New Page 1

LA GRAMMATICA DI ENGLISH GRATIS IN VERSIONE MOBILE   INFORMATIVA PRIVACY

  NUOVA SEZIONE ELINGUE

 

Selettore risorse   

   

 

                                         IL Metodo  |  Grammatica  |  RISPOSTE GRAMMATICALI  |  Multiblog  |  INSEGNARE AGLI ADULTI  |  INSEGNARE AI BAMBINI  |  AudioBooks  |  RISORSE SFiziosE  |  Articoli  |  Tips  | testi pAralleli  |  VIDEO SOTTOTITOLATI
                                                                                         ESERCIZI :   Serie 1 - 2 - 3  - 4 - 5  SERVIZI:   Pronunciatore di inglese - Dizionario - Convertitore IPA/UK - IPA/US - Convertitore di valute in lire ed euro                                              

 

 

WIKIBOOKS
DISPONIBILI
?????????

ART
- Great Painters
BUSINESS&LAW
- Accounting
- Fundamentals of Law
- Marketing
- Shorthand
CARS
- Concept Cars
GAMES&SPORT
- Videogames
- The World of Sports

COMPUTER TECHNOLOGY
- Blogs
- Free Software
- Google
- My Computer

- PHP Language and Applications
- Wikipedia
- Windows Vista

EDUCATION
- Education
LITERATURE
- Masterpieces of English Literature
LINGUISTICS
- American English

- English Dictionaries
- The English Language

MEDICINE
- Medical Emergencies
- The Theory of Memory
MUSIC&DANCE
- The Beatles
- Dances
- Microphones
- Musical Notation
- Music Instruments
SCIENCE
- Batteries
- Nanotechnology
LIFESTYLE
- Cosmetics
- Diets
- Vegetarianism and Veganism
TRADITIONS
- Christmas Traditions
NATURE
- Animals

- Fruits And Vegetables



ARTICLES IN THE BOOK

  1. Agnolo Gaddi
  2. Albrecht Altdorfer
  3. Albrecht Duerer
  4. Alessandro Magnasco
  5. Alfred Sisley
  6. Aligi Sassu
  7. Ambrogio Lorenzetti
  8. Andrea del Sarto
  9. Andrea del Verrocchio
  10. Andrea Mantegna
  11. Annibale Carracci
  12. Antoine Watteau
  13. Antonello da Messina
  14. Antonio da Correggio
  15. Arnold Boecklin
  16. Balthus
  17. Benozzo Gozzoli
  18. Camille Pissarro
  19. Canaletto
  20. Caravaggio
  21. Edouard Manet
  22. Cimabue
  23. Cima da Conegliano
  24. Claude Lorrain
  25. Claude Monet
  26. Diego Velazquez
  27. Domenico Ghirlandaio
  28. Duccio
  29. Edgar Degas
  30. Edvard Munch
  31. Egon Schiele
  32. El Greco
  33. Fernand Léger
  34. Filippo Lippi
  35. Fra Angelico
  36. François Boucher
  37. Francesco Guardi
  38. Francis Bacon
  39. Francisco Goya
  40. Francisco Zurbaran
  41. Francis Picabia
  42. Frans Hals
  43. Franz Marc
  44. Friedensreich Hundertwasser
  45. Gentile da Fabriano
  46. Georges de La Tour
  47. Georges-Pierre Seurat
  48. Georges Rouault
  49. Gerard Dou
  50. Gian Lorenzo Bernini
  51. Giorgio de Chirico
  52. Giorgio Morandi
  53. Giorgione
  54. Giotto di Bondone
  55. Giovanni Bellini
  56. Giovanni Fattori
  57. Giuseppe Arcimboldo
  58. Guercino
  59. Guido Reni
  60. Gustave Courbet
  61. Gustave Moreau
  62. Gustav Klimt
  63. Hans Memling
  64. Henri de Toulouse-Lautrec
  65. Henri Fantin-Latour
  66. Henri Matisse
  67. Henri Rousseau
  68. Hieronymus Bosch
  69. Jacopo Bassano
  70. Jacopo Bellini
  71. Jan van Eyck
  72. Jean-Baptiste-Camille Corot
  73. Jean-Honoré Fragonard
  74. Joan Mirò
  75. Johannes Vermeer
  76. John Constable
  77. Joshua Reynolds
  78. Jusepe de Ribera
  79. Leone Battista Alberti
  80. Lorenzo Lotto
  81. Luca Signorelli
  82. Masaccio
  83. Matthias Gruenewald
  84. Maurice Utrillo
  85. Max Ernst
  86. Odilon Redon
  87. Oskar Kokoschka
  88. Pablo Picasso
  89. Palma il Vecchio
  90. Paolo Uccello
  91. Paolo Veronese
  92. Parmigianino
  93. Paul Cézanne
  94. Paul Gauguin
  95. Paul Signac
  96. Peter Paul Rubens
  97. Piero della Francesca
  98. Piero di Cosimo
  99. Piero Pollaiuolo
  100. Pierre-Auguste Renoir
  101. Pierre Bonnard
  102. Pieter Brueghel the Elder
  103. Piet Mondriaan
  104. Pietro Annigoni
  105. Pisanello
  106. Pontormo
  107. Raphael
  108. Rembrandt
  109. Salvador Dalì
  110. Sandro Botticelli
  111. Sebastiano del Piombo
  112. Sebastiano Ricci
  113. Simone Martini
  114. Théodore Géricault
  115. Thomas Gainsborough
  116. Tintoretto
  117. Tiziano
  118. Van Dyck
  119. Vincent van Gogh
  120. Vittore Carpaccio
  121. William Blake
  122. William Hogarth

 

 
CONDIZIONI DI USO DI QUESTO SITO
L'utente può utilizzare il nostro sito solo se comprende e accetta quanto segue:

  • Le risorse linguistiche gratuite presentate in questo sito si possono utilizzare esclusivamente per uso personale e non commerciale con tassativa esclusione di ogni condivisione comunque effettuata. Tutti i diritti sono riservati. La riproduzione anche parziale è vietata senza autorizzazione scritta.
  • Il nome del sito EnglishGratis è esclusivamente un marchio e un nome di dominio internet che fa riferimento alla disponibilità sul sito di un numero molto elevato di risorse gratuite e non implica dunque alcuna promessa di gratuità relativamente a prodotti e servizi nostri o di terze parti pubblicizzati a mezzo banner e link, o contrassegnati chiaramente come prodotti a pagamento (anche ma non solo con la menzione "Annuncio pubblicitario"), o comunque menzionati nelle pagine del sito ma non disponibili sulle pagine pubbliche, non protette da password, del sito stesso.
  • La pubblicità di terze parti è in questo momento affidata al servizio Google AdSense che sceglie secondo automatismi di carattere algoritmico gli annunci di terze parti che compariranno sul nostro sito e sui quali non abbiamo alcun modo di influire. Non siamo quindi responsabili del contenuto di questi annunci e delle eventuali affermazioni o promesse che in essi vengono fatte!
  • L'utente, inoltre, accetta di tenerci indenni da qualsiasi tipo di responsabilità per l'uso - ed eventuali conseguenze di esso - degli esercizi e delle informazioni linguistiche e grammaticali contenute sul siti. Le risposte grammaticali sono infatti improntate ad un criterio di praticità e pragmaticità più che ad una completezza ed esaustività che finirebbe per frastornare, per l'eccesso di informazione fornita, il nostro utente. La segnalazione di eventuali errori è gradita e darà luogo ad una immediata rettifica.

     

    ENGLISHGRATIS.COM è un sito personale di
    Roberto Casiraghi e Crystal Jones
    email: robertocasiraghi at iol punto it

    Roberto Casiraghi           
    INFORMATIVA SULLA PRIVACY              Crystal Jones


    Siti amici:  Lonweb Daisy Stories English4Life Scuolitalia
    Sito segnalato da INGLESE.IT

 
 



GREAT PAINTERS
This article is from:
http://en.wikipedia.org/wiki/Odilon_Redon

All text is available under the terms of the GNU Free Documentation License: http://en.wikipedia.org/wiki/Wikipedia:Text_of_the_GNU_Free_Documentation_License 

Odilon Redon

From Wikipedia, the free encyclopedia

 
Self portrait, 1880, Musée d'Orsay.
Self portrait, 1880, Musée d'Orsay.

Odilon Redon (April 22, 1840 – July 6, 1916) was a Symbolist painter, born in Bordeaux, Aquitaine, France.

Redon started drawing as a young child, and at the age of 10 he was awarded a drawing prize at school. At age 15, he began formal study in drawing but on the insistence of his father he switched to architecture. His failure to pass the entrance exams at Paris’ École des Beaux-Arts ended any plans for a career as an architect, although he would later study there under Jean-Léon Gerôme.

Back home in his native Bordeaux, he took up sculpture, and Rodolphe Bresdin instructed him in etching and lithography. However, his artistic career was interrupted in 1870 when he joined the army to serve in the Franco-Prussian War.

Guardian Spirit of the Waters, 1878, The Art Institute of Chicago.
Guardian Spirit of the Waters, 1878, The Art Institute of Chicago.

At the end of the war, he moved to Paris, working almost exclusively in charcoal and lithography. It would not be until 1878 that his work gained any recognition with Guardian Spirit of the Waters, and he published his first album of lithographs, titled Dans le Rêve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled, A rebours (Against Nature). The story featured a decadent aristocrat who collected Redon's drawings.

Portrait of Violette Heymann, 1910. Pastels, 72 x 92 cm. Cleveland Museum of Art.
Portrait of Violette Heymann, 1910. Pastels, 72 x 92 cm. Cleveland Museum of Art.

In the 1890s, he began to use pastel and oils, which dominated his works for the rest of his life. In 1899, he exhibited with the Nabis at Durand-Ruel's.

In 1903 he was awarded the Legion of Honor.

His popularity increased when a catalogue of etchings and lithographs was published by André Mellerio in 1913 and that same year, he was given the largest single representation at the New York Armory Show.

In 1923 Mellerio published: Odilon Redon: Peintre Dessinateur et Graveur.

In 2005 The Museum of Modern Art (New York City) launched an exhibition entitled "Beyond The Visible", a comprehensive overview of Redon's work showcasing more than 100 paintings, drawings, prints and books from The Ian Woodner Family Collection. The exhibition ran from October 30, 2005 to January 23, 2006.


 

Analysis of his work

The mystery and the evocation of the drawings are best described by Huysmans in the following passage:

Those were the pictures bearing the signature: Odilon Redon. They held, between their gold-edged frames of unpolished pearwood, undreamed-of images: a Merovingian-type head, resting upon a cup; a bearded man, reminiscent both of a Buddhist priest and a public orator, touching an enormous cannon-ball with his finger; a dreadful spider with a human face lodged in the centre of its body. Then there were charcoal sketches which delved even deeper into the terrors of fever-ridden dreams. Here, on an enormous die, a melancholy eyelid winked; over there stretched dry and arid landscapes, calcinated plains, heaving and quaking ground, where volcanos erupted into rebellious clouds, under foul and murky skies; sometimes the subjects seemed to have been taken from the nightmarish dreams of science, and hark back to prehistoric times; monstrous flora bloomed on the rocks; everywhere, in among the erratic blocks and glacial mud, were figures whose simian appearance--heavy jawbone, protruding brows, receding forehead, and flattened skull top--recalled the ancestral head, the head of the first Quaternary Period, the head of man when he was still fructivorous and without speech, the contemporary of the mammoth, of the rhinoceros with septate nostrils, and of the giant bear. These drawings defied classification; unheeding, for the most part, of the limitations of painting, they ushered in a very special type of the fantastic, one born of sickness and delirium [1].

As Huysmans notes, Redon was interested in a distinct perversion of the soul. He describes this more fully in a letter he wrote in 1871:

But the soul must be made monstrous: in the fashion of the comprachicos, if you will! Imagine a man implanting and cultivating warts on his face[2].

Redon also describes his work as ambiguous and undefinable:

My drawings inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined [3].

Citations

  1. ^ (Huysmans 1998, p. 52-53).
  2. ^ (Rimbaud 1966, p. 307).
  3. ^ (Goldwater and Treves 1945, p. 360)

Redon's work represent an exploration of his internal feelings and psyche. He himself wanted to "place the visible at the service of the invisible"; thus, although his work seems filled with strange being and grotesque dichotomies, his aim was to represent pictorially the ghosts of his own mind.

The most telling source of Redon's inspiration and the forces behind his works can be found in his journal A Soi-même (To Myself).

His process was explaine best by himself when he said: “I have often, as an exercise and as asustenance, painted before an object down to the smallest accidents of its visual appearance; but the day left me sad and with an unsatiated thrist. The next day I let the other source run, that of imagination, through the recollection of the forms and I was then reassured and appeased.”

References

  • Huysmans, Joris-Karl (1998), Against Nature, translated by Margaret Mauldon, Oxford University Press
  • Rimbaud, Arthur (1966), Complete Works, Selected Letters, University of Chicago Press
  • Artists on Art, edited by Robert Goldwater and Marco Treves (Pantheon, 1945).

Selected works

Other works

  • A Gustave Flaubert - (1889)
  • Araignée (Spider) - (1887)
  • Head of Orpheus - (1905)
  • La Tentation de Saint Antoine - (1888)
  • Les Fleurs du mal - (1890)
  • Les Origines - (1883)
  • Songes - (1891)

External links

  • odilonredon.net - Online biography and pictures of Odilon Redon
  • Artcyclopedia - Links to Redon's works
  • The Athenaeum - Extensive list and images of Redon's works
  • Web Museum - Biography and images of Redon's works
  • MoMA Exhibition - "Beyond the Visible - The Art of Odilon Redon" - MoMA exhibition (October 2005 - January 2006)
Retrieved from "http://en.wikipedia.org/wiki/Odilon_Redon"