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This article is from:
http://en.wikipedia.org/wiki/Thomas_Gainsborough

All text is available under the terms of the GNU Free Documentation License: http://en.wikipedia.org/wiki/Wikipedia:Text_of_the_GNU_Free_Documentation_License 

Thomas Gainsborough

From Wikipedia, the free encyclopedia

 
Self-portrait, painted 1759
Self-portrait, painted 1759
This article is about the artist Thomas Gainsborough. Gainsborough is also the name of a small market town in north Lincolnshire in England.

Thomas Gainsborough (May 14, 1727 (baptised) – August 2, 1788) was one of the most famous portrait and landscape painters of 18th century Britain.

Gainsborough was born in 1727 in Sudbury, Suffolk, England. His father was a schoolteacher involved with the wool trade. At the age of fourteen he impressed his father with his pencilling skills so that he let him go to London to study art in 1740. In London he first trained under engraver Hubert Gravelot but eventually became associated with William Hogarth and his school. One of his mentors was Francis Hayman. In those years he contributed to the decoration of what is now the Thomas Coram Foundation for Children and the supper boxes at Vauxhall Gardens.

In the 1740s, Gainsborough married Margaret Burr whose illegitimate father, The Duke of Beaufort, gave them a £200 annuity. His work, which was mainly composed of landscape paintings, was not selling very well. He returned to Sudbury in 1748–1749 and concentrated on the painting of portraits.

Gainsborough's Mr and Mrs Andrews (1748-49), in the National Gallery in London, is the best known painting of his Suffolk period.
Gainsborough's Mr and Mrs Andrews (1748-49), in the National Gallery in London, is the best known painting of his Suffolk period.

In 1752, he and family, now including two daughters, moved to Ipswich. Commissions for personal portraits increased but his clientele included mainly local merchants and squires. He had to borrow against his wife's annuity.

In 1759, Gainsborough and his family moved to Bath. There he studied portraits by van Dyck and was eventually able to attract better-paying high society clientele. In 1761 he began to send work to the Society of Arts exhibition in London (now the Royal Society of Arts, of which he was one of the earliest members) and from 1769 to the Royal Academy's annual exhibitions. He selected portraits of known or notorious clients to attract attention. Exhibitions helped him to gain a national reputation and he was invited to become one of the founding members of Royal Academy in 1769. His relationship with the academy, however, was not an easy one and he stopped exhibiting his paintings there in 1773.

The Blue Boy, painted 1770
The Blue Boy, painted 1770

In 1774, Gainsborough and his family moved to London to live in Schomberg House, Pall Mall. In 1777 he again began to exhibit his paintings in the Royal Academy, with portraits of contemporary celebrities, including the Duke and Duchess of Cumberland, related to the royal family. These exhibitions continued for the next six years.

In 1780, he painted the portraits of King George III and his queen and afterwards received many royal commissions. This gave him some influence with the Academy to state in what form he wished his work to be exhibited. However, in 1783 he took his paintings from the forthcoming exhibition and moved them to Schomberg House. In 1784, royal painter Allan Ramsay died and the King was obliged to give the job to Gainsborough's rival and Academy president, Joshua Reynolds. Gainsborough still remained the favourite painter of the Royal Family.

In his later years, he often painted landscapes of common settings. With Richard Wilson, he was one of the originators of the eighteenth-century British landscape school, and with Joshua Reynolds, he was the dominant British portraitist of the second half of the 18th century.

Mr and Mrs William Hallett (1785) exemplifies Gainsborough's mature style.
Mr and Mrs William Hallett (1785) exemplifies Gainsborough's mature style.
Mrs Thomas Hibbert, Neue Pinakothek
Mrs Thomas Hibbert, Neue Pinakothek

Gainsborough painted more from his observations of nature than from any application of formal rules. The poetic sensibility of his paintings caused Constable to say, "On looking at them, we find tears in our eyes and know not what brings them." He himself said, "I'm sick of portraits, and wish very much to take my viol-da-gam and walk off to some sweet village, where I can paint landskips (sic) and enjoy the fag end of life in quietness and ease."

His best works, such as Portrait of Mrs. Graham; Mary and Margaret: The Painter's Daughters; William Hallett and His Wife Elizabeth, nee Stephen, known as The Morning Walk; and Cottage Girl with Dog and Pitcher, display the uniqueness (individuality) of his subjects. His only assistant was his nephew Gainsborough Dupont.

Gainsborough died of cancer on 2 August 1788 in his 62nd year.

Trivia

  • In Ghostbusters II (1989), Dr. Janosz Poha exclaims to Peter Venkman, with heavy accent approximated, "Theees eeesn't Gainsborough's Blue Boy, ees Preeence Veego, Ruler of Carpathia and Moldavia!"
  • His sitters tend to look rather similar, and supposedly when one client complained that the portrait did not resemble his wife at all, he told him not to worry, in a hundred years time no-one would know the difference.
  • If he was painting a portrait of a woman (alone, not as a member of a couple) that he did not personally find attractive, he would paint a dog in the portrait.

See also

  • English school of painting
  • British art
  • List of British painters
  • Humphrey Gainsborough
  • Holywells Park, Ipswich

Notable fictionalized films about Gainsborough

  • Kitty (Paramount 1945) see http://www.imdb.com/title/tt0037849

External links

  • Gainsborough's House
  • Humanities Web: Thomas Gainsborough Biography
  • Britain Express: Thomas Gainsborough
  • Webmuseum Paris: Thomas Gainsborough
  • Olga's Gallery: Thomas Gainsborough
  • Artcyclopedia: Thomas Gainsborough
  • ArtConversation: Gainsborough's Pink Boy
Retrieved from "http://en.wikipedia.org/wiki/Thomas_Gainsborough"