter thought that it was only a cold, and were not particularly anxious. But the days went by and still the mother did not get better; she only grew worse, and the doctor was puzzled, for in spite of all he did the poor woman grew weaker day by day. The father and daughter were stricken with grief, and day or night the girl never left her mother's side. But in spite of all their efforts the woman's life was not to be saved.

One day as the girl sat near her mother's bed, trying to hide with a cheery smile the gnawing trouble at her heart, the mother roused herself and taking her daughter's hand, gazed earnestly and lovingly into her eyes. Her breath was labored and she spoke with difficulty:

"My daughter. I am sure that nothing can save me now. When I am dead, promise me to take care of your dear father and to try to be a good and dutiful woman."

"Oh, mother," said the girl as the tears rushed to her eyes, "you must not say such things. All you have to do is to make haste and get well--that will bring the greatest happiness to father and myself."

"Yes, I know, and it is a comfort to me in my last days to know how greatly you long for me to get better, but it is not to be. Do not look so sorrowful, for it was so ordained in my previous state of existence that I should die in this life just at this time; knowing this, I am quite resigned to my fate. And now I have something to give you whereby to remember me when I am gone."

Putting her hand out, she took from the side of the pillow a square wooden box tied up with a silken cord and tassels. Undoing this very carefully, she took out of the box the mirror that her husband had given her years ago.

"When you were still a little child your father went up to the capital and brought me back as a present this treasure; it is called a mirror. This I give you before I die. If, after I have ceased to be in this life, you are lonely and long to see me sometimes, then take out this mirror and in the clear and shining surface you will always see me--so will you be able to meet with me often and tell me all your heart; and though I shall not be able to speak, I shall understand and sympathize with you, whatever may happen to you in the future." With these words the dying woman handed the mirror to her daughter.

The mind of the good mother seemed to be now at rest, and sinking back without another word her spirit passed quietly away that day.

The bereaved father and daughter were wild with grief, and they abandoned themselves to their bitter sorrow. They felt it to be impossible to take leave of the loved woman who till now had filled their whole lives and to commit her body to the earth. But this frantic burst of grief passed, and then they took possession of their own hearts again, crushed though they were in resignation. In spite of this the daughter's life seemed to her desolate. Her love for her dead mother did not grow less with time, and so keen was her remembrance, that everything in daily life, even the falling of the rain and the blowing of the wind, reminded her of her mother's death and of all that they had loved and shared together. One day when her father was out, and she was fulfilling her household duties alone, her loneliness and sorrow seemed more than she could bear. She threw herself down in her mother's room and wept as if her heart would break. Poor child, she longed just for one glimpse of the loved face, one sound of the voice calling her pet name, or for one moment's forgetfulness of the aching void in her heart. Suddenly she sat up. Her mother's last words had rung through her memory hitherto dulled by grief.

"Oh! my mother told me when she gave me the mirror as a parting gift, that whenever I looked into it I should be able to meet her--to see her. I had nearly forgotten her last words--how stupid I am; I will get the mirror now and see if it can possibly be true!"

She dried her eyes quickly, and going to the cupboard took out the box that contained the mirror, her heart beating with expectation as she lifted the mirror out and gazed into its smooth face. Behold, her mother's words were true! In the round mirror before her she saw her mother's face; but, oh, the joyful surprise! It was not her mother thin and wasted by illness, but the young and beautiful woman as she remembered her far back in the days of her own earliest childhood. It seemed to the girl that the face in the mirror must soon speak, almost that she heard the voice of her mother telling her again to grow up a good woman and a dutiful daughter, so earnestly did the eyes in the mirror look back into her own.

"It is certainly my mother's soul that I see. She knows how miserable I am without her and she has come to comfort me. Whenever I long to see her she will meet me here; how grateful I ought to be!"

And from this time the weight of sorrow was greatly lightened for her young heart. Every morning, to gather strength for the day's duties before her, and every evening, for consolation before she lay down to rest, did the young girl take out the mirror and gaze at the reflection which in the simplicity of her innocent heart she believed to be her mother's soul. Daily she grew in the likeness of her dead mother's character, and was gentle and kind to all, and a dutiful daughter to her father.

A year spent in mourning had thus passed away in the little household, when, by the advice of his relations, the man married again, and the daughter now found herself under the authority of a step-mother. It was a trying position; but her days spent in the recollection of her own beloved mother, and of trying to be what that mother would wish her to be, had made the young girl docile and patient, and she now determined to be filial and dutiful to her father's wife, in all respects. Everything went on apparently smoothly in the family for some time under the new regime; there were no winds or waves of discord to ruffle the surface of every-day life, and the father was content.

But it is a woman's danger to be petty and mean, and step-mothers are proverbial all the world over, and this one's heart was not as her first smiles were. As the days and weeks grew into months, the step-mother began to treat the motherless girl unkindly and to try and come between the father and child.

Sometimes she went to her husband and complained of her step-daughter's behavior, but the father knowing that this was to be expected, took no notice of her ill-natured complaints. Instead of lessening his affection for his daughter, as the woman desired, her grumblings only made him think of her the more. The woman soon saw that he began to show more concern for his lonely child than before. This did not please her at all, and she began to turn over in her mind how she could, by some means or other, drive her step-child out of the house. So crooked did the woman's heart become.

She watched the girl carefully, and one day peeping into her room in the early morning, she thought she discovered a grave enough sin of which to accuse the child to her father. The woman herself was a little frightened too at what she had seen.

So she went at once to her husband, and wiping away some false tears she said in a sad voice:

"Please give me permission to leave you today."

The man was completely taken by surprise at the suddenness of her request, and wondered whatever was the matter.

"Do you find it so disagreeable," he asked, "in my house, that you can stay no longer?"

"No! no! it has nothing to do with you--even in my dreams I have never thought that I wished to leave your side; but if I go on living here I am in danger of losing my life, so I think it best for all concerned that you should allow me to go home!"

And the woman began to weep afresh. Her husband, distressed to see her so unhappy, and thinking that he could not have heard aright, said:

"Tell me what you mean! How is your life in danger here?"

"I will tell you since you ask me. Your daughter dislikes me as her step-mother. For some time past she has shut herself up in her room morning and evening, and looking in as I pass by, I am convinced that she has made an image of me and is trying to kill me by magic art, cursing me daily. It is not safe for me to stay here, such being the case; indeed, indeed, I must go away, we cannot live under the same roof any more."

The husband listened to the dreadful tale, but he could not believe his gentle daughter guilty of such an evil act. He knew that by popular superstition people believed that one person could cause the gradual death of another by making an image of the hated one and cursing it daily; but where had his young daughter learned such knowledge?--the thing was impossible. Yet he remembered having noticed that his daughter stayed much in her room of late and kept herself away from every one, even when visitors came to the house. Putting this fact together with his wife's alarm, he thought that there might be something to account for the strange story.

His heart was torn between doubting his wife and trusting his child, and he knew not what to do. He decided to go at once to his daughter and try to find out the truth. Comforting his wife and assuring her that her fears were groundless, he glided quietly to his daughter's room.

The girl had for a long time past been very unhappy. She had tried by amiability and obedience to show her goodwill and to mollify the new wife, and to break down that wall of prejudice and misunderstanding that she knew generally stood between step-parents and their step-children. But she soon found that her efforts were in vain. The step-mother never trusted her, and seemed to misinterpret all her actions, and the poor child knew very well that she often carried unkind and untrue tales to her father. She could not help comparing her present unhappy condition with the time when her own mother was alive only a little more than a year ago--so great a change in this short time! Morning and evening she wept over the remembrance. Whenever she could she went to her room, and sliding the screens to, took out the mirror and gazed, as she thought, at her mother's face. It was the only comfort that she had in these wretched days.

Her father found her occupied in this way. Pushing aside the fusama, he saw her bending over something or other very intently. Looking over her shoulder, to see who was entering her room, the girl was surprised to see her father, for he generally sent for her when he wished to speak to her. She was also confused at being found looking at the mirror, for she had never told any one of her mother's last promise, but had kept it as the sacred secret of her heart. So before turning to her father she slipped the mirror into her long sleeve. Her father noting her confusion, and her act of hiding something, said in a severe manner:

"Daughter, what are you doing here? And what is that that you have hidden in your sleeve?"

The girl was frightened by her father's severity. Never had he spoken to her in such a tone. Her confusion changed to apprehension, her color from scarlet to white. She sat dumb and shamefaced, unable to reply.

Appearances were certainly against her; the young girl looked guilty, and the father thinking that perhaps after all what his wife had told him was true, spoke angrily:

"Then, is it really true that you are daily cursing your step-mother and praying for her death? Have you forgotten what I told you, that although she is your step-mother you must be obedient and loyal to her? What evil spirit has taken possession of your heart that you should be so wicked? You have certainly changed, my daughter! What has made you so disobedient and unfaithful?"

And the father's eyes filled with sudden tears to think that he should have to upbraid his daughter in this way.

She on her part did not know what he meant, for she had never heard of the superstition that by praying over an image it is possible to cause the death of a hated person. But she saw that she must speak and clear herself somehow. She loved her father dearly, and could not bear the idea of his anger. She put out her hand on his knee deprecatingly:

"Father! father! do not say such dreadful things to me. I am still your obedient child. Indeed, I am. However stupid I may be, I should never be able to curse any one who belonged to you, much less pray for the death of one you love. Surely some one has been telling you lies, and you are dazed, and you know not what you say--or some evil spirit has taken possession of YOUR heart. As for me I do not know--no, not so much as a dew-drop, of the evil thing of which you accuse me."

But the father remembered that she had hidden something away when he first entered the room, and even this earnest protest did not satisfy him. He wished to clear up his doubts once for all.

"Then why are you always alone in your room these days? And tell me what is that that you have hidden in your sleeve--show it to me at once."

Then the daughter, though shy of confessing how she had cherished her mother's memory, saw that she must tell her father all in order to clear herself. So she slipped the mirror out from her long sleeve and laid it before him.

"This," she said, "is what you saw me looking at just now."

"Why," he said in great surprise, "this is the mirror that I brought as a gift to your mother when I went up to the capital many years ago! And so you have kept it all this time? Now, why do you spend so much of your time before this mirror?"

Then she told him of her mother's last words, and of how she had promised to meet her child whenever she looked into the glass. But still the father could not understand the simplicity of his daughter's character in not knowing that what she saw reflected in the mirror was in reality her own face, and not that of her mother.

"What do you mean?" he asked. "I do not understand how you can meet the soul of your lost mother by looking in this mirror?"

"It is indeed true," said the girl: "and if you don't believe what I say, look for yourself," and she placed the mirror before her. There, looking back from the smooth metal disk, was her own sweet face. She pointed to the reflection seriously:

"Do you doubt me still?" she asked earnestly, looking up into his face.

With an exclamation of sudden understanding the father smote his two hands together.

"How stupid I am! At last I understand. Your face is as like your mother's as the two sides of a melon--thus you have looked at the reflection of your face ail this time, thinking that you were brought face to face with your lost mother! You are truly a faithful child. It seems at first a stupid thing to have done, but it is not really so, It shows how deep has been your filial piety, and how innocent your heart. Living in constant remembrance of your lost mother has helped you to grow like her in character. How clever it was of her to tell you to do this. I admire and respect you, my daughter, and I am ashamed to think that for one instant I believed your suspicious step-mother's story and suspected you of evil, and came with the intention of scolding you severely, while all this time you have been so true and good. Before you I have no countenance left, and I beg you to forgive me."

And here the father wept. He thought of how lonely the poor girl must have been, and of all that she must have suffered under her step-mother's treatment. His daughter steadfastly keeping her faith and simplicity in the midst of such adverse circumstances--bearing all her troubles with so much patience and amiability--made him compare her to the lotus which rears its blossom of dazzling beauty out of the slime and mud of the moats and ponds, fitting emblem of a heart which keeps itself unsullied while passing through the world.

The step-mother, anxious to know what would happen, had all this while been standing outside the room. She had grown interested, and had gradually pushed the sliding screen back till she could see all that went on. At this moment she suddenly entered the room, and dropping to the mats, she bowed her head over her outspread hands before her step-daughter.

"I am ashamed! I am ashamed!" she exclaimed in broken tones. "I did not know what a filial child you were. Through no fault of yours, but with a step-mother's jealous heart, I have disliked you all the time. Hating you so much myself, it was but natural that I should think you reciprocated the feeling, and thus when I saw you retire so often to your room I followed you, and when I saw you gaze daily into the mirror for long intervals, I concluded that you had found out how I disliked you, and that you were out of revenge trying to take my life by magic art. As long as I live I shall never forget the wrong I have done you in so misjudging you, and in causing your father to suspect you. From this day I throw away my old and wicked heart, and in its place I put a new one, clean and full of repentance. I shall think of you as a child that I have borne myself. I shall love and cherish you with all my heart, and thus try to make up for all the unhappiness I have caused you. Therefore, please throw into the water all that has gone before, and give me, I beg of you, some of the filial love that you have hitherto given to your own lost mother."

Thus did the unkind step-mother humble herself and ask forgiveness of the girl she had so wronged.

Such was the sweetness of the girl's disposition that she willingly forgave her step-mother, and never bore a moment's resentment or malice towards her afterwards. The father saw by his wife's face that she was truly sorry for the past, and was greatly relieved to see the terrible misunderstanding wiped out of remembrance by both the wrong-doer and the wronged.

From this time on, the three lived together as happily as fish in water. No such trouble ever darkened the home again, and the young girl gradually forgot that year of unhappiness in the tender love and care that her step-mother now bestowed on her. Her patience and goodness were rewarded at last.

THE GOBLIN OF ADACHIGAHARA.

Long, long ago there was a large plain called Adachigahara, in the province of Mutsu in Japan. This place was said to be haunted by a cannibal goblin who took the form of an old woman. From time to time many travelers disappeared and were never heard of more, and the old women round the charcoal braziers in the evenings, and the girls washing the household rice at the wells in the mornings, whispered dreadful stories of how the missing folk had been lured to the goblin's cottage and devoured, for the goblin lived only on human flesh. No one dared to venture near the haunted spot after sunset, and all those who could, avoided it in the daytime, and travelers were warned of the dreaded place.

One day as the sun was setting, a priest came to the plain. He was a belated traveler, and his robe showed that he was a Buddhist pilgrim walking from shrine to shrine to pray for some blessing or to crave for forgiveness of sins. He had apparently lost his way, and as it was late he met no one who could show him the road or warn him of the haunted spot.

He had walked the whole day and was now tired and hungry, and the evenings were chilly, for it was late autumn, and he began to be very anxious to find some house where he could obtain a night's lodging. He found himself lost in the midst of the large plain, and looked about in vain for some sign of human habitation.

At last, after wandering about for some hours, he saw a clump of trees in the distance, and through the trees he caught sight of the glimmer of a single ray of light. He exclaimed with joy:

"Oh. surely that is some cottage where I can get a night's lodging!"

Keeping the light before his eyes he dragged his weary, aching feet as quickly as he could towards the spot, and soon came to a miserable-looking little cottage. As he drew near he saw that it was in a tumble-down condition, the bamboo fence was broken and weeds and grass pushed their way through the gaps. The paper screens which serve as windows and doors in Japan were full of holes, and the posts of the house were bent with age and seemed scarcely able to support the old thatched roof. The hut was open, and by the light of an old lantern an old woman sat industriously spinning.

The pilgrim called to her across the bamboo fence and said:

"O Baa San (old woman), good evening! I am a traveler! Please excuse me, but I have lost my way and do not know what to do, for I have nowhere to rest to-night. I beg you to be good enough to let me spend the night under your roof."

The old woman as soon as she heard herself spoken to stopped spinning, rose from her seat and approached the intruder.

"I am very sorry for you. You must indeed be distressed to have lost your way in such a lonely spot so late at night. Unfortunately I cannot put you up, for I have no bed to offer you, and no accommodation whatsoever for a guest in this poor place!"

"Oh, that does not matter," said the priest; "all I want is a shelter under some roof for the night, and if you will be good enough just to let me lie on the kitchen floor I shall be grateful. I am too tired to walk further to-night, so I hope you will not refuse me, otherwise I shall have to sleep out on the cold plain." And in this way he pressed the old woman to let him stay.

She seemed very reluctant, but at last she said:

"Very well, I will let you stay here. I can offer you a very poor welcome only, but come in now and I will make a fire, for the night is cold."

The pilgrim was only too glad to do as he was told. He took off his sandals and entered the hut. The old woman then brought some sticks of wood and lit the fire, and bade her guest draw near and warm himself.

"You must be hungry after your long tramp," said the old woman. "I will go and cook some supper for you." She then went to the kitchen to cook some rice.

After the priest had finished his supper the old woman sat down by the fire-place, and they talked together for a long time. The pilgrim thought to himself that he had been very lucky to come across such a kind, hospitable old woman. At last the wood gave out, and as the fire died slowly down he began to shiver with cold just as he had done when he arrived.

"I see you are cold," said the old woman; "I will go out and gather some wood, for we have used it all. You must stay and take care of the house while I am gone."

"No, no," said the pilgrim, "let me go instead, for you are old, and I cannot think of letting you go out to get wood for me this cold night!"

The old woman shook her head and said:

"You must stay quietly here, for you are my guest." Then she left him and went out.

In a minute she came back and said:

"You must sit where you are and not move, and whatever happens don't go near or look into the inner room. Now mind what I tell you!"

"If you tell me not to go near the back room, of course I won't," said the priest, rather bewildered.

The old woman then went out again, and the priest was left alone. The fire had died out, and the only light in the hut was that of a dim lantern. For the first time that night he began to feel that he was in a weird place, and the old woman's words, "Whatever you do don't peep into the back room," aroused his curiosity and his fear.

What hidden thing could be in that room that she did not wish him to see? For some time the remembrance of his promise to the old woman kept him still, but at last he could no longer resist his curiosity to peep into the forbidden place.

He got up and began to move slowly towards the back room. Then the thought that the old woman would be very angry with him if he disobeyed her made him come back to his place by the fireside.

As the minutes went slowly by and the old woman did not return, he began to feel more and more frightened, and to wonder what dreadful secret was in the room behind him. He must find out.

"She will not know that I have looked unless I tell her. I will just have a peep before she comes back," said the man to himself.

With these words he got up on his feet (for he had been sitting all this time in Japanese fashion with his feet under him) and stealthily crept towards the forbidden spot. With trembling hands he pushed back the sliding door and looked in. What he saw froze the blood in his veins. The room was full of dead men's bones and the walls were splashed and the floor was covered with human blood. In one corner skull upon skull rose to the ceiling, in another was a heap of arm bones, in another a heap of leg bones. The sickening smell made him faint. He fell backwards with horror, and for some time lay in a heap with fright on the floor, a pitiful sight. He trembled all over and his teeth chattered, and he could hardly crawl away from the dreadful spot.

"How horrible!" he cried out. "What awful den have I come to in my travels? May Buddha help me or I am lost. Is it possible that that kind old woman is really the cannibal goblin? When she comes back she will show herself in her true character and eat me up at one mouthful!"

With these words his strength came back to him and, snatching up his hat and staff, he rushed out of the house as fast as his legs could carry him. Out into the night he ran, his one thought to get as far as he could from the goblin's haunt. He had not gone far when he heard steps behind him and a voice crying: "Stop! stop!"

He ran on, redoubling his speed, pretending not to hear. As he ran he heard the steps behind him come nearer and nearer, and at last he recognized the old woman's voice which grew louder and louder as she came nearer.

"Stop! stop, you wicked man, why did you look into the forbidden room?"

The priest quite forgot how tired he was and his feet flew over the ground faster than ever. Fear gave him strength, for he knew that if the goblin caught him he would soon be one of her victims. With all his heart he repeated the prayer to Buddha:

"Namu Amida Butsu, Namu Amida Butsu."

And after him rushed the dreadful old hag, her hair flying in the wind, and her face changing with rage into the demon that she was. In her hand she carried a large blood-stained knife, and she still shrieked after him, "Stop! stop!"

At last, when the priest felt he could run no more, the dawn broke, and with the darkness of night the goblin vanished and he was safe. The priest now knew that he had met the Goblin of Adachigahara, the story of whom he had often heard but never believed to be true. He felt that he owed his wonderful escape to the protection of Buddha to whom he had prayed for help, so he took out his rosary and bowing his head as the sun rose he said his prayers and made his thanksgiving earnestly. He then set forward for another part of the country, only too glad to leave the haunted plain behind him.

THE SAGACIOUS MONKEY AND THE BOAR.

Long, long ago, there lived in the province of Shinshin in Japan, a traveling monkey-man, who earned his living by taking round a monkey and showing off the animal's tricks.

One evening the man came home in a very bad temper and told his wife to send for the butcher the next morning.

The wife was very bewildered and asked her husband:

"Why do you wish me to send for the butcher?"

"It's no use taking that monkey round any longer, he's too old and forgets his tricks. I beat him with my stick all I know how, but he won't dance properly. I must now sell him to the butcher and make what money out of him I can. There is nothing else to be done."

The woman felt very sorry for the poor little animal, and pleaded for her husband to spare the monkey, but her pleading was all in vain, the man was determined to sell him to the butcher.

Now the monkey was in the next room and overheard ever word of the conversation. He soon understood that he was to be killed, and he said to himself:

"Barbarous, indeed, is my master! Here I have served him faithfully for years, and instead of allowing me to end my days comfortably and in peace, he is going to let me be cut up by the butcher, and my poor body is to be roasted and stewed and eaten? Woe is me! What am I to do. Ah! a bright thought has struck me! There is, I know, a wild bear living in the forest near by. I have often heard tell of his wisdom. Perhaps if I go to him and tell him the strait I am in he will give me his counsel. I will go and try."

There was no time to lose. The monkey slipped out of the house and ran as quickly as he could to the forest to find the boar. The boar was at home, and the monkey began his tale of woe at once.

"Good Mr. Boar, I have heard of your excellent wisdom. I am in great trouble, you alone can help me. I have grown old in the service of my master, and because I cannot dance properly now he intends to sell me to the butcher. What do you advise me to do? I know how clever you are!"

The boar was pleased at the flattery and determined to help the monkey. He thought for a little while and then said:

"Hasn't your master a baby?"

"Oh, yes," said the monkey, "he has one infant son."

"Doesn't it lie by the door in the morning when your mistress begins the work of the day? Well, I will come round early and when I see my opportunity I will seize the child and run off with it."

"What then?" said the monkey.

"Why the mother will be in a tremendous scare, and before your master and mistress know what to do, you must run after me and rescue the child and take it home safely to its parents, and you will see that when the butcher comes they won't have the heart to sell you."

The monkey thanked the boar many times and then went home. He did not sleep much that night, as you may imagine, for thinking of the morrow. His life depended on whether the boar's plan succeeded or not. He was the first up, waiting anxiously for what was to happen. It seemed to him a very long time before his master's wife began to move about and open the shutters to let in the light of day. Then all happened as the boar had planned. The mother placed her child near the porch as usual while she tidied up the house and got her breakfast ready.

The child was crooning happily in the morning sunlight, dabbing on the mats at the play of light and shadow. Suddenly there was a noise in the porch and a loud cry from the child. The mother ran out from the kitchen to the spot, only just in time to see the boar disappearing through the gate with her child in its clutch. She flung out her hands with a loud cry of despair and rushed into the inner room where her husband was still sleeping soundly.

He sat up slowly and rubbed his eyes, and crossly demanded what his wife was making all that noise about. By the time that the man was alive to what had happened, and they both got outside the gate, the boar had got well away, but they saw the monkey running after the thief as hard as his legs would carry him.

Both the man and wife were moved to admiration at the plucky conduct of the sagacious monkey, and their gratitude knew no bounds when the faithful monkey brought the child safely back to their arms.

"There!" said the wife. "This is the animal you want to kill--if the monkey hadn't been here we should have lost our child forever."

"You are right, wife, for once," said the man as he carried the child into the house. "You may send the butcher back when he comes, and now give us all a good breakfast and the monkey too."

When the butcher arrived he was sent away with an order for some boar's meat for the evening dinner, and the monkey was petted and lived the rest of his days in peace, nor did his master ever strike him again.

THE HAPPY HUNTER AND THE SKILLFUL FISHER.

Long, long ago Japan was governed by Hohodemi, the fourth Mikoto (or Augustness) in descent from the illustrious Amaterasu, the Sun Goddess. He was not only as handsome as his ancestress was beautiful, but he was also very strong and brave, and was famous for being the greatest hunter in the land. Because of his matchless skill as a hunter, he was called "Yama-sachi-hiko" or "The Happy Hunter of the Mountains."

His elder brother was a very skillful fisher, and as he far surpassed all rivals in fishing, he was named "Unii-sachi-hiko" or the "Skillful Fisher of the Sea." The brothers thus led happy lives, thoroughly enjoying their respective occupations, and the days passed quickly and pleasantly while each pursued his own way, the one hunting and the other fishing.

One day the Happy Hunter came to his brother, the Skillful Fisher, and said:

"Well, my brother, I see you go to the sea every day with your fishing rod in your hand, and when you return you come laden with fish. And as for me, it is my pleasure to take my bow and arrow and to hunt the wild animals up the mountains and down in the valleys. For a long time we have each followed our favorite occupation, so that now we must both be tired, you of your fishing and I of my hunting. Would it not be wise for us to make a change? Will you try hunting in the mountains and I will go and fish in the sea?"

The Skillful Fisher listened in silence to his brother, and for a moment was thoughtful, but at last he answered:

"O yes, why not? Your idea is not a bad one at all. Give me your bow and arrow and I will set out at once for the mountains and hunt for game."

So the matter was settled by this talk, and the two brothers each started out to try the other's occupation, little dreaming of all that would happen. It was very unwise of them, for the Happy Hunter knew nothing of fishing, and the Skillful Fisher, who was bad tempered, knew as much about hunting.

The Happy Hunter took his brother's much-prized fishing hook and rod and went down to the seashore and sat down on the rocks. He baited his hook and then threw it into the sea clumsily. He sat and gazed at the little float bobbing up and down in the water, and longed for a good fish to come and be caught. Every time the buoy moved a little he pulled up his rod, but there was never a fish at the end of it, only the hook and the bait. If he had known how to fish properly, he would have been able to catch plenty of fish, but although he was the greatest hunter in the land he could not help being the most bungling fisher.

The whole day passed in this way, while he sat on the rocks holding the fishing rod and waiting in vain for his luck to turn. At last the day began to darken, and the evening came; still he had caught not a single fish. Drawing up his line for the last time before going home, he found that he had lost his hook without even knowing when he had dropped it.

He now began to feel extremely anxious, for he knew that his brother would be angry at his having lost his hook, for, it being his only one, he valued it above all other things. The Happy Hunter now set to work to look among the rocks and on the sand for the lost hook, and while he was searching to and fro, his brother, the Skillful Fisher, arrived on the scene. He had failed to find any game while hunting that day, and was not only in a bad temper, but looked fearfully cross. When he saw the Happy Hunter searching about on the shore he knew that something must have gone wrong, so he said at once:

"What are you doing, my brother?"

The Happy Hunter went forward timidly, for he feared his brother's anger, and said:

"Oh, my brother, I have indeed done badly."

"What is the matter?--what have you done?" asked the elder brother impatiently.

"I have lost your precious fishing hook--"

While he was still speaking his brother stopped him, and cried out fiercely:

"Lost my hook! It is just what I expected. For this reason, when you first proposed your plan of changing over our occupations I was really against it, but you seemed to wish it so much that I gave in and allowed you to do as you wished. The mistake of our trying unfamiliar tasks is soon seen! And you have done badly. I will not return you your bow and arrow till you have found my hook. Look to it that you find it and return it to me quickly."

The Happy Hunter felt that he was to blame for all that had come to pass, and bore his brother's scornful scolding with humility and patience. He hunted everywhere for the hook most diligently, but it was nowhere to be found. He was at last obliged to give up all hope of finding it. He then went home, and in desperation broke his beloved sword into pieces and made five hundred hooks out of it.

He took these to his angry brother and offered them to him, asking his forgiveness, and begging him to accept them in the place of the one he had lost for him. It was useless; his brother would not listen to him, much less grant his request.

The Happy Hunter then made another five hundred hooks, and again took them to his brother, beseeching him to pardon him.

"Though you make a million hooks," said the Skillful Fisher, shaking his head, "they are of no use to me. I cannot forgive you unless you bring me back my own hook."

Nothing would appease the anger of the Skillful Fisher, for he had a bad disposition, and had always hated his brother because of his virtues, and now with the excuse of the lost fishing hook he planned to kill him and to usurp his place as ruler of Japan. The Happy Hunter knew all this full well, but he could say nothing, for being the younger he owed his elder brother obedience; so he returned to the seashore and once more began to look for the missing hook. He was much cast down, for he had lost all hope of ever finding his brother's hook now. While he stood on the beach, lost in perplexity and wondering what he had best do next, an old man suddenly appeared carrying a stick in his hand. The Happy Hunter afterwards remembered that he did not see from whence the old man came, neither did he know how he was there--he happened to look up and saw the old man coming towards him.

"You are Hohodemi, the Augustness, sometimes called the Happy Hunter, are you not?" asked the old man. "What are you doing alone in such a place?"

"Yes, I am he," answered the unhappy young man. "Unfortunately, while fishing I lost my brother's precious fishing hook. I have hunted this shore all over, but alas! I cannot find it, and I am very troubled, for my brother won't forgive me till I restore it to him. But who are you?"

"My name is Shiwozuchino Okina, and I live near by on this shore. I am sorry to hear what misfortune has befallen you. You must indeed be anxious. But if I tell you what I think, the hook is nowhere here--it is either at the bottom of the sea or in the body of some fish who has swallowed it, and for this reason, though you spend your whole life in looking for it here, you will never find it."

"Then what can I do?" asked the distressed man.

"You had better go down to Ryn Gu and tell Ryn Jin, the Dragon King of the Sea, what your trouble is and ask him to find the hook for you. I think that would be the best way."

"Your idea is a splendid one," said the Happy Hunter, "but I fear I cannot get to the Sea King's realm, for I have always heard that it is situated at the bottom of the sea."

"Oh, there will be no difficulty about your getting there," said the old man; "I can soon make something for you to ride on through the sea."

"Thank you," said the Happy Hunter, "I shall be very grateful to you if you will be so kind."

The old man at once set to work, and soon made a basket and offered it to the Happy Hunter. He received it with joy, and taking it to the water, mounted it, and prepared to start. He bade good by to the kind old man who had helped him so much, and told him that he would certainly reward him as soon as he found his hook and could return to Japan without fear of his brother's anger. The old man pointed out the direction he must take, and told him how to reach the realm of Ryn Gu, and watched him ride out to sea on the basket, which resembled a small boat.

The Happy Hunter made all the haste he could, riding on the basket which had been given him by his friend. His queer boat seemed to go through the water of its own accord, and the distance was much shorter than he had expected, for in a few hours he caught sight of the gate and the roof of the Sea King's Palace. And what a large place it was, with its numberless sloping roofs and gables, its huge gateways, and its gray stone walls! He soon landed, and leaving his basket on the beach, he walked up to the large gateway. The pillars of the gate were made of beautiful red coral, and the gate itself was adorned with glittering gems of all kinds. Large katsura trees overshadowed it. Our hero had often heard of the wonders of the Sea King's Palace beneath the sea, but all the stories he had ever heard fell short of the reality which he now saw for the first time.

The Happy Hunter would have liked to enter the gate there and then, but he saw that it was fast closed, and also that there was no one about whom he could ask to open it for him, so he stopped to think what he should do. In the shade of the trees before the gate he noticed a well full of fresh spring water. Surely some one would come out to draw water from the well some time, he thought. Then he climbed into the tree overhanging the well, and seated himself to rest on one of the branches, and waited for what might happen. Ere long he saw the huge gate swing open, and two beautiful women came out. Now the Mikoto (Augustness) had always heard that Ryn Gu was the realm of the Dragon King under the Sea, and had naturally supposed that the place was inhabited by dragons and similar terrible creatures, so that when he saw these two lovely princesses, whose beauty would be rare even in the world from which he had just come, he was exceedingly surprised, and wondered what it could mean.

He said not a word, however, but silently gazed at them through the foliage of the trees, waiting to see what they would do. He saw that in their hands they carried golden buckets. Slowly and gracefully in their trailing garments they approached the well, standing in the shade of the katsura trees, and were about to draw water, all unknowing of the stranger who was watching them, for the Happy Hunter was quite hidden among the branches of the tree where he had posted himself.

As the two ladies leaned over the side of the well to let down their golden buckets, which they did every day in the year, they saw reflected in the deep still water the face of a handsome youth gazing at them from amidst the branches of the tree in whose shade they stood. Never before had they seen the face of mortal man; they were frightened, and drew back quickly with their golden buckets in their hands. Their curiosity, however, soon gave them courage, and they glanced timidly upwards to see the cause of the unusual reflection, and then they beheld the Happy Hunter sitting in the tree looking down at them with surprise and admiration. They gazed at him face to face, but their tongues were still with wonder and could not find a word to say to him.

When the Mikoto saw that he was discovered, he sprang down lightly from the tree and said:

"I am a traveler, and as I was very thirsty I came to the well in the hopes of quenching my thirst, but I could find no bucket with which to draw the water. So I climbed into the tree, much vexed, and waited for some one to come. Just at that moment, while I was thirstily and impatiently waiting, you noble ladies appeared, as if in answer to my great need. Therefore I pray you of your mercy give me some water to drink, for I am a thirsty traveler in a strange land."

His dignity and graciousness overruled their timidity, and bowing in silence they both once more approached the well, and letting down their golden buckets drew up some water and poured it into a jeweled cup and offered it to the stranger.

He received it from them with both hands, raising it to the height of his forehead in token of high respect and pleasure, and then drank the water quickly, for his thirst was great. When he had finished his long draught he set the cup down on the edge of the well, and drawing his short sword he cut off one of the strange curved jewels (magatama), a necklace of which hung round his neck and fell over his breast. He placed the jewel in the cup and returned it to them, and said, bowing deeply:

"This is a token of my thanks!"

The two ladies took the cup, and looking into it to see what he had put inside--for they did not yet know what it was--they gave a start of surprise, for there lay a beautiful gem at the bottom of the cup.

"No ordinary mortal would give away a jewel so freely. Will you not honor us by telling us who you are?" said the elder damsel.

"Certainly," said the Happy Hunter, "I am Hohodemi, the fourth Mikoto, also called in Japan, the Happy Hunter."

"Are you indeed Hohodemi, the grandson of Amaterasu, the Sun Goddess?" asked the damsel who had spoken first. "I am the eldest daughter of Ryn Jin, the King of the Sea, and my name is Princess Tayotama."

"And," said the younger maiden, who at last found her tongue, "I am her sister, the Princess Tamayori."

"Are you indeed the daughters of Ryn Jin, the King of the Sea? I cannot tell you how glad I am to meet you," said the Happy Hunter. And without waiting for them to reply he went on:

"The other day I went fishing with my brother's hook and dropped it, how, I am sure I can't tell. As my brother prizes his fishing hook above all his other possessions, this is the greatest calamity that could have befallen me. Unless I find it again I can never hope to win my brother's forgiveness, for he is very angry at what I have done. I have searched for it many, many times, but I cannot find it, therefore I am much troubled. While I was hunting for the hook, in great distress, I met a wise old man, and he told me that the best thing I could do was to come to Ryn Gu, and to Ryn Jin, the Dragon King of the Sea, and ask him to help me. This kind old man also showed me how to come. Now you know how it is I am here and why. I want to ask Ryn Jin, if he knows where the lost hook is. Will you be so kind as to take me to your father? And do you think he will see me?" asked the Happy Hunter anxiously.

Princess Tayotama listened to this long story, and then said:

"Not only is it easy for you to see my father, but he will be much pleased to meet you. I am sure he will say that good fortune has befallen him, that so great and noble a man as you, the grandson of Amaterasu, should come down to the bottom of the sea." And then turning to her younger sister, she said:

"Do you not think so, Tamayori?"

"Yes, indeed," answered the Princess Tamayori, in her sweet voice. "As you say, we can know no greater honor than to welcome the Mikoto to our home."

"Then I ask you to be so kind as to lead the way," said the Happy Hunter.

"Condescend to enter, Mikoto (Augustness)," said both the sisters, and bowing low, they led him through the gate.

The younger Princess left her sister to take charge of the Happy Hunter, and going faster than they, she reached the Sea King's Palace first, and running quickly to her father's room, she told him of all that had happened to them at the gate, and that her sister was even now bringing the Augustness to him. The Dragon King of the Sea was much surprised at the news, for it was but seldom, perhaps only once in several hundred years, that the Sea King's Palace was visited by mortals.

Ryn Jin at once clapped his hands and summoned all his courtiers and the servants of the Palace, and the chief fish of the sea together, and solemnly told them that the grandson of the Sun Goddess, Amaterasu, was coming to the Palace, and that they must be very ceremonious and polite in serving the august visitor. He then ordered them all to the entrance of the Palace to welcome the Happy Hunter.

Ryn Jin then dressed himself in his robes of ceremony, and went out to welcome him. In a few moments the Princess Tayotama and the Happy Hunter reached the entrance, and the Sea King and his wife bowed to the ground and thanked him for the honor he did them in coming to see them. The Sea King then led the Happy Hunter to the guest room, and placing him in the uppermost seat, he bowed respectfully before him, and said:

"I am Ryn Jin, the Dragon King of the Sea, and this is my wife. Condescend to remember us forever!"

"Are you indeed Ryn Jin, the King of the Sea, of whom I have so often heard?" answered the Happy Hunter, saluting his host most ceremoniously. "I must apologize for all the trouble I am giving you by my unexpected visit." And he bowed again, and thanked the Sea King.

"You need not thank me," said Ryn Jin. "It is I who must thank you for coming. Although the Sea Palace is a poor place, as you see, I shall be highly honored if you will make us a long visit."

There was much gladness between the Sea King and the Happy Hunter, and they sat and talked for a long time. At last the Sea King clapped his hands, and then a huge retinue of fishes appeared, all robed in ceremonial garments, and bearing in their fins various trays on which all kinds of sea delicacies were served. A great feast was now spread before the King and his Royal guest. All the fishes-in-waiting were chosen from amongst the finest fish in the sea, so you can imagine what a wonderful array of sea creatures it was that waited upon the Happy Hunter that day. All in the Palace tried to do their best to please him and to show him that he was a much honored guest. During the long repast, which lasted for hours, Ryn Jin commanded his daughters to play some music, and the two Princesses came in and performed on the KOTO (the Japanese harp), and sang and danced in turns. The time passed so pleasantly that the Happy Hunter seemed to forget his trouble and why he had come at all to the Sea King's Realm, and he gave himself up to the enjoyment of this wonderful place, the land of fairy fishes! Who has ever heard of such a marvelous place? But the Mikoto soon remembered what had brought him to Ryn Gu, and said to his host:

"Perhaps your daughters have told you, King Ryn Jin, that I have come here to try and recover my brother's fishing hook, which I lost while fishing the other day. May I ask you to be so kind as to inquire of all your subjects if any of them have seen a fishing hook lost in the sea?"

"Certainly," said the obliging Sea King, "I will immediately summon them all here and ask them."

As soon as he had issued his command, the octopus, the cuttlefish, the bonito, the oxtail fish, the eel, the jelly fish, the shrimp, and the plaice, and many other fishes of all kinds came in and sat down before Ryn Jin their King, and arranged themselves and their fins in order. Then the Sea King said solemnly:

"Our visitor who is sitting before you all is the august grandson of Amaterasu. His name is Hohodemi, the fourth Augustness, and he is also called the Happy Hunter of the Mountains. While he was fishing the other day upon the shore of Japan, some one robbed him of his brother's fishing hook. He has come all this way down to the bottom of the sea to our Kingdom because he thought that one of you fishes may have taken the hook from him in mischievous play. If any of you have done so you must immediately return it, or if any of you know who the thief is you must at once tell us his name and where he is now."

All the fishes were taken by surprise when they heard these words, and could say nothing for some time. They sat looking at each other and at the Dragon King. At last the cuttlefish came forward and said:

"I think the TAI (the red bream) must be the thief who has stolen the hook!"

"Where is your proof?" asked the King.

"Since yesterday evening the TAI has not been able to eat anything, and he seems to be suffering from a bad throat! For this reason I think the hook may be in his throat. You had better send for him at once!"

All the fish agreed to this, and said:

"It is certainly strange that the TAI is the only fish who has not obeyed your summons. Will you send for him and inquire into the matter. Then our innocence will be proved."

"Yes," said the Sea King, "it is strange that the TAI has not come, for he ought to be the first to be here. Send for him at once!"

Without waiting for the King's order the cuttlefish had already started for the TAI'S dwelling, and he now returned, bringing the TAI with him. He led him before the King.

The TAI sat there looking frightened and ill. He certainly was in pain, for his usually red face was pale, and his eyes were nearly closed and looked but half their usual size.

"Answer, O TAI!" cried the Sea King, "why did you not come in answer to my summons today?"

"I have been ill since yesterday," answered the TAI; "that is why I could not come."

"Don't say another word!" cried out Ryn Jin angrily. "Your illness is the punishment of the gods for stealing the Mikoto's hook."

"It is only too true!" said the TAI; "the hook is still in my throat, and all my efforts to get it out have been useless. I can't eat, and I can scarcely breathe, and each moment I feel that it will choke me, and sometimes it gives me great pain. I had no intention of stealing the Mikoto's hook. I heedlessly snapped at the bait which I saw in the water, and the hook came off and stuck in my throat. So I hope you will pardon me."

The cuttlefish now came forward, and said to the King:

"What I said was right. You see the hook still sticks in the TAI'S throat. I hope to be able to pull it out in the presence of the Mikoto, and then we can return it to him safely!"

"O please make haste and pull it out!" cried the TAI, pitifully, for he felt the pains in his throat coming on again; "I do so want to return the hook to the Mikoto."

"All right, TAI SAN," said his friend the cuttlefish, and then opening the TAI'S mouth as wide as he could and putting one of his feelers down the TAI'S throat, he quickly and easily drew the hook out of the sufferer's large mouth. He then washed it and brought it to the King.

Ryn Jin took the hook from his subject, and then respectfully returned it to the Happy Hunter (the Mikoto or Augustness, the fishes called him), who was overjoyed at getting back his hook. He thanked Ryn Jin many times, his face beaming with gratitude, and said that he owed the happy ending of his quest to the Sea King's wise authority and kindness.

Ryn Jin now desired to punish the TAI, but the Happy Hunter begged him not to do so; since his lost hook was thus happily recovered he did not wish to make more trouble for the poor TAI. It was indeed the TAI who had taken the hook, but he had already suffered enough for his fault, if fault it could be called. What had been done was done in heedlessness and not by intention. The Happy Hunter said he blamed himself; if he had understood how to fish properly he would never have lost his hook, and therefore all this trouble had been caused in the first place by his trying to do something which he did not know how to do. So he begged the Sea King to forgive his subject.

Who could resist the pleading of so wise and compassionate a judge? Ryn Jin forgave his subject at once at the request of his august guest. The TAI was so glad that he shook his fins for joy, and he and all the other fish went out from the presence of their King, prais

 

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