New Page 1

LA GRAMMATICA DI ENGLISH GRATIS IN VERSIONE MOBILE   INFORMATIVA PRIVACY

  NUOVA SEZIONE ELINGUE

 

Selettore risorse   

   

 

                                         IL Metodo  |  Grammatica  |  RISPOSTE GRAMMATICALI  |  Multiblog  |  INSEGNARE AGLI ADULTI  |  INSEGNARE AI BAMBINI  |  AudioBooks  |  RISORSE SFiziosE  |  Articoli  |  Tips  | testi pAralleli  |  VIDEO SOTTOTITOLATI
                                                                                         ESERCIZI :   Serie 1 - 2 - 3  - 4 - 5  SERVIZI:   Pronunciatore di inglese - Dizionario - Convertitore IPA/UK - IPA/US - Convertitore di valute in lire ed euro                                              

 

 

WIKIBOOKS
DISPONIBILI
?????????

ART
- Great Painters
BUSINESS&LAW
- Accounting
- Fundamentals of Law
- Marketing
- Shorthand
CARS
- Concept Cars
GAMES&SPORT
- Videogames
- The World of Sports

COMPUTER TECHNOLOGY
- Blogs
- Free Software
- Google
- My Computer

- PHP Language and Applications
- Wikipedia
- Windows Vista

EDUCATION
- Education
LITERATURE
- Masterpieces of English Literature
LINGUISTICS
- American English

- English Dictionaries
- The English Language

MEDICINE
- Medical Emergencies
- The Theory of Memory
MUSIC&DANCE
- The Beatles
- Dances
- Microphones
- Musical Notation
- Music Instruments
SCIENCE
- Batteries
- Nanotechnology
LIFESTYLE
- Cosmetics
- Diets
- Vegetarianism and Veganism
TRADITIONS
- Christmas Traditions
NATURE
- Animals

- Fruits And Vegetables



ARTICLES IN THE BOOK

  1. A Christmas Carol
  2. Adam Bede
  3. Alice in Wonderland
  4. All's Well That Ends Well
  5. A Midsummer Night's Dream
  6. A Modest Proposal
  7. An Essay Concerning Human Understanding
  8. An Ideal Husband
  9. Antony and Cleopatra
  10. A Passage to India
  11. A Portrait of the Artist as a Young Man
  12. Arms and the Man
  13. A Room With A View
  14. A Sentimental Journey Through France and Italy
  15. A Study in Scarlet
  16. As You Like It
  17. A Tale of a Tub
  18. A Tale of Two Cities
  19. A Woman of No Importance
  20. Barnaby Rudge
  21. Beowulf
  22. Bleak House
  23. Book of Common Prayer
  24. Candida
  25. Captains Courageous
  26. Childe Harold's Pilgrimage
  27. Clarissa
  28. Coriolanus
  29. Daniel Deronda
  30. David Copperfield
  31. Dombey and Son
  32. Don Juan
  33. Emma
  34. Finnegans Wake
  35. Four Quartets
  36. Frankenstein
  37. Great Expectations
  38. Gulliver's Travels
  39. Hamlet
  40. Hard Times
  41. Howards End
  42. Ivanhoe
  43. Jane Eyre
  44. Julius Caesar
  45. Kim
  46. King James Version of the Bible
  47. King Lear
  48. King Solomon's Mines
  49. Lady Chatterley's Lover
  50. Lady Windermere's Fan
  51. Leviathan
  52. Little Dorrit
  53. Love's Labour's Lost
  54. Macbeth
  55. Major Barbara
  56. Mansfield Park
  57. Martin Chuzzlewit
  58. Measure for Measure
  59. Middlemarch
  60. Moll Flanders
  61. Mrs. Dalloway
  62. Mrs. Warren's Profession
  63. Much Ado About Nothing
  64. Murder in the Cathedral
  65. Nicholas Nickleby
  66. Northanger Abbey
  67. Nostromo
  68. Ode on a Grecian Urn
  69. Oliver Twist
  70. Othello
  71. Our Mutual Friend
  72. Pamela or Virtue Rewarded
  73. Paradise Lost
  74. Paradise Regained
  75. Peregrine Pickle
  76. Persuasion
  77. Peter Pan
  78. Pride and Prejudice
  79. Pygmalion
  80. Rime of the Ancient Mariner
  81. Robinson Crusoe
  82. Rob Roy
  83. Roderick Random
  84. Romeo and Juliet
  85. Saint Joan
  86. Salomé
  87. Sense and Sensibility
  88. She Stoops to Conquer
  89. Silas Marner
  90. Sons and Lovers
  91. The Alchemist
  92. The Beggar's Opera
  93. The Canterbury Tales
  94. The Case Book of Sherlock Holmes
  95. The Castle of Otranto
  96. The Comedy of Errors
  97. The Dunciad
  98. The Elder Statesman
  99. The Faerie Queene
  100. The Happy Prince and Other Tales
  101. The History of Tom Jones, a Foundling
  102. The Hound of the Baskervilles
  103. The Importance of Being Earnest
  104. The Jungle Book
  105. The Life and Opinions of Tristram Shandy, Gentleman
  106. The Man Who Would Be King
  107. The Master of Ballantrae
  108. The Merchant of Venice
  109. The Merry Wives of Windsor
  110. The Mill on the Floss
  111. The Mystery of Edwin Drood
  112. The Nigger of the Narcissus
  113. The Old Curiosity Shop
  114. The Pickwick Papers
  115. The Picture of Dorian Gray
  116. The Pilgrim's Progress
  117. The Rape of the Lock
  118. The Second Jungle Book
  119. The Secret Agent
  120. The Sign of Four
  121. The Strange Case of Dr. Jekyll and Mr. Hyde
  122. The Tempest
  123. The Tragical History of Doctor Faustus
  124. The Two Gentlemen of Verona
  125. The Vicar of Wakefield
  126. The Waste Land
  127. The Winter's Tale
  128. Timon of Athens
  129. Titus Andronicus
  130. To the Lighthouse
  131. Treasure Island
  132. Troilus and Cressida
  133. Twelfth Night, or What You Will
  134. Typhoon
  135. Ulysses
  136. Vanity Fair
  137. Volpone
  138. Wuthering Heights

 

 
CONDIZIONI DI USO DI QUESTO SITO
L'utente può utilizzare il nostro sito solo se comprende e accetta quanto segue:

  • Le risorse linguistiche gratuite presentate in questo sito si possono utilizzare esclusivamente per uso personale e non commerciale con tassativa esclusione di ogni condivisione comunque effettuata. Tutti i diritti sono riservati. La riproduzione anche parziale è vietata senza autorizzazione scritta.
  • Il nome del sito EnglishGratis è esclusivamente un marchio e un nome di dominio internet che fa riferimento alla disponibilità sul sito di un numero molto elevato di risorse gratuite e non implica dunque alcuna promessa di gratuità relativamente a prodotti e servizi nostri o di terze parti pubblicizzati a mezzo banner e link, o contrassegnati chiaramente come prodotti a pagamento (anche ma non solo con la menzione "Annuncio pubblicitario"), o comunque menzionati nelle pagine del sito ma non disponibili sulle pagine pubbliche, non protette da password, del sito stesso.
  • La pubblicità di terze parti è in questo momento affidata al servizio Google AdSense che sceglie secondo automatismi di carattere algoritmico gli annunci di terze parti che compariranno sul nostro sito e sui quali non abbiamo alcun modo di influire. Non siamo quindi responsabili del contenuto di questi annunci e delle eventuali affermazioni o promesse che in essi vengono fatte!
  • L'utente, inoltre, accetta di tenerci indenni da qualsiasi tipo di responsabilità per l'uso - ed eventuali conseguenze di esso - degli esercizi e delle informazioni linguistiche e grammaticali contenute sul siti. Le risposte grammaticali sono infatti improntate ad un criterio di praticità e pragmaticità più che ad una completezza ed esaustività che finirebbe per frastornare, per l'eccesso di informazione fornita, il nostro utente. La segnalazione di eventuali errori è gradita e darà luogo ad una immediata rettifica.

     

    ENGLISHGRATIS.COM è un sito personale di
    Roberto Casiraghi e Crystal Jones
    email: robertocasiraghi at iol punto it

    Roberto Casiraghi           
    INFORMATIVA SULLA PRIVACY              Crystal Jones


    Siti amici:  Lonweb Daisy Stories English4Life Scuolitalia
    Sito segnalato da INGLESE.IT

 
 



LITERARY MASTERPIECES
This article is from:
http://en.wikipedia.org/wiki/The_Mill_on_the_Floss

All text is available under the terms of the GNU Free Documentation License: http://en.wikipedia.org/wiki/Wikipedia:Text_of_the_GNU_Free_Documentation_License 

The Mill on the Floss

From Wikipedia, the free encyclopedia

 

The Mill on the Floss is a novel by George Eliot (Mary Ann Evans), first published in three volumes in 1860.

Plot summary

The novel retails the lives of Tom and Maggie Tulliver, a brother and sister growing up on the fictional river Floss near the fictional village of St. Oggs, evidently in the 1820’s, after the Napoleonic Wars but prior to the first Reform Bill (1832). The novel spans a period of 10-15 years, from Tom and Maggie’s childhood up until their deaths in a flood on the Floss. The book is loosely autobiographical, reflecting the disgrace that George Eliot (Mary Ann Evans) herself had while in a relationship with a married man.

Maggie Tulliver holds the central role in the book, as both her relationship with her older brother Tom, and her romantic relationships with Philip Wakem, a hunchbacked, but sensitive and intellectual, friend, and with Stephen Guest, a vivacious young socialite in St. Oggs and fiance of Maggie’s cousin Lucy Deane, constitute the most significant narrative threads.

Tom and Maggie have an uneven bond in childhood, which continues throughout the novel; Maggie, with her sensitive nature, reveres her older brother Tom, while his treatment of her varies from tolerance to indifference to contempt. His pragmatic and narrow nature clashes with Maggie’s idealism and fervor for experience. Various family crises, such as bankruptcy, the premature death of Mr. Tulliver, and Mr. Tulliver’s rancorous relationship with Philip Wakem’s father, a lawyer to whom he loses the mill, intensify Tom and Maggie’s differences. Tom takes up his duty to help his father repay his debts, and leaves his desultory schooling to enter on a life of business with zeal and, eventually, some success. Meanwhile Maggie languishes in the impoverished Tulliver home, her intellectual aptitude wasted in her socially isolated state. She passes through a period of intense spirituality during which she renounces the world, spurred by Thomas a Kempis’s Imitation of Christ.

This renunciation is tested by a renewed friendship with Philip Wakem, with whom she had developed an affinity while he was a fellow pupil with Tom. Against the wishes of Tom and her father, who despise the Wakems, Maggie meets Philip over a course of months for long walks through the woods. The romantic basis of their relationship is ambiguous; Philip is so crippled as to elicit Maggie’s pity as much as her affection, yet Maggie’s isolation inclines her towards Philip, even as a lover, because intercourse with his cultured mind relieves that isolation and appears to answer something in Maggie that Tom, for instance, may never perceive, much less appreciate. Philip and Maggie’s attraction is in any case moot because of the family antipathy, although Philip coaxes a pledge of love, of sorts, from Maggie. But when Tom discovers her walks, she must renounce Philip, and with him her hopes of experiencing the broader, more cultured world he represents.

Several more years pass, during which Mr. Tulliver dies. Lucy Deane invites Maggie to come and stay with her, and experience the life of cultured leisure that Lucy enjoys. This includes long hours conversing and playing music with her fiance, Stephen Guest, a prominent St. Oggs resident. Stephen and Maggie, against their rational judgments, become attracted to each other. The complication is further compounded by Philip Wakem’s friendship with Lucy and Stephen; he and Maggie are reintroduced, and Philip’s love for her is rekindled, while Maggie, no longer isolated, enjoys the clandestine attentions of Stephen Guest, putting her past professions for Philip in question. In the event, Stephen and Maggie, though they try to forswear each other, allow themselves to elope, almost by accident – Lucy conspires to throw Philip and Maggie together on a short rowing trip down the Floss, but when Stephen unwittingly takes a sick Philip’s place, and Maggie and Stephen find themselves floating down the river, negligent of the distance they’ve covered, he proposes they board a passing steamer to the next substantial city, Mudport, and be married. Maggie struggles between her love for Stephen and her duties to Philip and Lucy, contracted as it were in her past, when she was poor and isolated, and dependent on either of them for what good her life contained. Upon arrival in Mudport she rejects Stephen, and makes her way back to St. Oggs, where she lives for a brief period as an outcast, Stephen having fled to Europe. Both Lucy and Philip forgive her, she in a moving reunion, he in an eloquent letter.

Maggie’s brief exile ends when the river floods, in what may be considered a deus ex machina ending. Having struggled through the waters in a boat to find Tom at the old mill, she sets out with him to rescue Lucy Deane and her family. In a brief, tender moment, the brother and sister appear to be reconciled from all past differences. When their boat capsizes, the two drown in an apparent embrace, thus giving the book its epigraph, “In death they were not divided.”

Like other of George Eliot’s novels, The Mill on the Floss articulates the tension between circumstances and the spiritual energies of individuals struggling against those circumstances. A certain determinism is at play throughout the novel, from Mr. Tulliver’s grossly imprudent inability to keep himself from “going to law,” and thereby losing his patrimony and bankrupting his family, to the series of events which sets Maggie and Stephen on their way to eloping. Individuals, such as Mr. Tulliver, are presented as unable to determine their own course rationally, or forces, be it the drift of the river or the force of a flood, are presented as determining the courses of individuals for them. On the other hand, Maggie’s ultimate choice not to marry Stephen, and to suffer both the privation of his love and the ignominy of their botched elopement is a triumph of free will.

External links

  • The Mill on the Floss, available freely at Project Gutenberg
  • The Mill on the Floss HTML Edition
Retrieved from "http://en.wikipedia.org/wiki/The_Mill_on_the_Floss"