Tantissimi classici della letteratura e della cultura politica,
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Abbe Prevost - MANON LESCAUT
Alcott, Louisa M. - AN OLDFASHIONED GIRL
Alcott, Louisa M. - LITTLE MEN
Alcott, Louisa M. - LITTLE WOMEN
Alcott, Louisa May - JACK AND JILL
Alcott, Louisa May - LIFE LETTERS AND JOURNALS
Andersen, Hans Christian - FAIRY TALES
Anonimo - BEOWULF
Ariosto, Ludovico - ORLANDO ENRAGED
Aurelius, Marcus - MEDITATIONS
Austen, Jane - EMMA
Austen, Jane - MANSFIELD PARK
Austen, Jane - NORTHANGER ABBEY
Austen, Jane - PERSUASION
Austen, Jane - PRIDE AND PREJUDICE
Austen, Jane - SENSE AND SENSIBILITY
Authors, Various - LETTERS OF ABELARD AND HELOISE
Authors, Various - SELECTED ENGLISH LETTERS
Autori Vari - THE WORLD ENGLISH BIBLE
Bacon, Francis - THE ADVANCEMENT OF LEARNING
Balzac, Honore de - EUGENIE GRANDET
Balzac, Honore de - FATHER GORIOT
Baroness Orczy - THE SCARLET PIMPERNEL
Barrie, J. M. - PETER AND WENDY
Barrie, James M. - PETER PAN
Bierce, Ambrose - THE DEVIL'S DICTIONARY
Blake, William - SONGS OF INNOCENCE AND EXPERIENCE
Boccaccio, Giovanni - DECAMERONE
Brent, Linda - INCIDENTS IN THE LIFE OF A SLAVE GIRL
Bronte, Charlotte - JANE EYRE
Bronte, Charlotte - VILLETTE
Buchan, John - GREENMANTLE
Buchan, John - MR STANDFAST
Buchan, John - THE 39 STEPS
Bunyan, John - THE PILGRIM'S PROGRESS
Burckhardt, Jacob - THE CIVILIZATION OF THE RENAISSANCE IN ITALY
Burnett, Frances H. - A LITTLE PRINCESS
Burnett, Frances H. - LITTLE LORD FAUNTLEROY
Burnett, Frances H. - THE SECRET GARDEN
Butler, Samuel - EREWHON
Carlyle, Thomas - PAST AND PRESENT
Carlyle, Thomas - THE FRENCH REVOLUTION
Cellini, Benvenuto - AUTOBIOGRAPHY
Cervantes - DON QUIXOTE
Chaucer, Geoffrey - THE CANTERBURY TALES
Chesterton, G. K. - A SHORT HISTORY OF ENGLAND
Chesterton, G. K. - THE BALLAD OF THE WHITE HORSE
Chesterton, G. K. - THE INNOCENCE OF FATHER BROWN
Chesterton, G. K. - THE MAN WHO KNEW TOO MUCH
Chesterton, G. K. - THE MAN WHO WAS THURSDAY
Chesterton, G. K. - THE WISDOM OF FATHER BROWN
Chesterton, G. K. - TWELVE TYPES
Chesterton, G. K. - WHAT I SAW IN AMERICA
Chesterton, Gilbert K. - HERETICS
Chopin, Kate - AT FAULT
Chopin, Kate - BAYOU FOLK
Chopin, Kate - THE AWAKENING AND SELECTED SHORT STORIES
Clark Hall, John R. - A CONCISE ANGLOSAXON DICTIONARY
Clarkson, Thomas - AN ESSAY ON THE SLAVERY AND COMMERCE OF THE HUMAN SPECIES
Clausewitz, Carl von - ON WAR
Coleridge, Herbert - A DICTIONARY OF THE FIRST OR OLDEST WORDS IN THE ENGLISH
Coleridge, S. T. - COMPLETE POETICAL WORKS
Coleridge, S. T. - HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY
Coleridge, S. T. - THE RIME OF THE ANCIENT MARINER
Collins, Wilkie - THE MOONSTONE
Collodi - PINOCCHIO
Conan Doyle, Arthur - A STUDY IN SCARLET
Conan Doyle, Arthur - MEMOIRS OF SHERLOCK HOLMES
Conan Doyle, Arthur - THE HOUND OF THE BASKERVILLES
Conan Doyle, Arthur - THE RETURN OF SHERLOCK HOLMES
Conan Doyle, Arthur - THE SIGN OF THE FOUR
Conrad, Joseph - HEART OF DARKNESS
Conrad, Joseph - LORD JIM
Conrad, Joseph - NOSTROMO
Conrad, Joseph - THE NIGGER OF THE NARCISSUS
Conrad, Joseph - TYPHOON
Crane, Stephen - LAST WORDS
Crane, Stephen - MAGGIE
Crane, Stephen - THE RED BADGE OF COURAGE
Crane, Stephen - WOUNDS IN THE RAIN
Dante - THE DIVINE COMEDY: HELL
Dante - THE DIVINE COMEDY: PARADISE
Dante - THE DIVINE COMEDY: PURGATORY
Darwin, Charles - THE AUTOBIOGRAPHY OF CHARLES DARWIN
Darwin, Charles - THE ORIGIN OF SPECIES
Defoe, Daniel - A GENERAL HISTORY OF THE PYRATES
Defoe, Daniel - A JOURNAL OF THE PLAGUE YEAR
Defoe, Daniel - CAPTAIN SINGLETON
Defoe, Daniel - MOLL FLANDERS
Defoe, Daniel - ROBINSON CRUSOE
Defoe, Daniel - THE COMPLETE ENGLISH TRADESMAN
Defoe, Daniel - THE FURTHER ADVENTURES OF ROBINSON CRUSOE
Deledda, Grazia - AFTER THE DIVORCE
Dickens, Charles - A CHRISTMAS CAROL
Dickens, Charles - A TALE OF TWO CITIES
Dickens, Charles - BLEAK HOUSE
Dickens, Charles - DAVID COPPERFIELD
Dickens, Charles - DONBEY AND SON
Dickens, Charles - GREAT EXPECTATIONS
Dickens, Charles - HARD TIMES
Dickens, Charles - LETTERS VOLUME 1
Dickens, Charles - LITTLE DORRIT
Dickens, Charles - MARTIN CHUZZLEWIT
Dickens, Charles - NICHOLAS NICKLEBY
Dickens, Charles - OLIVER TWIST
Dickens, Charles - OUR MUTUAL FRIEND
Dickens, Charles - PICTURES FROM ITALY
Dickens, Charles - THE MYSTERY OF EDWIN DROOD
Dickens, Charles - THE OLD CURIOSITY SHOP
Dickens, Charles - THE PICKWICK PAPERS
Dickinson, Emily - POEMS
Dostoevsky, Fyodor - CRIME AND PUNISHMENT
Dostoyevsky, Fyodor - THE BROTHERS KARAMAZOV
Du Maurier, George - TRILBY
Dumas, Alexandre - THE COUNT OF MONTE CRISTO
Dumas, Alexandre - THE MAN IN THE IRON MASK
Dumas, Alexandre - THE THREE MUSKETEERS
Eliot, George - DANIEL DERONDA
Eliot, George - MIDDLEMARCH
Eliot, George - SILAS MARNER
Eliot, George - THE MILL ON THE FLOSS
Engels, Frederick - THE CONDITION OF THE WORKING-CLASS IN ENGLAND IN 1844
Equiano - AUTOBIOGRAPHY
Esopo - FABLES
Fenimore Cooper, James - THE LAST OF THE MOHICANS
Fielding, Henry - TOM JONES
France, Anatole - THAIS
France, Anatole - THE GODS ARE ATHIRST
France, Anatole - THE LIFE OF JOAN OF ARC
France, Anatole - THE SEVEN WIVES OF BLUEBEARD
Frank Baum, L. - THE PATCHWORK GIRL OF OZ
Frank Baum, L. - THE WONDERFUL WIZARD OF OZ
Franklin, Benjamin - AUTOBIOGRAPHY
Frazer, James George - THE GOLDEN BOUGH
Freud, Sigmund - DREAM PSYCHOLOGY
Galsworthy, John - COMPLETE PLAYS
Galsworthy, John - STRIFE
Galsworthy, John - STUDIES AND ESSAYS
Galsworthy, John - THE FIRST AND THE LAST
Galsworthy, John - THE FORSYTE SAGA
Galsworthy, John - THE LITTLE MAN
Galsworthy, John - THE SILVER BOX
Galsworthy, John - THE SKIN GAME
Gaskell, Elizabeth - CRANFORD
Gaskell, Elizabeth - MARY BARTON
Gaskell, Elizabeth - NORTH AND SOUTH
Gaskell, Elizabeth - THE LIFE OF CHARLOTTE BRONTE
Gay, John - THE BEGGAR'S OPERA
Gentile, Maria - THE ITALIAN COOK BOOK
Gilbert and Sullivan - PLAYS
Goethe - FAUST
Gogol - DEAD SOULS
Goldsmith, Oliver - SHE STOOPS TO CONQUER
Goldsmith, Oliver - THE VICAR OF WAKEFIELD
Grahame, Kenneth - THE WIND IN THE WILLOWS
Grimm, Brothers - FAIRY TALES
Harding, A. R. - GINSENG AND OTHER MEDICINAL PLANTS
Hardy, Thomas - A CHANGED MAN AND OTHER TALES
Hardy, Thomas - FAR FROM THE MADDING CROWD
Hardy, Thomas - JUDE THE OBSCURE
Hardy, Thomas - TESS OF THE D'URBERVILLES
Hardy, Thomas - THE MAYOR OF CASTERBRIDGE
Hartley, Cecil B. - THE GENTLEMEN'S BOOK OF ETIQUETTE
Hawthorne, Nathaniel - LITTLE MASTERPIECES
Hawthorne, Nathaniel - THE SCARLET LETTER
Henry VIII - LOVE LETTERS TO ANNE BOLEYN
Henry, O. - CABBAGES AND KINGS
Henry, O. - SIXES AND SEVENS
Henry, O. - THE FOUR MILLION
Henry, O. - THE TRIMMED LAMP
Henry, O. - WHIRLIGIGS
Hindman Miller, Gustavus - TEN THOUSAND DREAMS INTERPRETED
Hobbes, Thomas - LEVIATHAN
Homer - THE ILIAD
Homer - THE ODYSSEY
Hornaday, William T. - THE EXTERMINATION OF THE AMERICAN BISON
Hume, David - A TREATISE OF HUMAN NATURE
Hume, David - AN ENQUIRY CONCERNING HUMAN UNDERSTANDING
Hume, David - DIALOGUES CONCERNING NATURAL RELIGION
Ibsen, Henrik - A DOLL'S HOUSE
Ibsen, Henrik - AN ENEMY OF THE PEOPLE
Ibsen, Henrik - GHOSTS
Ibsen, Henrik - HEDDA GABLER
Ibsen, Henrik - JOHN GABRIEL BORKMAN
Ibsen, Henrik - ROSMERHOLM
Ibsen, Henrik - THE LADY FROM THE SEA
Ibsen, Henrik - THE MASTER BUILDER
Ibsen, Henrik - WHEN WE DEAD AWAKEN
Irving, Washington - THE LEGEND OF SLEEPY HOLLOW
James, Henry - ITALIAN HOURS
James, Henry - THE ASPERN PAPERS
James, Henry - THE BOSTONIANS
James, Henry - THE PORTRAIT OF A LADY
James, Henry - THE TURN OF THE SCREW
James, Henry - WASHINGTON SQUARE
Jerome, Jerome K. - THREE MEN IN A BOAT
Jerome, Jerome K. - THREE MEN ON THE BUMMEL
Jevons, Stanley - POLITICAL ECONOMY
Johnson, Samuel - A GRAMMAR OF THE ENGLISH TONGUE
Jonson, Ben - THE ALCHEMIST
Jonson, Ben - VOLPONE
Joyce, James - A PORTRAIT OF THE ARTIST AS A YOUNG MAN
Joyce, James - CHAMBER MUSIC
Joyce, James - DUBLINERS
Joyce, James - ULYSSES
Keats, John - ENDYMION
Keats, John - POEMS PUBLISHED IN 1817
Keats, John - POEMS PUBLISHED IN 1820
King James - THE BIBLE
Kipling, Rudyard - CAPTAINS COURAGEOUS
Kipling, Rudyard - INDIAN TALES
Kipling, Rudyard - JUST SO STORIES
Kipling, Rudyard - KIM
Kipling, Rudyard - THE JUNGLE BOOK
Kipling, Rudyard - THE MAN WHO WOULD BE KING
Kipling, Rudyard - THE SECOND JUNGLE BOOK
Lawrence, D. H - THE RAINBOW
Lawrence, D. H - THE WHITE PEACOCK
Lawrence, D. H - TWILIGHT IN ITALY
Lawrence, D. H. - AARON'S ROD
Lawrence, D. H. - SONS AND LOVERS
Lawrence, D. H. - THE LOST GIRL
Lawrence, D. H. - WOMEN IN LOVE
Lear, Edward - BOOK OF NONSENSE
Lear, Edward - LAUGHABLE LYRICS
Lear, Edward - MORE NONSENSE
Lear, Edward - NONSENSE SONG
Leblanc, Maurice - ARSENE LUPIN VS SHERLOCK HOLMES
Leblanc, Maurice - THE ADVENTURES OF ARSENE LUPIN
Leblanc, Maurice - THE CONFESSIONS OF ARSENE LUPIN
Leblanc, Maurice - THE HOLLOW NEEDLE
Leblanc, Maurice - THE RETURN OF ARSENE LUPIN
Lehmann, Lilli - HOW TO SING
Leroux, Gaston - THE MAN WITH THE BLACK FEATHER
Leroux, Gaston - THE MYSTERY OF THE YELLOW ROOM
Leroux, Gaston - THE PHANTOM OF THE OPERA
London, Jack - MARTIN EDEN
London, Jack - THE CALL OF THE WILD
London, Jack - WHITE FANG
Machiavelli, Nicolo' - THE PRINCE
Malthus, Thomas - PRINCIPLE OF POPULATION
Mansfield, Katherine - THE GARDEN PARTY AND OTHER STORIES
Marlowe, Christopher - THE JEW OF MALTA
Marryat, Captain - THE CHILDREN OF THE NEW FOREST
Maupassant, Guy De - BEL AMI
Melville, Hermann - MOBY DICK
Melville, Hermann - TYPEE
Mill, John Stuart - PRINCIPLES OF POLITICAL ECONOMY
Milton, John - PARADISE LOST
Mitra, S. M. - HINDU TALES FROM THE SANSKRIT
Montaigne, Michel de - ESSAYS
Montgomery, Lucy Maud - ANNE OF GREEN GABLES
More, Thomas - UTOPIA
Nesbit, E. - FIVE CHILDREN AND IT
Nesbit, E. - THE PHOENIX AND THE CARPET
Nesbit, E. - THE RAILWAY CHILDREN
Nesbit, E. - THE STORY OF THE AMULET
Newton, Isaac - OPTICKS
Nietsche, Friedrich - BEYOND GOOD AND EVIL
Nietsche, Friedrich - THUS SPAKE ZARATHUSTRA
Nightingale, Florence - NOTES ON NURSING
Owen, Wilfred - POEMS
Ozaki, Yei Theodora - JAPANESE FAIRY TALES
Pascal, Blaise - PENSEES
Pellico, Silvio - MY TEN YEARS IMPRISONMENT
Perrault, Charles - FAIRY TALES
Pirandello, Luigi - THREE PLAYS
Plato - THE REPUBLIC
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 1
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 2
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 3
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 4
Poe, Edgar Allan - THE COMPLETE POETICAL WORKS 5
Poe, Edgar Allan - THE FALL OF THE HOUSE OF USHER
Potter, Beatrix - THE TALE OF PETER RABBIT
Proust, Marcel - SWANN'S WAY
Radcliffe, Ann - A SICILIAN ROMANCE
Ricardo, David - ON THE PRINCIPLES OF POLITICAL ECONOMY AND TAXATION
Richardson, Samuel - PAMELA
Rider Haggard, H. - ALLAN QUATERMAIN
Rider Haggard, H. - KING SOLOMON'S MINES
Rousseau, J. J. - THE ORIGIN AND FOUNDATION OF INEQUALITY AMONG MANKIND
Ruskin, John - THE SEVEN LAMPS OF ARCHITECTURE
Schiller, Friedrich - THE DEATH OF WALLENSTEIN
Schiller, Friedrich - THE PICCOLOMINI
Schopenhauer, Arthur - THE ART OF CONTROVERSY
Schopenhauer, Arthur - THE WISDOM OF LIFE
Scott Fitzgerald, F. - FLAPPERS AND PHILOSOPHERS
Scott Fitzgerald, F. - TALES OF THE JAZZ AGE
Scott Fitzgerald, F. - THE BEAUTIFUL AND DAMNED
Scott Fitzgerald, F. - THIS SIDE OF PARADISE
Scott, Walter - IVANHOE
Scott, Walter - QUENTIN DURWARD
Scott, Walter - ROB ROY
Scott, Walter - THE BRIDE OF LAMMERMOOR
Scott, Walter - WAVERLEY
Sedgwick, Anne Douglas - THE THIRD WINDOW
Sewell, Anna - BLACK BEAUTY
Shakespeare, William - COMPLETE WORKS
Shakespeare, William - HAMLET
Shakespeare, William - OTHELLO
Shakespeare, William - ROMEO AND JULIET
Shelley, Mary - FRANKENSTEIN
Shelley, Percy Bysshe - A DEFENCE OF POETRY AND OTHER ESSAYS
Shelley, Percy Bysshe - COMPLETE POETICAL WORKS
Sheridan, Richard B. - THE SCHOOL FOR SCANDAL
Sienkiewicz, Henryk - QUO VADIS
Smith, Adam - THE WEALTH OF NATIONS
Smollett, Tobias - TRAVELS THROUGH FRANCE AND ITALY
Spencer, Herbert - ESSAYS ON EDUCATION AND KINDRED SUBJECTS
Spyri, Johanna - HEIDI
Sterne, Laurence - A SENTIMENTAL JOURNEY
Sterne, Laurence - TRISTRAM SHANDY
Stevenson, Robert Louis - A CHILD'S GARDEN OF VERSES
Stevenson, Robert Louis - ESSAYS IN THE ART OF WRITING
Stevenson, Robert Louis - KIDNAPPED
Stevenson, Robert Louis - NEW ARABIAN NIGHTS
Stevenson, Robert Louis - THE BLACK ARROW
Stevenson, Robert Louis - THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE
Stevenson, Robert Louis - TREASURE ISLAND
Stoker, Bram - DRACULA
Strindberg, August - LUCKY PEHR
Strindberg, August - MASTER OLOF
Strindberg, August - THE RED ROOM
Strindberg, August - THE ROAD TO DAMASCUS
Strindberg, August - THERE ARE CRIMES AND CRIMES
Swift, Jonathan - A MODEST PROPOSAL
Swift, Jonathan - A TALE OF A TUB
Swift, Jonathan - GULLIVER'S TRAVELS
Swift, Jonathan - THE BATTLE OF THE BOOKS AND OTHER SHORT PIECES
Tagore, Rabindranath - FRUIT GATHERING
Tagore, Rabindranath - THE GARDENER
Tagore, Rabindranath - THE HUNGRY STONES AND OTHER STORIES
Thackeray, William - BARRY LYNDON
Thackeray, William - VANITY FAIR
Thackeray, William Makepeace - THE BOOK OF SNOBS
Thackeray, William Makepeace - THE ROSE AND THE RING
Thackeray, William Makepeace - THE VIRGINIANS
Thoreau, Henry David - WALDEN
Tolstoi, Leo - A LETTER TO A HINDU
Tolstoy, Lev - ANNA KARENINA
Tolstoy, Lev - WAR AND PEACE
Trollope, Anthony - AN AUTOBIOGRAPHY
Trollope, Anthony - BARCHESTER TOWERS
Trollope, Anthony - FRAMLEY PARSONAGE
Trollope, Anthony - THE EUSTACE DIAMONDS
Trollope, Anthony - THE MAN WHO KEPT HIS MONEY IN A BOX
Trollope, Anthony - THE WARDEN
Trollope, Anthony - THE WAY WE LIVE NOW
Twain, Mark - LIFE ON THE MISSISSIPPI
Twain, Mark - SPEECHES
Twain, Mark - THE ADVENTURES OF HUCKLEBERRY FINN
Twain, Mark - THE ADVENTURES OF TOM SAWYER
Twain, Mark - THE PRINCE AND THE PAUPER
Vari, Autori - THE MAGNA CARTA
Verga, Giovanni - SICILIAN STORIES
Verne, Jules - 20000 LEAGUES UNDER THE SEAS
Verne, Jules - A JOURNEY TO THE CENTRE OF THE EARTH
Verne, Jules - ALL AROUND THE MOON
Verne, Jules - AROUND THE WORLD IN 80 DAYS
Verne, Jules - FIVE WEEKS IN A BALLOON
Verne, Jules - FROM THE EARTH TO THE MOON
Verne, Jules - MICHAEL STROGOFF
Verne, Jules - THE MYSTERIOUS ISLAND
Voltaire - PHILOSOPHICAL DICTIONARY
Vyasa - MAHABHARATA
Wallace, Edgar - SANDERS OF THE RIVER
Wallace, Edgar - THE DAFFODIL MYSTERY
Wallace, Lew - BEN HUR
Webster, Jean - DADDY LONG LEGS
Wedekind, Franz - THE AWAKENING OF SPRING
Wells, H. G. - KIPPS
Wells, H. G. - THE INVISIBLE MAN
Wells, H. G. - THE ISLAND OF DOCTOR MOREAU
Wells, H. G. - THE STOLEN BACILLUS AND OTHER INCIDENTS
Wells, H. G. - THE TIME MACHINE
Wells, H. G. - THE WAR OF THE WORLDS
Wells, H. G. - WHAT IS COMING
Wharton, Edith - THE AGE OF INNOCENCE
White, Andrew Dickson - FIAT MONEY INFLATION IN FRANCE
Wilde, Oscar - A WOMAN OF NO IMPORTANCE
Wilde, Oscar - AN IDEAL HUSBAND
Wilde, Oscar - DE PROFUNDIS
Wilde, Oscar - LADY WINDERMERE'S FAN
Wilde, Oscar - SALOME
Wilde, Oscar - SELECTED POEMS
Wilde, Oscar - THE BALLAD OF READING GAOL
Wilde, Oscar - THE CANTERVILLE GHOST
Wilde, Oscar - THE HAPPY PRINCE AND OTHER TALES
Wilde, Oscar - THE IMPORTANCE OF BEING EARNEST
Wilde, Oscar - THE PICTURE OF DORIAN GREY
Wilde, Oscar - THE SOUL OF MAN
Wilson, Epiphanius - SACRED BOOKS OF THE EAST
Wollstonecraft, Mary - A VINDICATION OF THE RIGHTS OF WOMAN
Woolf, Virgina - NIGHT AND DAY
Woolf, Virgina - THE VOYAGE OUT
Woolf, Virginia - JACOB'S ROOM
Woolf, Virginia - MONDAY OR TUESDAY
Wordsworth, William - POEMS
Wordsworth, William - PROSE WORKS
Zola, Emile - THERESE RAQUIN
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ISTRUZIONI D'USO DETTAGLIATE
THE MAN WHO KNEW TOO MUCH.
By Gilbert K. Chesterton.
THE MAN WHO KNEW TOO MUCH:
1. THE FACE IN THE TARGET.
2. THE VANISHING PRINCE.
3. THE SOUL OF THE SCHOOLBOY.
4. THE BOTTOMLESS WELL.
5. THE FAD OF THE FISHERMAN.
6. THE HOLE IN THE WALL.
7. THE TEMPLE OF SILENCE.
8. THE VENGEANCE OF THE STATUE.
THE MAN WHO KNEW TOO MUCH.
1. THE FACE IN THE TARGET.
Harold March, the rising reviewer and social critic, was walking
vigorously across a great tableland of moors and commons, the
horizon of which was fringed with the far-off woods of the famous
estate of Torwood Park. He was a good-looking young man in tweeds,
with very pale curly hair and pale clear eyes. Walking in wind and
sun in the very landscape of liberty, he was still young enough to
remember his politics and not merely try to forget them. For his
errand at Torwood Park was a political one; it was the place of
appointment named by no less a person than the Chancellor of the
Exchequer, Sir Howard Horne, then introducing his so-called
Socialist budget, and prepared to expound it in an interview with so
promising a penman. Harold March was the sort of man who knows
everything about politics, and nothing about politicians. He also
knew a great deal about art, letters, philosophy, and general
culture; about almost everything, indeed, except the world he was
Abruptly, in the middle of those sunny and windy flats, he came upon
a sort of cleft almost narrow enough to be called a crack in the
land. It was just large enough to be the water-course for a small
stream which vanished at intervals under green tunnels of
undergrowth, as if in a dwarfish forest. Indeed, he had an odd
feeling as if he were a giant looking over the valley of the
pygmies. When he dropped into the hollow, however, the impression
was lost; the rocky banks, though hardly above the height of a
cottage, hung over and had the profile of a precipice. As he began
to wander down the course of the stream, in idle but romantic
curiosity, and saw the water shining in short strips between the
great gray boulders and bushes as soft as great green mosses, he
fell into quite an opposite vein of fantasy. It was rather as if the
earth had opened and swallowed him into a sort of underworld of
dreams. And when he became conscious of a human figure dark against
the silver stream, sitting on a large boulder and looking rather
like a large bird, it was perhaps with some of the premonitions
proper to a man who meets the strangest friendship of his life.
The man was apparently fishing; or at least was fixed in a
fisherman's attitude with more than a fisherman's immobility. March
was able to examine the man almost as if he had been a statue for
some minutes before the statue spoke. He was a tall, fair man,
cadaverous, and a little lackadaisical, with heavy eyelids and a
highbridged nose. When his face was shaded with his wide white hat,
his light mustache and lithe figure gave him a look of youth. But
the Panama lay on the moss beside him; and the spectator could see
that his brow was prematurely bald; and this, combined with a
certain hollowness about the eyes, had an air of headwork and even
headache. But the most curious thing about him, realized after a
short scrutiny, was that, though he looked like a fisherman, he was
He was holding, instead of a rod, something that might have been a
landing-net which some fishermen use, but which was much more like
the ordinary toy net which children carry, and which they generally
use indifferently for shrimps or butterflies. He was dipping this
into the water at intervals, gravely regarding its harvest of weed
or mud, and emptying it out again.
"No, I haven't caught anything," he remarked, calmly, as if
answering an unspoken query. "When I do I have to throw it back
again; especially the big fish. But some of the little beasts
interest me when I get 'em."
"A scientific interest, I suppose?" observed March.
"Of a rather amateurish sort, I fear," answered the strange
fisherman. "I have a sort of hobby about what they call 'phenomena
of phosphorescence.' But it would be rather awkward to go about in
society carrying stinking fish."
"I suppose it would," said March, with a smile.
"Rather odd to enter a drawing-room carrying a large luminous cod,"
continued the stranger, in his listless way. "How quaint it would
be if one could carry it about like a lantern, or have little sprats
for candles. Some of the seabeasts would really be very pretty like
lampshades; the blue sea-snail that glitters all over like
starlight; and some of the red starfish really shine like red stars.
But, naturally, I'm not looking for them here."
March thought of asking him what he was looking for; but, feeling
unequal to a technical discussion at least as deep as the deep-sea
fishes, he returned to more ordinary topics.
"Delightful sort of hole this is," he said. "This little dell and
river here. It's like those places Stevenson talks about, where
something ought to happen."
"I know," answered the other. "I think it's because the place
itself, so to speak, seems to happen and not merely to exist.
Perhaps that's what old Picasso and some of the Cubists are trying
to express by angles and jagged lines. Look at that wall like low
cliffs that juts forward just at right angles to the slope of turf
sweeping up to it. That's like a silent collision. It's like a
breaker and the back-wash of a wave."
March looked at the low-browed crag overhanging the green slope and
nodded. He was interested in a man who turned so easily from the
technicalities of science to those of art; and asked him if he
admired the new angular artists.
"As I feel it, the Cubists are not Cubist enough," replied the
stranger. "I mean they're not thick enough. By making things
mathematical they make them thin. Take the living lines out of that
landscape, simplify it to a right angle, and you flatten it out to a
mere diagram on paper. Diagrams have their own beauty; but it is of
just the other sort. They stand for the unalterable things; the
calm, eternal, mathematical sort of truths; what somebody calls the
'white radiance of'--"
He stopped, and before the next word came something had happened
almost too quickly and completely to be realized. From behind the
overhanging rock came a noise and rush like that of a railway train;
and a great motor car appeared. It topped the crest of cliff, black
against the sun, like a battle-chariot rushing to destruction in
some wild epic. March automatically put out his hand in one futile
gesture, as if to catch a falling tea-cup in a drawing-room.
For the fraction of a flash it seemed to leave the ledge of rock
like a flying ship; then the very sky seemed to turn over like a
wheel, and it lay a ruin amid the tall grasses below, a line of gray
smoke going up slowly from it into the silent air. A little lower
the figure of a man with gray hair lay tumbled down the steep green
slope, his limbs lying all at random, and his face turned away.
The eccentric fisherman dropped his net and walked swiftly toward
the spot, his new acquaintance following him. As they drew near
there seemed a sort of monstrous irony in the fact that the dead
machine was still throbbing and thundering as busily as a factory,
while the man lay so still.
He was unquestionably dead. The blood flowed in the grass from a
hopelessly fatal fracture at the back of the skull; but the face,
which was turned to the sun, was uninjured and strangely arresting
in itself. It was one of those cases of a strange face so
unmistakable as to feel familiar. We feel, somehow, that we ought to
recognize it, even though we do not. It was of the broad, square
sort with great jaws, almost like that of a highly intellectual ape;
the wide mouth shut so tight as to be traced by a mere line; the
nose short with the sort of nostrils that seem to gape with an
appetite for the air. The oddest thing about the face was that one
of the eyebrows was cocked up at a much sharper angle than the
other. March thought he had never seen a face so naturally alive as
that dead one. And its ugly energy seemed all the stranger for its
halo of hoary hair. Some papers lay half fallen out of the pocket,
and from among them March extracted a card-case. He read the name on
the card aloud.
"Sir Humphrey Turnbull. I'm sure I've heard that name somewhere."
His companion only gave a sort of a little sigh and was silent for a
moment, as if ruminating, then he merely said, "The poor fellow is
quite gone," and added some scientific terms in which his auditor
once more found himself out of his depth.
"As things are," continued the same curiously well-informed person,
"it will be more legal for us to leave the body as it is until the
police are informed. In fact, I think it will be well if nobody
except the police is informed. Don't be surprised if I seem to be
keeping it dark from some of our neighbors round here." Then, as if
prompted to regularize his rather abrupt confidence, he said: "I've
come down to see my cousin at Torwood; my name is Horne Fisher.
Might be a pun on my pottering about here, mightn't it?"
"Is Sir Howard Horne your cousin?" asked March. "I'm going to
Torwood Park to see him myself; only about his public work, of
course, and the wonderful stand he is making for his principles. I
think this Budget is the greatest thing in English history. If it
fails, it will be the most heroic failure in English history. Are
you an admirer of your great kinsman, Mr. Fisher?"
"Rather," said Mr. Fisher. "He's the best shot I know."
Then, as if sincerely repentant of his nonchalance, he added, with a
sort of enthusiasm:
"No, but really, he's a "beautiful" shot."
As if fired by his own words, he took a sort of leap at the ledges
of the rock above him, and scaled them with a sudden agility in
startling contrast to his general lassitude. He had stood for some
seconds on the headland above, with his aquiline profile under the
Panama hat relieved against the sky and peering over the countryside
before his companion had collected himself sufficiently to scramble
up after him.
The level above was a stretch of common turf on which the tracks of
the fated car were plowed plainly enough; but the brink of it was
broken as with rocky teeth; broken boulders of all shapes and sizes
lay near the edge; it was almost incredible that any one could have
deliberately driven into such a death trap, especially in broad
"I can't make head or tail of it," said March. "Was he blind? Or
"Neither, by the look of him," replied the other.
"Then it was suicide."
"It doesn't seem a cozy way of doing it," remarked the man called
Fisher. "Besides, I don't fancy poor old Puggy would commit suicide,
"Poor old who?" inquired the wondering journalist. "Did you know
this unfortunate man?"
"Nobody knew him exactly," replied Fisher, with some vagueness. "But
one "knew" him, of course. He'd been a terror in his time, in
Parliament and the courts, and so on; especially in that row about
the aliens who were deported as undesirables, when he wanted one of
'em hanged for murder. He was so sick about it that he retired from
the bench. Since then he mostly motored about by himself; but he was
coming to Torwood, too, for the week-end; and I don't see why he
should deliberately break his neck almost at the very door. I
believe Hoggs--I mean my cousin Howard--was coming down specially to
"Torwood Park doesn't belong to your cousin?" inquired March.
"No; it used to belong to the Winthrops, you know," replied the
other. "Now a new man's got it; a man from Montreal named Jenkins.
Hoggs comes for the shooting; I told you he was a lovely shot."
This repeated eulogy on the great social statesman affected Harold
March as if somebody had defined Napoleon as a distinguished player
of nap. But he had another half-formed impression struggling in this
flood of unfamiliar things, and he brought it to the surface before
it could vanish.
"Jenkins," he repeated. "Surely you don't mean Jefferson Jenkins,
the social reformer? I mean the man who's fighting for the new
cottage-estate scheme. It would be as interesting to meet him as any
Cabinet Minister in the world, if you'll excuse my saying so."
"Yes; Hoggs told him it would have to be cottages," said Fisher.
"He said the breed of cattle had improved too often, and people were
beginning to laugh. And, of course, you must hang a peerage on to
something; though the poor chap hasn't got it yet. Hullo, here's
They had started walking in the tracks of the car, leaving it behind
them in the hollow, still humming horribly like a huge insect that
had killed a man. The tracks took them to the corner of the road,
one arm of which went on in the same line toward the distant gates
of the park. It was clear that the car had been driven down the long
straight road, and then, instead of turning with the road to the
left, had gone straight on over the turf to its doom. But it was not
this discovery that had riveted Fisher's eye, but something even
more solid. At the angle of the white road a dark and solitary
figure was standing almost as still as a finger post. It was that of
a big man in rough shooting-clothes, bareheaded, and with tousled
curly hair that gave him a rather wild look. On a nearer approach
this first more fantastic impression faded; in a full light the
figure took on more conventional colors, as of an ordinary gentleman
who happened to have come out without a hat and without very
studiously brushing his hair. But the massive stature remained, and
something deep and even cavernous about the setting of the eyes
redeemed his animal good looks from the commonplace. But March had
no time to study the man more closely, for, much to his
astonishment, his guide merely observed, "Hullo, Jack!" and walked
past him as if he had indeed been a signpost, and without attempting
to inform him of the catastrophe beyond the rocks. It was relatively
a small thing, but it was only the first in a string of singular
antics on which his new and eccentric friend was leading him.
The man they had passed looked after them in rather a suspicious
fashion, but Fisher continued serenely on his way along the straight
road that ran past the gates of the great estate.
"That's John Burke, the traveler," he condescended to explain. "I
expect you've heard of him; shoots big game and all that. Sorry I
couldn't stop to introduce you, but I dare say you'll meet him later
"I know his book, of course," said March, with renewed interest.
"That is certainly a fine piece of description, about their being
only conscious of the closeness of the elephant when the colossal
head blocked out the moon."
"Yes, young Halkett writes jolly well, I think. What? Didn't you
know Halkett wrote Burke's book for him? Burke can't use anything
except a gun; and you can't write with that. Oh, he's genuine enough
in his way, you know, as brave as a lion, or a good deal braver by
"You seem to know all about him," observed March, with a rather
bewildered laugh, "and about a good many other people."
Fisher's bald brow became abruptly corrugated, and a curious
expression came into his eyes.
"I know too much," he said. "That's what's the matter with me.
That's what's the matter with all of us, and the whole show; we know
too much. Too much about one another; too much about ourselves.
That's why I'm really interested, just now, about one thing that I
"And that is?" inquired the other.
"Why that poor fellow is dead."
They had walked along the straight road for nearly a mile,
conversing at intervals in this fashion; and March had a singular
sense of the whole world being turned inside out. Mr. Horne Fisher
did not especially abuse his friends and relatives in fashionable
society; of some of them he spoke with affection. But they seemed to
be an entirely new set of men and women, who happened to have the
same nerves as the men and women mentioned most often in the
newspapers. Yet no fury of revolt could have seemed to him more
utterly revolutionary than this cold familiarity. It was like
daylight on the other side of stage scenery.
They reached the great lodge gates of the park, and, to March's
surprise, passed them and continued along the interminable white,
straight road. But he was himself too early for his appointment with
Sir Howard, and was not disinclined to see the end of his new
friend's experiment, whatever it might be. They had long left the
moorland behind them, and half the white road was gray in the great
shadow of the Torwood pine forests, themselves like gray bars
shuttered against the sunshine and within, amid that clear noon,
manufacturing their own midnight. Soon, however, rifts began to
appear in them like gleams of colored windows; the trees thinned and
fell away as the road went forward, showing the wild, irregular
copses in which, as Fisher said, the house-party had been blazing
away all day. And about two hundred yards farther on they came to
the first turn of the road.
At the corner stood a sort of decayed inn with the dingy sign of The
Grapes. The signboard was dark and indecipherable by now, and hung
black against the sky and the gray moorland beyond, about as
inviting as a gallows. March remarked that it looked like a tavern
for vinegar instead of wine.
"A good phrase," said Fisher, "and so it would be if you were silly
enough to drink wine in it. But the beer is very good, and so is the
March followed him to the bar parlor with some wonder, and his dim
sense of repugnance was not dismissed by the first sight of the
innkeeper, who was widely different from the genial innkeepers of
romance, a bony man, very silent behind a black mustache, but with
black, restless eyes. Taciturn as he was, the investigator succeeded
at last in extracting a scrap of information from him, by dint of
ordering beer and talking to him persistently and minutely on the
subject of motor cars. He evidently regarded the innkeeper as in
some singular way an authority on motor cars; as being deep in the
secrets of the mechanism, management, and mismanagement of motor
cars; holding the man all the time with a glittering eye like the
Ancient Mariner. Out of all this rather mysterious conversation
there did emerge at last a sort of admission that one particular
motor car, of a given description, had stopped before the inn about
an hour before, and that an elderly man had alighted, requiring some
mechanical assistance. Asked if the visitor required any other
assistance, the innkeeper said shortly that the old gentleman had
filled his flask and taken a packet of sandwiches. And with these
words the somewhat inhospitable host had walked hastily out of the
bar, and they heard him banging doors in the dark interior.
Fisher's weary eye wandered round the dusty and dreary inn parlor
and rested dreamily on a glass case containing a stuffed bird, with
a gun hung on hooks above it, which seemed to be its only ornament.
"Puggy was a humorist," he observed, "at least in his own rather
grim style. But it seems rather too grim a joke for a man to buy a
packet of sandwiches when he is just going to commit suicide."
"If you come to that," answered March, "it isn't very usual for a
man to buy a packet of sandwiches when he's just outside the door of
a grand house he's going to stop at."
"No . . . no," repeated Fisher, almost mechanically; and then
suddenly cocked his eye at his interlocutor with a much livelier
"By Jove! that's an idea. You're perfectly right. And that suggests
a very queer idea, doesn't it?"
There was a silence, and then March started with irrational
nervousness as the door of the inn was flung open and another man
walked rapidly to the counter. He had struck it with a coin and
called out for brandy before he saw the other two guests, who were
sitting at a bare wooden table under the window. When he turned
about with a rather wild stare, March had yet another unexpected
emotion, for his guide hailed the man as Hoggs and introduced him as
Sir Howard Horne.
He looked rather older than his boyish portraits in the illustrated
papers, as is the way of politicians; his flat, fair hair was
touched with gray, but his face was almost comically round, with a
Roman nose which, when combined with his quick, bright eyes, raised
a vague reminiscence of a parrot. He had a cap rather at the back of
his head and a gun under his arm. Harold March had imagined many
things about his meeting with the great political reformer, but he
had never pictured him with a gun under his arm, drinking brandy in
a public house.
"So you're stopping at Jink's, too," said Fisher. "Everybody seems
to be at Jink's."
"Yes," replied the Chancellor of the Exchequer. "Jolly good
shooting. At least all of it that isn't Jink's shooting. I never
knew a chap with such good shooting that was such a bad shot. Mind
you, he's a jolly good fellow and all that; I don't say a word
against him. But he never learned to hold a gun when he was packing
pork or whatever he did. They say he shot the cockade off his own
servant's hat; just like him to have cockades, of course. He shot
the weathercock off his own ridiculous gilded summerhouse. It's the
only cock he'll ever kill, I should think. Are you coming up there
Fisher said, rather vaguely, that he was following soon, when he had
fixed something up; and the Chancellor of the Exchequer left the
inn. March fancied he had been a little upset or impatient when he
called for the brandy; but he had talked himself back into a
satisfactory state, if the talk had not been quite what his literary
visitor had expected. Fisher, a few minutes afterward, slowly led
the way out of the tavern and stood in the middle of the road,
looking down in the direction from which they had traveled. Then he
walked back about two hundred yards in that direction and stood
"I should think this is about the place," he said.
"What place?" asked his companion.
"The place where the poor fellow was killed," said Fisher, sadly.
"What do you mean?" demanded March.
"He was smashed up on the rocks a mile and a half from here."
"No, he wasn't," replied Fisher. "He didn't fall on the rocks at
all. Didn't you notice that he only fell on the slope of soft grass
underneath? But I saw that he had a bullet in him already."
Then after a pause he added:
"He was alive at the inn, but he was dead long before he came to the
rocks. So he was shot as he drove his car down this strip of
straight road, and I should think somewhere about here. After that,
of course, the car went straight on with nobody to stop or turn it.
It's really a very cunning dodge in its way; for the body would be
found far away, and most people would say, as you do, that it was an
accident to a motorist. The murderer must have been a clever brute."
"But wouldn't the shot be heard at the inn or somewhere?" asked
"It would be heard. But it would not be noticed. That," continued
the investigator, "is where he was clever again. Shooting was going
on all over the place all day; very likely he timed his shot so as
to drown it in a number of others. Certainly he was a first-class
criminal. And he was something else as well."
"What do you mean?" asked his companion, with a creepy premonition
of something coming, he knew not why.
"He was a first-class shot," said Fisher. He had turned his back
abruptly and was walking down a narrow, grassy lane, little more
than a cart track, which lay opposite the inn and marked the end of
the great estate and the beginning of the open moors. March plodded
after him with the same idle perseverance, and found him staring
through a gap in giant weeds and thorns at the flat face of a
painted paling. From behind the paling rose the great gray columns
of a row of poplars, which filled the heavens above them with
dark-green shadow and shook faintly in a wind which had sunk slowly
into a breeze. The afternoon was already deepening into evening, and
the titanic shadows of the poplars lengthened over a third of the
"Are you a first-class criminal?" asked Fisher, in a friendly tone.
"I'm afraid I'm not. But I think I can manage to be a sort of
And before his companion could reply he had managed to swing himself
up and over the fence; March followed without much bodily effort,
but with considerable mental disturbance. The poplars grew so close
against the fence that they had some difficulty in slipping past
them, and beyond the poplars they could see only a high hedge of
laurel, green and lustrous in the level sun. Something in this
limitation by a series of living walls made him feel as if he were
really entering a shattered house instead of an open field. It was
as if he came in by a disused door or window and found the way
blocked by furniture. When they had circumvented the laurel hedge,
they came out on a sort of terrace of turf, which fell by one green
step to an oblong lawn like a bowling green. Beyond this was the
only building in sight, a low conservatory, which seemed far away
from anywhere, like a glass cottage standing in its own fields in
fairyland. Fisher knew that lonely look of the outlying parts of a
great house well enough. He realized that it is more of a satire on
aristocracy than if it were choked with weeds and littered with
ruins. For it is not neglected and yet it is deserted; at any rate,
it is disused. It is regularly swept and garnished for a master who
Looking over the lawn, however, he saw one object which he had not
apparently expected. It was a sort of tripod supporting a large disk
like the round top of a table tipped sideways, and it was not until
they had dropped on to the lawn and walked across to look at it that
March realized that it was a target. It was worn and weatherstained;
the gay colors of its concentric rings were faded; possibly it had
been set up in those far-off Victorian days when there was a fashion
of archery. March had one of his vague visions of ladies in cloudy
crinolines and gentlemen in outlandish hats and whiskers revisiting
that lost garden like ghosts.
Fisher, who was peering more closely at the target, startled him by
"Hullo!" he said. "Somebody has been peppering this thing with
shot, after all, and quite lately, too. Why, I believe old Jink's
been trying to improve his bad shooting here."
"Yes, and it looks as if it still wanted improving," answered March,
laughing. "Not one of these shots is anywhere near the bull's-eye;
they seem just scattered about in the wildest way."
"In the wildest way," repeated Fisher, still peering intently at the
target. He seemed merely to assent, but March fancied his eye was
shining under its sleepy lid and that he straightened his stooping
figure with a strange effort.
"Excuse me a moment," he said, feeling in his pockets. "I think I've
got some of my chemicals; and after that we'll go up to the house."
And he stooped again over the target, putting something with his
finger over each of the shot-holes, so far as March could see merely
a dull-gray smear. Then they went through the gathering twilight up
the long green avenues to the great house.
Here again, however, the eccentric investigator did not enter by the
front door. He walked round the house until he found a window open,
and, leaping into it, introduced his friend to what appeared to be
the gun-room. Rows of the regular instruments for bringing down
birds stood against the walls; but across a table in the window lay
one or two weapons of a heavier and more formidable pattern.
"Hullo! these are Burke's big-game rifles," said Fisher. "I never
knew he kept them here." He lifted one of them, examined it briefly,
and put it down again, frowning heavily. Almost as he did so a
strange young man came hurriedly into the room. He was dark and
sturdy, with a bumpy forehead and a bulldog jaw, and he spoke with a
"I left Major Burke's guns here," he said, "and he wants them packed
up. He's going away to-night."
And he carried off the two rifles without casting a glance at the
stranger; through the open window they could see his short, dark
figure walking away across the glimmering garden. Fisher got out of
the window again and stood looking after him.
"That's Halkett, whom I told you about," he said. "I knew he was a
sort of secretary and had to do with Burke's papers; but I never
knew he had anything to do with his guns. But he's just the sort of
silent, sensible little devil who might be very good at anything;
the sort of man you know for years before you find he's a chess
He had begun to walk in the direction of the disappearing secretary,
and they soon came within sight of the rest of the house-party
talking and laughing on the lawn. They could see the tall figure and
loose mane of the lion-hunter dominating the little group.
"By the way," observed Fisher, "when we were talking about Burke and
Halkett, I said that a man couldn't very well write with a gun.
Well, I'm not so sure now. Did you ever hear of an artist so clever
that he could draw with a gun? There's a wonderful chap loose about
Sir Howard hailed Fisher and his friend the journalist with almost
boisterous amiability. The latter was presented to Major Burke and
Mr. Halkett and also (by way of a parenthesis) to his host, Mr.
Jenkins, a commonplace little man in loud tweeds, whom everybody
else seemed to treat with a sort of affection, as if he were a baby.
The irrepressible Chancellor of the Exchequer was still talking
about the birds he had brought down, the birds that Burke and
Halkett had brought down, and the birds that Jenkins, their host,
had failed to bring down. It seemed to be a sort of sociable
"You and your big game," he ejaculated, aggressively, to Burke.
"Why, anybody could shoot big game. You want to be a shot to shoot
"Quite so," interposed Horne Fisher. "Now if only a hippopotamus
could fly up in the air out of that bush, or you preserved flying
elephants on the estate, why, then--"
"Why even Jink might hit that sort of bird," cried Sir Howard,
hilariously slapping his host on the back. "Even he might hit a
haystack or a hippopotamus."
"Look here, you fellows," said Fisher. "I want you to come along
with me for a minute and shoot at something else. Not a
hippopotamus. Another kind of queer animal I've found on the estate.
It's an animal with three legs and one eye, and it's all the colors
of the rainbow."
"What the deuce are you talking about?" asked Burke.
"You come along and see," replied Fisher, cheerfully.
Such people seldom reject anything nonsensical, for they are always
seeking for something new. They gravely rearmed themselves from the
gun-room and trooped along at the tail of their guide, Sir Howard
only pausing, in a sort of ecstasy, to point out the celebrated gilt
summerhouse on which the gilt weathercock still stood crooked. It
was dusk turning to dark by the time they reached the remote green
by the poplars and accepted the new and aimless game of shooting at
the old mark.
The last light seemed to fade from the lawn, and the poplars against
the sunset were like great plumes upon a purple hearse, when the
futile procession finally curved round, and came out in front of the
target. Sir Howard again slapped his host on the shoulder, shoving
him playfully forward to take the first shot. The shoulder and arm
he touched seemed unnaturally stiff and angular. Mr. Jenkins was
holding his gun in an attitude more awkward than any that his
satiric friends had seen or expected.
At the same instant a horrible scream seemed to come from nowhere.
It was so unnatural and so unsuited to the scene that it might have
been made by some inhuman thing flying on wings above them or
eavesdropping in the dark woods beyond. But Fisher knew that it had
started and stopped on the pale lips of Jefferson Jenkins, of
Montreal, and no one at that moment catching sight of Jefferson
Jenkins's face would have complained that it was commonplace. The
next moment a torrent of guttural but good-humored oaths came from
Major Burke as he and the two other men saw what was in front of
them. The target stood up in the dim grass like a dark goblin
grinning at them, and it was literally grinning. It had two eyes
like stars, and in similar livid points of light were picked out the
two upturned and open nostrils and the two ends of the wide and
tight mouth. A few white dots above each eye indicated the hoary
eyebrows; and one of them ran upward almost erect. It was a
brilliant caricature done in bright dotted lines and March knew of
whom. It shone in the shadowy grass, smeared with sea fire as if one
of the submarine monsters had crawled into the twilight garden; but
it had the head of a dead man.
"It's only luminous paint," said Burke. "Old Fisher's been having a
joke with that phosphorescent stuff of his."
"Seems to be meant for old Puggy"' observed Sir Howard. "Hits him
off very well."
With that they all laughed, except Jenkins. When they had all done,
he made a noise like the first effort of an animal to laugh, and
Horne Fisher suddenly strode across to him and said:
"Mr. Jenkins, I must speak to you at once in private."
It was by the little watercourse in the moors, on the slope under
the hanging rock, that March met his new friend Fisher, by
appointment, shortly after the ugly and almost grotesque scene that
had broken up the group in the garden.
"It was a monkey-trick of mine," observed Fisher, gloomily, "putting
phosphorus on the target; but the only chance to make him jump was
to give him the horrors suddenly. And when he saw the face he'd shot
at shining on the target he practiced on, all lit up with an
infernal light, he did jump. Quite enough for my own intellectual
"I'm afraid I don't quite understand even now," said March, "exactly
what he did or why he did it."
"You ought to," replied Fisher, with his rather dreary smile, "for
you gave me the first suggestion yourself. Oh yes, you did; and it
was a very shrewd one. You said a man wouldn't take sandwiches with
him to dine at a great house. It was quite true; and the inference
was that, though he was going there, he didn't mean to dine there.
Or, at any rate, that he might not be dining there. It occurred to
me at once that he probably expected the visit to be unpleasant, or
the reception doubtful, or something that would prevent his
accepting hospitality. Then it struck me that Turnbull was a terror
to certain shady characters in the past, and that he had come down
to identify and denounce one of them. The chances at the start
pointed to the host--that is, Jenkins. I'm morally certain now that
Jenkins was the undesirable alien Turnbull wanted to convict in
another shooting-affair, but you see the shooting gentleman had
another shot in his locker."
"But you said he would have to be a very good shot," protested
"Jenkins is a very good shot," said Fisher. "A very good shot who
can pretend to be a very bad shot. Shall I tell you the second hint
I hit on, after yours, to make me think it was Jenkins? It was my
cousin's account of his bad shooting. He'd shot a cockade off a hat
and a weathercock off a building. Now, in fact, a man must shoot
very well indeed to shoot so badly as that. He must shoot very
neatly to hit the cockade and not the head, or even the hat. If the
shots had really gone at random, the chances are a thousand to one
that they would not have hit such prominent and picturesque objects.
They were chosen because they were prominent and picturesque
objects. They make a story to go the round of society. He keeps the
crooked weathercock in the summerhouse to perpetuate the story of a
legend. And then he lay in wait with his evil eye and wicked gun,
safely ambushed behind the legend of his own incompetence.
"But there is more than that. There is the summerhouse itself. I
mean there is the whole thing. There's all that Jenkins gets chaffed
about, the gilding and the gaudy colors and all the vulgarity that's
supposed to stamp him as an upstart. Now, as a matter of fact,
upstarts generally don't do this. God knows there's enough of 'em in
society; and one knows 'em well enough. And this is the very last
thing they do. They're generally only too keen to know the right
thing and do it; and they instantly put themselves body and soul
into the hands of art decorators and art experts, who do the whole
thing for them. There's hardly another millionaire alive who has the
moral courage to have a gilt monogram on a chair like that one in
the gun-room. For that matter, there's the name as well as the
monogram. Names like Tompkins and Jenkins and Jinks are funny
without being vulgar; I mean they are vulgar without being common.
If you prefer it, they are commonplace without being common. They
are just the names to be chosen to "look" ordinary, but they're
really rather extraordinary. Do you know many people called
Tompkins? It's a good deal rarer than Talbot. It's pretty much the
same with the comic clothes of the parvenu. Jenkins dresses like a
character in Punch. But that's because he is a character in Punch. I
mean he's a fictitious character. He's a fabulous animal. He doesn't
"Have you ever considered what it must be like to be a man who
doesn't exist? I mean to be a man with a fictitious character that
he has to keep up at the expense not merely of personal talents: To
be a new kind of hypocrite hiding a talent in a new kind of napkin.
This man has chosen his hypocrisy very ingeniously; it was really a
new one. A subtle villain has dressed up as a dashing gentleman and
a worthy business man and a philanthropist and a saint; but the loud
checks of a comical little cad were really rather a new disguise.
But the disguise must be very irksome to a man who can really do
things. This is a dexterous little cosmopolitan guttersnipe who can
do scores of things, not only shoot, but draw and paint, and
probably play the fiddle. Now a man like that may find the hiding of
his talents useful; but he could never help wanting to use them
where they were useless. If he can draw, he will draw absent-mindedly
on blotting paper. I suspect this rascal has often drawn poor old
Puggy's face on blotting paper. Probably he began doing it in blots
as he afterward did it in dots, or rather shots. It was the same
sort of thing; he found a disused target in a deserted yard and
couldn't resist indulging in a little secret shooting, like secret
drinking. You thought the shots all scattered and irregular, and so
they were; but not accidental. No two distances were alike; but the
different points were exactly where he wanted to put them. There's
nothing needs such mathematical precision as a wild caricature. I've
dabbled a little in drawing myself, and I assure you that to put one
dot where you want it is a marvel with a pen close to a piece of
paper. It was a miracle to do it across a garden with a gun. But a
man who can work those miracles will always itch to work them, if
it's only in the dark."
After a pause March observed, thoughtfully, "But he couldn't have
brought him down like a bird with one of those little guns."
"No; that was why I went into the gun-room," replied Fisher. "He
did it with one of Burke's rifles, and Burke thought he knew the
sound of it. That's why he rushed out without a hat, looking so
wild. He saw nothing but a car passing quickly, which he followed
for a little way, and then concluded he'd made a mistake."
There was another silence, during which Fisher sat on a great stone
as motionless as on their first meeting, and watched the gray and
silver river eddying past under the bushes. Then March said,
abruptly, "Of course he knows the truth now."
"Nobody knows the truth but you and I," answered Fisher, with a
certain softening in his voice. "And I don't think you and I will
"What do you mean?" asked March, in an altered accent. "What have
you done about it?"
Horne Fisher continued to gaze steadily at the eddying stream. At
last he said, "The police have proved it was a motor accident."
"But you know it was not."
"I told you that I know too much," replied Fisher, with his eye on
the river. "I know that, and I know a great many other things. I
know the atmosphere and the way the whole thing works. I know this
fellow has succeeded in making himself something incurably
commonplace and comic. I know you can't get up a persecution of old
Toole or Little Tich. If I were to tell Hoggs or Halkett that old
Jink was an assassin, they would almost die of laughter before my
eyes. Oh, I don't say their laughter's quite innocent, though it's
genuine in its way. They want old Jink, and they couldn't do without
him. I don't say I'm quite innocent. I like Hoggs; I don't want him
to be down and out; and he'd be done for if Jink can't pay for his
coronet. They were devilish near the line at the last election. But
the only real objection to it is that it's impossible. Nobody would
believe it; it's not in the picture. The crooked weathercock would
always turn it into a joke."
"Don't you think this is infamous?" asked March, quietly.
"I think a good many things," replied the other. "If you people
ever happen to blow the whole tangle of society to hell with
dynamite, I don't know that the human race will be much the worse.
But don't be too hard on me merely because I know what society is.
That's why I moon away my time over things like stinking fish."
There was a pause as he settled himself down again by the stream;
and then he added:
"I told you before I had to throw back the big fish."
II. THE VANISHING PRINCE
This tale begins among a tangle of tales round a name that is at
once recent and legendary. The name is that of Michael O'Neill,
popularly called Prince Michael, partly because he claimed descent
from ancient Fenian princes, and partly because he was credited with
a plan to make himself prince president of Ireland, as the last
Napoleon did of France. He was undoubtedly a gentleman of honorable
pedigree and of many accomplishments, but two of his accomplishments
emerged from all the rest. He had a talent for appearing when he was
not wanted and a talent for disappearing when he was wanted,
especially when he was wanted by the police. It may be added that
his disappearances were more dangerous than his appearances. In the
latter he seldom went beyond the sensational--pasting up seditious
placards, tearing down official placards, making flamboyant
speeches, or unfurling forbidden flags. But in order to effect the
former he would sometimes fight for his freedom with startling
energy, from which men were sometimes lucky to escape with a broken
head instead of a broken neck. His most famous feats of escape,
however, were due to dexterity and not to violence. On a cloudless
summer morning he had come down a country road white with dust, and,
pausing outside a farmhouse, had told the farmer's daughter, with
elegant indifference, that the local police were in pursuit of him.
The girl's name was Bridget Royce, a somber and even sullen type of
beauty, and she looked at him darkly, as if in doubt, and said, "Do
you want me to hide you?" Upon which he only laughed, leaped lightly
over the stone wall, and strode toward the farm, merely throwing
over his shoulder the remark, "Thank you, I have generally been
quite capable of hiding myself." In which proceeding he acted with a
tragic ignorance of the nature of women; and there fell on his path
in that sunshine a shadow of doom.
While he disappeared through the farmhouse the girl remained for a
few moments looking up the road, and two perspiring policemen came
plowing up to the door where she stood. Though still angry, she was
still silent, and a quarter of an hour later the officers had
searched the house and were already inspecting the kitchen garden
and cornfield behind it. In the ugly reaction of her mood she might
have been tempted even to point out the fugitive, but for a small
difficulty that she had no more notion than the policemen had of
where he could possibly have gone. The kitchen garden was inclosed
by a very low wall, and the cornfield beyond lay aslant like a
square patch on a great green hill on which he could still have been
seen even as a dot in the distance. Everything stood solid in its
familiar place; the apple tree was too small to support or hide a
climber; the only shed stood open and obviously empty; there was no
sound save the droning of summer flies and the occasional flutter of
a bird unfamiliar enough to be surprised by the scarecrow in the
field; there was scarcely a shadow save a few blue lines that fell
from the thin tree; every detail was picked out by the brilliant day
light as if in a microscope. The girl described the scene later,
with all the passionate realism of her race, and, whether or no the
policemen had a similar eye for the picturesque, they had at least
an eye for the facts of the case, and were compelled to give up the
chase and retire from the scene. Bridget Royce remained as if in a
trance, staring at the sunlit garden in which a man had just
vanished like a fairy. She was still in a sinister mood, and the
miracle took in her mind a character of unfriendliness and fear, as
if the fairy were decidedly a bad fairy. The sun upon the glittering
garden depressed her more than the darkness, but she continued to
stare at it. Then the world itself went half-witted and she
screamed. The scarecrow moved in the sun light. It had stood with
its back to her in a battered old black hat and a tattered garment,
and with all its tatters flying, it strode away across the hill.
She did not analyze the audacious trick by which the man had turned
to his advantage the subtle effects of the expected and the obvious;
she was still under the cloud of more individual complexities, and
she noticed most of all that the vanishing scarecrow did not even
turn to look at the farm. And the fates that were running so adverse
to his fantastic career of freedom ruled that his next adventure,
though it had the same success in another quarter, should increase
the danger in this quarter. Among the many similar adventures
related of him in this manner it is also said that some days
afterward another girl, named Mary Cregan, found him concealed on
the farm where she worked; and if the story is true, she must also
have had the shock of an uncanny experience, for when she was busy
at some lonely task in the yard she heard a voice speaking out of
the well, and found that the eccentric had managed to drop himself
into the bucket which was some little way below, the well only
partly full of water. In this case, however, he had to appeal to the
woman to wind up the rope. And men say it was when this news was
told to the other woman that her soul walked over the border line of
Such, at least, were the stories told of him in the countryside, and
there were many more--as that he had stood insolently in a splendid
green dressing gown on the steps of a great hotel, and then led the
police a chase through a long suite of grand apartments, and finally
through his own bedroom on to a balcony that overhung the river. The
moment the pursuers stepped on to the balcony it broke under them,
and they dropped pell-mell into the eddying waters, while Michael,
who had thrown off his gown and dived, was able to swim away. It was
said that he had carefully cut away the props so that they would not
support anything so heavy as a policeman. But here again he was
immediately fortunate, yet ultimately unfortunate, for it is said
that one of the men was drowned, leaving a family feud which made a
little rift in his popularity. These stories can now be told in some
detail, not because they are the most marvelous of his many
adventures, but because these alone were not covered with silence by
the loyalty of the peasantry. These alone found their way into
official reports, and it is these which three of the chief officials
of the country were reading and discussing when the more remarkable
part of this story begins.
Night was far advanced and the lights shone in the cottage that
served for a temporary police station near the coast. On one side of
it were the last houses of the straggling village, and on the other
nothing but a waste moorland stretching away toward the sea, the
line of which was broken by no landmark except a solitary tower of
the prehistoric pattern still found in Ireland, standing up as
slender as a column, but pointed like a pyramid. At a wooden table
in front of the window, which normally looked out on this landscape,
sat two men in plain clothes, but with something of a military
bearing, for indeed they were the two chiefs of the detective
service of that district. The senior of the two, both in age and
rank, was a sturdy man with a short white beard, and frosty eyebrows
fixed in a frown which suggested rather worry than severity.
His name was Morton, and he was a Liverpool man long pickled in the
Irish quarrels, and doing his duty among them in a sour fashion not
altogether unsympathetic. He had spoken a few sentences to his
companion, Nolan, a tall, dark man with a cadaverous equine Irish
face, when he seemed to remember something and touched a bell which
rang in another room. The subordinate he had summoned immediately
appeared with a sheaf of papers in his hand.
"Sit down, Wilson," he said. "Those are the depositions, I
"Yes," replied the third officer. "I think I've got all there is to
be got out of them, so I sent the people away."
"Did Mary Cregan give evidence?" asked Morton, with a frown that
looked a little heavier than usual.
"No, but her master did," answered the man called Wilson, who had
flat, red hair and a plain, pale face, not without sharpness. "I
think he's hanging round the girl himself and is out against a
rival. There's always some reason of that sort when we are told the
truth about anything. And you bet the other girl told right enough."
"Well, let's hope they'll be some sort of use," remarked Nolan, in a
somewhat hopeless manner, gazing out into the darkness.
"Anything is to the good," said Morton, "that lets us know anything
"Do we know anything about him?" asked the melancholy Irishman.
"We know one thing about him," said Wilson, "and it's the one thing
that nobody ever knew before. We know where he is."
"Are you sure?" inquired Morton, looking at him sharply.
"Quite sure," replied his assistant. "At this very minute he is in
that tower over there by the shore. If you go near enough you'll see
the candle burning in the window."
As he spoke the noise of a horn sounded on the road outside, and a
moment after they heard the throbbing of a motor car brought to a
standstill before the door. Morton instantly sprang to his feet.
"Thank the Lord that's the car from Dublin," he said. "I can't do
anything without special authority, not if he were sitting on the
top of the tower and putting out his tongue at us. But the chief can
do what he thinks best."
He hurried out to the entrance and was soon exchanging greetings
with a big handsome man in a fur coat, who brought into the dingy
little station the indescribable glow of the great cities and the
luxuries of the great world.
For this was Sir Walter Carey, an official of such eminence in
Dublin Castle that nothing short of the case of Prince Michael would
have brought him on such a journey in the middle of the night. But
the case of Prince Michael, as it happened, was complicated by
legalism as well as lawlessness. On the last occasion he had escaped
by a forensic quibble and not, as usual, by a private escapade; and
it was a question whether at the moment he was amenable to the law
or not. It might be necessary to stretch a point, but a man like Sir
Walter could probably stretch it as far as he liked.
Whether he intended to do so was a question to be considered.
Despite the almost aggressive touch of luxury in the fur coat, it
soon became apparent that Sir Walter's large leonine head was for
use as well as ornament, and he considered the matter soberly and
sanely enough. Five chairs were set round the plain deal table, for
who should Sir Walter bring with him but his young relative and
secretary, Horne Fisher. Sir Walter listened with grave attention,
and his secretary with polite boredom, to the string of episodes by
which the police had traced the flying rebel from the steps of the
hotel to the solitary tower beside the sea. There at least he was
cornered between the moors and the breakers; and the scout sent by
Wilson reported him as writing under a solitary candle, perhaps
composing another of his tremendous proclamations. Indeed, it would
have been typical of him to choose it as the place in which finally
to turn to bay. He had some remote claim on it, as on a family
castle; and those who knew him thought him capable of imitating the
primitive Irish chieftains who fell fighting against the sea.
"I saw some queer-looking people leaving as I came in," said Sir
Walter Carey. "I suppose they were your witnesses. But why do they
turn up here at this time of night?"
Morton smiled grimly. "They come here by night because they would
be dead men if they came here by day. They are criminals committing
a crime that is more horrible here than theft or murder."
"What crime do you mean?" asked the other, with some curiosity.
"They are helping the law," said Morton.
There was a silence, and Sir Walter considered the papers before him
with an abstracted eye. At last he spoke.
"Quite so; but look here, if the local feeling is as lively as that
there are a good many points to consider. I believe the new Act will
enable me to collar him now if I think it best. But is it best? A
serious rising would do us no good in Parliament, and the government
has enemies in England as well as Ireland. It won't do if I have
done what looks a little like sharp practice, and then only raised a
"It's all the other way," said the man called Wilson, rather
quickly. "There won't be half so much of a revolution if you arrest
him as there will if you leave him loose for three days longer. But,
anyhow, there can't be anything nowadays that the proper police
"Mr. Wilson is a Londoner," said the Irish detective, with a smile.
"Yes, I'm a cockney, all right," replied Wilson, "and I think I'm
all the better for that. Especially at this job, oddly enough."
Sir Walter seemed slightly amused at the pertinacity of the third
officer, and perhaps even more amused at the slight accent with
which he spoke, which rendered rather needless his boast about his
"Do you mean to say," he asked, "that you know more about the
business here because you have come from London?"
"Sounds funny, I know, but I do believe it," answered Wilson. "I
believe these affairs want fresh methods. But most of all I believe
they want a fresh eye."
The superior officers laughed, and the redhaired man went on with a
slight touch of temper:
"Well, look at the facts. See how the fellow got away every time,
and you'll understand what I mean. Why was he able to stand in the
place of the scarecrow, hidden by nothing but an old hat? Because it
was a village policeman who knew the scarecrow was there, was
expecting it, and therefore took no notice of it. Now I never expect
a scarecrow. I've never seen one in the street, and I stare at one
when I see it in the field. It's a new thing to me and worth
noticing. And it was just the same when he hid in the well. You are
ready to find a well in a place like that; you look for a well, and
so you don't see it. I don't look for it, and therefore I do look at
"It is certainly an idea," said Sir Walter, smiling, "but what about
the balcony? Balconies are occasionally seen in London."
"But not rivers right under them, as if it was in Venice," replied
"It is certainly a new idea," repeated Sir Walter, with something
like respect. He had all the love of the luxurious classes for new
ideas. But he also had a critical faculty, and was inclined to
think, after due reflection, that it was a true idea as well.
Growing dawn had already turned the window panes from black to gray
when Sir Walter got abruptly to his feet. The others rose also,
taking this for a signal that the arrest was to be undertaken. But
their leader stood for a moment in deep thought, as if conscious
that he had come to a parting of the ways.
Suddenly the silence was pierced by a long, wailing cry from the
dark moors outside. The silence that followed it seemed more
startling than the shriek itself, and it lasted until Nolan said,
"'Tis the banshee. Somebody is marked for the grave."
His long, large-featured face was as pale as a moon, and it was easy
to remember that he was the only Irishman in the room.
"Well, I know that banshee," said Wilson, cheerfully, "ignorant as
you think I am of these things. I talked to that banshee myself an
hour ago, and I sent that banshee up to the tower and told her to
sing out like that if she could get a glimpse of our friend writing
"Do you mean that girl Bridget Royce?" asked Morton, drawing his
frosty brows together. "Has she turned king's evidence to that
"Yes," answered Wilson. "I know very little of these local things,
you tell me, but I reckon an angry woman is much the same in all
Nolan, however, seemed still moody and unlike himself. "It's an ugly
noise and an ugly business altogether," he said. "If it's really the
end of Prince Michael it may well be the end of other things as
well. When the spirit is on him he would escape by a ladder of dead
men, and wade through that sea if it were made of blood."
"Is that the real reason of your pious alarms?" asked Wilson, with a
The Irishman's pale face blackened with a new passion.
"I have faced as many murderers in County Clare as you ever fought
with in Clapham Junction, Mr. Cockney," he said.
"Hush, please," said Morton, sharply. "Wilson, you have no kind of
right to imply doubt of your superior's conduct. I hope you will
prove yourself as courageous and trustworthy as he has always been."
The pale face of the red-haired man seemed a shade paler, but he was
silent and composed, and Sir Walter went up to Nolan with marked
courtesy, saying, "Shall we go outside now, and get this business
Dawn had lifted, leaving a wide chasm of white between a great gray
cloud and the great gray moorland, beyond which the tower was
outlined against the daybreak and the sea.
Something in its plain and primitive shape vaguely suggested the
dawn in the first days of the earth, in some prehistoric time when
even the colors were hardly created, when there was only blank
daylight between cloud and clay. These dead hues were relieved only
by one spot of gold--the spark of the candle alight in the window
of the lonely tower, and burning on into the broadening daylight. As
the group of detectives, followed by a cordon of policemen, spread
out into a crescent to cut off all escape, the light in the tower
flashed as if it were moved for a moment, and then went out. They
knew the man inside had realized the daylight and blown out his
"There are other windows, aren't there?" asked Morton, "and a door,
of course, somewhere round the corner? Only a round tower has no
"Another example of my small suggestion," observed Wilson, quietly.
"That queer tower was the first thing I saw when I came to these
parts; and I can tell you a little more about it--or, at any rate,
the outside of it. There are four windows altogether, one a little
way from this one, but just out of sight. Those are both on the
ground floor, and so is the third on the other side, making a sort
of triangle. But the fourth is just above the third, and I suppose
it looks on an upper floor."
"It's only a sort of loft, reached by a ladder, said Nolan. "I've
played in the place when I was a child. It's no more than an empty
shell." And his sad face grew sadder, thinking perhaps of the
tragedy of his country and the part that he played in it.
"The man must have got a table and chair, at any rate," said Wilson,
"but no doubt he could have got those from some cottage. If I might
make a suggestion, sir, I think we ought to approach all the five
entrances at once, so to speak. One of us should go to the door and
one to each window; Macbride here has a ladder for the upper
Mr. Horne Fisher languidly turned to his distinguished relative and
spoke for the first time.
"I am rather a convert to the cockney school of psychology," he said
in an almost inaudible voice.
The others seemed to feel the same influence in different ways, for
the group began to break up in the manner indicated. Morton moved
toward the window immediately in front of them, where the hidden
outlaw had just snuffed the candle; Nolan, a little farther westward
to the next window; while Wilson, followed by Macbride with the
ladder, went round to the two windows at the back. Sir Walter Carey
himself, followed by his secretary, began to walk round toward the
only door, to demand admittance in a more regular fashion.
"He will be armed, of course," remarked Sir Walter, casually.
"By all accounts," replied Horne Fisher, "he can do more with a
candlestick than most men with a pistol. But he is pretty sure to
have the pistol, too."
Even as he spoke the question was answered with a tongue of thunder.
Morton had just placed himself in front of the nearest window, his
broad shoulders blocking the aperture. For an instant it was lit
from within as with red fire, followed by a thundering throng of
echoes. The square shoulders seemed to alter in shape, and the
sturdy figure collapsed among the tall, rank grasses at the foot of
the tower. A puff of smoke floated from the window like a little
cloud. The two men behind rushed to the spot and raised him, but he
Sir Walter straightened himself and called out something that was
lost in another noise of firing; it was possible that the police
were already avenging their comrade from the other side. Fisher had
already raced round to the next window, and a new cry of
astonishment from him brought his patron to the same spot. Nolan,
the Irish policeman, had also fallen, sprawling all his great length
in the grass, and it was red with his blood. He was still alive when
they reached him, but there was death on his face, and he was only
able to make a final gesture telling them that all was over; and,
with a broken word and a heroic effort, motioning them on to where
his other comrades were besieging the back of the tower. Stunned by
these rapid and repeated shocks, the two men could only vaguely obey
the gesture, and, finding their way to the other windows at the
back, they discovered a scene equally startling, if less final and
tragic. The other two officers were not dead or mortally wounded,
but Macbride lay with a broken leg and his ladder on top of him,
evidently thrown down from the top window of the tower; while Wilson
lay on his face, quite still as if stunned, with his red head among
the gray and silver of the sea holly. In him, however, the impotence
was but momentary, for he began to move and rise as the others came
round the tower.
"My God! it's like an explosion!" cried Sir Walter; and indeed it
was the only word for this unearthly energy, by which one man had
been able to deal death or destruction on three sides of the same
small triangle at the same instant.
Wilson had already scrambled to his feet and with splendid energy
flew again at the window, revolver in hand. He fired twice into the
opening and then disappeared in his own smoke; but the thud of his
feet and the shock of a falling chair told them that the intrepid
Londoner had managed at last to leap into the room. Then followed a
curious silence; and Sir Walter, walking to the window through the
thinning smoke, looked into the hollow shell of the ancient tower.
Except for Wilson, staring around him, there was nobody there.
The inside of the tower was a single empty room, with nothing but a
plain wooden chair and a table on which were pens, ink and paper,
and the candlestick. Halfway up the high wall there was a rude
timber platform under the upper window, a small loft which was more
like a large shelf. It was reached only by a ladder, and it seemed
to be as bare as the bare walls. Wilson completed his survey of the
place and then went and stared at the things on the table. Then he
silently pointed with his lean forefinger at the open page of the
large notebook. The writer had suddenly stopped writing, even in the
middle of a word.
"I said it was like an explosion," said Sir Walter Carey at last.
"And really the man himself seems to have suddenly exploded. But he
has blown himself up somehow without touching the tower. He's burst
more like a bubble than a bomb."
"He has touched more valuable things than the tower," said Wilson,
There was a long silence, and then Sir Walter said, seriously:
"Well, Mr. Wilson, I am not a detective, and these unhappy
happenings have left you in charge of that branch of the business.
We all lament the cause of this, but I should like to say that I
myself have the strongest confidence in your capacity for carrying
on the work. What do you think we should do next?"
Wilson seemed to rouse himself from his depression and acknowledged
the speaker's words with a warmer civility than he had hitherto
shown to anybody. He called in a few of the police to assist in
routing out the interior, leaving the rest to spread themselves in a
search party outside.
"I think," he said, "the first thing is to make quite sure about the
inside of this place, as it was hardly physically possible for him
to have got outside. I suppose poor Nolan would have brought in his
banshee and said it was supernaturally possible. But I've got no use
for disembodied spirits when I'm dealing with facts. And the facts
before me are an empty tower with a ladder, a chair, and a table."
"The spiritualists," said Sir Walter, with a smile, "would say that
spirits could find a great deal of use for a table."
"I dare say they could if the spirits were on the table--in a
bottle," replied Wilson, with a curl of his pale lip. "The people
round here, when they're all sodden up with Irish whisky, may
believe in such things. I think they want a little education in this
Horne Fisher's heavy eyelids fluttered in a faint attempt to rise,
as if he were tempted to a lazy protest against the contemptuous
tone of the investigator.
"The Irish believe far too much in spirits to believe in
spiritualism," he murmured. "They know too much about 'em. If you
want a simple and childlike faith in any spirit that comes along you
can get it in your favorite London."
"I don't want to get it anywhere," said Wilson, shortly. "I say I'm
dealing with much simpler things than your simple faith, with a
table and a chair and a ladder. Now what I want to say about them at
the start is this. They are all three made roughly enough of plain
wood. But the table and the chair are fairly new and comparatively
clean. The ladder is covered with dust and there is a cobweb under
the top rung of it. That means that he borrowed the first two quite
recently from some cottage, as we supposed, but the ladder has been
a long time in this rotten old dustbin. Probably it was part of the
original furniture, an heirloom in this magnificent palace of the
Again Fisher looked at him under his eyelids, but seemed too sleepy
to speak, and Wilson went on with his argument.
"Now it's quite clear that something very odd has just happened in
this place. The chances are ten to one, it seems to me, that it had
something specially to do with this place. Probably he came here
because he could do it only here; it doesn't seem very inviting
otherwise. But the man knew it of old; they say it belonged to his
family, so that altogether, I think, everything points to something
in the construction of the tower itself."
"Your reasoning seems to me excellent," said Sir Walter, who was
listening attentively. "But what could it be?"
"You see now what I mean about the ladder," went on the detective;
"it's the only old piece of furniture here and the first thing that
caught that cockney eye of mine. But there is something else. That
loft up there is a sort of lumber room without any lumber. So far as
I can see, it's as empty as everything else; and, as things are, I
don't see the use of the ladder leading to it. It seems to me, as I
can't find anything unusual down here, that it might pay us to look
He got briskly off the table on which he was sitting (for the only
chair was allotted to Sir Walter) and ran rapidly up the ladder to
the platform above. He was soon followed by the others, Mr. Fisher
going last, however, with an appearance of considerable nonchalance.
At this stage, however, they were destined to disappointment; Wilson
nosed in every corner like a terrier and examined the roof almost in
the posture of a fly, but half an hour afterward they had to confess
that they were still without a clew. Sir Walter's private secretary
seemed more and more threatened with inappropriate slumber, and,
having been the last to climb up the ladder, seemed now to lack the
energy even to climb down again.
"Come along, Fisher," called out Sir Walter from below, when the
others had regained the floor. "We must consider whether we'll pull
the whole place to pieces to see what it's made of."
"I'm coming in a minute," said the voice from the ledge above their
heads, a voice somewhat suggestive of an articulate yawn.
"What are you waiting for?" asked Sir Walter, impatiently. "Can you
see anything there?"
"Well, yes, in a way," replied the voice, vaguely. "In fact, I see
it quite plain now."
"What is it?" asked Wilson, sharply, from the table on which he sat
kicking his heels restlessly.
"Well, it's a man," said Horne Fisher.
Wilson bounded off the table as if he had been kicked off it. "What
do you mean?" he cried. "How can you possibly see a man?"
"I can see him through the window," replied the secretary, mildly.
"I see him coming across the moor. He's making a bee line across the
open country toward this tower. He evidently means to pay us a
visit. And, considering who it seems to be, perhaps it would be more
polite if we were all at the door to receive him." And in a
leisurely manner the secretary came down the ladder.
"Who it seems to be!" repeated Sir Walter in astonishment.
"Well, I think it's the man you call Prince Michael," observed Mr.
Fisher, airily. "In fact, I'm sure it is. I've seen the police
portraits of him."
There was a dead silence, and Sir Walter's usually steady brain
seemed to go round like a windmill.
"But, hang it all!" he said at last, "even supposing his own
explosion could have thrown him half a mile away, without passing
through any of the windows, and left him alive enough for a country
walk--even then, why the devil should he walk in this direction?
The murderer does not generally revisit the scene of his crime so
rapidly as all that."
"He doesn't know yet that it is the scene of his crime," answered
"What on earth do you mean? You credit him with rather singular
absence of mind."
"Well, the truth is, it isn't the scene of his crime," said Fisher,
and went and looked out of the window.
There was another silence, and then Sir Walter said, quietly: "What
sort of notion have you really got in your head, Fisher? Have you
developed a new theory about how this fellow escaped out of the ring
"He never escaped at all," answered the man at the window, without
turning round. "He never escaped out of the ring because he was
never inside the ring. He was not in this tower at all, at least not
when we were surrounding it."
He turned and leaned back against the window, but, in spite of his
usual listless manner, they almost fancied that the face in shadow
was a little pale.
"I began to guess something of the sort when we were some way from
the tower," he said. "Did you notice that sort of flash or flicker
the candle gave before it was extinguished? I was almost certain it
was only the last leap the flame gives when a candle burns itself
out. And then I came into this room and I saw that."
He pointed at the table and Sir Walter caught his breath with a sort
of curse at his own blindness. For the candle in the candlestick had
obviously burned itself away to nothing and left him, mentally, at
least, very completely in the dark.
"Then there is a sort of mathematical question," went on Fisher,
leaning back in his limp way and looking up at the bare walls, as if
tracing imaginary diagrams there. "It's not so easy for a man in the
third angle to face the other two at the same moment, especially if
they are at the base of an isosceles. I am sorry if it sounds like a
lecture on geometry, but--"
"I'm afraid we have no time for it," said Wilson, coldly. "If this
man is really coming back, I must give my orders at once."
"I think I'll go on with it, though," observed Fisher, staring at
the roof with insolent serenity.
"I must ask you, Mr. Fisher, to let me conduct my inquiry on my own
lines," said Wilson, firmly. "I am the officer in charge now."
"Yes," remarked Horne Fisher, softly, but with an accent that
somehow chilled the hearer. "Yes. But why?"
Sir Walter was staring, for he had never seen his rather
lackadaisical young friend look like that before. Fisher was looking
at Wilson with lifted lids, and the eyes under them seemed to have
shed or shifted a film, as do the eyes of an eagle.
"Why are you the officer in charge now?" he asked. "Why can you
conduct the inquiry on your own lines now? How did it come about, I
wonder, that the elder officers are not here to interfere with
anything you do?"
Nobody spoke, and nobody can say how soon anyone would have
collected his wits to speak when a noise came from without. It was
the heavy and hollow sound of a blow upon the door of the tower, and
to their shaken spirits it sounded strangely like the hammer of
The wooden door of the tower moved on its rusty hinges under the
hand that struck it and Prince Michael came into the room. Nobody
had the smallest doubt about his identity. His light clothes, though
frayed with his adventures, were of fine and almost foppish cut, and
he wore a pointed beard, or imperial, perhaps as a further
reminiscence of Louis Napoleon; but he was a much taller and more
graceful man that his prototype. Before anyone could speak he had
silenced everyone for an instant with a slight but splendid gesture
"Gentlemen," he said, "this is a poor place now, but you are
Wilson was the first to recover, and he took a stride toward the
"Michael O'Neill, I arrest you in the king's name for the murder of
Francis Morton and James Nolan. It is my duty to warn you--"
"No, no, Mr. Wilson," cried Fisher, suddenly. "You shall not commit
a third murder."
Sir Walter Carey rose from his chair, which fell over with a crash
behind him. "What does all this mean?" he called out in an
"It means," said Fisher, "that this man, Hooker Wilson, as soon as
he had put his head in at that window, killed his two comrades who
had put their heads in at the other windows, by firing across the
empty room. That is what it means. And if you want to know, count
how many times he is supposed to have fired and then count the
charges left in his revolver."
Wilson, who was still sitting on the table, abruptly put a hand out
for the weapon that lay beside him. But the next movement was the
most unexpected of all, for the prince standing in the doorway
passed suddenly from the dignity of a statue to the swiftness of an
acrobat and rent the revolver out of the detective's hand.
"You dog!" he cried. "So you are the type of English truth, as I am
of Irish tragedy--you who come to kill me, wading through the blood
of your brethren. If they had fallen in a feud on the hillside, it
would be called murder, and yet your sin might be forgiven you. But
I, who am innocent, I was to be slain with ceremony. There would
be long speeches and patient judges listening to my vain plea of
innocence, noting down my despair and disregarding it. Yes, that is
what I call assassination. But killing may be no murder; there is
one shot left in this little gun, and I know where it should go."
Wilson turned quickly on the table, and even as he turned he twisted
in agony, for Michael shot him through the body where he sat, so
that he tumbled off the table like lumber.
The police rushed to lift him; Sir Walter stood speechless; and
then, with a strange and weary gesture, Horne Fisher spoke.
"You are indeed a type of the Irish tragedy," he said. "You were
entirely in the right, and you have put yourself in the wrong."
The prince's face was like marble for a space then there dawned in
his eyes a light not unlike that of despair. He laughed suddenly and
flung the smoking pistol on the ground.
"I am indeed in the wrong," he said. "I have committed a crime that
may justly bring a curse on me and my children."
Horne Fisher did not seem entirely satisfied with this very sudden
repentance; he kept his eyes on the man and only said, in a low
voice, "What crime do you mean?"
"I have helped English justice," replied Prince Michael. "I have
avenged your king's officers; I have done the work of his hangman.
For that truly I deserve to be hanged."
And he turned to the police with a gesture that did not so much
surrender to them, but rather command them to arrest him.
This was the story that Horne Fisher told to Harold March, the
journalist, many years after, in a little, but luxurious, restaurant
near Piccadilly. He had invited March to dinner some time after the
affair he called "The Face in the Target," and the conversation had
naturally turned on that mystery and afterward on earlier memories
of Fisher's life and the way in which he was led to study such
problems as those of Prince Michael. Horne Fisher was fifteen years
older; his thin hair had faded to frontal baldness, and his long,
thin hands dropped less with affectation and more with fatigue. And
he told the story of the Irish adventure of his youth, because it
recorded the first occasion on which he had ever come in contact
with crime, or discovered how darkly and how terribly crime can be
entangled with law.
"Hooker Wilson was the first criminal I ever knew, and he was a
policeman," explained Fisher, twirling his wine glass. "And all my
life has been a mixed-up business of the sort. He was a man of very
real talent, and perhaps genius, and well worth studying, both as a
detective and a criminal. His white face and red hair were typical
of him, for he was one of those who are cold and yet on fire for
fame; and he could control anger, but not ambition. He swallowed the
snubs of his superiors in that first quarrel, though he boiled with
resentment; but when he suddenly saw the two heads dark against the
dawn and framed in the two windows, he could not miss the chance,
not only of revenge, but of the removal of the two obstacles to his
promotion. He was a dead shot and counted on silencing both, though
proof against him would have been hard in any case. But, as a matter
of fact, he had a narrow escape, in the case of Nolan, who lived
just long enough to say, 'Wilson' and point. We thought he was
summoning help for his comrade, but he was really denouncing his
murderer. After that it was easy to throw down the ladder above him
(for a man up a ladder cannot see clearly what is below and behind)
and to throw himself on the ground as another victim of the
"But there was mixed up with his murderous ambition a real belief,
not only in his own talents, but in his own theories. He did believe
in what he called a fresh eye, and he did want scope for fresh
methods. There was something in his view, but it failed where such
things commonly fail, because the fresh eye cannot see the unseen.
It is true about the ladder and the scarecrow, but not about the
life and the soul; and he made a bad mistake about what a man like
Michael would do when he heard a woman scream. All Michael's very
vanity and vainglory made him rush out at once; he would have walked
into Dublin Castle for a lady's glove. Call it his pose or what you
will, but he would have done it. What happened when he met her is
another story, and one we may never know, but from tales I've heard
since, they must have been reconciled. Wilson was wrong there; but
there was something, for all that, in his notion that the newcomer
sees most, and that the man on the spot may know too much to know
anything. He was right about some things. He was right about me."
"About you?" asked Harold March in some wonder.
"I am the man who knows too much to know anything, or, at any rate,
to do anything," said Horne Fisher. "I don't mean especially about
Ireland. I mean about England. I mean about the whole way we are
governed, and perhaps the only way we can be governed. You asked me
just now what became of the survivors of that tragedy. Well, Wilson
recovered and we managed to persuade him to retire. But we had to
pension that damnable murderer more magnificently than any hero who
ever fought for England. I managed to save Michael from the worst,
but we had to send that perfectly innocent man to penal servitude
for a crime we know he never committed, and it was only afterward
that we could connive in a sneakish way at his escape. And Sir
Walter Carey is Prime Minister of this country, which he would
probably never have been if the truth had been told of such a
horrible scandal in his department. It might have done for us
altogether in Ireland; it would certainly have done for him. And he
is my father's old friend, and has always smothered me with
kindness. I am too tangled up with the whole thing, you see, and I
was certainly never born to set it right. You look distressed, not
to say shocked, and I'm not at all offended at it. Let us change the
subject by all means, if you like. What do you think of this
Burgundy? It's rather a discovery of mine, like the restaurant
And he proceeded to talk learnedly and luxuriantly on all the wines
of the world; on which subject, also, some moralists would consider
that he knew too much.
III. THE SOUL OF THE SCHOOLBOY
A large map of London would be needed to display the wild and zigzag
course of one day's journey undertaken by an uncle and his nephew;
or, to speak more truly, of a nephew and his uncle. For the nephew,
a schoolboy on a holiday, was in theory the god in the car, or in
the cab, tram, tube, and so on, while his uncle was at most a priest
dancing before him and offering sacrifices. To put it more soberly,
the schoolboy had something of the stolid air of a young duke doing
the grand tour, while his elderly relative was reduced to the
position of a courier, who nevertheless had to pay for everything
like a patron. The schoolboy was officially known as Summers Minor,
and in a more social manner as Stinks, the only public tribute to
his career as an amateur photographer and electrician. The uncle was
the Rev. Thomas Twyford, a lean and lively old gentleman with a red,
eager face and white hair. He was in the ordinary way a country
clergyman, but he was one of those who achieve the paradox of being
famous in an obscure way, because they are famous in an obscure
world. In a small circle of ecclesiastical archaeologists, who were
the only people who could even understand one another's discoveries,
he occupied a recognized and respectable place. And a critic might
have found even in that day's journey at least as much of the
uncle's hobby as of the nephew's holiday.
His original purpose had been wholly paternal and festive. But,
like many other intelligent people, he was not above the weakness of
playing with a toy to amuse himself, on the theory that it would
amuse a child. His toys were crowns and miters and croziers and
swords of state; and he had lingered over them, telling himself that
the boy ought to see all the sights of London. And at the end of the
day, after a tremendous tea, he rather gave the game away by winding
up with a visit in which hardly any human boy could be conceived as
taking an interest--an underground chamber supposed to have been a
chapel, recently excavated on the north bank of the Thames, and
containing literally nothing whatever but one old silver coin. But
the coin, to those who knew, was more solitary and splendid than the
Koh-i-noor. It was Roman, and was said to bear the head of St. Paul;
and round it raged the most vital controversies about the ancient
British Church. It could hardly be denied, however, that the
controversies left Summers Minor comparatively cold.
Indeed, the things that interested Summers Minor, and the things
that did not interest him, had mystified and amused his uncle for
several hours. He exhibited the English schoolboy's startling
ignorance and startling knowledge--knowledge of some special
classification in which he can generally correct and confound his
elders. He considered himself entitled, at Hampton Court on a
holiday, to forget the very names of Cardinal Wolsey or William of
Orange; but he could hardly be dragged from some details about the
arrangement of the electric bells in the neighboring hotel. He was
solidly dazed by Westminster Abbey, which is not so unnatural since
that church became the lumber room of the larger and less successful
statuary of the eighteenth century. But he had a magic and minute
knowledge of the Westminster omnibuses, and indeed of the whole
omnibus system of London, the colors and numbers of which he knew as
a herald knows heraldry. He would cry out against a momentary
confusion between a light-green Paddington and a dark-green
Bayswater vehicle, as his uncle would at the identification of a
Greek ikon and a Roman image.
"Do you collect omnibuses like stamps?" asked his uncle. "They must
need a rather large album. Or do you keep them in your locker?"
"I keep them in my head," replied the nephew, with legitimate
"It does you credit, I admit," replied the clergyman. "I suppose it
were vain to ask for what purpose you have learned that out of a
thousand things. There hardly seems to be a career in it, unless you
could be permanently on the pavement to prevent old ladies getting
into the wrong bus. Well, we must get out of this one, for this is
our place. I want to show you what they call St. Paul's Penny."
"Is it like St. Paul's Cathedral?" asked the youth with resignation,
as they alighted.
At the entrance their eyes were arrested by a singular figure
evidently hovering there with a similar anxiety to enter. It was
that of a dark, thin man in a long black robe rather like a cassock;
but the black cap on his head was of too strange a shape to be a
biretta. It suggested, rather, some archaic headdress of Persia or
Babylon. He had a curious black beard appearing only at the corners
of his chin, and his large eyes were oddly set in his face like the
flat decorative eyes painted in old Egyptian profiles. Before they
had gathered more than a general impression of him, he had dived
into the doorway that was their own destination.
Nothing could be seen above ground of the sunken sanctuary except a
strong wooden hut, of the sort recently run up for many military and
official purposes, the wooden floor of which was indeed a mere
platform over the excavated cavity below. A soldier stood as a
sentry outside, and a superior soldier, an Anglo-Indian officer of
distinction, sat writing at the desk inside. Indeed, the sightseers
soon found that this particular sight was surrounded with the most
extraordinary precautions. I have compared the silver coin to the
Koh-i-noor, and in one sense it was even conventionally comparable,
since by a historical accident it was at one time almost counted
among the Crown jewels, or at least the Crown relics, until one of
the royal princes publicly restored it to the shrine to which it was
supposed to belong. Other causes combined to concentrate official
vigilance upon it; there had been a scare about spies carrying
explosives in small objects, and one of those experimental orders
which pass like waves over bureaucracy had decreed first that all
visitors should change their clothes for a sort of official
sackcloth, and then (when this method caused some murmurs) that they
should at least turn out their pockets. Colonel Morris, the officer
in charge, was a short, active man with a grim and leathery face,
but a lively and humorous eye--a contradiction borne out by his
conduct, for he at once derided the safeguards and yet insisted on
"I don't care a button myself for Paul's Penny, or such things," he
admitted in answer to some antiquarian openings from the clergyman
who was slightly acquainted with him, "but I wear the King's coat,
you know, and it's a serious thing when the King's uncle leaves a
thing here with his own hands under my charge. But as for saints and
relics and things, I fear I'm a bit of a Voltairian; what you would
call a skeptic."
"I'm not sure it's even skeptical to believe in the royal family and
not in the 'Holy' Family," replied Mr. Twyford. "But, of course, I
can easily empty my pockets, to show I don't carry a bomb."
The little heap of the parson's possessions which he left on the
table consisted chiefly of papers, over and above a pipe and a
tobacco pouch and some Roman and Saxon coins. The rest were
catalogues of old books, and pamphlets, like one entitled "The Use
of Sarum," one glance at which was sufficient both for the colonel
and the schoolboy. They could not see the use of Sarum at all. The
contents of the boy's pockets naturally made a larger heap, and
included marbles, a ball of string, an electric torch, a magnet, a
small catapult, and, of course, a large pocketknife, almost to be
described as a small tool box, a complex apparatus on which he
seemed disposed to linger, pointing out that it included a pair of
nippers, a tool for punching holes in wood, and, above all, an
instrument for taking stones out of a horse's hoof. The comparative
absence of any horse he appeared to regard as irrelevant, as if it
were a mere appendage easily supplied. But when the turn came of the
gentleman in the black gown, he did not turn out his pockets, but
merely spread out his hands.
"I have no possessions," he said.
"I'm afraid I must ask you to empty your pockets and make sure,"
observed the colonel, gruffly.
"I have no pockets," said the stranger.
Mr. Twyford was looking at the long black gown with a learned eye.
"Are you a monk?" he asked, in a puzzled fashion.
"I am a magus," replied the stranger. "You have heard of the magi,
perhaps? I am a magician."
"Oh, I say!" exclaimed Summers Minor, with prominent eyes.
"But I was once a monk," went on the other. "I am what you would
call an escaped monk. Yes, I have escaped into eternity. But the
monks held one truth at least, that the highest life should be
without possessions. I have no pocket money and no pockets, and all
the stars are my trinkets."
"They are out of reach, anyhow," observed Colonel Morris, in a tone
which suggested that it was well for them. "I've known a good many
magicians myself in India--mango plant and all. But the Indian ones
are all frauds, I'll swear. In fact, I had a good deal of fun
showing them up. More fun than I have over this dreary job, anyhow.
But here comes Mr. Symon, who will show you over the old cellar
Mr. Symon, the official guardian and guide, was a young man,
prematurely gray, with a grave mouth which contrasted curiously with
a very small, dark mustache with waxed points, that seemed somehow,
separate from it, as if a black fly had settled on his face. He
spoke with the accent of Oxford and the permanent official, but in
as dead a fashion as the most indifferent hired guide. They
descended a dark stone staircase, at the floor of which Symon
pressed a button and a door opened on a dark room, or, rather, a
room which had an instant before been dark. For almost as the heavy
iron door swung open an almost blinding blaze of electric lights
filled the whole interior. The fitful enthusiasm of Stinks at once
caught fire, and he eagerly asked if the lights and the door worked
"Yes, it's all one system," replied Symon. "It was all fitted up
for the day His Royal Highness deposited the thing here. You see,
it's locked up behind a glass case exactly as he left it."
A glance showed that the arrangements for guarding the treasure were
indeed as strong as they were simple. A single pane of glass cut off
one corner of the room, in an iron framework let into the rock walls
and the wooden roof above; there was now no possibility of reopening
the case without elaborate labor, except by breaking the glass,
which would probably arouse the night watchman who was always within
a few feet of it, even if he had fallen asleep. A close examination
would have showed many more ingenious safeguards; but the eye of the
Rev. Thomas Twyford, at least, was already riveted on what
interested him much more--the dull silver disk which shone in the
white light against a plain background of black velvet.
"St. Paul's Penny, said to commemorate the visit of St. Paul to
Britain, was probably preserved in this chapel until the eighth
century," Symon was saying in his clear but colorless voice. "In the
ninth century it is supposed to have been carried away by the
barbarians, and it reappears, after the conversion of the northern
Goths, in the possession of the royal family of Gothland. His Royal
Highness, the Duke of Gothland, retained it always in his own
private custody, and when he decided to exhibit it to the public,
placed it here with his own hand. It was immediately sealed up in
such a manner--"
Unluckily at this point Summers Minor, whose attention had somewhat
strayed from the religious wars of the ninth century, caught sight
of a short length of wire appearing in a broken patch in the wall.
He precipitated himself at it, calling out, "I say, does that
It was evident that it did connect, for no sooner had the boy given
it a twitch than the whole room went black, as if they had all been
struck blind, and an instant afterward they heard the dull crash of
the closing door.
"Well, you've done it now," said Symon, in his tranquil fashion.
Then after a pause he added, "I suppose they'll miss us sooner or
later, and no doubt they can get it open; but it may take some
There was a silence, and then the unconquerable Stinks observed:
"Rotten that I had to leave my electric torch."
"I think," said his uncle, with restraint, "that we are sufficiently
convinced of your interest in electricity."
Then after a pause he remarked, more amiably: "I suppose if I
regretted any of my own impedimenta, it would be the pipe. Though,
as a matter of fact, it's not much fun smoking in the dark.
Everything seems different in the dark."
"Everything is different in the dark," said a third voice, that of
the man who called himself a magician. It was a very musical voice,
and rather in contrast with his sinister and swarthy visage, which
was now invisible. "Perhaps you don't know how terrible a truth that
is. All you see are pictures made by the sun, faces and furniture
and flowers and trees. The things themselves may be quite strange to
you. Something else may be standing now where you saw a table or a
chair. The face of your friend may be quite different in the dark."
A short, indescribable noise broke the stillness. Twyford started
for a second, and then said, sharply:
"Really, I don't think it's a suitable occasion for trying to
frighten a child."
"Who's a child?" cried the indignant Summers, with a voice that had
a crow, but also something of a crack in it. "And who's a funk,
either? Not me."
"I will be silent, then," said the other voice out of the darkness.
"But silence also makes and unmakes."
The required silence remained unbroken for a long time until at last
the clergyman said to Symon in a low voice:
"I suppose it's all right about air?"
"Oh, yes," replied the other aloud; "there's a fireplace and a
chimney in the office just by the door."
A bound and the noise of a falling chair told them that the
irrepressible rising generation had once more thrown itself across
the room. They heard the ejaculation: "A chimney! Why, I'll be--"
and the rest was lost in muffled, but exultant, cries.
The uncle called repeatedly and vainly, groped his way at last to
the opening, and, peering up it, caught a glimpse of a disk of
daylight, which seemed to suggest that the fugitive had vanished in
safety. Making his way back to the group by the glass case, he fell
over the fallen chair and took a moment to collect himself again. He
had opened his mouth to speak to Symon, when he stopped, and
suddenly found himself blinking in the full shock of the white
light, and looking over the other man's shoulder, he saw that the
door was standing open.
"So they've got at us at last," he observed to Symon.
The man in the black robe was leaning against the wall some yards
away, with a smile carved on his face.
"Here comes Colonel Morris," went on Twyford, still speaking to
Symon. "One of us will have to tell him how the light went out. Will
But Symon still said nothing. He was standing as still as a statue,
and looking steadily at the black velvet behind the glass screen. He
was looking at the black velvet because there was nothing else to
look at. St. Paul's Penny was gone.
Colonel Morris entered the room with two new visitors; presumably
two new sightseers delayed by the accident. The foremost was a tall,
fair, rather languid-looking man with a bald brow and a high-bridged
nose; his companion was a younger man with light, curly hair and
frank, and even innocent, eyes. Symon scarcely seemed to hear the
newcomers; it seemed almost as if he had not realized that the
return of the light revealed his brooding attitude. Then he started
in a guilty fashion, and when he saw the elder of the two strangers,
his pale face seemed to turn a shade paler.
"Why it's Horne Fisher!" and then after a pause he said in a low
voice, "I'm in the devil of a hole, Fisher."
"There does seem a bit of a mystery to be cleared up," observed the
gentleman so addressed.
"It will never be cleared up," said the pale Symon. "If anybody
could clear it up, you could. But nobody could."
"I rather think I could," said another voice from outside the group,
and they turned in surprise to realize that the man in the black
robe had spoken again.
"You!" said the colonel, sharply. "And how do you propose to play
"I do not propose to play the detective," answered the other, in a
clear voice like a bell. "I propose to play the magician. One of the
magicians you show up in India, Colonel."
No one spoke for a moment, and then Horne Fisher surprised everybody
by saying, "Well, let's go upstairs, and this gentleman can have a
He stopped Symon, who had an automatic finger on the button, saying:
"No, leave all the lights on. It's a sort of safeguard."
"The thing can't be taken away now," said Symon, bitterly.
"It can be put back," replied Fisher.
Twyford had already run upstairs for news of his vanishing nephew,
and he received news of him in a way that at once puzzled and
reassured him. On the floor above lay one of those large paper darts
which boys throw at each other when the schoolmaster is out of the
room. It had evidently been thrown in at the window, and on being
unfolded displayed a scrawl of bad handwriting which ran: "Dear
Uncle; I am all right. Meet you at the hotel later on," and then the
Insensibly comforted by this, the clergyman found his thoughts
reverting voluntarily to his favorite relic, which came a good
second in his sympathies to his favorite nephew, and before he knew
where he was he found himself encircled by the group discussing its
loss, and more or less carried away on the current of their
excitement. But an undercurrent of query continued to run in his
mind, as to what had really happened to the boy, and what was the
boy's exact definition of being all right.
Meanwhile Horne Fisher had considerably puzzled everybody with his
new tone and attitude. He had talked to the colonel about the
military and mechanical arrangements, and displayed a remarkable
knowledge both of the details of discipline and the technicalities
of electricity. He had talked to the clergyman, and shown an equally
surprising knowledge of the religious and historical interests
involved in the relic. He had talked to the man who called himself a
magician, and not only surprised but scandalized the company by an
equally sympathetic familiarity with the most fantastic forms of
Oriental occultism and psychic experiment. And in this last and
least respectable line of inquiry he was evidently prepared to go
farthest; he openly encouraged the magician, and was plainly
prepared to follow the wildest ways of investigation in which that
magus might lead him.
"How would you begin now?" he inquired, with an anxious politeness
that reduced the colonel to a congestion of rage.
"It is all a question of a force; of establishing communications for
a force," replied that adept, affably, ignoring some military
mutterings about the police force. "It is what you in the West used
to call animal magnetism, but it is much more than that. I had
better not say how much more. As to setting about it, the usual
method is to throw some susceptible person into a trance, which
serves as a sort of bridge or cord of communication, by which the
force beyond can give him, as it were, an electric shock, and awaken
his higher senses. It opens the sleeping eye of the mind."
"I'm suspectible," said Fisher, either with simplicity or with a
baffling irony. "Why not open my mind's eye for me? My friend Harold
March here will tell you I sometimes see things, even in the dark."
"Nobody sees anything except in the dark," said the magician.
Heavy clouds of sunset were closing round the wooden hut, enormous
clouds, of which only the corners could be seen in the little
window, like purple horns and tails, almost as if some huge monsters
were prowling round the place. But the purple was already deepening
to dark gray; it would soon be night.
"Do not light the lamp," said the magus with quiet authority,
arresting a movement in that direction. "I told you before that
things happen only in the dark."
How such a topsy-turvy scene ever came to be tolerated in the
colonel's office, of all places, was afterward a puzzle in the
memory of many, including the colonel. They recalled it like a sort
of nightmare, like something they could not control. Perhaps there
was really a magnetism about the mesmerist; perhaps there was even
more magnetism about the man mesmerized. Anyhow, the man was being
mesmerized, for Horne Fisher had collapsed into a chair with his
long limbs loose and sprawling and his eyes staring at vacancy; and
the other man was mesmerizing him, making sweeping movements with
his darkly draped arms as if with black wings. The colonel had
passed the point of explosion, and he dimly realized that eccentric
aristocrats are allowed their fling. He comforted himself with the
knowledge that he had already sent for the police, who would break
up any such masquerade, and with lighting a cigar, the red end of
which, in the gathering darkness, glowed with protest.
"Yes, I see pockets," the man in the trance was saying. "I see many
pockets, but they are all empty. No; I see one pocket that is not
There was a faint stir in the stillness, and the magician said, "Can
you see what is in the pocket?"
"Yes," answered the other; "there are two bright things. I think
they are two bits of steel. One of the pieces of steel is bent or
"Have they been used in the removal of the relic from downstairs?"
There was another pause and the inquirer added, "Do you see anything
of the relic itself?"
"I see something shining on the floor, like the shadow or the ghost
of it. It is over there in the corner beyond the desk."
There was a movement of men turning and then a sudden stillness, as
of their stiffening, for over in the corner on the wooden floor
there was really a round spot of pale light. It was the only spot of
light in the room. The cigar had gone out.
"It points the way," came the voice of the oracle. "The spirits are
pointing the way to penitence, and urging the thief to restitution.
I can see nothing more." His voice trailed off into a silence that
lasted solidly for many minutes, like the long silence below when
the theft had been committed. Then it was broken by the ring of
metal on the floor, and the sound of something spinning and falling
like a tossed halfpenny.
"Light the lamp!" cried Fisher in a loud and even jovial voice,
leaping to his feet with far less languor than usual. "I must be
going now, but I should like to see it before I go. Why, I came on
purpose to see it."
The lamp was lit, and he did see it, for St. Paul's Penny was lying
on the floor at his feet.
"Oh, as for that," explained Fisher, when he was entertaining March
and Twyford at lunch about a month later, "I merely wanted to play
with the magician at his own game."
"I thought you meant to catch him in his own trap," said Twyford.
"I can't make head or tail of anything yet, but to my mind he was
always the suspect. I don't think he was necessarily a thief in the
vulgar sense. The police always seem to think that silver is stolen
for the sake of silver, but a thing like that might well be stolen
out of some religious mania. A runaway monk turned mystic might well
want it for some mystical purpose."
"No," replied Fisher, "the runaway monk is not a thief. At any rate
he is not the thief. And he's not altogether a liar, either. He said
one true thing at least that night."
"And what was that?" inquired March.
"He said it was all magnetism. As a matter of fact, it was done by
means of a magnet." Then, seeing they still looked puzzled, he
added, "It was that toy magnet belonging to your nephew, Mr.
"But I don't understand," objected March. "If it was done with the
schoolboy's magnet, I suppose it was done by the schoolboy."
"Well," replied Fisher, reflectively, "it rather depends which
"What on earth do you mean?"
"The soul of a schoolboy is a curious thing," Fisher continued, in a
meditative manner. "It can survive a great many things besides
climbing out of a chimney. A man can grow gray in great campaigns,
and still have the soul of a schoolboy. A man can return with a
great reputation from India and be put in charge of a great public
treasure, and still have the soul of a schoolboy, waiting to be
awakened by an accident. And it is ten times more so when to the
schoolboy you add the skeptic, who is generally a sort of stunted
schoolboy. You said just now that things might be done by religious
mania. Have you ever heard of irreligious mania? I assure you it
exists very violently, especially in men who like showing up
magicians in India. But here the skeptic had the temptation of
showing up a much more tremendous sham nearer home."
A light came into Harold March's eyes as he suddenly saw, as if afar
off, the wider implication of the suggestion. But Twyford was still
wrestling with one problem at a time.
"Do you really mean," he said, "that Colonel Morris took the relic?"
"He was the only person who could use the magnet," replied Fisher.
"In fact, your obliging nephew left him a number of things he could
use. He had a ball of string, and an instrument for making a hole in
the wooden floor--I made a little play with that hole in the floor
in my trance, by the way; with the lights left on below, it shone
like a new shilling." Twyford suddenly bounded on his chair. "But in
that case," he cried, in a new and altered voice, "why then of
course-- You said a piece of steel--?"
"I said there were two pieces of steel," said Fisher. "The bent
piece of steel was the boy's magnet. The other was the relic in the
"But that is silver," answered the archaeologist, in a voice now
"Oh," replied Fisher, soothingly, "I dare say it was painted with
silver a little."
There was a heavy silence, and at last Harold March said, "But where
is the real relic?"
"Where it has been for five years," replied Horne Fisher, "in the
possession of a mad millionaire named Vandam, in Nebraska. There was
a playful little photograph about him in a society paper the other
day, mentioning his delusion, and saying he was always being taken
in about relics."
Harold March frowned at the tablecloth; then, after an interval, he
said: "I think I understand your notion of how the thing was
actually done; according to that, Morris just made a hole and fished
it up with a magnet at the end of a string. Such a monkey trick
looks like mere madness, but I suppose he was mad, partly with the
boredom of watching over what he felt was a fraud, though he
couldn't prove it. Then came a chance to prove it, to himself at
least, and he had what he called 'fun' with it. Yes, I think I see a
lot of details now. But it's just the whole thing that knocks me.
How did it all come to be like that?"
Fisher was looking at him with level lids and an immovable manner.
"Every precaution was taken," he said. "The Duke carried the relic
on his own person, and locked it up in the case with his own hands."
March was silent; but Twyford stammered. "I don't understand you.
You give me the creeps. Why don't you speak plainer?"
"If I spoke plainer you would understand me less," said Horne
"All the same I should try," said March, still without lifting his
"Oh, very well," replied Fisher, with a sigh; "the plain truth is,
of course, that it's a bad business. Everybody knows it's a bad
business who knows anything about it. But it's always happening, and
in one way one can hardly blame them. They get stuck on to a foreign
princess that's as stiff as a Dutch doll, and they have their fling.
In this case it was a pretty big fling."
The face of the Rev. Thomas Twyford certainly suggested that he was
a little out of his depth in the seas of truth, but as the other
went on speaking vaguely the old gentleman's features sharpened and
"If it were some decent morganatic affair I wouldn't say; but he
must have been a fool to throw away thousands on a woman like that.
At the end it was sheer blackmail; but it's something that the old
ass didn't get it out of the taxpayers. He could only get it out of
the Yank, and there you are."
The Rev. Thomas Twyford had risen to his feet.
"Well, I'm glad my nephew had nothing to do with it," he said. "And
if that's what the world is like, I hope he will never have anything
to do with it."
"I hope not," answered Horne Fisher. "No one knows so well as I do
that one can have far too much to do with it."
For Summers Minor had indeed nothing to do with it; and it is part
of his higher significance that he has really nothing to do with the
story, or with any such stories. The boy went like a bullet through
the tangle of this tale of crooked politics and crazy mockery and
came out on the other side, pursuing his own unspoiled purposes.
From the top of the chimney he climbed he had caught sight of a new
omnibus, whose color and name he had never known, as a naturalist
might see a new bird or a botanist a new flower. And he had been
sufficiently enraptured in rushing after it, and riding away upon
that fairy ship.
IV. THE BOTTOMLESS WELL
In an oasis, or green island, in the red and yellow seas of sand
that stretch beyond Europe toward the sunrise, there can be found a
rather fantastic contrast, which is none the less typical of such a
place, since international treaties have made it an outpost of the
British occupation. The site is famous among archaeologists for
something that is hardly a monument, but merely a hole in the
ground. But it is a round shaft, like that of a well, and probably a
part of some great irrigation works of remote and disputed date,
perhaps more ancient than anything in that ancient land. There is a
green fringe of palm and prickly pear round the black mouth of the
well; but nothing of the upper masonry remains except two bulky and
battered stones standing like the pillars of a gateway of nowhere,
in which some of the more transcendental archaeologists, in certain
moods at moonrise or sunset, think they can trace the faint lines of
figures or features of more than Babylonian monstrosity; while the
more rationalistic archaeologists, in the more rational hours of
daylight, see nothing but two shapeless rocks. It may have been
noticed, however, that all Englishmen are not archaeologists. Many
of those assembled in such a place for official and military
purposes have hobbies other than archaeology. And it is a solemn
fact that the English in this Eastern exile have contrived to make a
small golf links out of the green scrub and sand; with a comfortable
clubhouse at one end of it and this primeval monument at the other.
They did not actually use this archaic abyss as a bunker, because it
was by tradition unfathomable, and even for practical purposes
unfathomed. Any sporting projectile sent into it might be counted
most literally as a lost ball. But they often sauntered round it in
their interludes of talking and smoking cigarettes, and one of them
had just come down from the clubhouse to find another gazing
somewhat moodily into the well.
Both the Englishmen wore light clothes and white pith helmets and
puggrees, but there, for the most part, their resemblance ended. And
they both almost simultaneously said the same word, but they said it
on two totally different notes of the voice.
"Have you heard the news?" asked the man from the club. "Splendid."
"Splendid," replied the man by the well. But the first man
pronounced the word as a young man might say it about a woman, and
the second as an old man might say it about the weather, not without
sincerity, but certainly without fervor.
And in this the tone of the two men was sufficiently typical of
them. The first, who was a certain Captain Boyle, was of a bold and
boyish type, dark, and with a sort of native heat in his face that
did not belong to the atmosphere of the East, but rather to the
ardors and ambitions of the West. The other was an older man and
certainly an older resident, a civilian official--Horne Fisher; and
his drooping eyelids and drooping light mustache expressed all the
paradox of the Englishman in the East. He was much too hot to be
anything but cool.
Neither of them thought it necessary to mention what it was that was
splendid. That would indeed have been superfluous conversation about
something that everybody knew. The striking victory over a menacing
combination of Turks and Arabs in the north, won by troops under the
command of Lord Hastings, the veteran of so many striking victories,
was already spread by the newspapers all over the Empire, let alone
to this small garrison so near to the battlefield.
"Now, no other nation in the world could have done a thing like
that," cried Captain Boyle, emphatically.
Horne Fisher was still looking silently into the well; a moment
later he answered: "We certainly have the art of unmaking mistakes.
That's where the poor old Prussians went wrong. They could only make
mistakes and stick to them. There is really a certain talent in
unmaking a mistake."
"What do you mean," asked Boyle, "what mistakes?"
"Well, everybody knows it looked like biting off more than he could
chew," replied Horne Fisher. It was a peculiarity of Mr. Fisher that
he always said that everybody knew things which about one person in
two million was ever allowed to hear of. "And it was certainly jolly
lucky that Travers turned up so well in the nick of time. Odd how
often the right thing's been done for us by the second in command,
even when a great man was first in command. Like Colborne at
"It ought to add a whole province to the Empire," observed the
"Well, I suppose the Zimmernes would have insisted on it as far as
the canal," observed Fisher, thoughtfully, "though everybody knows
adding provinces doesn't always pay much nowadays."
Captain Boyle frowned in a slightly puzzled fashion. Being cloudily
conscious of never having heard of the Zimmernes in his life, he
could only remark, stolidly:
"Well, one can't be a Little Englander."
Horne Fisher smiled, and he had a pleasant smile.
"Every man out here is a Little Englander," he said. "He wishes he
were back in Little England."
"I don't know what you're talking about, I'm afraid," said the
younger man, rather suspiciously. "One would think you didn't really
admire Hastings or--or--anything."
"I admire him no end," replied Fisher. "He's by far the best man
for this post; he understands the Moslems and can do anything with
them. That's why I'm all against pushing Travers against him, merely
because of this last affair."
"I really don't understand what you're driving at," said the other,
"Perhaps it isn't worth understanding," answered Fisher, lightly,
"and, anyhow, we needn't talk politics. Do you know the Arab legend
about that well?"
"I'm afraid I don't know much about Arab legends," said Boyle,
"That's rather a mistake," replied Fisher, "especially from your
point of view. Lord Hastings himself is an Arab legend. That is
perhaps the very greatest thing he really is. If his reputation went
it would weaken us all over Asia and Africa. Well, the story about
that hole in the ground, that goes down nobody knows where, has
always fascinated me, rather. It's Mohammedan in form now, but I
shouldn't wonder if the tale is a long way older than Mohammed. It's
all about somebody they call the Sultan Aladdin, not our friend of
the lamp, of course, but rather like him in having to do with genii
or giants or something of that sort. They say he commanded the
giants to build him a sort of pagoda, rising higher and higher above
all the stars. The Utmost for the Highest, as the people said when
they built the Tower of Babel. But the builders of the Tower of
Babel were quite modest and domestic people, like mice, compared
with old Aladdin. They only wanted a tower that would reach heaven--
a mere trifle. He wanted a tower that would pass heaven and rise
above it, and go on rising for ever and ever. And Allah cast him
down to earth with a thunderbolt, which sank into the earth, boring
a hole deeper and deeper, till it made a well that was without a
bottom as the tower was to have been without a top. And down that
inverted tower of darkness the soul of the proud Sultan is falling
forever and ever."
"What a queer chap you are," said Boyle. "You talk as if a fellow
could believe those fables."
"Perhaps I believe the moral and not the fable," answered Fisher.
"But here comes Lady Hastings. You know her, I think."
The clubhouse on the golf links was used, of course, for many other
purposes besides that of golf. It was the only social center of the
garrison beside the strictly military headquarters; it had a
billiard room and a bar, and even an excellent reference library for
those officers who were so perverse as to take their profession
seriously. Among these was the great general himself, whose head of
silver and face of bronze, like that of a brazen eagle, were often
to be found bent over the charts and folios of the library. The
great Lord Hastings believed in science and study, as in other
severe ideals of life, and had given much paternal advice on the
point to young Boyle, whose appearances in that place of research
were rather more intermittent. It was from one of these snatches of
study that the young man had just come out through the glass doors
of the library on to the golf links. But, above all, the club was so
appointed as to serve the social conveniences of ladies at least as
much as gentlemen, and Lady Hastings was able to play the queen in
such a society almost as much as in her own ballroom. She was
eminently calculated and, as some said, eminently inclined to play
such a part. She was much younger than her husband, an attractive
and sometimes dangerously attractive lady; and Mr. Horne Fisher
looked after her a little sardonically as she swept away with the
young soldier. Then his rather dreary eye strayed to the green and
prickly growths round the well, growths of that curious cactus
formation in which one thick leaf grows directly out of the other
without stalk or twig. It gave his fanciful mind a sinister feeling
of a blind growth without shape or purpose. A flower or shrub in the
West grows to the blossom which is its crown, and is content. But
this was as if hands could grow out of hands or legs grow out of
legs in a nightmare. "Always adding a province to the Empire," he
said, with a smile, and then added, more sadly, "but I doubt if I
was right, after all!"
A strong but genial voice broke in on his meditations and he looked
up and smiled, seeing the face of an old friend. The voice was,
indeed, rather more genial than the face, which was at the first
glance decidedly grim. It was a typically legal face, with angular
jaws and heavy, grizzled eyebrows; and it belonged to an eminently
legal character, though he was now attached in a semimilitary
capacity to the police of that wild district. Cuthbert Grayne was
perhaps more of a criminologist than either a lawyer or a policeman,
but in his more barbarous surroundings he had proved successful in
turning himself into a practical combination of all three. The
discovery of a whole series of strange Oriental crimes stood to his
credit. But as few people were acquainted with, or attracted to,
such a hobby or branch of knowledge, his intellectual life was
somewhat solitary. Among the few exceptions was Horne Fisher, who
had a curious capacity for talking to almost anybody about almost
"Studying botany, or is it archaeology?" inquired Grayne. "I shall
never come to the end of your interests, Fisher. I should say that
what you don't know isn't worth knowing."
"You are wrong," replied Fisher, with a very unusual abruptness, and
even bitterness. "It's what I do know that isn't worth knowing. All
the seamy side of things, all the secret reasons and rotten motives
and bribery and blackmail they call politics. I needn't be so proud
of having been down all these sewers that I should brag about it to
the little boys in the street."
"What do you mean? What's the matter with you?" asked his friend.
"I never knew you taken like this before."
"I'm ashamed of myself," replied Fisher. "I've just been throwing
cold water on the enthusiasms of a boy."
"Even that explanation is hardly exhaustive," observed the criminal
"Damned newspaper nonsense the enthusiasms were, of course,"
continued Fisher, "but I ought to know that at that age illusions
can be ideals. And they're better than the reality, anyhow. But
there is one very ugly responsibility about jolting a young man out
of the rut of the most rotten ideal."
"And what may that be?" inquired his friend.
"It's very apt to set him off with the same energy in a much worse
direction," answered Fisher; "a pretty endless sort of direction, a
bottomless pit as deep as the bottomless well."
Fisher did not see his friend until a fortnight later, when he found
himself in the garden at the back of the clubhouse on the opposite
side from the links, a garden heavily colored and scented with sweet
semitropical plants in the glow of a desert sunset. Two other men
were with him, the third being the now celebrated second in command,
familiar to everybody as Tom Travers, a lean, dark man, who looked
older than his years, with a furrow in his brow and something morose
about the very shape of his black mustache. They had just been
served with black coffee by the Arab now officiating as the
temporary servant of the club, though he was a figure already
familiar, and even famous, as the old servant of the general. He
went by the name of Said, and was notable among other Semites for
that unnatural length of his yellow face and height of his narrow
forehead which is sometimes seen among them, and gave an irrational
impression of something sinister, in spite of his agreeable smile.
"I never feel as if I could quite trust that fellow," said Grayne,
when the man had gone away. "It's very unjust, I take it, for he was
certainly devoted to Hastings, and saved his life, they say. But
Arabs are often like that, loyal to one man. I can't help feeling he
might cut anybody else's throat, and even do it treacherously."
"Well," said Travers, with a rather sour smile, "so long as he
leaves Hastings alone the world won't mind much."
There was a rather embarrassing silence, full of memories of the
great battle, and then Horne Fisher said, quietly:
"The newspapers aren't the world, Tom. Don't you worry about them.
Everybody in your world knows the truth well enough."
"I think we'd better not talk about the general just now," remarked
Grayne, "for he's just coming out of the club."
"He's not coming here," said Fisher. "He's only seeing his wife to
As he spoke, indeed, the lady came out on the steps of the club,
followed by her husband, who then went swiftly in front of her to
open the garden gate. As he did so she turned back and spoke for a
moment to a solitary man still sitting in a cane chair in the shadow
of the doorway, the only man left in the deserted club save for the
three that lingered in the garden. Fisher peered for a moment into
the shadow, and saw that it was Captain Boyle.
The next moment, rather to their surprise, the general reappeared
and, remounting the steps, spoke a word or two to Boyle in his turn.
Then he signaled to Said, who hurried up with two cups of coffee,
and the two men re-entered the club, each carrying his cup in his
hand. The next moment a gleam of white light in the growing darkness
showed that the electric lamps had been turned on in the library
"Coffee and scientific researches," said Travers, grimly. "All the
luxuries of learning and theoretical research. Well, I must be
going, for I have my work to do as well." And he got up rather
stiffly, saluted his companions, and strode away into the dusk.
"I only hope Boyle is sticking to scientific researches," said Horne
Fisher. "I'm not very comfortable about him myself. But let's talk
about something else."
They talked about something else longer than they probably imagined,
until the tropical night had come and a splendid moon painted the
whole scene with silver; but before it was bright enough to see by
Fisher had already noted that the lights in the library had been
abruptly extinguished. He waited for the two men to come out by the
garden entrance, but nobody came.
"They must have gone for a stroll on the links," he said.
"Very possibly," replied Grayne. "It's going to be a beautiful
A moment or two after he had spoken they heard a voice hailing them
out of the shadow of the clubhouse, and were astonished to perceive
Travers hurrying toward them, calling out as he came:
"I shall want your help, you fellows," he cried. "There's something
pretty bad out on the links."
They found themselves plunging through the club smoking room and the
library beyond, in complete darkness, mental as well as material.
But Horne Fisher, in spite of his affectation of indifference, was a
person of a curious and almost transcendental sensibility to
atmospheres, and he already felt the presence of something more than
an accident. He collided with a piece of furniture in the library,
and almost shuddered with the shock, for the thing moved as he could
never have fancied a piece of furniture moving. It seemed to move
like a living thing, yielding and yet striking back. The next moment
Grayne had turned on the lights, and he saw he had only stumbled
against one of the revolving bookstands that had swung round and
struck him; but his involuntary recoil had revealed to him his own
subconscious sense of something mysterious and monstrous. There were
several of these revolving bookcases standing here and there about
the library; on one of them stood the two cups of coffee, and on
another a large open book. It was Budge's book on Egyptian
hieroglyphics, with colored plates of strange birds and gods, and
even as he rushed past, he was conscious of something odd about the
fact that this, and not any work of military science, should be open
in that place at that moment. He was even conscious of the gap in
the well-lined bookshelf from which it had been taken, and it seemed
almost to gape at him in an ugly fashion, like a gap in the teeth of
some sinister face.
A run brought them in a few minutes to the other side of the ground
in front of the bottomless well, and a few yards from it, in a
moonlight almost as broad as daylight, they saw what they had come
The great Lord Hastings lay prone on his face, in a posture in which
there was a touch of something strange and stiff, with one elbow
erect above his body, the arm being doubled, and his big, bony hand
clutching the rank and ragged grass. A few feet away was Boyle,
almost as motionless, but supported on his hands and knees, and
staring at the body. It might have been no more than shock and
accident; but there was something ungainly and unnatural about the
quadrupedal posture and the gaping face. It was as if his reason had
fled from him. Behind, there was nothing but the clear blue southern
sky, and the beginning of the desert, except for the two great
broken stones in front of the well. And it was in such a light and
atmosphere that men could fancy they traced in them enormous and
evil faces, looking down.
Horne Fisher stooped and touched the strong hand that was still
clutching the grass, and it was as cold as a stone. He knelt by the
body and was busy for a moment applying other tests; then he rose
again, and said, with a sort of confident despair:
"Lord Hastings is dead."
There was a stony silence, and then Travers remarked, gruffly: "This
is your department, Grayne; I will leave you to question Captain
Boyle. I can make no sense of what he says."
Boyle had pulled himself together and risen to his feet, but his
face still wore an awful expression, making it like a new mask or
the face of another man.
"I was looking at the well," he said, "and when I turned he had
Grayne's face was very dark. "As you say, this is my affair," he
said. "I must first ask you to help me carry him to the library and
let me examine things thoroughly."
When they had deposited the body in the library, Grayne turned to
Fisher and said, in a voice that had recovered its fullness and
confidence, "I am going to lock myself in and make a thorough
examination first. I look to you to keep in touch with the others
and make a preliminary examination of Boyle. I will talk to him
later. And just telephone to headquarters for a policeman, and let
him come here at once and stand by till I want him."
Without more words the great criminal investigator went into the
lighted library, shutting the door behind him, and Fisher, without
replying, turned and began to talk quietly to Travers. "It is
curious," he said, "that the thing should happen just in front of
"It would certainly be very curious," replied Travers, "if the place
played any part in it."
"I think," replied Fisher, "that the part it didn't play is more
And with these apparently meaningless words he turned to the shaken
Boyle and, taking his arm, began to walk him up and down in the
moonlight, talking in low tones.
Dawn had begun to break abrupt and white when Cuthbert Grayne turned
out the lights in the library and came out on to the links. Fisher
was lounging about alone, in his listless fashion; but the police
messenger for whom he had sent was standing at attention in the
"I sent Boyle off with Travers," observed Fisher, carelessly; "he'll
look after him, and he'd better have some sleep, anyhow."
"Did you get anything out of him?" asked Grayne. "Did he tell you
what he and Hastings were doing?"
"Yes," answered Fisher, "he gave me a pretty clear account, after
all. He said that after Lady Hastings went off in the car the
general asked him to take coffee with him in the library and look up
a point about local antiquities. He himself was beginning to look
for Budge's book in one of the revolving bookstands when the general
found it in one of the bookshelves on the wall. After looking at
some of the plates they went out, it would seem, rather abruptly, on
to the links, and walked toward the old well; and while Boyle was
looking into it he heard a thud behind him, and turned round to find
the general lying as we found him. He himself dropped on his knees
to examine the body, and then was paralyzed with a sort of terror
and could not come nearer to it or touch it. But I think very little
of that; people caught in a real shock of surprise are sometimes
found in the queerest postures."
Grayne wore a grim smile of attention, and said, after a short
"Well, he hasn't told you many lies. It's really a creditably clear
and consistent account of what happened, with everything of
importance left out."
"Have you discovered anything in there?" asked Fisher.
"I have discovered everything," answered Grayne.
Fisher maintained a somewhat gloomy silence, as the other resumed
his explanation in quiet and assured tones.
"You were quite right, Fisher, when you said that young fellow was
in danger of going down dark ways toward the pit. Whether or no, as
you fancied, the jolt you gave to his view of the general had
anything to do with it, he has not been treating the general well
for some time. It's an unpleasant business, and I don't want to
dwell on it; but it's pretty plain that his wife was not treating
him well, either. I don't know how far it went, but it went as far
as concealment, anyhow; for when Lady Hastings spoke to Boyle it was
to tell him she had hidden a note in the Budge book in the library.
The general overheard, or came somehow to know, and he went straight
to the book and found it. He confronted Boyle with it, and they had
a scene, of course. And Boyle was confronted with something else; he
was confronted with an awful alternative, in which the life of one
old man meant ruin and his death meant triumph and even happiness."
"Well," observed Fisher, at last, "I don't blame him for not telling
you the woman's part of the story. But how do you know about the
"I found it on the general's body," answered Grayne, "but I found
worse things than that. The body had stiffened in the way rather
peculiar to poisons of a certain Asiatic sort. Then I examined the
coffee cups, and I knew enough chemistry to find poison in the dregs
of one of them. Now, the General went straight to the bookcase,
leaving his cup of coffee on the bookstand in the middle of the
room. While his back was turned, and Boyle was pretending to examine
the bookstand, he was left alone with the coffee cup. The poison
takes about ten minutes to act, and ten minutes' walk would bring
them to the bottomless well."
"Yes," remarked Fisher, "and what about the bottomless well?"
"What has the bottomless well got to do with it?" asked his friend.
"It has nothing to do with it," replied Fisher. "That is what I
find utterly confounding and incredible."
"And why should that particular hole in the ground have anything to
do with it?"
"It is a particular hole in your case," said Fisher. "But I won't
insist on that just now. By the way, there is another thing I ought
to tell you. I said I sent Boyle away in charge of Travers. It would
be just as true to say I sent Travers in charge of Boyle."
"You don't mean to say you suspect Tom Travers?" cried the other.
"He was a deal bitterer against the general than Boyle ever was,"
observed Horne Fisher, with a curious indifference.
"Man, you're not saying what you mean," cried Grayne. "I tell you I
found the poison in one of the coffee cups."
"There was always Said, of course," added Fisher, "either for hatred
or hire. We agreed he was capable of almost anything."
"And we agreed he was incapable of hurting his master," retorted
"Well, well," said Fisher, amiably, "I dare say you are right; but I
should just like to have a look at the library and the coffee cups."
He passed inside, while Grayne turned to the policeman in attendance
and handed him a scribbled note, to be telegraphed from
headquarters. The man saluted and hurried off; and Grayne, following
his friend into the library, found him beside the bookstand in the
middle of the room, on which were the empty cups.
"This is where Boyle looked for Budge, or pretended to look for him,
according to your account," he said.
As Fisher spoke he bent down in a half-crouching attitude, to look
at the volumes in the low, revolving shelf, for the whole bookstand
was not much higher than an ordinary table. The next moment he
sprang up as if he had been stung.
"Oh, my God!" he cried.
Very few people, if any, had ever seen Mr. Horne Fisher behave as he
behaved just then. He flashed a glance at the door, saw that the
open window was nearer, went out of it with a flying leap, as if
over a hurdle, and went racing across the turf, in the track of the
disappearing policeman. Grayne, who stood staring after him, soon
saw his tall, loose figure, returning, restored to all its normal
limpness and air of leisure. He was fanning himself slowly with a
piece of paper, the telegram he had so violently intercepted.
"Lucky I stopped that," he observed. "We must keep this affair as
quiet as death. Hastings must die of apoplexy or heart disease."
"What on earth is the trouble?" demanded the other investigator.
"The trouble is," said Fisher, "that in a few days we should have
had a very agreeable alternative--of hanging an innocent man or
knocking the British Empire to hell."
"Do you mean to say," asked Grayne, "that this infernal crime is not
to be punished?"
Fisher looked at him steadily.
"It is already punished," he said.
After a moment's pause he went on. "You reconstructed the crime
with admirable skill, old chap, and nearly all you said was true.
Two men with two coffee cups did go into the library and did put
their cups on the bookstand and did go together to the well, and one
of them was a murderer and had put poison in the other's cup. But it
was not done while Boyle was looking at the revolving bookcase. He
did look at it, though, searching for the Budge book with the note
in it, but I fancy that Hastings had already moved it to the shelves
on the wall. It was part of that grim game that he should find it
"Now, how does a man search a revolving bookcase? He does not
generally hop all round it in a squatting attitude, like a frog. He
simply gives it a touch and makes it revolve."
He was frowning at the floor as he spoke, and there was a light
under his heavy lids that was not often seen there. The mysticism
that was buried deep under all the cynicism of his experience was
awake and moving in the depths. His voice took unexpected turns and
inflections, almost as if two men were speaking.
"That was what Boyle did; he barely touched the thing, and it went
round as easily as the world goes round. Yes, very much as the
world goes round, for the hand that turned it was not his. God, who
turns the wheel of all the stars, touched that wheel and brought it
full circle, that His dreadful justice might return."
"I am beginning," said Grayne, slowly, "to have some hazy and
horrible idea of what you mean."
"It is very simple," said Fisher, "when Boyle straightened himself
from his stooping posture, something had happened which he had not
noticed, which his enemy had not noticed, which nobody had noticed.
The two coffee cups had exactly changed places."
The rocky face of Grayne seemed to have sustained a shock in
silence; not a line of it altered, but his voice when it came was
"I see what you mean," he said, "and, as you say, the less said
about it the better. It was not the lover who tried to get rid of
the husband, but--the other thing. And a tale like that about a man
like that would ruin us here. Had you any guess of this at the
"The bottomless well, as I told you," answered Fisher, quietly;
"that was what stumped me from the start. Not because it had
anything to do with it, because it had nothing to do with it."
He paused a moment, as if choosing an approach, and then went on:
"When a man knows his enemy will be dead in ten minutes, and takes
him to the edge of an unfathomable pit, he means to throw his body
into it. What else should he do? A born fool would have the sense to
do it, and Boyle is not a born fool. Well, why did not Boyle do it?
The more I thought of it the more I suspected there was some mistake
in the murder, so to speak. Somebody had taken somebody there to
throw him in, and yet he was not thrown in. I had already an ugly,
unformed idea of some substitution or reversal of parts; then I
stooped to turn the bookstand myself, by accident, and I instantly
knew everything, for I saw the two cups revolve once more, like
moons in the sky."
After a pause, Cuthbert Grayne said, "And what are we to say to the
"My friend, Harold March, is coming along from Cairo to-day," said
Fisher. "He is a very brilliant and successful journalist. But for
all that he's a thoroughly honorable man, so you must not tell him
Half an hour later Fisher was again walking to and fro in front of
the clubhouse, with Captain Boyle, the latter by this time with a
very buffeted and bewildered air; perhaps a sadder and a wiser man.
"What about me, then?" he was saying. "Am I cleared? Am I not going
to be cleared?"
"I believe and hope," answered Fisher, "that you are not going to be
suspected. But you are certainly not going to be cleared. There must
be no suspicion against him, and therefore no suspicion against you.
Any suspicion against him, let alone such a story against him, would
knock us endways from Malta to Mandalay. He was a hero as well as a
holy terror among the Moslems. Indeed, you might almost call him a
Moslem hero in the English service. Of course he got on with them
partly because of his own little dose of Eastern blood; he got it
from his mother, the dancer from Damascus; everybody knows that."
"Oh," repeated Boyle, mechanically, staring at him with round eyes,
"everybody knows that."
"I dare say there was a touch of it in his jealousy and ferocious
vengeance," went on Fisher. "But, for all that, the crime would ruin
us among the Arabs, all the more because it was something like a
crime against hospitality. It's been hateful for you and it's pretty
horrid for me. But there are some things that damned well can't be
done, and while I'm alive that's one of them."
"What do you mean?" asked Boyle, glancing at him curiously. "Why
should you, of all people, be so passionate about it?"
Horne Fisher looked at the young man with a baffling expression.
"I suppose," he said, "it's because I'm a Little Englander."
"I can never make out what you mean by that sort of thing," answered
"Do you think England is so little as all that?" said Fisher, with a
warmth in his cold voice, "that it can't hold a man across a few
thousand miles. You lectured me with a lot of ideal patriotism, my
young friend; but it's practical patriotism now for you and me, and
with no lies to help it. You talked as if everything always went
right with us all over the world, in a triumphant crescendo
culminating in Hastings. I tell you everything has gone wrong with
us here, except Hastings. He was the one name we had left to conjure
with, and that mustn't go as well, no, by God! It's bad enough that
a gang of infernal Jews should plant us here, where there's no
earthly English interest to serve, and all hell beating up against
us, simply because Nosey Zimmern has lent money to half the Cabinet.
It's bad enough that an old pawnbroker from Bagdad should make us
fight his battles; we can't fight with our right hand cut off. Our
one score was Hastings and his victory, which was really somebody
else's victory. Tom Travers has to suffer, and so have you."
Then, after a moment's silence, he pointed toward the bottomless
well and said, in a quieter tone:
"I told you that I didn't believe in the philosophy of the Tower of
Aladdin. I don't believe in the Empire growing until it reaches the
sky; I don't believe in the Union Jack going up and up eternally
like the Tower. But if you think I am going to let the Union Jack go
down and down eternally, like the bottomless well, down into the
blackness of the bottomless pit, down in defeat and derision, amid
the jeers of the very Jews who have sucked us dry--no I won't, and
that's flat; not if the Chancellor were blackmailed by twenty
millionaires with their gutter rags, not if the Prime Minister
married twenty Yankee Jewesses, not if Woodville and Carstairs had
shares in twenty swindling mines. If the thing is really tottering,
God help it, it mustn't be we who tip it over."
Boyle was regarding him with a bewilderment that was almost fear,
and had even a touch of distaste.
"Somehow," he said, "there seems to be something rather horrid about
the things you know."
"There is," replied Horne Fisher. "I am not at all pleased with my
small stock of knowledge and reflection. But as it is partly
responsible for your not being hanged, I don't know that you need
complain of it."
And, as if a little ashamed of his first boast, he turned and
strolled away toward the bottomless well.
V. THE FAD OF THE FISHERMAN
A thing can sometimes be too extraordinary to be remembered. If it
is clean out of the course of things, and has apparently no causes
and no consequences, subsequent events do not recall it, and it
remains only a subconscious thing, to be stirred by some accident
long after. It drifts apart like a forgotten dream; and it was in
the hour of many dreams, at daybreak and very soon after the end of
dark, that such a strange sight was given to a man sculling a boat
down a river in the West country. The man was awake; indeed, he
considered himself rather wide awake, being the political
journalist, Harold March, on his way to interview various political
celebrities in their country seats. But the thing he saw was so
inconsequent that it might have been imaginary. It simply slipped
past his mind and was lost in later and utterly different events;
nor did he even recover the memory till he had long afterward
discovered the meaning.
Pale mists of morning lay on the fields and the rushes along one
margin of the river; along the other side ran a wall of tawny brick
almost overhanging the water. He had shipped his oars and was
drifting for a moment with the stream, when he turned his head and
saw that the monotony of the long brick wall was broken by a bridge;
rather an elegant eighteenth-century sort of bridge with little
columns of white stone turning gray. There had been floods and the
river still stood very high, with dwarfish trees waist deep in it,
and rather a narrow arc of white dawn gleamed under the curve of the
As his own boat went under the dark archway he saw another boat
coming toward him, rowed by a man as solitary as himself. His
posture prevented much being seen of him, but as he neared the
bridge he stood up in the boat and turned round. He was already so
close to the dark entry, however, that his whole figure was black
against the morning light, and March could see nothing of his face
except the end of two long whiskers or mustaches that gave something
sinister to the silhouette, like horns in the wrong place. Even
these details March would never have noticed but for what happened
in the same instant. As the man came under the low bridge he made a
leap at it and hung, with his legs dangling, letting the boat float
away from under him. March had a momentary vision of two black
kicking legs; then of one black kicking leg; and then of nothing
except the eddying stream and the long perspective of the wall. But
whenever he thought of it again, long afterward, when he understood
the story in which it figured, it was always fixed in that one
fantastic shape--as if those wild legs were a grotesque graven
ornament of the bridge itself, in the manner of a gargoyle. At the
moment he merely passed, staring, down the stream. He could see no
flying figure on the bridge, so it must have already fled; but he
was half conscious of some faint significance in the fact that among
the trees round the bridgehead opposite the wall he saw a lamp-post;
and, beside the lamp-post, the broad blue back of an unconscious
Even before reaching the shrine of his political pilgrimage he had
many other things to think of besides the odd incident of the
bridge; for the management of a boat by a solitary man was not
always easy even on such a solitary stream. And indeed it was only
by an unforeseen accident that he was solitary. The boat had been
purchased and the whole expedition planned in conjunction with a
friend, who had at the last moment been forced to alter all his
arrangements. Harold March was to have traveled with his friend
Horne Fisher on that inland voyage to Willowood Place, where the
Prime Minister was a guest at the moment. More and more people were
hearing of Harold March, for his striking political articles were
opening to him the doors of larger and larger salons; but he had
never met the Prime Minister yet. Scarcely anybody among the general
public had ever heard of Horne Fisher; but he had known the Prime
Minister all his life. For these reasons, had the two taken the
projected journey together, March might have been slightly disposed
to hasten it and Fisher vaguely content to lengthen it out. For
Fisher was one of those people who are born knowing the Prime
Minister. The knowledge seemed to have no very exhilarant effect,
and in his case bore some resemblance to being born tired. But he
was distinctly annoyed to receive, just as he was doing a little
light packing of fishing tackle and cigars for the journey, a
telegram from Willowood asking him to come down at once by train, as
the Prime Minister had to leave that night. Fisher knew that his
friend the journalist could not possibly start till the next day,
and he liked his friend the journalist, and had looked forward to a
few days on the river. He did not particularly like or dislike the
Prime Minister, but he intensely disliked the alternative of a few
hours in the train. Nevertheless, he accepted Prime Ministers as he
accepted railway trains--as part of a system which he, at least, was
not the revolutionist sent on earth to destroy. So he telephoned to
March, asking him, with many apologetic curses and faint damns, to
take the boat down the river as arranged, that they might meet at
Willowood by the time settled; then he went outside and hailed a
taxicab to take him to the railway station. There he paused at the
bookstall to add to his light luggage a number of cheap murder
stories, which he read with great pleasure, and without any
premonition that he was about to walk into as strange a story in
A little before sunset he arrived, with his light suitcase in hand,
before the gate of the long riverside gardens of Willowood Place,
one of the smaller seats of Sir Isaac Hook, the master of much
shipping and many newspapers. He entered by the gate giving on the
road, at the opposite side to the river, but there was a mixed
quality in all that watery landscape which perpetually reminded a
traveler that the river was near. White gleams of water would shine
suddenly like swords or spears in the green thickets. And even in
the garden itself, divided into courts and curtained with hedges and
high garden trees, there hung everywhere in the air the music of
water. The first of the green courts which he entered appeared to be
a somewhat neglected croquet lawn, in which was a solitary young man
playing croquet against himself. Yet he was not an enthusiast for
the game, or even for the garden; and his sallow but well-featured
face looked rather sullen than otherwise. He was only one of those
young men who cannot support the burden of consciousness unless they
are doing something, and whose conceptions of doing something are
limited to a game of some kind. He was dark and well dressed in a
light holiday fashion, and Fisher recognized him at once as a young
man named James Bullen, called, for some unknown reason, Bunker. He
was the nephew of Sir Isaac; but, what was much more important at
the moment, he was also the private secretary of the Prime Minister.
"Hullo, Bunker!" observed Horne Fisher. "You're the sort of man I
wanted to see. Has your chief come down yet?"
"He's only staying for dinner," replied Bullen, with his eye on the
yellow ball. "He's got a great speech to-morrow at Birmingham and
he's going straight through to-night. He's motoring himself there;
driving the car, I mean. It's the one thing he's really proud of."
"You mean you're staying here with your uncle, like a good boy?"
replied Fisher. "But what will the Chief do at Birmingham without
the epigrams whispered to him by his brilliant secretary?"
"Don't you start ragging me," said the young man called Bunker.
"I'm only too glad not to go trailing after him. He doesn't know a
thing about maps or money or hotels or anything, and I have to dance
about like a courier. As for my uncle, as I'm supposed to come into
the estate, it's only decent to be here sometimes."
"Very proper," replied the other. "Well, I shall see you later on,"
and, crossing the lawn, he passed out through a gap in the hedge.
He was walking across the lawn toward the landing stage on the
river, and still felt all around him, under the dome of golden
evening, an Old World savor and reverberation in that riverhaunted
garden. The next square of turf which he crossed seemed at first
sight quite deserted, till he saw in the twilight of trees in one
corner of it a hammock and in the hammock a man, reading a newspaper
and swinging one leg over the edge of the net.
Him also he hailed by name, and the man slipped to the ground and
strolled forward. It seemed fated that he should feel something of
the past in the accidents of that place, for the figure might well
have been an early-Victorian ghost revisiting the ghosts of the
croquet hoops and mallets. It was the figure of an elderly man with
long whiskers that looked almost fantastic, and a quaint and careful
cut of collar and cravat. Having been a fashionable dandy forty
years ago, he had managed to preserve the dandyism while ignoring
the fashions. A white top-hat lay beside the Morning Post in the
hammock behind him. This was the Duke of Westmoreland, the relic of
a family really some centuries old; and the antiquity was not
heraldry but history. Nobody knew better than Fisher how rare such
noblemen are in fact, and how numerous in fiction. But whether the
duke owed the general respect he enjoyed to the genuineness of his
pedigree or to the fact that he owned a vast amount of very valuable
property was a point about which Mr. Fisher's opinion might have
been more interesting to discover.
"You were looking so comfortable," said Fisher, "that I thought you
must be one of the servants. I'm looking for somebody to take this
bag of mine; I haven't brought a man down, as I came away in a
"Nor have I, for that matter," replied the duke, with some pride. "I
never do. If there's one animal alive I loathe it's a valet. I
learned to dress myself at an early age and was supposed to do it
decently. I may be in my second childhood, but I've not go so far as
being dressed like a child."
"The Prime Minister hasn't brought a valet; he's brought a secretary
instead," observed Fisher. "Devilish inferior job. Didn't I hear
that Harker was down here?"
"He's over there on the landing stage," replied the duke,
indifferently, and resumed the study of the Morning Post.
Fisher made his way beyond the last green wall of the garden on to a
sort of towing path looking on the river and a wooden island
opposite. There, indeed, he saw a lean, dark figure with a stoop
almost like that of a vulture, a posture well known in the law
courts as that of Sir John Harker, the Attorney-General. His face
was lined with headwork, for alone among the three idlers in the
garden he was a man who had made his own way; and round his bald
brow and hollow temples clung dull red hair, quite flat, like plates
"I haven't seen my host yet," said Horne Fisher, in a slightly more
serious tone than he had used to the others, "but I suppose I shall
meet him at dinner."
"You can see him now; but you can't meet him," answered Harker.
He nodded his head toward one end of the island opposite, and,
looking steadily in the same direction, the other guest could see
the dome of a bald head and the top of a fishing rod, both equally
motionless, rising out of the tall undergrowth against the
background of the stream beyond. The fisherman seemed to be seated
against the stump of a tree and facing toward the other bank, so
that his face could not be seen, but the shape of his head was
"He doesn't like to be disturbed when he's fishing," continued
Harker. "It's a sort of fad of his to eat nothing but fish, and he's
very proud of catching his own. Of course he's all for simplicity,
like so many of these millionaires. He likes to come in saying he's
worked for his daily bread like a laborer."
"Does he explain how he blows all the glass and stuffs all the
upholstery," asked Fisher, "and makes all the silver forks, and
grows all the grapes and peaches, and designs all the patterns on
the carpets? I've always heard he was a busy man."
"I don't think he mentioned it," answered the lawyer. "What is the
meaning of this social satire?"
"Well, I am a trifle tired," said Fisher, "of the Simple Life and
the Strenuous Life as lived by our little set. We're all really
dependent in nearly everything, and we all make a fuss about being
independent in something. The Prime Minister prides himself on doing
without a chauffeur, but he can't do without a factotum and
Jack-of-all-trades; and poor old Bunker has to play the part of a
universal genius, which God knows he was never meant for. The duke
prides himself on doing without a valet, but, for all that, he must
give a lot of people an infernal lot of trouble to collect such
extraordinary old clothes as he wears. He must have them looked up
in the British Museum or excavated out of the tombs. That white hat
alone must require a sort of expedition fitted out to find it, like
the North Pole. And here we have old Hook pretending to produce his
own fish when he couldn't produce his own fish knives or fish forks
to eat it with. He may be simple about simple things like food, but
you bet he's luxurious about luxurious things, especially little
things. I don't include you; you've worked too hard to enjoy playing
"I sometimes think," said Harker, "that you conceal a horrid secret
of being useful sometimes. Haven't you come down here to see Number
One before he goes on to Birmingham?"
Horne Fisher answered, in a lower voice: "Yes; and I hope to be
lucky enough to catch him before dinner. He's got to see Sir Isaac
about something just afterward."
"Hullo!" exclaimed Harker. "Sir Isaac's finished his fishing. I
know he prides himself on getting up at sunrise and going in at
The old man on the island had indeed risen to his feet, facing round
and showing a bush of gray beard with rather small, sunken features,
but fierce eyebrows and keen, choleric eyes. Carefully carrying his
fishing tackle, he was already making his way back to the mainland
across a bridge of flat stepping-stones a little way down the
shallow stream; then he veered round, coming toward his guests and
civilly saluting them. There were several fish in his basket and he
was in a good temper.
"Yes," he said, acknowledging Fisher's polite expression of
surprise, "I get up before anybody else in the house, I think. The
early bird catches the worm."
"Unfortunately," said Harker, "it is the early fish that catches the
"But the early man catches the fish," replied the old man, gruffly.
"But from what I hear, Sir Isaac, you are the late man, too,"
interposed Fisher. "You must do with very little sleep."
"I never had much time for sleeping," answered Hook, "and I shall
have to be the late man to-night, anyhow. The Prime Minister wants
to have a talk, he tells me, and, all things considered, I think
we'd better be dressing for dinner."
Dinner passed off that evening without a word of politics and little
enough but ceremonial trifles. The Prime Minister, Lord Merivale,
who was a long, slim man with curly gray hair, was gravely
complimentary to his host about his success as a fisherman and the
skill and patience he displayed; the conversation flowed like the
shallow stream through the stepping-stones.
"It wants patience to wait for them, no doubt," said Sir Isaac, "and
skill to play them, but I'm generally pretty lucky at it."
"Does a big fish ever break the line and get away?" inquired the
politician, with respectful interest.
"Not the sort of line I use," answered Hook, with satisfaction. "I
rather specialize in tackle, as a matter of fact. If he were strong
enough to do that, he'd be strong enough to pull me into the river."
"A great loss to the community," said the Prime Minister, bowing.
Fisher had listened to all these futilities with inward impatience,
waiting for his own opportunity, and when the host rose he sprang to
his feet with an alertness he rarely showed. He managed to catch
Lord Merivale before Sir Isaac bore him off for the final interview.
He had only a few words to say, but he wanted to get them said.
He said, in a low voice as he opened the door for the Premier, "I
have seen Montmirail; he says that unless we protest immediately on
behalf of Denmark, Sweden will certainly seize the ports."
Lord Merivale nodded. "I'm just going to hear what Hook has to say
about it," he said.
"I imagine," said Fisher, with a faint smile, "that there is very
little doubt what he will say about it."
Merivale did not answer, but lounged gracefully toward the library,
whither his host had already preceded him. The rest drifted toward
the billiard room, Fisher merely remarking to the lawyer: "They
won't be long. We know they're practically in agreement."
"Hook entirely supports the Prime Minister," assented Harker.
"Or the Prime Minister entirely supports Hook," said Horne Fisher,
and began idly to knock the balls about on the billiard table.
Horne Fisher came down next morning in a late and leisurely fashion,
as was his reprehensible habit; he had evidently no appetite for
catching worms. But the other guests seemed to have felt a similar
indifference, and they helped themselves to breakfast from the
sideboard at intervals during the hours verging upon lunch. So that
it was not many hours later when the first sensation of that strange
day came upon them. It came in the form of a young man with light
hair and a candid expression, who came sculling down the river and
disembarked at the landing stage. It was, in fact, no other than Mr.
Harold March, whose journey had begun far away up the river in the
earliest hours of that day. He arrived late in the afternoon, having
stopped for tea in a large riverside town, and he had a pink evening
paper sticking out of his pocket. He fell on the riverside garden
like a quiet and well-behaved thunderbolt, but he was a thunderbolt
without knowing it.
The first exchange of salutations and introductions was commonplace
enough, and consisted, indeed, of the inevitable repetition of
excuses for the eccentric seclusion of the host. He had gone fishing
again, of course, and must not be disturbed till the appointed hour,
though he sat within a stone's throw of where they stood.
"You see it's his only hobby," observed Harker, apologetically,
"and, after all, it's his own house; and he's very hospitable in
"I'm rather afraid," said Fisher, in a lower voice, "that it's
becoming more of a mania than a hobby. I know how it is when a man
of that age begins to collect things, if it's only collecting those
rotten little river fish. You remember Talbot's uncle with his
toothpicks, and poor old Buzzy and the waste of cigar ashes. Hook
has done a lot of big things in his time--the great deal in the
Swedish timber trade and the Peace Conference at Chicago--but I
doubt whether he cares now for any of those big things as he cares
for those little fish."
"Oh, come, come," protested the Attorney-General. "You'll make Mr.
March think he has come to call on a lunatic. Believe me, Hook only
does it for fun, like any other sport, only he's of the kind that
takes his fun sadly. But I bet if there were big news about timber
or shipping, he would drop his fun and his fish all right."
"Well, I wonder," said Horne Fisher, looking sleepily at the island
in the river.
"By the way, is there any news of anything?" asked Harker of Harold
March. "I see you've got an evening paper; one of those enterprising
evening papers that come out in the morning."
"The beginning of Lord Merivale's Birmingham speech," replied March,
handing him the paper. "It's only a paragraph, but it seems to me
Harker took the paper, flapped and refolded it, and looked at the
"Stop Press" news. It was, as March had said, only a paragraph. But
it was a paragraph that had a peculiar effect on Sir John Harker.
His lowering brows lifted with a flicker and his eyes blinked, and
for a moment his leathery jaw was loosened. He looked in some odd
fashion like a very old man. Then, hardening his voice and handing
the paper to Fisher without a tremor, he simply said:
"Well, here's a chance for the bet. You've got your big news to
disturb the old man's fishing."
Horne Fisher was looking at the paper, and over his more languid and
less expressive features a change also seemed to pass. Even that
little paragraph had two or three large headlines, and his eye
encountered, "Sensational Warning to Sweden," and, "We Shall
"What the devil--" he said, and his words softened first to a
whisper and then a whistle.
"We must tell old Hook at once, or he'll never forgive us," said
Harker. "He'll probably want to see Number One instantly, though it
may be too late now. I'm going across to him at once. I bet I'll
make him forget his fish, anyhow." And, turning his back, he made
his way hurriedly along the riverside to the causeway of flat
March was staring at Fisher, in amazement at the effect his pink
paper had produced.
"What does it all mean?" he cried. "I always supposed we should
protest in defense of the Danish ports, for their sakes and our own.
What is all this botheration about Sir Isaac and the rest of you? Do
you think it bad news?"
"Bad news!" repeated Fisher, with a sort of soft emphasis beyond
"Is it as bad as all that?" asked his friend, at last.
"As bad as all that?" repeated Fisher. "Why of course it's as good
as it can be. It's great news. It's glorious news! That's where the
devil of it comes in, to knock us all silly. It's admirable. It's
inestimable. It is also quite incredible."
He gazed again at the gray and green colors of the island and the
river, and his rather dreary eye traveled slowly round to the hedges
and the lawns.
"I felt this garden was a sort of dream," he said, "and I suppose I
must be dreaming. But there is grass growing and water moving; and
something impossible has happened."
Even as he spoke the dark figure with a stoop like a vulture
appeared in the gap of the hedge just above him.
"You have won your bet," said Harker, in a harsh and almost croaking
voice. "The old fool cares for nothing but fishing. He cursed me and
told me he would talk no politics."
"I thought it might be so," said Fisher, modestly. "What are you
going to do next?"
"I shall use the old idiot's telephone, anyhow," replied the lawyer.
"I must find out exactly what has happened. I've got to speak for
the Government myself to-morrow." And he hurried away toward the
In the silence that followed, a very bewildering silence so far as
March was concerned, they saw the quaint figure of the Duke of
Westmoreland, with his white hat and whiskers, approaching them
across the garden. Fisher instantly stepped toward him with the pink
paper in his hand, and, with a few words, pointed out the
apocalyptic paragraph. The duke, who had been walking slowly, stood
quite still, and for some seconds he looked like a tailor's dummy
standing and staring outside some antiquated shop. Then March heard
his voice, and it was high and almost hysterical:
"But he must see it; he must be made to understand. It cannot have
been put to him properly." Then, with a certain recovery of fullness
and even pomposity in the voice, "I shall go and tell him myself."
Among the queer incidents of that afternoon, March always remembered
something almost comical about the clear picture of the old
gentleman in his wonderful white hat carefully stepping from stone
to stone across the river, like a figure crossing the traffic in
Piccadilly. Then he disappeared behind the trees of the island, and
March and Fisher turned to meet the Attorney-General, who was coming
out of the house with a visage of grim assurance.
"Everybody is saying," he said, "that the Prime Minister has made
the greatest speech of his life. Peroration and loud and prolonged
cheers. Corrupt financiers and heroic peasants. We will not desert
Fisher nodded and turned away toward the towing path, where he saw
the duke returning with a rather dazed expression. In answer to
questions he said, in a husky and confidential voice:
"I really think our poor friend cannot be himself. He refused to
listen; he--ah--suggested that I might frighten the fish."
A keen ear might have detected a murmur from Mr. Fisher on the
subject of a white hat, but Sir John Harker struck it more
"Fisher was quite right. I didn't believe it myself, but it's quite
clear that the old fellow is fixed on this fishing notion by now. If
the house caught fire behind him he would hardly move till sunset."
Fisher had continued his stroll toward the higher embanked ground of
the towing path, and he now swept a long and searching gaze, not
toward the island, but toward the distant wooded heights that were
the walls of the valley. An evening sky as clear as that of the
previous day was settling down all over the dim landscape, but
toward the west it was now red rather than gold; there was scarcely
any sound but the monotonous music of the river. Then came the sound
of a half-stifled exclamation from Horne Fisher, and Harold March
looked up at him in wonder.
"You spoke of bad news," said Fisher. "Well, there is really bad
news now. I am afraid this is a bad business."
"What bad news do you mean?" asked his friend, conscious of
something strange and sinister in his voice.
"The sun has set," answered Fisher.
He went on with the air of one conscious of having said something
fatal. "We must get somebody to go across whom he will really listen
to. He may be mad, but there's method in his madness. There nearly
always is method in madness. It's what drives men mad, being
methodical. And he never goes on sitting there after sunset, with
the whole place getting dark. Where's his nephew? I believe he's
really fond of his nephew."
"Look!" cried March, abruptly. "Why, he's been across already.
There he is coming back."
And, looking up the river once more, they saw, dark against the
sunset reflections, the figure of James Bullen stepping hastily and
rather clumsily from stone to stone. Once he slipped on a stone with
a slight splash. When he rejoined the group on the bank his olive
face was unnaturally pale.
The other four men had already gathered on the same spot and almost
simultaneously were calling out to him, "What does he say now?"
"Nothing. He says--nothing."
Fisher looked at the young man steadily for a moment; then he
started from his immobility and, making a motion to March to follow
him, himself strode down to the river crossing. In a few moments
they were on the little beaten track that ran round the wooded
island, to the other side of it where the fisherman sat. Then they
stood and looked at him, without a word.
Sir Isaac Hook was still sitting propped up against the stump of the
tree, and that for the best of reasons. A length of his own
infallible fishing line was twisted and tightened twice round his
throat and then twice round the wooden prop behind him. The leading
investigator ran forward and touched the fisherman's hand, and it
was as cold as a fish.
"The sun has set," said Horne Fisher, in the same terrible tones,
"and he will never see it rise again."
Ten minutes afterward the five men, shaken by such a shock, were
again together in the garden, looking at one another with white but
watchful faces. The lawyer seemed the most alert of the group; he
was articulate if somewhat abrupt.
"We must leave the body as it is and telephone for the police," he
said. "I think my own authority will stretch to examining the
servants and the poor fellow's papers, to see if there is anything
that concerns them. Of course, none of you gentlemen must leave this
Perhaps there was something in his rapid and rigorous legality that
suggested the closing of a net or trap. Anyhow, young Bullen
suddenly broke down, or perhaps blew up, for his voice was like an
explosion in the silent garden.
"I never touched him," he cried. "I swear I had nothing to do with
"Who said you had?" demanded Harker, with a hard eye. "Why do you
cry out before you're hurt?"
"Because you all look at me like that," cried the young man,
angrily. "Do you think I don't know you're always talking about my
damned debts and expectations?"
Rather to March's surprise, Fisher had drawn away from this first
collision, leading the duke with him to another part of the garden.
When he was out of earshot of the others he said, with a curious
simplicity of manner:
"Westmoreland, I am going straight to the point."
"Well?" said the other, staring at him stolidly.
"You have a motive for killing him," said Fisher.
The duke continued to stare, but he seemed unable to speak.
"I hope you had a motive for killing him," continued Fisher, mildly.
"You see, it's rather a curious situation. If you have a motive for
murdering, you probably didn't murder. But if you hadn't any motive,
why, then perhaps, you did."
"What on earth are you talking about?" demanded the duke, violently.
"It's quite simple," said Fisher. "When you went across he was
either alive or dead. If he was alive, it might be you who killed
him, or why should you have held your tongue about his death? But if
he was dead, and you had a reason for killing him, you might have
held your tongue for fear of being accused." Then after a silence he
added, abstractedly: "Cyprus is a beautiful place, I believe.
Romantic scenery and romantic people. Very intoxicating for a young
The duke suddenly clenched his hands and said, thickly, "Well, I had
"Then you're all right," said Fisher, holding out his hand with an
air of huge relief. "I was pretty sure you wouldn't really do it;
you had a fright when you saw it done, as was only natural. Like a
bad dream come true, wasn't it?"
While this curious conversation was passing, Harker had gone into
the house, disregarding the demonstrations of the sulky nephew, and
came back presently with a new air of animation and a sheaf of
papers in his hand.
"I've telephoned for the police," he said, stopping to speak to
Fisher, "but I think I've done most of their work for them. I
believe I've found out the truth. There's a paper here--" He
stopped, for Fisher was looking at him with a singular expression;
and it was Fisher who spoke next:
"Are there any papers that are not there, I wonder? I mean that are
not there now?" After a pause he added: "Let us have the cards on
the table. When you went through his papers in such a hurry, Harker,
weren't you looking for something to--to make sure it shouldn't be
Harker did not turn a red hair on his hard head, but he looked at
the other out of the corners of his eyes.
"And I suppose," went on Fisher, smoothly, "that is why you, too,
told us lies about having found Hook alive. You knew there was
something to show that you might have killed him, and you didn't
dare tell us he was killed. But, believe me, it's much better to be
Harker's haggard face suddenly lit up as if with infernal flames.
"Honest," he cried, "it's not so damned fine of you fellows to be
honest. You're all born with silver spoons in your mouths, and then
you swagger about with everlasting virtue because you haven't got
other people's spoons in your pockets. But I was born in a Pimlico
lodging house and I had to make my spoon, and there'd be plenty to
say I only spoiled a horn or an honest man. And if a struggling man
staggers a bit over the line in his youth, in the lower parts of the
law which are pretty dingy, anyhow, there's always some old vampire
to hang on to him all his life for it."
"Guatemalan Golcondas, wasn't it?" said Fisher, sympathetically.
Harker suddenly shuddered. Then he said, "I believe you must know
everything, like God Almighty."
"I know too much," said Horne Fisher, "and all the wrong things."
The other three men were drawing nearer to them, but before they
came too near, Harker said, in a voice that had recovered all its
"Yes, I did destroy a paper, but I really did find a paper, too; and
I believe that it clears us all."
"Very well," said Fisher, in a louder and more cheerful tone; "let
us all have the benefit of it."
"On the very top of Sir Isaac's papers," explained Harker, "there
was a threatening letter from a man named Hugo. It threatens to kill
our unfortunate friend very much in the way that he was actually
killed. It is a wild letter, full of taunts; you can see it for
yourselves; but it makes a particular point of poor Hook's habit of
fishing from the island. Above all, the man professes to be writing
from a boat. And, since we alone went across to him," and he smiled
in a rather ugly fashion, "the crime must have been committed by a
man passing in a boat."
"Why, dear me!" cried the duke, with something almost amounting to
animation. "Why, I remember the man called Hugo quite well! He was a
sort of body servant and bodyguard of Sir Isaac. You see, Sir Isaac
was in some fear of assault. He was--he was not very popular with
several people. Hugo was discharged after some row or other; but I
remember him well. He was a great big Hungarian fellow with great
mustaches that stood out on each side of his face."
A door opened in the darkness of Harold March's memory, or, rather,
oblivion, and showed a shining landscape, like that of a lost dream.
It was rather a waterscape than a landscape, a thing of flooded
meadows and low trees and the dark archway of a bridge. And for one
instant he saw again the man with mustaches like dark horns leap up
on to the bridge and disappear.
"Good heavens!" he cried. "Why, I met the murderer this morning!"
* * *
Horne Fisher and Harold March had their day on the river, after all,
for the little group broke up when the police arrived. They declared
that the coincidence of March's evidence had cleared the whole
company, and clinched the case against the flying Hugo. Whether that
Hungarian fugitive would ever be caught appeared to Horne Fisher to
be highly doubtful; nor can it be pretended that he displayed any
very demoniac detective energy in the matter as he leaned back in
the boat cushions, smoking, and watching the swaying reeds slide
"It was a very good notion to hop up on to the bridge," he said. "An
empty boat means very little; he hasn't been seen to land on either
bank, and he's walked off the bridge without walking on to it, so to
speak. He's got twenty-four hours' start; his mustaches will
disappear, and then he will disappear. I think there is every hope
of his escape."
"Hope?" repeated March, and stopped sculling for an instant.
"Yes, hope," repeated the other. "To begin with, I'm not going to
be exactly consumed with Corsican revenge because somebody has
killed Hook. Perhaps you may guess by this time what Hook was. A
damned blood-sucking blackmailer was that simple, strenuous,
self-made captain of industry. He had secrets against nearly
everybody; one against poor old Westmoreland about an early marriage
in Cyprus that might have put the duchess in a queer position; and
one against Harker about some flutter with his client's money when
he was a young solicitor. That's why they went to pieces when they
found him murdered, of course. They felt as if they'd done it in a
dream. But I admit I have another reason for not wanting our
Hungarian friend actually hanged for the murder."
"And what is that?" asked his friend.
"Only that he didn't commit the murder," answered Fisher.
Harold March laid down the oars and let the boat drift for a moment.
"Do you know, I was half expecting something like that," he said.
"It was quite irrational, but it was hanging about in the
atmosphere, like thunder in the air."
"On the contrary, it's finding Hugo guilty that's irrational,"
replied Fisher. "Don't you see that they're condemning him for the
very reason for which they acquit everybody else? Harker and
Westmoreland were silent because they found him murdered, and knew
there were papers that made them look like the murderers. Well, so
did Hugo find him murdered, and so did Hugo know there was a paper
that would make him look like the murderer. He had written it
himself the day before."
"But in that case," said March, frowning, "at what sort of unearthly
hour in the morning was the murder really committed? It was barely
daylight when I met him at the bridge, and that's some way above the
"The answer is very simple," replied Fisher. "The crime was not
committed in the morning. The crime was not committed on the
March stared at the shining water without replying, but Fisher
resumed like one who had been asked a question:
"Every intelligent murder involves taking advantage of some one
uncommon feature in a common situation. The feature here was the
fancy of old Hook for being the first man up every morning, his
fixed routine as an angler, and his annoyance at being disturbed.
The murderer strangled him in his own house after dinner on the
night before, carried his corpse, with all his fishing tackle,
across the stream in the dead of night, tied him to the tree, and
left him there under the stars. It was a dead man who sat fishing
there all day. Then the murderer went back to the house, or, rather,
to the garage, and went off in his motor car. The murderer drove his
own motor car."
Fisher glanced at his friend's face and went on. "You look
horrified, and the thing is horrible. But other things are horrible,
too. If some obscure man had been hag-ridden by a blackmailer and
had his family life ruined, you wouldn't think the murder of his
persecutor the most inexcusable of murders. Is it any worse when a
whole great nation is set free as well as a family? By this warning
to Sweden we shall probably prevent war and not precipitate it, and
save many thousand lives rather more valuable than the life of that
viper. Oh, I'm not talking sophistry or seriously justifying the
thing, but the slavery that held him and his country was a thousand
times less justifiable. If I'd really been sharp I should have
guessed it from his smooth, deadly smiling at dinner that night. Do
you remember that silly talk about how old Isaac could always play
his fish? In a pretty hellish sense he was a fisher of men."
Harold March took the oars and began to row again.
"I remember," he said, "and about how a big fish might break the
line and get away."
VI. THE HOLE IN THE WALL
Two men, the one an architect and the other an archaeologist, met on
the steps of the great house at Prior's Park; and their host, Lord
Bulmer, in his breezy way, thought it natural to introduce them. It
must be confessed that he was hazy as well as breezy, and had no
very clear connection in his mind, beyond the sense that an
architect and an archaeologist begin with the same series of
letters. The world must remain in a reverent doubt as to whether he
would, on the same principles, have presented a diplomatist to a
dipsomaniac or a ratiocinator to a rat catcher. He was a big, fair,
bull-necked young man, abounding in outward gestures, unconsciously
flapping his gloves and flourishing his stick.
"You two ought to have something to talk about," he said,
cheerfully. "Old buildings and all that sort of thing; this is
rather an old building, by the way, though I say it who shouldn't. I
must ask you to excuse me a moment; I've got to go and see about the
cards for this Christmas romp my sister's arranging. We hope to see
you all there, of course. Juliet wants it to be a fancy-dress
affair--abbots and crusaders and all that. My ancestors, I suppose,
"I trust the abbot was not an ancestor," said the archaeological
gentleman, with a smile.
"Only a sort of great-uncle, I imagine," answered the other,
laughing; then his rather rambling eye rolled round the ordered
landscape in front of the house; an artificial sheet of water
ornamented with an antiquated nymph in the center and surrounded by
a park of tall trees now gray and black and frosty, for it was in
the depth of a severe winter.
"It's getting jolly cold," his lordship continued. "My sister hopes
we shall have some skating as well as dancing."
"If the crusaders come in full armor," said the other, "you must be
careful not to drown your ancestors."
"Oh, there's no fear of that," answered Bulmer; "this precious lake
of ours is not two feet deep anywhere." And with one of his
flourishing gestures he stuck his stick into the water to
demonstrate its shallowness. They could see the short end bent in
the water, so that he seemed for a moment to lean his large weight
on a breaking staff.
"The worst you can expect is to see an abbot sit down rather
suddenly," he added, turning away. "Well, au revoir; I'll let you
know about it later."
The archaeologist and the architect were left on the great stone
steps smiling at each other; but whatever their common interests,
they presented a considerable personal contrast, and the fanciful
might even have found some contradiction in each considered
individually. The former, a Mr. James Haddow, came from a drowsy den
in the Inns of Court, full of leather and parchment, for the law was
his profession and history only his hobby; he was indeed, among
other things, the solicitor and agent of the Prior's Park estate.
But he himself was far from drowsy and seemed remarkably wide awake,
with shrewd and prominent blue eyes, and red hair brushed as neatly
as his very neat costume. The latter, whose name was Leonard Crane,
came straight from a crude and almost cockney office of builders and
house agents in the neighboring suburb, sunning itself at the end of
a new row of jerry-built houses with plans in very bright colors and
notices in very large letters. But a serious observer, at a second
glance, might have seen in his eyes something of that shining sleep
that is called vision; and his yellow hair, while not affectedly
long, was unaffectedly untidy. It was a manifest if melancholy truth
that the architect was an artist. But the artistic temperament was
far from explaining him; there was something else about him that was
not definable, but which some even felt to be dangerous. Despite his
dreaminess, he would sometimes surprise his friends with arts and
even sports apart from his ordinary life, like memories of some
previous existence. On this occasion, nevertheless, he hastened to
disclaim any authority on the other man's hobby.
"I mustn't appear on false pretences," he said, with a smile. "I
hardly even know what an archaeologist is, except that a rather
rusty remnant of Greek suggests that he is a man who studies old
"Yes," replied Haddow, grimly. "An archaeologist is a man who
studies old things and finds they are new."
Crane looked at him steadily for a moment and then smiled again.
"Dare one suggest," he said, "that some of the things we have been
talking about are among the old things that turn out not to be old?"
His companion also was silent for a moment, and the smile on his
rugged face was fainter as he replied, quietly:
"The wall round the park is really old. The one gate in it is
Gothic, and I cannot find any trace of destruction or restoration.
But the house and the estate generally--well the romantic ideas read
into these things are often rather recent romances, things almost
like fashionable novels. For instance, the very name of this place,
Prior's Park, makes everybody think of it as a moonlit mediaeval
abbey; I dare say the spiritualists by this time have discovered the
ghost of a monk there. But, according to the only authoritative
study of the matter I can find, the place was simply called Prior's
as any rural place is called Podger's. It was the house of a Mr.
Prior, a farmhouse, probably, that stood here at some time or other
and was a local landmark. Oh, there are a great many examples of the
same thing, here and everywhere else. This suburb of ours used to be
a village, and because some of the people slurred the name and
pronounced it Holliwell, many a minor poet indulged in fancies about
a Holy Well, with spells and fairies and all the rest of it, filling
the suburban drawing-rooms with the Celtic twilight. Whereas anyone
acquainted with the facts knows that 'Hollinwall' simply means 'the
hole in the wall,' and probably referred to some quite trivial
accident. That's what I mean when I say that we don't so much find
old things as we find new ones."
Crane seemed to have grown somewhat inattentive to the little
lecture on antiquities and novelties, and the cause of his
restlessness was soon apparent, and indeed approaching. Lord
Bulmer's sister, Juliet Bray, was coming slowly across the lawn,
accompanied by one gentleman and followed by two others. The young
architect was in the illogical condition of mind in which he
preferred three to one.
The man walking with the lady was no other than the eminent Prince
Borodino, who was at least as famous as a distinguished diplomatist
ought to be, in the interests of what is called secret diplomacy. He
had been paying a round of visits at various English country houses,
and exactly what he was doing for diplomacy at Prior's Park was as
much a secret as any diplomatist could desire. The obvious thing to
say of his appearance was that he would have been extremely handsome
if he had not been entirely bald. But, indeed, that would itself be
a rather bald way of putting it. Fantastic as it sounds, it would
fit the case better to say that people would have been surprised to
see hair growing on him; as surprised as if they had found hair
growing on the bust of a Roman emperor. His tall figure was buttoned
up in a tight-waisted fashion that rather accentuated his potential
bulk, and he wore a red flower in his buttonhole. Of the two men
walking behind one was also bald, but in a more partial and also a
more premature fashion, for his drooping mustache was still yellow,
and if his eyes were somewhat heavy it was with languor and not with
age. It was Horne Fisher, and he was talking as easily and idly
about everything as he always did. His companion was a more
striking, and even more sinister, figure, and he had the added
importance of being Lord Bulmer's oldest and most intimate friend. He
was generally known with a severe simplicity as Mr. Brain; but it was
understood that he had been a judge and police official in India, and
that he had enemies, who had represented his measures against crime as
themselves almost criminal. He was a brown skeleton of a man with dark,
deep, sunken eyes and a black mustache that hid the meaning of his
mouth. Though he had the look of one wasted by some tropical disease,
his movements were much more alert than those of his lounging companion.
"It's all settled," announced the lady, with great animation, when
they came within hailing distance. "You've all got to put on
masquerade things and very likely skates as well, though the prince
says they don't go with it; but we don't care about that. It's
freezing already, and we don't often get such a chance in England."
"Even in India we don't exactly skate all the year round," observed
"And even Italy is not primarily associated with ice," said the
"Italy is primarily associated with ices," remarked Mr. Horne
Fisher. "I mean with ice cream men. Most people in this country
imagine that Italy is entirely populated with ice cream men and
organ grinders. There certainly are a lot of them; perhaps they're
an invading army in disguise."
"How do you know they are not the secret emissaries of our
diplomacy?" asked the prince, with a slightly scornful smile. "An
army of organ grinders might pick up hints, and their monkeys might
pick up all sort of things."
"The organs are organized in fact," said the flippant Mr. Fisher.
"Well, I've known it pretty cold before now in Italy and even in
India, up on the Himalayan slopes. The ice on our own little round
pond will be quite cozy by comparison."
Juliet Bray was an attractive lady with dark hair and eyebrows and
dancing eyes, and there was a geniality and even generosity in her
rather imperious ways. In most matters she could command her
brother, though that nobleman, like many other men of vague ideas,
was not without a touch of the bully when he was at bay. She could
certainly command her guests, even to the extent of decking out the
most respectable and reluctant of them with her mediaeval
masquerade. And it really seemed as if she could command the
elements also, like a witch. For the weather steadily hardened and
sharpened; that night the ice of the lake, glimmering in the
moonlight, was like a marble floor, and they had begun to dance and
skate on it before it was dark.
Prior's Park, or, more properly, the surrounding district of
Holinwall, was a country seat that had become a suburb; having once
had only a dependent village at its doors, it now found outside all
its doors the signals of the expansion of London. Mr. Haddow, who
was engaged in historical researches both in the library and the
locality, could find little assistance in the latter. He had already
realized, from the documents, that Prior's Park had originally been
something like Prior's Farm, named after some local figure, but the
new social conditions were all against his tracing the story by its
traditions. Had any of the real rustics remained, he would probably
have found some lingering legend of Mr. Prior, however remote he
might be. But the new nomadic population of clerks and artisans,
constantly shifting their homes from one suburb to another, or their
children from one school to another, could have no corporate
continuity. They had all that forgetfulness of history that goes
everywhere with the extension of education.
Nevertheless, when he came out of the library next morning and saw
the wintry trees standing round the frozen pond like a black forest,
he felt he might well have been far in the depths of the country.
The old wall running round the park kept that inclosure itself still
entirely rural and romantic, and one could easily imagine that the
depths of that dark forest faded away indefinitely into distant
vales and hills. The gray and black and silver of the wintry wood
were all the more severe or somber as a contrast to the colored
carnival groups that already stood on and around the frozen pool.
For the house party had already flung themselves impatiently into
fancy dress, and the lawyer, with his neat black suit and red hair,
was the only modern figure among them.
"Aren't you going to dress up?" asked Juliet, indignantly shaking at
him a horned and towering blue headdress of the fourteenth century
which framed her face very becomingly, fantastic as it was.
"Everybody here has to be in the Middle Ages. Even Mr. Brain has put
on a sort of brown dressing gown and says he's a monk; and Mr.
Fisher got hold of some old potato sacks in the kitchen and sewed
them together; he's supposed to be a monk, too. As to the prince,
he's perfectly glorious, in great crimson robes as a cardinal. He
looks as if he could poison everybody. You simply must be
"I will be something later in the day," he replied. "At present I am
nothing but an antiquary and an attorney. I have to see your brother
presently, about some legal business and also some local
investigations he asked me to make. I must look a little like a
steward when I give an account of my stewardship."
"Oh, but my brother has dressed up!" cried the girl. "Very much so.
No end, if I may say so. Why he's bearing down on you now in all his
The noble lord was indeed marching toward them in a magnificent
sixteenth-century costume of purple and gold, with a gold-hilted
sword and a plumed cap, and manners to match. Indeed, there was
something more than his usual expansiveness of bodily action in his
appearance at that moment. It almost seemed, so to speak, that the
plumes on his hat had gone to his head. He flapped his great,
gold-lined cloak like the wings of a fairy king in a pantomime; he
even drew his sword with a flourish and waved it about as he did his
walking stick. In the light of after events there seemed to be
something monstrous and ominous about that exuberance, something of
the spirit that is called fey. At the time it merely crossed a few
people's minds that he might possibly be drunk.
As he strode toward his sister the first figure he passed was that
of Leonard Crane, clad in Lincoln green, with the horn and baldrick
and sword appropriate to Robin Hood; for he was standing nearest to
the lady, where, indeed, he might have been found during a
disproportionate part of the time. He had displayed one of his
buried talents in the matter of skating, and now that the skating
was over seemed disposed to prolong the partnership. The boisterous
Bulmer playfully made a pass at him with his drawn sword, going
forward with the lunge in the proper fencing fashion, and making a
somewhat too familiar Shakespearean quotation about a rodent and a
Probably in Crane also there was a subdued excitement just then;
anyhow, in one flash he had drawn his own sword and parried; and
then suddenly, to the surprise of everyone, Bulmer's weapon seemed
to spring out of his hand into the air and rolled away on the
"Well, I never!" said the lady, as if with justifiable indignation.
"You never told me you could fence, too."
Bulmer put up his sword with an air rather bewildered than annoyed,
which increased the impression of something irresponsible in his
mood at the moment; then he turned rather abruptly to his lawyer,
"We can settle up about the estate after dinner; I've missed nearly
all the skating as it is, and I doubt if the ice will hold till
to-morrow night. I think I shall get up early and have a spin by
"You won't be disturbed with my company," said Horne Fisher, in his
weary fashion. "If I have to begin the day with ice, in the American
fashion, I prefer it in smaller quantities. But no early hours for
me in December. The early bird catches the cold."
"Oh, I shan't die of catching a cold," answered Bulmer, and
* * *
A considerable group of the skating party had consisted of the
guests staying at the house, and the rest had tailed off in twos and
threes some time before most of the guests began to retire for the
night. Neighbors, always invited to Prior's Park on such occasions,
went back to their own houses in motors or on foot; the legal and
archeological gentleman had returned to the Inns of Court by a late
train, to get a paper called for during his consultation with his
client; and most of the other guests were drifting and lingering at
various stages on their way up to bed. Horne Fisher, as if to
deprive himself of any excuse for his refusal of early rising, had
been the first to retire to his room; but, sleepy as he looked, he
could not sleep. He had picked up from a table the book of
antiquarian topography, in which Haddow had found his first hints
about the origin of the local name, and, being a man with a quiet
and quaint capacity for being interested in anything, he began to
read it steadily, making notes now and then of details on which his
previous reading left him with a certain doubt about his present
conclusions. His room was the one nearest to the lake in the center
of the woods, and was therefore the quietest, and none of the last
echoes of the evening's festivity could reach him. He had followed
carefully the argument which established the derivation from Mr.
Prior's farm and the hole in the wall, and disposed of any
fashionable fancy about monks and magic wells, when he began to be
conscious of a noise audible in the frozen silence of the night. It
was not a particularly loud noise, but it seemed to consist of a
series of thuds or heavy blows, such as might be struck on a wooden
door by a man seeking to enter. They were followed by something like
a faint creak or crack, as if the obstacle had either been opened or
had given way. He opened his own bedroom door and listened, but as
he heard talk and laughter all over the lower floors, he had no
reason to fear that a summons would be neglected or the house left
without protection. He went to his open window, looking out over the
frozen pond and the moonlit statue in the middle of their circle of
darkling woods, and listened again. But silence had returned to that
silent place, and, after straining his ears for a considerable time,
he could hear nothing but the solitary hoot of a distant departing
train. Then he reminded himself how many nameless noises can be
heard by the wakeful during the most ordinary night, and shrugging
his shoulders, went wearily to bed.
He awoke suddenly and sat up in bed with his ears filled, as with
thunder, with the throbbing echoes of a rending cry. He remained
rigid for a moment, and then sprang out of bed, throwing on the
loose gown of sacking he had worn all day. He went first to the
window, which was open, but covered with a thick curtain, so that
his room was still completely dark; but when he tossed the curtain
aside and put his head out, he saw that a gray and silver daybreak
had already appeared behind the black woods that surrounded the
little lake, and that was all that he did see. Though the sound had
certainly come in through the open window from this direction, the
whole scene was still and empty under the morning light as under the
moonlight. Then the long, rather lackadaisical hand he had laid on a
window sill gripped it tighter, as if to master a tremor, and his
peering blue eyes grew bleak with fear. It may seem that his emotion
was exaggerated and needless, considering the effort of common sense
by which he had conquered his nervousness about the noise on the
previous night. But that had been a very different sort of noise. It
might have been made by half a hundred things, from the chopping of
wood to the breaking of bottles. There was only one thing in nature
from which could come the sound that echoed through the dark house
at daybreak. It was the awful articulate voice of man; and it was
something worse, for he knew what man.
He knew also that it had been a shout for help. It seemed to him
that he had heard the very word; but the word, short as it was, had
been swallowed up, as if the man had been stifled or snatched away
even as he spoke. Only the mocking reverberations of it remained
even in his memory, but he had no doubt of the original voice. He
had no doubt that the great bull's voice of Francis Bray, Baron
Bulmer, had been heard for the last time between the darkness and
the lifting dawn.
How long he stood there he never knew, but he was startled into life
by the first living thing that he saw stirring in that half-frozen
landscape. Along the path beside the lake, and immediately under his
window, a figure was walking slowly and softly, but with great
composure--a stately figure in robes of a splendid scarlet; it was
the Italian prince, still in his cardinal's costume. Most of the
company had indeed lived in their costumes for the last day or two,
and Fisher himself had assumed his frock of sacking as a convenient
dressing gown; but there seemed, nevertheless, something unusually
finished and formal, in the way of an early bird, about this
magnificent red cockatoo. It was as if the early bird had been up
"What is the matter?" he called, sharply, leaning out of the window,
and the Italian turned up his great yellow face like a mask of
"We had better discuss it downstairs," said Prince Borodino.
Fisher ran downstairs, and encountered the great, red-robed figure
entering the doorway and blocking the entrance with his bulk.
"Did you hear that cry?" demanded Fisher.
"I heard a noise and I came out," answered the diplomatist, and his
face was too dark in the shadow for its expression to be read.
"It was Bulmer's voice," insisted Fisher. "I'll swear it was
"Did you know him well?" asked the other.
The question seemed irrelevant, though it was not illogical, and
Fisher could only answer in a random fashion that he knew Lord
Bulmer only slightly.
"Nobody seems to have known him well," continued the Italian, in
level tones. "Nobody except that man Brain. Brain is rather older
than Bulmer, but I fancy they shared a good many secrets."
Fisher moved abruptly, as if waking from a momentary trance, and
said, in a new and more vigorous voice, "But look here, hadn't we
better get outside and see if anything has happened."
"The ice seems to be thawing," said the other, almost with
When they emerged from the house, dark stains and stars in the gray
field of ice did indeed indicate that the frost was breaking up, as
their host had prophesied the day before, and the very memory of
yesterday brought back the mystery of to-day.
"He knew there would be a thaw," observed the prince. "He went out
skating quite early on purpose. Did he call out because he landed in
the water, do you think?"
Fisher looked puzzled. "Bulmer was the last man to bellow like that
because he got his boots wet. And that's all he could do here; the
water would hardly come up to the calf of a man of his size. You can
see the flat weeds on the floor of the lake, as if it were through a
thin pane of glass. No, if Bulmer had only broken the ice he
wouldn't have said much at the moment, though possibly a good deal
afterward. We should have found him stamping and damning up and down
this path, and calling for clean boots."
"Let us hope we shall find him as happily employed," remarked the
diplomatist. "In that case the voice must have come out of the
"I'll swear it didn't come out of the house," said Fisher; and the
two disappeared together into the twilight of wintry trees.
The plantation stood dark against the fiery colors of sunrise, a
black fringe having that feathery appearance which makes trees when
they are bare the very reverse of rugged. Hours and hours afterward,
when the same dense, but delicate, margin was dark against the
greenish colors opposite the sunset, the search thus begun at
sunrise had not come to an end. By successive stages, and to slowly
gathering groups of the company, it became apparent that the most
extraordinary of all gaps had appeared in the party; the guests
could find no trace of their host anywhere. The servants reported
that his bed had been slept in and his skates and his fancy costume
were gone, as if he had risen early for the purpose he had himself
avowed. But from the top of the house to the bottom, from the walls
round the park to the pond in the center, there was no trace of Lord
Bulmer, dead or alive. Horne Fisher realized that a chilling
premonition had already prevented him from expecting to find the man
alive. But his bald brow was wrinkled over an entirely new and
unnatural problem, in not finding the man at all.
He considered the possibility of Bulmer having gone off of his own
accord, for some reason; but after fully weighing it he finally
dismissed it. It was inconsistent with the unmistakable voice heard
at daybreak, and with many other practical obstacles. There was only
one gateway in the ancient and lofty wall round the small park; the
lodge keeper kept it locked till late in the morning, and the lodge
keeper had seen no one pass. Fisher was fairly sure that he had
before him a mathematical problem in an inclosed space. His instinct
had been from the first so attuned to the tragedy that it would have
been almost a relief to him to find the corpse. He would have been
grieved, but not horrified, to come on the nobleman's body dangling
from one of his own trees as from a gibbet, or floating in his own
pool like a pallid weed. What horrified him was to find nothing.
He soon become conscious that he was not alone even in his most
individual and isolated experiments. He often found a figure
following him like his shadow, in silent and almost secret clearings
in the plantation or outlying nooks and corners of the old wall. The
dark-mustached mouth was as mute as the deep eyes were mobile,
darting incessantly hither and thither, but it was clear that Brain
of the Indian police had taken up the trail like an old hunter after
a tiger. Seeing that he was the only personal friend of the vanished
man, this seemed natural enough, and Fisher resolved to deal frankly
"This silence is rather a social strain," he said. "May I break the
ice by talking about the weather?--which, by the way, has already
broken the ice. I know that breaking the ice might be a rather
melancholy metaphor in this case."
"I don't think so," replied Brain, shortly. "I don't fancy the ice
had much to do with it. I don't see how it could."
"What would you propose doing?" asked Fisher.
"Well, we've sent for the authorities, of course, but I hope to find
something out before they come," replied the Anglo-Indian. "I can't
say I have much hope from police methods in this country. Too much
red tape, habeas corpus and that sort of thing. What we want is to
see that nobody bolts; the nearest we could get to it would be to
collect the company and count them, so to speak. Nobody's left
lately, except that lawyer who was poking about for antiquities."
"Oh, he's out of it; he left last night," answered the other. "Eight
hours after Bulmer's chauffeur saw his lawyer off by the train I
heard Bulmer's own voice as plain as I hear yours now."
"I suppose you don't believe in spirits?" said the man from India.
After a pause he added: "There's somebody else I should like to
find, before we go after a fellow with an alibi in the Inner Temple.
What's become of that fellow in green--the architect dressed up as
a forester? I haven't seem him about."
Mr. Brain managed to secure his assembly of all the distracted
company before the arrival of the police. But when he first began
to comment once more on the young architect's delay in putting in
an appearance, he found himself in the presence of a minor mystery,
and a psychological development of an entirely unexpected kind.
Juliet Bray had confronted the catastrophe of her brother's
disappearance with a somber stoicism in which there was, perhaps,
more paralysis than pain; but when the other question came to the
surface she was both agitated and angry.
"We don't want to jump to any conclusions about anybody," Brain was
saying in his staccato style. "But we should like to know a little
more about Mr. Crane. Nobody seems to know much about him, or where
he comes from. And it seems a sort of coincidence that yesterday he
actually crossed swords with poor Bulmer, and could have stuck him,
too, since he showed himself the better swordsman. Of course, that
may be an accident and couldn't possibly be called a case against
anybody; but then we haven't the means to make a real case against
anybody. Till the police come we are only a pack of very amateur
"And I think you're a pack of snobs," said Juliet. "Because Mr.
Crane is a genius who's made his own way, you try to suggest he's a
murderer without daring to say so. Because he wore a toy sword and
happened to know how to use it, you want us to believe he used it
like a bloodthirsty maniac for no reason in the world. And because
he could have hit my brother and didn't, you deduce that he did.
That's the sort of way you argue. And as for his having disappeared,
you're wrong in that as you are in everything else, for here he
And, indeed, the green figure of the fictitious Robin Hood slowly
detached itself from the gray background of the trees, and came
toward them as she spoke.
He approached the group slowly, but with composure; but he was
decidedly pale, and the eyes of Brain and Fisher had already taken
in one detail of the green-clad figure more clearly than all the
rest. The horn still swung from his baldrick, but the sword was
Rather to the surprise of the company, Brain did not follow up the
question thus suggested; but, while retaining an air of leading the
inquiry, had also an appearance of changing the subject.
"Now we're all assembled," he observed, quietly, "there is a
question I want to ask to begin with. Did anybody here actually see
Lord Bulmer this morning?"
Leonard Crane turned his pale face round the circle of faces till he
came to Juliet's; then he compressed his lips a little and said:
"Yes, I saw him."
"Was he alive and well?" asked Brain, quickly. "How was he
"He appeared exceedingly well," replied Crane, with a curious
intonation. "He was dressed as he was yesterday, in that purple
costume copied from the portrait of his ancestor in the sixteenth
century. He had his skates in his hand."
"And his sword at his side, I suppose," added the questioner. "Where
is your own sword, Mr. Crane?"
"I threw it away."
In the singular silence that ensued, the train of thought in many
minds became involuntarily a series of colored pictures.
They had grown used to their fanciful garments looking more gay and
gorgeous against the dark gray and streaky silver of the forest, so
that the moving figures glowed like stained-glass saints walking.
The effect had been more fitting because so many of them had idly
parodied pontifical or monastic dress. But the most arresting
attitude that remained in their memories had been anything but
merely monastic; that of the moment when the figure in bright green
and the other in vivid violet had for a moment made a silver cross
of their crossing swords. Even when it was a jest it had been
something of a drama; and it was a strange and sinister thought that
in the gray daybreak the same figures in the same posture might have
been repeated as a tragedy.
"Did you quarrel with him?" asked Brain, suddenly.
"Yes," replied the immovable man in green. "Or he quarreled with
"Why did he quarrel with you?" asked the investigator; and Leonard
Crane made no reply.
Horne Fisher, curiously enough, had only given half his attention to
this crucial cross-examination. His heavy-lidded eyes had languidly
followed the figure of Prince Borodino, who at this stage had
strolled away toward the fringe of the wood; and, after a pause, as
of meditation, had disappeared into the darkness of the trees.
He was recalled from his irrelevance by the voice of Juliet Bray,
which rang out with an altogether new note of decision:
"If that is the difficulty, it had best be cleared up. I am engaged
to Mr. Crane, and when we told my brother he did not approve of it;
that is all."
Neither Brain nor Fisher exhibited any surprise, but the former
"Except, I suppose, that he and your brother went off into the wood
to discuss it, where Mr. Crane mislaid his sword, not to mention his
"And may I ask," inquired Crane, with a certain flicker of mockery
passing over his pallid features, "what I am supposed to have done
with either of them? Let us adopt the cheerful thesis that I am a
murderer; it has yet to be shown that I am a magician. If I ran your
unfortunate friend through the body, what did I do with the body?
Did I have it carried away by seven flying dragons, or was it merely
a trifling matter of turning it into a milk-white hind?"
"It is no occasion for sneering," said the Anglo-Indian judge, with
abrupt authority. "It doesn't make it look better for you that you
can joke about the loss."
Fisher's dreamy, and even dreary, eye was still on the edge of the
wood behind, and he became conscious of masses of dark red, like a
stormy sunset cloud, glowing through the gray network of the thin
trees, and the prince in his cardinal's robes reemerged on to the
pathway. Brain had had half a notion that the prince might have gone
to look for the lost rapier. But when he reappeared he was carrying
in his hand, not a sword, but an ax.
The incongruity between the masquerade and the mystery had created a
curious psychological atmosphere. At first they had all felt
horribly ashamed at being caught in the foolish disguises of a
festival, by an event that had only too much the character of a
funeral. Many of them would have already gone back and dressed in
clothes that were more funereal or at least more formal. But somehow
at the moment this seemed like a second masquerade, more artificial
and frivolous than the first. And as they reconciled themselves to
their ridiculous trappings, a curious sensation had come over some
of them, notably over the more sensitive, like Crane and Fisher and
Juliet, but in some degree over everybody except the practical Mr.
Brain. It was almost as if they were the ghosts of their own
ancestors haunting that dark wood and dismal lake, and playing some
old part that they only half remembered. The movements of those
colored figures seemed to mean something that had been settled long
before, like a silent heraldry. Acts, attitudes, external objects,
were accepted as an allegory even without the key; and they knew
when a crisis had come, when they did not know what it was. And
somehow they knew subconsciously that the whole tale had taken a new
and terrible turn, when they saw the prince stand in the gap of the
gaunt trees, in his robes of angry crimson and with his lowering
face of bronze, bearing in his hand a new shape of death. They could
not have named a reason, but the two swords seemed indeed to have
become toy swords and the whole tale of them broken and tossed away
like a toy. Borodino looked like the Old World headsman, clad in
terrible red, and carrying the ax for the execution of the criminal.
And the criminal was not Crane.
Mr. Brain of the Indian police was glaring at the new object, and it
was a moment or two before he spoke, harshly and almost hoarsely.
"What are you doing with that?" he asked. "Seems to be a woodman's
"A natural association of ideas," observed Horne Fisher. "If you
meet a cat in a wood you think it's a wildcat, though it may have
just strolled from the drawing-room sofa. As a matter of fact, I
happen to know that is not the woodman's chopper. It's the kitchen
chopper, or meat ax, or something like that, that somebody has
thrown away in the wood. I saw it in the kitchen myself when I was
getting the potato sacks with which I reconstructed a mediaeval
"All the same, it is not without interest," remarked the prince,
holding out the instrument to Fisher, who took it and examined it
carefully. "A butcher's cleaver that has done butcher's work."
"It was certainly the instrument of the crime," assented Fisher, in
a low voice.
Brain was staring at the dull blue gleam of the ax head with fierce
and fascinated eyes. "I don't understand you," he said. "There is
no--there are no marks on it."
"It has shed no blood," answered Fisher, "but for all that it has
committed a crime. This is as near as the criminal came to the crime
when he committed it."
"What do you mean?"
"He was not there when he did it," explained Fisher. "It's a poor
sort of murderer who can't murder people when he isn't there."
"You seem to be talking merely for the sake of mystification," said
Brain. "If you have any practical advice to give you might as well
make it intelligible."
"The only practical advice I can suggest," said Fisher,
thoughtfully, "is a little research into local topography and
nomenclature. They say there used to be a Mr. Prior, who had a farm
in this neighborhood. I think some details about the domestic life
of the late Mr. Prior would throw a light on this terrible
"And you have nothing more immediate than your topography to offer,"
said Brain, with a sneer, "to help me avenge my friend?"
"Well," said Fisher, "I should find out the truth about the Hole in
* * *
That night, at the close of a stormy twilight and under a strong
west wind that followed the breaking of the frost, Leonard Crane was
wending his way in a wild rotatory walk round and round the high,
continuous wall that inclosed the little wood. He was driven by a
desperate idea of solving for himself the riddle that had clouded
his reputation and already even threatened his liberty. The police
authorities, now in charge of the inquiry, had not arrested him, but
he knew well enough that if he tried to move far afield he would be
instantly arrested. Horne Fisher's fragmentary hints, though he had
refused to expand them as yet, had stirred the artistic temperament
of the architect to a sort of wild analysis, and he was resolved to
read the hieroglyph upside down and every way until it made sense.
If it was something connected with a hole in the wall he would find
the hole in the wall; but, as a matter of fact, he was unable to
find the faintest crack in the wall. His professional knowledge told
him that the masonry was all of one workmanship and one date, and,
except for the regular entrance, which threw no light on the
mystery, he found nothing suggesting any sort of hiding place or
means of escape. Walking a narrow path between the winding wall and
the wild eastward bend and sweep of the gray and feathery trees,
seeing shifting gleams of a lost sunset winking almost like
lightning as the clouds of tempest scudded across the sky and
mingling with the first faint blue light from a slowly strengthened
moon behind him, he began to feel his head going round as his heels
were going round and round the blind recurrent barrier. He had
thoughts on the border of thought; fancies about a fourth dimension
which was itself a hole to hide anything, of seeing everything from
a new angle out of a new window in the senses; or of some mystical
light and transparency, like the new rays of chemistry, in which he
could see Bulmer's body, horrible and glaring, floating in a lurid
halo over the woods and the wall. He was haunted also with the hint,
which somehow seemed to be equally horrifying, that it all had
something to do with Mr. Prior. There seemed even to be something
creepy in the fact that he was always respectfully referred to as
Mr. Prior, and that it was in the domestic life of the dead farmer
that he had been bidden to seek the seed of these dreadful things.
As a matter of fact, he had found that no local inquiries had
revealed anything at all about the Prior family.
The moonlight had broadened and brightened, the wind had driven off
the clouds and itself died fitfully away, when he came round again
to the artificial lake in front of the house. For some reason it
looked a very artificial lake; indeed, the whole scene was like a
classical landscape with a touch of Watteau; the Palladian facade of
the house pale in the moon, and the same silver touching the very
pagan and naked marble nymph in the middle of the pond. Rather to
his surprise, he found another figure there beside the statue,
sitting almost equally motionless; and the same silver pencil traced
the wrinkled brow and patient face of Horne Fisher, still dressed as
a hermit and apparently practicing something of the solitude of a
hermit. Nevertheless, he looked up at Leonard Crane and smiled,
almost as if he had expected him.
"Look here," said Crane, planting himself in front of him, "can you
tell me anything about this business?"
"I shall soon have to tell everybody everything about it," replied
Fisher, "but I've no objection to telling you something first. But,
to begin with, will you tell me something? What really happened when
you met Bulmer this morning? You did throw away your sword, but you
didn't kill him."
"I didn't kill him because I threw away my sword," said the other.
"I did it on purpose--or I'm not sure what might have happened."
After a pause he went on, quietly: "The late Lord Bulmer was a very
breezy gentleman, extremely breezy. He was very genial with his
inferiors, and would have his lawyer and his architect staying in
his house for all sorts of holidays and amusements. But there was
another side to him, which they found out when they tried to be his
equals. When I told him that his sister and I were engaged,
something happened which I simply can't and won't describe. It
seemed to me like some monstrous upheaval of madness. But I suppose
the truth is painfully simple. There is such a thing as the
coarseness of a gentleman. And it is the most horrible thing in
"I know," said Fisher. "The Renaissance nobles of the Tudor time
were like that."
"It is odd that you should say that," Crane went on. "For while we
were talking there came on me a curious feeling that we were
repeating some scene of the past, and that I was really some outlaw,
found in the woods like Robin Hood, and that he had really stepped
in all his plumes and purple out of the picture frame of the
ancestral portrait. Anyhow, he was the man in possession, and he
neither feared God nor regarded man. I defied him, of course, and
walked away. I might really have killed him if I had not walked
"Yes," said Fisher, nodding, "his ancestor was in possession and he
was in possession, and this is the end of the story. It all fits
"Fits in with what?" cried his companion, with sudden impatience. "I
can't make head or tail of it. You tell me to look for the secret in
the hole in the wall, but I can't find any hole in the wall."
"There isn't any," said Fisher. "That's the secret." After
reflecting a moment, he added: "Unless you call it a hole in the
wall of the world. Look here; I'll tell you if you like, but I'm
afraid it involves an introduction. You've got to understand one of
the tricks of the modern mind, a tendency that most people obey
without noticing it. In the village or suburb outside there's an inn
with the sign of St. George and the Dragon. Now suppose I went about
telling everybody that this was only a corruption of King George and
the Dragoon. Scores of people would believe it, without any inquiry,
from a vague feeling that it's probable because it's prosaic. It
turns something romantic and legendary into something recent and
ordinary. And that somehow makes it sound rational, though it is
unsupported by reason. Of course some people would have the sense to
remember having seen St. George in old Italian pictures and French
romances, but a good many wouldn't think about it at all. They would
just swallow the skepticism because it was skepticism. Modern
intelligence won't accept anything on authority. But it will accept
anything without authority. That's exactly what has happened here.
"When some critic or other chose to say that Prior's Park was not a
priory, but was named after some quite modern man named Prior,
nobody really tested the theory at all. It never occurred to anybody
repeating the story to ask if there "was" any Mr. Prior, if anybody
had ever seen him or heard of him. As a matter of fact, it was a
priory, and shared the fate of most priories--that is, the Tudor
gentleman with the plumes simply stole it by brute force and turned
it into his own private house; he did worse things, as you shall
hear. But the point here is that this is how the trick works, and
the trick works in the same way in the other part of the tale. The
name of this district is printed Holinwall in all the best maps
produced by the scholars; and they allude lightly, not without a
smile, to the fact that it was pronounced Holiwell by the most
ignorant and old-fashioned of the poor. But it is spelled wrong and
"Do you mean to say," asked Crane, quickly, "that there really was a
"There is a well," said Fisher, "and the truth lies at the bottom of
As he spoke he stretched out his hand and pointed toward the sheet
of water in front of him.
"The well is under that water somewhere," he said, "and this is not
the first tragedy connected with it. The founder of this house did
something which his fellow ruffians very seldom did; something that
had to be hushed up even in the anarchy of the pillage of the
monasteries. The well was connected with the miracles of some saint,
and the last prior that guarded it was something like a saint
himself; certainly he was something very like a martyr. He defied
the new owner and dared him to pollute the place, till the noble, in
a fury, stabbed him and flung his body into the well, whither, after
four hundred years, it has been followed by an heir of the usurper,
clad in the same purple and walking the world with the same pride."
"But how did it happen," demanded Crane, "that for the first time
Bulmer fell in at that particular spot?"
"Because the ice was only loosened at that particular spot, by the
only man who knew it," answered Horne Fisher. "It was cracked
deliberately, with the kitchen chopper, at that special place; and I
myself heard the hammering and did not understand it. The place had
been covered with an artificial lake, if only because the whole
truth had to be covered with an artificial legend. But don't you see
that it is exactly what those pagan nobles would have done, to
desecrate it with a sort of heathen goddess, as the Roman Emperor
built a temple to Venus on the Holy Sepulchre. But the truth could
still be traced out, by any scholarly man determined to trace it.
And this man was determined to trace it."
"What man?" asked the other, with a shadow of the answer in his
"The only man who has an alibi," replied Fisher. "James Haddow, the
antiquarian lawyer, left the night before the fatality, but he left
that black star of death on the ice. He left abruptly, having
previously proposed to stay; probably, I think, after an ugly scene
with Bulmer, at their legal interview. As you know yourself, Bulmer
could make a man feel pretty murderous, and I rather fancy the
lawyer had himself irregularities to confess, and was in danger of
exposure by his client. But it's my reading of human nature that a
man will cheat in his trade, but not in his hobby. Haddow may have
been a dishonest lawyer, but he couldn't help being an honest
antiquary. When he got on the track of the truth about the Holy Well
he had to follow it up; he was not to be bamboozled with newspaper
anecdotes about Mr. Prior and a hole in the wall; he found out
everything, even to the exact location of the well, and he was
rewarded, if being a successful assassin can be regarded as a
"And how did you get on the track of all this hidden history?" asked
the young architect.
A cloud came across the brow of Horne Fisher. "I knew only too much
about it already," he said, "and, after all, it's shameful for me to
be speaking lightly of poor Bulmer, who has paid his penalty; but
the rest of us haven't. I dare say every cigar I smoke and every
liqueur I drink comes directly or indirectly from the harrying of
the holy places and the persecution of the poor. After all, it needs
very little poking about in the past to find that hole in the wall,
that great breach in the defenses of English history. It lies just
under the surface of a thin sheet of sham information and
instruction, just as the black and blood-stained well lies just
under that floor of shallow water and flat weeds. Oh, the ice is
thin, but it bears; it is strong enough to support us when we dress
up as monks and dance on it, in mockery of the dear, quaint old
Middle Ages. They told me I must put on fancy dress; so I did put on
fancy dress, according to my own taste and fancy. I put on the only
costume I think fit for a man who has inherited the position of a
gentleman, and yet has not entirely lost the feelings of one."
In answer to a look of inquiry, he rose with a sweeping and downward
"Sackcloth," he said; "and I would wear the ashes as well if they
would stay on my bald head."
VII. THE TEMPLE OF SILENCE
Harold March and the few who cultivated the friendship of Horne
Fisher, especially if they saw something of him in his own social
setting, were conscious of a certain solitude in his very
sociability. They seemed to be always meeting his relations and
never meeting his family. Perhaps it would be truer to say that they
saw much of his family and nothing of his home. His cousins and
connections ramified like a labyrinth all over the governing class
of Great Britain, and he seemed to be on good, or at least on
good-humored, terms with most of them. For Horne Fisher was
remarkable for a curious impersonal information and interest
touching all sorts of topics, so that one could sometimes fancy that
his culture, like his colorless, fair mustache and pale, drooping
features, had the neutral nature of a chameleon. Anyhow, he could
always get on with viceroys and Cabinet Ministers and all the great
men responsible for great departments, and talk to each of them on
his own subject, on the branch of study with which he was most
seriously concerned. Thus he could converse with the Minister for
War about silkworms, with the Minister of Education about detective
stories, with the Minister of Labor about Limoges enamel, and with
the Minister of Missions and Moral Progress (if that be his correct
title) about the pantomime boys of the last four decades. And as the
first was his first cousin, the second his second cousin, the third
his brother-in-law, and the fourth his uncle by marriage, this
conversational versatility certainly served in one sense to create a
happy family. But March never seemed to get a glimpse of that
domestic interior to which men of the middle classes are accustomed
in their friendships, and which is indeed the foundation of
friendship and love and everything else in any sane and stable
society. He wondered whether Horne Fisher was both an orphan and an
It was, therefore, with something like a start that he found that
Fisher had a brother, much more prosperous and powerful than
himself, though hardly, March thought, so entertaining. Sir Henry
Harland Fisher, with half the alphabet after his name, was something
at the Foreign Office far more tremendous than the Foreign
Secretary. Apparently, it ran in the family, after all; for it
seemed there was another brother, Ashton Fisher, in India, rather
more tremendous than the Viceroy. Sir Henry Fisher was a heavier,
but handsomer edition of his brother, with a brow equally bald, but
much more smooth. He was very courteous, but a shade patronizing,
not only to March, but even, as March fancied, to Horne Fisher as
well. The latter gentleman, who had many intuitions about the
half-formed thoughts of others, glanced at the topic himself as they
came away from the great house in Berkeley Square.
"Why, don't you know," he observed quietly, "that I am the fool of
"It must be a clever family," said Harold March, with a smile.
"Very gracefully expressed," replied Fisher; "that is the best of
having a literary training. Well, perhaps it is an exaggeration to
say I am the fool of the family. It's enough to say I am the failure
of the family."
"It seems queer to me that you should fail especially," remarked the
journalist. "As they say in the examinations, what did you fail in?"
"Politics," replied his friend. "I stood for Parliament when I was
quite a young man and got in by an enormous majority, with loud
cheers and chairing round the town. Since then, of course, I've been
rather under a cloud."
"I'm afraid I don't quite understand the 'of course,'" answered
"That part of it isn't worth understanding," said Fisher. "But as a
matter of fact, old chap, the other part of it was rather odd and
interesting. Quite a detective story in its way, as well as the
first lesson I had in what modern politics are made of. If you like,
I'll tell you all about it." And the following, recast in a less
allusive and conversational manner, is the story that he told.
Nobody privileged of late years to meet Sir Henry Harland Fisher
would believe that he had ever been called Harry. But, indeed, he
had been boyish enough when a boy, and that serenity which shone on
him through life, and which now took the form of gravity, had once
taken the form of gayety. His friends would have said that he was
all the more ripe in his maturity for having been young in his
youth. His enemies would have said that he was still light minded,
but no longer light hearted. But in any case, the whole of the story
Horne Fisher had to tell arose out of the accident which had made
young Harry Fisher private secretary to Lord Saltoun. Hence his
later connection with the Foreign Office, which had, indeed, come to
him as a sort of legacy from his lordship when that great man was
the power behind the throne. This is not the place to say much about
Saltoun, little as was known of him and much as there was worth
knowing. England has had at least three or four such secret
statesmen. An aristocratic polity produces every now and then an
aristocrat who is also an accident, a man of intellectual
independence and insight, a Napoleon born in the purple. His vast
work was mostly invisible, and very little could be got out of him
in private life except a crusty and rather cynical sense of humor.
But it was certainly the accident of his presence at a family dinner
of the Fishers, and the unexpected opinion he expressed, which
turned what might have been a dinner-table joke into a sort of small
Save for Lord Saltoun, it was a family party of Fishers, for the
only other distinguished stranger had just departed after dinner,
leaving the rest to their coffee and cigars. This had been a figure
of some interest--a young Cambridge man named Eric Hughes who was
the rising hope of the party of Reform, to which the Fisher family,
along with their friend Saltoun, had long been at least formally
attached. The personality of Hughes was substantially summed up in
the fact that he talked eloquently and earnestly through the whole
dinner, but left immediately after to be in time for an appointment.
All his actions had something at once ambitious and conscientious;
he drank no wine, but was slightly intoxicated with words. And his
face and phrases were on the front page of all the newspapers just
then, because he was contesting the safe seat of Sir Francis Verner
in the great by-election in the west. Everybody was talking about
the powerful speech against squirarchy which he had just delivered;
even in the Fisher circle everybody talked about it except Horne
Fisher himself who sat in a corner, lowering over the fire.
"We jolly well have to thank him for putting some new life into the
old party," Ashton Fisher was saying. "This campaign against the old
squires just hits the degree of democracy there is in this county.
This act for extending county council control is practically his
bill; so you may say he's in the government even before he's in the
"One's easier than the other," said Harry, carelessly. "I bet the
squire's a bigger pot than the county council in that county. Verner
is pretty well rooted; all these rural places are what you call
reactionary. Damning aristocrats won't alter it."
"He damns them rather well," observed Ashton. "We never had a
better meeting than the one in Barkington, which generally goes
Constitutional. And when he said, 'Sir Francis may boast of blue
blood; let us show we have red blood,' and went on to talk about
manhood and liberty, the room simply rose at him."
"Speaks very well," said Lord Saltoun, gruffly, making his only
contribution to the conversation so far.
Then the almost equally silent Horne Fisher suddenly spoke, without
taking his brooding eyes off the fire.
"What I can't understand," he said, "is why nobody is ever slanged
for the real reason."
"Hullo!" remarked Harry, humorously, "you beginning to take notice?"
"Well, take Verner," continued Horne Fisher. "If we want to attack
Verner, why not attack him? Why compliment him on being a romantic
reactionary aristocrat? Who is Verner? Where does he come from? His
name sounds old, but I never heard of it before, as the man said of
the Crucifixion. Why talk about his blue blood? His blood may be
gamboge yellow with green spots, for all anybody knows. All we know
is that the old squire, Hawker, somehow ran through his money (and
his second wife's, I suppose, for she was rich enough), and sold the
estate to a man named Verner. What did he make his money in? Oil?
"I don't know," said Saltoun, looking at him thoughtfully.
"First thing I ever knew you didn't know," cried the exuberant
"And there's more, besides," went on Horne Fisher, who seemed to
have suddenly found his tongue. "If we want country people to vote
for us, why don't we get somebody with some notion about the
country? We don't talk to people in Threadneedle Street about
nothing but turnips and pigsties. Why do we talk to people in
Somerset about nothing but slums and socialism? Why don't we give
the squire's land to the squire's tenants, instead of dragging in
the county council?"
"Three acres and a cow," cried Harry, emitting what the
Parliamentary reports call an ironical cheer.
"Yes," replied his brother, stubbornly. "Don't you think
agricultural laborers would rather have three acres and a cow than
three acres of printed forms and a committee? Why doesn't somebody
start a yeoman party in politics, appealing to the old traditions of
the small landowner? And why don't they attack men like Verner for
what they are, which is something about as old and traditional as an
American oil trust?"
"You'd better lead the yeoman party yourself," laughed Harry.
"Don't you think it would be a joke, Lord Saltoun, to see my brother
and his merry men, with their bows and bills, marching down to
Somerset all in Lincoln green instead of Lincoln and Bennet hats?"
"No," answered Old Saltoun, "I don't think it would be a joke. I
think it would be an exceedingly serious and sensible idea."
"Well, I'm jiggered!" cried Harry Fisher, staring at him. "I said
just now it was the first fact you didn't know, and I should say
this is the first joke you didn't see."
"I've seen a good many things in my time," said the old man, in his
rather sour fashion. "I've told a good many lies in my time, too,
and perhaps I've got rather sick of them. But there are lies and
lies, for all that. Gentlemen used to lie just as schoolboys lie,
because they hung together and partly to help one another out. But
I'm damned if I can see why we should lie for these cosmopolitan
cads who only help themselves. They're not backing us up any more;
they're simply crowding us out. If a man like your brother likes to
go into Parliament as a yeoman or a gentleman or a Jacobite or an
Ancient Briton, I should say it would be a jolly good thing."
In the rather startled silence that followed Horne Fisher sprang to
his feet and all his dreary manner dropped off him.
"I'm ready to do it to-morrow," he cried. "I suppose none of you
fellows would back me up."
Then Harry Fisher showed the finer side of his impetuosity. He made
a sudden movement as if to shake hands.
"You're a sport," he said, "and I'll back you up, if nobody else
will. But we can all back you up, can't we? I see what Lord Saltoun
means, and, of course, he's right. He's always right."
"So I will go down to Somerset," said Horne Fisher.
"Yes, it is on the way to Westminster," said Lord Saltoun, with a
And so it happened that Horne Fisher arrived some days later at the
little station of a rather remote market town in the west,
accompanied by a light suitcase and a lively brother. It must not be
supposed, however, that the brother's cheerful tone consisted
entirely of chaff. He supported the new candidate with hope as well
as hilarity; and at the back of his boisterous partnership there was
an increasing sympathy and encouragement. Harry Fisher had always
had an affection for his more quiet and eccentric brother, and was
now coming more and more to have a respect for him. As the campaign
proceeded the respect increased to ardent admiration. For Harry was
still young, and could feel the sort of enthusiasm for his captain
in electioneering that a schoolboy can feel for his captain in
Nor was the admiration undeserved. As the new three-cornered
contest developed it became apparent to others besides his devoted
kinsman that there was more in Horne Fisher than had ever met the
eye. It was clear that his outbreak by the family fireside had been
but the culmination of a long course of brooding and studying on the
question. The talent he retained through life for studying his
subject, and even somebody else's subject, had long been
concentrated on this idea of championing a new peasantry against a
new plutocracy. He spoke to a crowd with eloquence and replied to an
individual with humor, two political arts that seemed to come to him
naturally. He certainly knew much more about rural problems than
either Hughes, the Reform candidate, or Verner, the Constitutional
candidate. And he probed those problems with a human curiosity, and
went below the surface in a way that neither of them dreamed of
doing. He soon became the voice of popular feelings that are never
found in the popular press. New angles of criticism, arguments that
had never before been uttered by an educated voice, tests and
comparisons that had been made only in dialect by men drinking in
the little local public houses, crafts half forgotten that had come
down by sign of hand and tongue from remote ages when their fathers
were free--all this created a curious and double excitement. It
startled the well informed by being a new and fantastic idea they
had never encountered. It startled the ignorant by being an old and
familiar idea they never thought to have seen revived. Men saw
things in a new light, and knew not even whether it was the sunset
or the dawn.
Practical grievances were there to make the movement formidable. As
Fisher went to and fro among the cottages and country inns, it was
borne in on him without difficulty that Sir Francis Verner was a
very bad landlord. Nor was the story of his acquisition of the land
any more ancient and dignified than he had supposed; the story was
well known in the county and in most respects was obvious enough.
Hawker, the old squire, had been a loose, unsatisfactory sort of
person, had been on bad terms with his first wife (who died, as some
said, of neglect), and had then married a flashy South American
Jewess with a fortune. But he must have worked his way through this
fortune also with marvelous rapidity, for he had been compelled to
sell the estate to Verner and had gone to live in South America,
possibly on his wife's estates. But Fisher noticed that the laxity
of the old squire was far less hated than the efficiency of the new
squire. Verner's history seemed to be full of smart bargains and
financial flutters that left other people short of money and temper.
But though he heard a great deal about Verner, there was one thing
that continually eluded him; something that nobody knew, that even
Saltoun had not known. He could not find out how Verner had
originally made his money.
"He must have kept it specially dark," said Horne Fisher to himself.
"It must be something he's really ashamed of. Hang it all! what "is"
a man ashamed of nowadays?"
And as he pondered on the possibilities they grew darker and more
distorted in his mind; he thought vaguely of things remote and
repulsive, strange forms of slavery or sorcery, and then of ugly
things yet more unnatural but nearer home. The figure of Verner
seemed to be blackened and transfigured in his imagination, and to
stand against varied backgrounds and strange skies.
As he strode up a village street, brooding thus, his eyes
encountered a complete contrast in the face of his other rival, the
Reform candidate. Eric Hughes, with his blown blond hair and eager
undergraduate face, was just getting into his motor car and saying a
few final words to his agent, a sturdy, grizzled man named Gryce.
Eric Hughes waved his hand in a friendly fashion; but Gryce eyed him
with some hostility. Eric Hughes was a young man with genuine
political enthusiasms, but he knew that political opponents are
people with whom one may have to dine any day. But Mr. Gryce was a
grim little local Radical, a champion of the chapel, and one of
those happy people whose work is also their hobby. He turned his
back as the motor car drove away, and walked briskly up the sunlit
high street of the little town, whistling, with political papers
sticking out of his pocket.
Fisher looked pensively after the resolute figure for a moment, and
then, as if by an impulse, began to follow it. Through the busy
market place, amid the baskets and barrows of market day, under the
painted wooden sign of the Green Dragon, up a dark side entry, under
an arch, and through a tangle of crooked cobbled streets the two
threaded their way, the square, strutting figure in front and the
lean, lounging figure behind him, like his shadow in the sunshine.
At length they came to a brown brick house with a brass plate, on
which was Mr. Gryce's name, and that individual turned and beheld
his pursuer with a stare.
"Could I have a word with you, sir?" asked Horne Fisher, politely.
The agent stared still more, but assented civilly, and led the other
into an office littered with leaflets and hung all round with highly
colored posters which linked the name of Hughes with all the higher
interests of humanity.
"Mr. Horne Fisher, I believe," said Mr. Gryce. "Much honored by the
call, of course. Can't pretend to congratulate you on entering the
contest, I'm afraid; you won't expect that. Here we've been keeping
the old flag flying for freedom and reform, and you come in and
break the battle line."
For Mr. Elijah Gryce abounded in military metaphors and in
denunciations of militarism. He was a square-jawed, blunt-featured
man with a pugnacious cock of the eyebrow. He had been pickled in
the politics of that countryside from boyhood, he knew everybody's
secrets, and electioneering was the romance of his life.
"I suppose you think I'm devoured with ambition," said Horne Fisher,
in his rather listless voice, "aiming at a dictatorship and all
that. Well, I think I can clear myself of the charge of mere selfish
ambition. I only want certain things done. I don't want to do them.
I very seldom want to do anything. And I've come here to say that
I'm quite willing to retire from the contest if you can convince me
that we really want to do the same thing."
The agent of the Reform party looked at him with an odd and slightly
puzzled expression, and before he could reply, Fisher went on in the
same level tones:
"You'd hardly believe it, but I keep a conscience concealed about
me; and I am in doubt about several things. For instance, we both
want to turn Verner out of Parliament, but what weapon are we to
use? I've heard a lot of gossip against him, but is it right to act
on mere gossip? Just as I want to be fair to you, so I want to be
fair to him. If some of the things I've heard are true he ought to
be turned out of Parliament and every other club in London. But I
don't want to turn him out of Parliament if they aren't true."
At this point the light of battle sprang into Mr. Gryce's eyes and
he became voluble, not to say violent. He, at any rate, had no doubt
that the stories were true; he could testify, to his own knowledge,
that they were true. Verner was not only a hard landlord, but a mean
landlord, a robber as well as a rackrenter; any gentleman would be
justified in hounding him out. He had cheated old Wilkins out of his
freehold by a trick fit for a pickpocket; he had driven old Mother
Biddle to the workhouse; he had stretched the law against Long Adam,
the poacher, till all the magistrates were ashamed of him.
"So if you'll serve under the old banner," concluded Mr. Gryce, more
genially, "and turn out a swindling tyrant like that, I'm sure
you'll never regret it."
"And if that is the truth," said Horne Fisher, "are you going to
"What do you mean? Tell the truth?" demanded Gryce.
"I mean you are going to tell the truth as you have just told it,"
replied Fisher. "You are going to placard this town with the
wickedness done to old Wilkins. You are going to fill the newspapers
with the infamous story of Mrs. Biddle. You are going to denounce
Verner from a public platform, naming him for what he did and naming
the poacher he did it to. And you're going to find out by what trade
this man made the money with which he bought the estate; and when
you know the truth, as I said before, of course you are going to
tell it. Upon those terms I come under the old flag, as you call it,
and haul down my little pennon."
The agent was eying him with a curious expression, surly but not
entirely unsympathetic. "Well," he said, slowly, "you have to do
these things in a regular way, you know, or people don't understand.
I've had a lot of experience, and I'm afraid what you say wouldn't
do. People understand slanging squires in a general way, but those
personalities aren't considered fair play. Looks like hitting below
"Old Wilkins hasn't got a belt, I suppose," replied Horne Fisher.
"Verner can hit him anyhow, and nobody must say a word. It's
evidently very important to have a belt. But apparently you have to
be rather high up in society to have one. Possibly," he added,
thoughtfully--"possibly the explanation of the phrase 'a belted
earl,' the meaning of which has always escaped me."
"I mean those personalities won't do," returned Gryce, frowning at
"And Mother Biddle and Long Adam, the poacher, are not
personalities," said Fisher, "and suppose we mustn't ask how Verner
made all the money that enabled him to become--a personality."
Gryce was still looking at him under lowering brows, but the
singular light in his eyes had brightened. At last he said, in
another and much quieter voice:
"Look here, sir. I like you, if you don't mind my saying so. I
think you are really on the side of the people and I'm sure you're a
brave man. A lot braver than you know, perhaps. We daren't touch
what you propose with a barge pole; and so far from wanting you in
the old party, we'd rather you ran your own risk by yourself. But
because I like you and respect your pluck, I'll do you a good turn
before we part. I don't want you to waste time barking up the wrong
tree. You talk about how the new squire got the money to buy, and
the ruin of the old squire, and all the rest of it. Well, I'll give
you a hint about that, a hint about something precious few people
"I am very grateful," said Fisher, gravely. "What is it?"
"It's in two words," said the other. "The new squire was quite poor
when he bought. The old squire was quite rich when he sold."
Horne Fisher looked at him thoughtfully as he turned away abruptly
and busied himself with the papers on his desk. Then Fisher uttered
a short phrase of thanks and farewell, and went out into the street,
still very thoughtful.
His reflection seemed to end in resolution, and, falling into a more
rapid stride, he passed out of the little town along a road leading
toward the gate of the great park, the country seat of Sir Francis
Verner. A glitter of sunlight made the early winter more like a late
autumn, and the dark woods were touched here and there with red and
golden leaves, like the last rays of a lost sunset. From a higher
part of the road he had seen the long, classical facade of the great
house with its many windows, almost immediately beneath him, but
when the road ran down under the wall of the estate, topped with
towering trees behind, he realized that it was half a mile round to
the lodge gates. After walking for a few minutes along the lane,
however, he came to a place where the wall had cracked and was in
process of repair. As it was, there was a great gap in the gray
masonry that looked at first as black as a cavern and only showed at
a second glance the twilight of the twinkling trees. There was
something fascinating about that unexpected gate, like the opening
of a fairy tale.
Horne Fisher had in him something of the aristocrat, which is very
near to the anarchist. It was characteristic of him that he turned
into this dark and irregular entry as casually as into his own front
door, merely thinking that it would be a short cut to the house. He
made his way through the dim wood for some distance and with some
difficulty, until there began to shine through the trees a level
light, in lines of silver, which he did not at first understand. The
next moment he had come out into the daylight at the top of a steep
bank, at the bottom of which a path ran round the rim of a large
ornamental lake. The sheet of water which he had seen shimmering
through the trees was of considerable extent, but was walled in on
every side with woods which were not only dark, but decidedly
dismal. At one end of the path was a classical statue of some
nameless nymph, and at the other end it was flanked by two classical
urns; but the marble was weather-stained and streaked with green and
gray. A hundred other signs, smaller but more significant, told him
that he had come on some outlying corner of the grounds neglected
and seldom visited. In the middle of the lake was what appeared to
be an island, and on the island what appeared to be meant for a
classical temple, not open like a temple of the winds, but with a
blank wall between its Doric pillars. We may say it only seemed like
an island, because a second glance revealed a low causeway of flat
stones running up to it from the shore and turning it into a
peninsula. And certainly it only seemed like a temple, for nobody
knew better than Horne Fisher that no god had ever dwelt in that
"That's what makes all this classical landscape gardening so
desolate," he said to himself. "More desolate than Stonehenge or the
Pyramids. We don't believe in Egyptian mythology, but the Egyptians
did; and I suppose even the Druids believed in Druidism. But the
eighteenth-century gentleman who built these temples didn't believe
in Venus or Mercury any more than we do; that's why the reflection
of those pale pillars in the lake is truly only the shadow of a
shade. They were men of the age of Reason; they, who filled their
gardens with these stone nymphs, had less hope than any men in all
history of really meeting a nymph in the forest."
His monologue stopped abruptly with a sharp noise like a thundercrack
that rolled in dreary echoes round the dismal mere. He knew at once
what it was--somebody had fired off a gun. But as to the meaning of
it he was momentarily staggered, and strange thoughts thronged into
his mind. The next moment he laughed; for he saw lying a little way
along the path below him the dead bird that the shot had brought
At the same moment, however, he saw something else, which interested
him more. A ring of dense trees ran round the back of the island
temple, framing the facade of it in dark foliage, and he could have
sworn he saw a stir as of something moving among the leaves. The
next moment his suspicion was confirmed, for a rather ragged figure
came from under the shadow of the temple and began to move along the
causeway that led to the bank. Even at that distance the figure was
conspicuous by its great height and Fisher could see that the man
carried a gun under his arm. There came back into his memory at once
the name Long Adam, the poacher.
With a rapid sense of strategy he sometimes showed, Fisher sprang
from the bank and raced round the lake to the head of the little
pier of stones. If once a man reached the mainland he could easily
vanish into the woods. But when Fisher began to advance along the
stones toward the island, the man was cornered in a blind alley and
could only back toward the temple. Putting his broad shoulders
against it, he stood as if at bay; he was a comparatively young man,
with fine lines in his lean face and figure and a mop of ragged red
hair. The look in his eyes might well have been disquieting to
anyone left alone with him on an island in the middle of a lake.
"Good morning," said Horne Fisher, pleasantly. "I thought at first
you were a murderer. But it seems unlikely, somehow, that the
partridge rushed between us and died for love of me, like the
heroines in the romances; so I suppose you are a poacher."
"I suppose you would call me a poacher," answered the man; and his
voice was something of a surprise coming from such a scarecrow; it
had that hard fastidiousness to be found in those who have made a
fight for their own refinement among rough surroundings. "I consider
I have a perfect right to shoot game in this place. But I am well
aware that people of your sort take me for a thief, and I suppose
you will try to land me in jail."
"There are preliminary difficulties," replied Fisher. "To begin
with, the mistake is flattering, but I am not a gamekeeper. Still
less am I three gamekeepers, who would be, I imagine, about your
fighting weight. But I confess I have another reason for not wanting
to jail you."
"And what is that?" asked the other.
"Only that I quite agree with you," answered Fisher. "I don't
exactly say you have a right to poach, but I never could see that it
was as wrong as being a thief. It seems to me against the whole
normal notion of property that a man should own something because it
flies across his garden. He might as well own the wind, or think he
could write his name on a morning cloud. Besides, if we want poor
people to respect property we must give them some property to
respect. You ought to have land of your own; and I'm going to give
you some if I can."
"Going to give me some land!" repeated Long Adam.
"I apologize for addressing you as if you were a public meeting,"
said Fisher, "but I am an entirely new kind of public man who says
the same thing in public and in private. I've said this to a hundred
huge meetings throughout the country, and I say it to you on this
queer little island in this dismal pond. I would cut up a big estate
like this into small estates for everybody, even for poachers. I
would do in England as they did in Ireland--buy the big men out, if
possible; get them out, anyhow. A man like you ought to have a
little place of his own. I don't say you could keep pheasants, but
you might keep chickens."
The man stiffened suddenly and he seemed at once to blanch and flame
at the promise as if it were a threat.
"Chickens!" he repeated, with a passion of contempt.
"Why do you object?" asked the placid candidate. "Because keeping
hens is rather a mild amusement for a poacher? What about poaching
"Because I am not a poacher," cried Adam, in a rending voice that
rang round the hollow shrines and urns like the echoes of his gun.
"Because the partridge lying dead over there is my partridge.
Because the land you are standing on is my land. Because my own land
was only taken from me by a crime, and a worse crime than poaching.
This has been a single estate for hundreds and hundreds of years,
and if you or any meddlesome mountebank comes here and talks of
cutting it up like a cake, if I ever hear a word more of you and
your leveling lies--"
"You seem to be a rather turbulent public," observed Horne Fisher,
"but do go on. What will happen if I try to divide this estate
decently among decent people?"
The poacher had recovered a grim composure as he replied. "There
will be no partridge to rush in between."
With that he turned his back, evidently resolved to say no more, and
walked past the temple to the extreme end of the islet, where he
stood staring into the water. Fisher followed him, but, when his
repeated questions evoked no answer, turned back toward the shore.
In doing so he took a second and closer look at the artificial
temple, and noted some curious things about it. Most of these
theatrical things were as thin as theatrical scenery, and he
expected the classic shrine to be a shallow thing, a mere shell or
mask. But there was some substantial bulk of it behind, buried in
the trees, which had a gray, labyrinthian look, like serpents of
stone, and lifted a load of leafy towers to the sky. But what
arrested Fisher's eye was that in this bulk of gray-white stone
behind there was a single door with great, rusty bolts outside; the
bolts, however, were not shot across so as to secure it. Then he
walked round the small building, and found no other opening except
one small grating like a ventilator, high up in the wall. He
retraced his steps thoughtfully along the causeway to the banks of
the lake, and sat down on the stone steps between the two sculptured
funeral urns. Then he lit a cigarette and smoked it in ruminant
manner; eventually he took out a notebook and wrote down various
phrases, numbering and renumbering them till they stood in the
following order: "(1) Squire Hawker disliked his first wife. (2) He
married his second wife for her money. (3) Long Adam says the estate
is really his. (4) Long Adam hangs round the island temple, which
looks like a prison. (5) Squire Hawker was not poor when he gave up
the estate. (6) Verner was poor when he got the estate."
He gazed at these notes with a gravity which gradually turned to a
hard smile, threw away his cigarette, and resumed his search for a
short cut to the great house. He soon picked up the path which,
winding among clipped hedges and flower beds, brought him in front
of its long Palladian facade. It had the usual appearance of being,
not a private house, but a sort of public building sent into exile
in the provinces.
He first found himself in the presence of the butler, who really
looked much older than the building, for the architecture was dated
as Georgian; but the man's face, under a highly unnatural brown wig,
was wrinkled with what might have been centuries. Only his prominent
eyes were alive and alert, as if with protest. Fisher glanced at
him, and then stopped and said:
"Excuse me. Weren't you with the late squire, Mr. Hawker?"
"Yes, sir," said the man, gravely. "Usher is my name. What can I do
"Only take me into Sir Francis Verner," replied the visitor.
Sir Francis Verner was sitting in an easy chair beside a small table
in a large room hung with tapestries. On the table were a small
flask and glass, with the green glimmer of a liqueur and a cup of
black coffee. He was clad in a quiet gray suit with a moderately
harmonious purple tie; but Fisher saw something about the turn of
his fair mustache and the lie of his flat hair--it suddenly revealed
that his name was Franz Werner.
"You are Mr. Horne Fisher," he said. "Won't you sit down?"
"No, thank you," replied Fisher. "I fear this is not a friendly
occasion, and I shall remain standing. Possibly you know that I am
already standing--standing for Parliament, in fact--"
"I am aware we are political opponents," replied Verner, raising his
eyebrows. "But I think it would be better if we fought in a sporting
spirit; in a spirit of English fair play."
"Much better," assented Fisher. "It would be much better if you
were English and very much better if you had ever played fair. But
what I've come to say can be said very shortly. I don't quite know
how we stand with the law about that old Hawker story, but my chief
object is to prevent England being entirely ruled by people like
you. So whatever the law would say, I will say no more if you will
retire from the election at once."
"You are evidently a lunatic," said Verner.
"My psychology may be a little abnormal," replied Horne Fisher, in a
rather hazy manner. "I am subject to dreams, especially day-dreams.
Sometimes what is happening to me grows vivid in a curious double
way, as if it had happened before. Have you ever had that mystical
feeling that things have happened before?"
"I hope you are a harmless lunatic," said Verner.
But Fisher was still staring in an absent fashion at the golden
gigantic figures and traceries of brown and red in the tapestries on
the walls; then he looked again at Verner and resumed: "I have a
feeling that this interview has happened before, here in this
tapestried room, and we are two ghosts revisiting a haunted chamber.
But it was Squire Hawker who sat where you sit and it was you who
stood where I stand." He paused a moment and then added, with
simplicity, "I suppose I am a blackmailer, too."
"If you are," said Sir Francis, "I promise you you shall go to
jail." But his face had a shade on it that looked like the
reflection of the green wine gleaming on the table. Horne Fisher
regarded him steadily and answered, quietly enough:
"Blackmailers do not always go to jail. Sometimes they go to
Parliament. But, though Parliament is rotten enough already, you
shall not go there if I can help it. I am not so criminal as you
were in bargaining with crime. You made a squire give up his country
seat. I only ask you to give up your Parliamentary seat."
Sir Francis Verner sprang to his feet and looked about for one of
the bell ropes of the old-fashioned, curtained room.
"Where is Usher?" he cried, with a livid face.
"And who is Usher?" said Fisher, softly. "I wonder how much Usher
knows of the truth."
Verner's hand fell from the bell rope and, after standing for a
moment with rolling eyes, he strode abruptly from the room. Fisher
went but by the other door, by which he had entered, and, seeing no
sign of Usher, let himself out and betook himself again toward the
That night he put an electric torch in his pocket and set out alone
in the darkness to add the last links to his argument. There was
much that he did not know yet; but he thought he knew where he could
find the knowledge. The night closed dark and stormy and the black
gap in the wall looked blacker than ever; the wood seemed to have
grown thicker and darker in a day. If the deserted lake with its
black woods and gray urns and images looked desolate even by
daylight, under the night and the growing storm it seemed still more
like the pool of Acheron in the land of lost souls. As he stepped
carefully along the jetty stones he seemed to be traveling farther
and farther into the abyss of night, and to have left behind him the
last points from which it would be possible to signal to the land of
the living. The lake seemed to have grown larger than a sea, but a
sea of black and slimy waters that slept with abominable serenity,
as if they had washed out the world. There was so much of this
nightmare sense of extension and expansion that he was strangely
surprised to come to his desert island so soon. But he knew it for a
place of inhuman silence and solitude; and he felt as if he had been
walking for years.
Nerving himself to a more normal mood, he paused under one of the
dark dragon trees that branched out above him, and, taking out his
torch, turned in the direction of the door at the back of the
temple. It was unbolted as before, and the thought stirred faintly
in him that it was slightly open, though only by a crack. The more
he thought of it, however, the more certain he grew that this was
but one of the common illusions of light coming from a different
angle. He studied in a more scientific spirit the details of the
door, with its rusty bolts and hinges, when he became conscious of
something very near him--indeed, nearly above his head. Something
was dangling from the tree that was not a broken branch. For some
seconds he stood as still as a stone, and as cold. What he saw above
him were the legs of a man hanging, presumably a dead man hanged.
But the next moment he knew better. The man was literally alive and
kicking; and an instant after he had dropped to the ground and
turned on the intruder. Simultaneously three or four other trees
seemed to come to life in the same fashion. Five or six other
figures had fallen on their feet from these unnatural nests. It was
as if the place were an island of monkeys. But a moment after they
had made a stampede toward him, and when they laid their hands on
him he knew that they were men.
With the electric torch in his hand he struck the foremost of them
so furiously in the face that the man stumbled and rolled over on
the slimy grass; but the torch was broken and extinguished, leaving
everything in a denser obscurity. He flung another man flat against
the temple wall, so that he slid to the ground; but a third and
fourth carried Fisher off his feet and began to bear him,
struggling, toward the doorway. Even in the bewilderment of the
battle he was conscious that the door was standing open. Somebody
was summoning the roughs from inside.
The moment they were within they hurled him upon a sort of bench or
bed with violence, but no damage; for the settee, or whatever it
was, seemed to be comfortably cushioned for his reception. Their
violence had in it a great element of haste, and before he could
rise they had all rushed for the door to escape. Whatever bandits
they were that infested this desert island, they were obviously
uneasy about their job and very anxious to be quit of it. He had the
flying fancy that regular criminals would hardly be in such a panic.
The next moment the great door crashed to and he could hear the
bolts shriek as they shot into their place, and the feet of the
retreating men scampering and stumbling along the causeway. But
rapidly as it happened, it did not happen before Fisher had done
something that he wanted to do. Unable to rise from his sprawling
attitude in that flash of time, he had shot out one of his long legs
and hooked it round the ankle of the last man disappearing through
the door. The man swayed and toppled over inside the prison chamber,
and the door closed between him and his fleeing companions. Clearly
they were in too much haste to realize that they had left one of
their company behind.
The man sprang to his feet again and hammered and kicked furiously
at the door. Fisher's sense of humor began to recover from the
struggle and he sat up on his sofa with something of his native
nonchalance. But as he listened to the captive captor beating on the
door of the prison, a new and curious reflection came to him.
The natural course for a man thus wishing to attract his friends'
attention would be to call out, to shout as well as kick. This man
was making as much noise as he could with his feet and hands, but
not a sound came from his throat. Why couldn't he speak? At first he
thought the man might be gagged, which was manifestly absurd. Then
his fancy fell back on the ugly idea that the man was dumb. He
hardly knew why it was so ugly an idea, but it affected his
imagination in a dark and disproportionate fashion. There seemed to
be something creepy about the idea of being left in a dark room with
a deaf mute. It was almost as if such a defect were a deformity. It
was almost as if it went with other and worse deformities. It was as
if the shape he could not trace in the darkness were some shape that
should not see the sun.
Then he had a flash of sanity and also of insight. The explanation
was very simple, but rather interesting. Obviously the man did not
use his voice because he did not wish his voice to be recognized. He
hoped to escape from that dark place before Fisher found out who he
was. And who was he? One thing at least was clear. He was one or
other of the four or five men with whom Fisher had already talked in
these parts, and in the development of that strange story.
"Now I wonder who you are," he said, aloud, with all his old lazy
urbanity. "I suppose it's no use trying to throttle you in order to
find out; it would be displeasing to pass the night with a corpse.
Besides I might be the corpse. I've got no matches and I've smashed
my torch, so I can only speculate. Who could you be, now? Let us
The man thus genially addressed had desisted from drumming on the
door and retreated sullenly into a corner as Fisher continued to
address him in a flowing monologue.
"Probably you are the poacher who says he isn't a poacher. He says
he's a landed proprietor; but he will permit me to inform him that,
whatever he is, he's a fool. What hope can there ever be of a free
peasantry in England if the peasants themselves are such snobs as to
want to be gentlemen? How can we make a democracy with no democrats?
As it is, you want to be a landlord and so you consent to be a
criminal. And in that, you know, you are rather like somebody else.
And, now I think of it, perhaps you are somebody else."
There was a silence broken by breathing from the corner and the
murmur of the rising storm, that came in through the small grating
above the man's head. Horne Fisher continued:
"Are you only a servant, perhaps, that rather sinister old servant
who was butler to Hawker and Verner? If so, you are certainly the
only link between the two periods. But if so, why do you degrade
yourself to serve this dirty foreigner, when you at least saw the
last of a genuine national gentry? People like you are generally at
least patriotic. Doesn't England mean anything to you, Mr. Usher?
All of which eloquence is possibly wasted, as perhaps you are not
"More likely you are Verner himself; and it's no good wasting
eloquence to make you ashamed of yourself. Nor is it any good to
curse you for corrupting England; nor are you the right person to
curse. It is the English who deserve to be cursed, and are cursed,
because they allowed such vermin to crawl into the high places of
their heroes and their kings. I won't dwell on the idea that you're
Verner, or the throttling might begin, after all. Is there anyone
else you could be? Surely you're not some servant of the other rival
organization. I can't believe you're Gryce, the agent; and yet Gryce
had a spark of the fanatic in his eye, too; and men will do
extraordinary things in these paltry feuds of politics. Or if not
the servant, is it the . . . No, I can't believe it . . . not the
red blood of manhood and liberty . . . not the democratic ideal . . ."
He sprang up in excitement, and at the same moment a growl of
thunder came through the grating beyond. The storm had broken, and
with it a new light broke on his mind. There was something else that
might happen in a moment.
"Do you know what that means?" he cried. "It means that God himself
may hold a candle to show me your infernal face."
Then next moment came a crash of thunder; but before the thunder a
white light had filled the whole room for a single split second.
Fisher had seen two things in front of him. One was the
black-and-white pattern of the iron grating against the sky; the
other was the face in the corner. It was the face of his brother.
Nothing came from Horne Fisher's lips except a Christian name, which
was followed by a silence more dreadful than the dark. At last the
other figure stirred and sprang up, and the voice of Harry Fisher
was heard for the first time in that horrible room.
"You've seen me, I suppose," he said, "and we may as well have a
light now. You could have turned it on at any time, if you'd found
He pressed a button in the wall and all the details of that room
sprang into something stronger than daylight. Indeed, the details
were so unexpected that for a moment they turned the captive's
rocking mind from the last personal revelation. The room, so far
from being a dungeon cell, was more like a drawing-room, even a
lady's drawing-room, except for some boxes of cigars and bottles of
wine that were stacked with books and magazines on a side table. A
second glance showed him that the more masculine fittings were quite
recent, and that the more feminine background was quite old. His eye
caught a strip of faded tapestry, which startled him into speech, to
the momentary oblivion of bigger matters.
"This place was furnished from the great house," he said.
"Yes," replied the other, "and I think you know why."
"I think I do," said Horne Fisher, "and before I go on to more
extraordinary things I will, say what I think. Squire Hawker played
both the bigamist and the bandit. His first wife was not dead when
he married the Jewess; she was imprisoned on this island. She bore
him a child here, who now haunts his birthplace under the name of
Long Adam. A bankruptcy company promoter named Werner discovered the
secret and blackmailed the squire into surrendering the estate.
That's all quite clear and very easy. And now let me go on to
something more difficult. And that is for you to explain what the
devil you are doing kidnaping your born brother."
After a pause Henry Fisher answered:
"I suppose you didn't expect to see me," he said. "But, after all,
what could you expect?"'
"I'm afraid I don't follow," said Horne Fisher.
"I mean what else could you expect, after making such a muck of it?"
said his brother, sulkily. "We all thought you were so clever. How
could we know you were going to be--well, really, such a rotten
"This is rather curious," said the candidate, frowning. "Without
vanity, I was not under the impression that my candidature was a
failure. All the big meetings were successful and crowds of people
have promised me votes."
"I should jolly well think they had," said Henry, grimly. "You've
made a landslide with your confounded acres and a cow, and Verner
can hardly get a vote anywhere. Oh, it's too rotten for anything!"
"What on earth do you mean?"
"Why, you lunatic," cried Henry, in tones of ringing sincerity, "you
don't suppose you were meant to "win" the seat, did you? Oh, it's
too childish! I tell you Verner's got to get in. Of course he's got
to get in. He's to have the Exchequer next session, and there's the
Egyptian loan and Lord knows what else. We only wanted you to split
the Reform vote because accidents might happen after Hughes had made
a score at Barkington."
"I see," said Fisher, "and you, I think, are a pillar and ornament
of the Reform party. As you say, I am not clever."
The appeal to party loyalty fell on deaf ears; for the pillar of
Reform was brooding on other things. At last he said, in a more
"I didn't want you to catch me; I knew it would be a shock. But I
tell you what, you never would have caught me if I hadn't come here
myself, to see they didn't ill treat you and to make sure everything
was as comfortable as it could be." There was even a sort of break
in his voice as he added, "I got those cigars because I knew you
Emotions are queer things, and the idiocy of this concession
suddenly softened Horne Fisher like an unfathomable pathos.
"Never mind, old chap," he said; "we'll say no more about it. I'll
admit that you're really as kind-hearted and affectionate a
scoundrel and hypocrite as ever sold himself to ruin his country.
There, I can't say handsomer than that. Thank you for the cigars,
old man. I'll have one if you don't mind."
By the time that Horne Fisher had ended his telling of this story to
Harold March they had come out into one of the public parks and
taken a seat on a rise of ground overlooking wide green spaces under
a blue and empty sky; and there was something incongruous in the
words with which the narration ended.
"I have been in that room ever since," said Horne Fisher. "I am in
it now. I won the election, but I never went to the House. My life
has been a life in that little room on that lonely island. Plenty of
books and cigars and luxuries, plenty of knowledge and interest and
information, but never a voice out of that tomb to reach the world
outside. I shall probably die there." And he smiled as he looked
across the vast green park to the gray horizon.
VIII. THE VENGEANCE OF THE STATUE
It was on the sunny veranda of a seaside hotel, overlooking a
pattern of flower beds and a strip of blue sea, that Horne Fisher
and Harold March had their final explanation, which might be called
Harold March had come to the little table and sat down at it with a
subdued excitement smoldering in his somewhat cloudy and dreamy blue
eyes. In the newspapers which he tossed from him on to the table
there was enough to explain some if not all of his emotion. Public
affairs in every department had reached a crisis. The government
which had stood so long that men were used to it, as they are used
to a hereditary despotism, had begun to be accused of blunders and
even of financial abuses. Some said that the experiment of
attempting to establish a peasantry in the west of England, on the
lines of an early fancy of Horne Fisher's, had resulted in nothing
but dangerous quarrels with more industrial neighbors. There had
been particular complaints of the ill treatment of harmless
foreigners, chiefly Asiatics, who happened to be employed in the new
scientific works constructed on the coast. Indeed, the new Power
which had arisen in Siberia, backed by Japan and other powerful
allies, was inclined to take the matter up in the interests of its
exiled subjects; and there had been wild talk about ambassadors and
ultimatums. But something much more serious, in its personal
interest for March himself, seemed to fill his meeting with his
friend with a mixture of embarrassment and indignation.
Perhaps it increased his annoyance that there was a certain unusual
liveliness about the usually languid figure of Fisher. The ordinary
image of him in March's mind was that of a pallid and bald-browed
gentleman, who seemed to be prematurely old as well as prematurely
bald. He was remembered as a man who expressed the opinions of a
pessimist in the language of a lounger. Even now March could not be
certain whether the change was merely a sort of masquerade of
sunshine, or that effect of clear colors and clean-cut outlines that
is always visible on the parade of a marine resort, relieved against
the blue dado of the sea. But Fisher had a flower in his buttonhole,
and his friend could have sworn he carried his cane with something
almost like the swagger of a fighter. With such clouds gathering
over England, the pessimist seemed to be the only man who carried
his own sunshine.
"Look here," said Harold March, abruptly, "you've been no end of a
friend to me, and I never was so proud of a friendship before; but
there's something I must get off my chest. The more I found out, the
less I understood how you could stand it. And I tell you I'm going
to stand it no longer."
Horne Fisher gazed across at him gravely and attentively, but rather
as if he were a long way off.
"You know I always liked you," said Fisher, quietly, "but I also
respect you, which is not always the same thing. You may possibly
guess that I like a good many people I don't respect. Perhaps it is
my tragedy, perhaps it is my fault. But you are very different, and
I promise you this: that I will never try to keep you as somebody to
be liked, at the price of your not being respected."
"I know you are magnanimous," said March after a silence, "and yet
you tolerate and perpetuate everything that is mean." Then after
another silence he added: "Do you remember when we first met, when
you were fishing in that brook in the affair of the target? And do
you remember you said that, after all, it might do no harm if I
could blow the whole tangle of this society to hell with dynamite."
"Yes, and what of that?" asked Fisher.
"Only that I'm going to blow it to hell with dynamite," said Harold
March, "and I think it right to give you fair warning. For a long
time I didn't believe things were as bad as you said they were. But
I never felt as if I could have bottled up what you knew, supposing
you really knew it. Well, the long and the short of it is that I've
got a conscience; and now, at last, I've also got a chance. I've
been put in charge of a big independent paper, with a free hand, and
we're going to open a cannonade on corruption."
"That will be--Attwood, I suppose," said Fisher, reflectively.
"Timber merchant. Knows a lot about China."
"He knows a lot about England," said March, doggedly, "and now I
know it, too, we're not going to hush it up any longer. The people
of this country have a right to know how they're ruled--or, rather,
ruined. The Chancellor is in the pocket of the money lenders and has
to do as he is told; otherwise he's bankrupt, and a bad sort of
bankruptcy, too, with nothing but cards and actresses behind it. The
Prime Minister was in the petrol-contract business; and deep in it,
too. The Foreign Minister is a wreck of drink and drugs. When you
say that plainly about a man who may send thousands of Englishmen to
die for nothing, you're called personal. If a poor engine driver
gets drunk and sends thirty or forty people to death, nobody
complains of the exposure being personal. The engine driver is not a
"I quite agree with you," said Fisher, calmly. "You are perfectly
"If you agree with us, why the devil don't you act with us?"
demanded his friend. "If you think it's right, why don't you do
what's right? It's awful to think of a man of your abilities simply
blocking the road to reform."
"We have often talked about that," replied Fisher, with the same
composure. "The Prime Minister is my father's friend. The Foreign
Minister married my sister. The Chancellor of the Exchequer is my
first cousin. I mention the genealogy in some detail just now for a
particular reason. The truth is I have a curious kind of
cheerfulness at the moment. It isn't altogether the sun and the sea,
sir. I am enjoying an emotion that is entirely new to me; a happy
sensation I never remember having had before."
"What the devil do you mean?"
"I am feeling proud of my family," said Horne Fisher.
Harold March stared at him with round blue eyes, and seemed too much
mystified even to ask a question. Fisher leaned back in his chair in
his lazy fashion, and smiled as he continued.
"Look here, my dear fellow. Let me ask a question in turn. You
imply that I have always known these things about my unfortunate
kinsmen. So I have. Do you suppose that Attwood hasn't always known
them? Do you suppose he hasn't always known you as an honest man who
would say these things when he got a chance? Why does Attwood
unmuzzle you like a dog at this moment, after all these years? I
know why he does; I know a good many things, far too many things.
And therefore, as I have the honor to remark, I am proud of my
family at last."
"But why?" repeated March, rather feebly.
"I am proud of the Chancellor because he gambled and the Foreign
Minister because he drank and the Prime Minister because he took a
commission on a contract," said Fisher, firmly. "I am proud of them
because they did these things, and can be denounced for them, and
know they can be denounced for them, and are "standing firm for all
that". I take off my hat to them because they are defying blackmail,
and refusing to smash their country to save themselves. I salute
them as if they were going to die on the battlefield."
After a pause he continued: "And it will be a battlefield, too, and
not a metaphorical one. We have yielded to foreign financiers so
long that now it is war or ruin, Even the people, even the country
people, are beginning to suspect that they are being ruined. That is
the meaning of the regrettable incidents in the newspapers."
"The meaning of the outrages on Orientals?" asked March.
"The meaning of the outrages on Orientals," replied Fisher, "is that
the financiers have introduced Chinese labor into this country with
the deliberate intention of reducing workmen and peasants to
starvation. Our unhappy politicians have made concession after
concession; and now they are asking concessions which amount to our
ordering a massacre of our own poor. If we do not fight now we shall
never fight again. They will have put England in an economic
position of starving in a week. But we are going to fight now; I
shouldn't wonder if there were an ultimatum in a week and an
invasion in a fortnight. All the past corruption and cowardice is
hampering us, of course; the West country is pretty stormy and
doubtful even in a military sense; and the Irish regiments there,
that are supposed to support us by the new treaty, are pretty well
in mutiny; for, of course, this infernal coolie capitalism is being
pushed in Ireland, too. But it's to stop now; and if the government
message of reassurance gets through to them in time, they may turn
up after all by the time the enemy lands. For my poor old gang is
going to stand to its guns at last. Of course it's only natural that
when they have been whitewashed for half a century as paragons,
their sins should come back on them at the very moment when they are
behaving like men for the first time in their lives. Well, I tell
you, March, I know them inside out; and I know they are behaving
like heroes. Every man of them ought to have a statue, and on the
pedestal words like those of the noblest ruffian of the Revolution:
'Que mon nom soit fletri; que la France soit libre.'"
"Good God!" cried March, "shall we never get to the bottom of your
mines and countermines?"
After a silence Fisher answered in a lower voice, looking his friend
in the eyes.
"Did you think there was nothing but evil at the bottom of them?" he
asked, gently. "Did you think I had found nothing but filth in the
deep seas into which fate has thrown me? Believe me, you never know
the best about men till you know the worst about them. It does not
dispose of their strange human souls to know that they were
exhibited to the world as impossibly impeccable wax works, who never
looked after a woman or knew the meaning of a bribe. Even in a
palace, life can be lived well; and even in a Parliament, life can
be lived with occasional efforts to live it well. I tell you it is
as true of these rich fools and rascals as it is true of every poor
footpad and pickpocket; that only God knows how good they have tried
to be. God alone knows what the conscience can survive, or how a man
who has lost his honor will still try to save his soul."
There was another silence, and March sat staring at the table and
Fisher at the sea. Then Fisher suddenly sprang to his feet and
caught up his hat and stick with all his new alertness and even
"Look here, old fellow," he cried, "let us make a bargain. Before
you open your campaign for Attwood come down and stay with us for
one week, to hear what we're really doing. I mean with the Faithful
Few, formerly known as the Old Gang, occasionally to be described as
the Low Lot. There are really only five of us that are quite fixed,
and organizing the national defense; and we're living like a
garrison in a sort of broken-down hotel in Kent. Come and see what
we're really doing and what there is to be done, and do us justice.
And after that, with unalterable love and affection for you, publish
and be damned."
Thus it came about that in the last week before war, when events
moved most rapidly, Harold March found himself one of a sort of
small house party of the people he was proposing to denounce. They
were living simply enough, for people with their tastes, in an old
brown-brick inn faced with ivy and surrounded by rather dismal
gardens. At the back of the building the garden ran up very steeply
to a road along the ridge above; and a zigzag path scaled the slope
in sharp angles, turning to and fro amid evergreens so somber that
they might rather be called everblack. Here and there up the slope
were statues having all the cold monstrosity of such minor ornaments
of the eighteenth century; and a whole row of them ran as on a
terrace along the last bank at the bottom, opposite the back door.
This detail fixed itself first in March's mind merely because it
figured in the first conversation he had with one of the cabinet
The cabinet ministers were rather older than he had expected to find
them. The Prime Minister no longer looked like a boy, though he
still looked a little like a baby. But it was one of those old and
venerable babies, and the baby had soft gray hair. Everything about
him was soft, to his speech and his way of walking; but over and
above that his chief function seemed to be sleep. People left alone
with him got so used to his eyes being closed that they were almost
startled when they realized in the stillness that the eyes were wide
open, and even watching. One thing at least would always make the
old gentleman open his eyes. The one thing he really cared for in
this world was his hobby of armored weapons, especially Eastern
weapons, and he would talk for hours about Damascus blades and Arab
swordmanship. Lord James Herries, the Chancellor of the Exchequer,
was a short, dark, sturdy man with a very sallow face and a very
sullen manner, which contrasted with the gorgeous flower in his
buttonhole and his festive trick of being always slightly
overdressed. It was something of a euphemism to call him a
well-known man about town. There was perhaps more mystery in the
question of how a man who lived for pleasure seemed to get so little
pleasure out of it. Sir David Archer, the Foreign Secretary, was the
only one of them who was a self-made man, and the only one of them
who looked like an aristocrat. He was tall and thin and very
handsome, with a grizzled beard; his gray hair was very curly, and
even rose in front in two rebellious ringlets that seemed to the
fanciful to tremble like the antennae of some giant insect, or to
stir sympathetically with the restless tufted eyebrows over his
rather haggard eyes. For the Foreign Secretary made no secret of his
somewhat nervous condition, whatever might be the cause of it.
"Do you know that mood when one could scream because a mat is
crooked?" he said to March, as they walked up and down in the back
garden below the line of dingy statues. "Women get into it when
they've worked too hard; and I've been working pretty hard lately,
of course. It drives me mad when Herries will wear his hat a little
crooked--habit of looking like a gay dog. Sometime I swear I'll
knock it off. That statue of Britannia over there isn't quite
straight; it sticks forward a bit as if the lady were going to
topple over. The damned thing is that it doesn't topple over and be
done with it. See, it's clamped with an iron prop. Don't be
surprised if I get up in the middle of the night to hike it down."
They paced the path for a few moments in silence and then he
continued. "It's odd those little things seem specially big when
there are bigger things to worry about. We'd better go in and do
Horne Fisher evidently allowed for all the neurotic possibilities of
Archer and the dissipated habits of Herries; and whatever his faith
in their present firmness, did not unduly tax their time and
attention, even in the case of the Prime Minister. He had got the
consent of the latter finally to the committing of the important
documents, with the orders to the Western armies, to the care of a
less conspicuous and more solid person--an uncle of his named Horne
Hewitt, a rather colorless country squire who had been a good
soldier, and was the military adviser of the committee. He was
charged with expediting the government pledge, along with the
concerted military plans, to the half-mutinous command in the west;
and the still more urgent task of seeing that it did not fall into
the hands of the enemy, who might appear
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