Let It Be (album)

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"Let It Be" redirects here. For other uses, see Let It Be (disambiguation).

Let It Be
Studio album by The Beatles
Released	May 8, 1970
Recorded	Twickenham Film Studios, Savile Row January 2-January 31, 1969 January 3-January 4, 1970 March 23-April 1, 1970 (overdubs)
Genre	Rock
Length	35:13
Label	Apple, EMI
Producer(s)	George Martin, Phil Spector
Professional reviews
All Music Guide link Q magazine Rolling Stone (not rated) link Robert Christgau (A-) link
The Beatles chronology
Abbey Road (1969)	Let It Be (1970)	The Beatles' Christmas Album (1970)

Let It Be is the twelfth and final album by The Beatles, released on May 8, 1970 by the band's own Apple Records label.

Much of what became Let It Be was recorded in early 1969, with production by George Martin, before the recording and release of the album Abbey Road. However, The Beatles were unhappy with the album and it was temporarily shelved. Let It Be was later 're-produced' (some critics have said overproduced) by Phil Spector and, in 1970, it became The Beatles' final release.

Contents 1 The Get Back sessions 2 The Get Back albums 2.1 The first Get Back album 2.2 The second Get Back album 3 The released album 3.1 Track listing 4 Cover versions 5 Let It Be... Naked 5.1 Track listing 6 Release history 7 References and notes 8 See also 9 Further reading 10 External links

The Get Back sessions

The album which became Let It Be "was originally titled Get Back, and was planned to be a return to The Beatles' roots. Paul McCartney in particular was eager for The Beatles to perform in public again, over two years after they abandoned touring. The other band members, especially John Lennon, were resistant to this idea. After increasing use of overdubs and multi-layered recordings on recent albums, there was a general consensus to record the new album live in the studio, just as they had done for their first albums in the early 1960s. In keeping with the concept, the cover artwork was planned to be an update of the cover of their first album, Please Please Me, with the band looking down the stairwell of EMI's headquarters office block in Manchester Square, London. The photograph was later used on the compilation album The Beatles 1967-1970 (aka "The Blue Album"). Keyboardist Billy Preston was brought in to supplement the band for the live performances; Preston worked with the Beatles for two weeks and played with them in the rooftop concert. The sessions as a whole lasted from 2 January to 31 January 1969.

There were discussions during the January 1969 rehearsals at Twickenham Studios about recording the album completely live during a televised concert performance - in fact the music press excitedly announced that The Beatles had booked the Roundhouse in London for the show. When this didn't happen, McCartney talked of performing in an Roman amphitheatre or on a cruise ship (or, as Lennon sarcastically suggested, "an insane asylum"). In the end, the live performance took place on the rooftop of The Beatles' Apple Building at 3 Savile Row in front of a small audience of friends and employees. The performance was cut short by the police after complaints about noise. Several of the songs recorded during the rooftop concert made it onto the final album, and the complete concert has circulated amongst bootleg collectors for many years.

Hundreds of songs were rehearsed during the Get Back sessions at Twickenham, including covers of "Stand By Me", "Ain't She Sweet", "Maggie Mae", "Words Of Love", "Blue Suede Shoes", as well as original songs that would eventually end up on Abbey Road, including "Mean Mr. Mustard", "Maxwell's Silver Hammer", "Oh! Darling", "She Came in Through the Bathroom Window" and "Golden Slumbers". A number of early versions of songs that would eventually end up on Beatles solo albums were also rehearsed, including John Lennon's "Jealous Guy" (called "Child Of Nature" at the time and originally written and rehearsed for the White Album) and "Imagine", George Harrison's "All Things Must Pass" and "Hear Me Lord", and Paul McCartney's "Teddy Boy" and "Junk" (originally written for the White Album). The recording sessions were filmed and form the basis of the Beatles' film also called Let It Be.

Everyone involved in the sessions considered them to be disastrous, and it is clear that the band was disintegrating. Lennon's growing two-year dissatisfaction with being in The Beatles was coming to a head, and at the time he was engulfed in a heroin addiction. He was eager to explore his career outside the band, and the constant presence of his companion and artistic partner Yoko Ono at the sessions was a source of major tension. McCartney's attempts to hold the band together and rally spirits came across as controlling. This escalated tensions, especially with Harrison, who walked out at one point. The presence of film cameras, and the cold, unfamiliar settings of Twickenham Studios and the new Apple Studios also contributed to the ill feelings. Things were so bad the producer George Martin was reluctant to work with the band on their next album Abbey Road, until assured it would be a better experience.

The Get Back albums

Engineer Glyn Johns put together a rough version of Get Back in March 1969, which included many of the same songs that made the final cut, plus McCartney's "Teddy Boy". Johns played the acetate for The Beatles, who were not really interested in the project anymore. At least one copy of the acetate made its way to America and was aired on local radio stations in Buffalo, New York and Boston in September.

The first Get Back album

In March 1969 John and Paul called Glyn Johns into EMI and offered him free rein to produce an album from the 'Get Back recordings^[1]. Glyn booked time at Olympic Sound Studios and between 3 April and 28 May to mix the album and presented the final banded master tape on to the group on 28 May. The track listing was:

Side A:

1. "One After 909"
2. "Rocker (Instrumental)"
3. "Save the Last Dance for Me"
4. "Don't Let Me Down"
5. "Dig a Pony"
6. "I've Got a Feeling"
7. "Get Back"

Side B:

1. "For You Blue"
2. "Teddy Boy"
3. "Two of Us"
4. "Maggie Mae"
5. "Dig It"
6. "Let It Be"
7. "The Long and Winding Road"
8. "Get Back (Reprise)"

Ref:^[2]

The Get Back album was intended for release in July 1969, but the album was pushed back to September, to coincide with the planned television special and theatrical film about the making of the album. In September the album's release was pushed back to December, because The Beatles had just recorded Abbey Road and wanted to release that album instead. By December the album had been shelved.

• "Rocker (Instrumental)", sometimes listed as "Link Track", was written by Lennon and McCartney.
• "Save the Last Dance for Me" is the only cover song on the album; the song was written by Doc Pomus and Mort Shuman, and made famous by The Drifters in 1960.

The second Get Back album

On 15 December The Beatles again approached Glyn Johns to produce an album from the 'Get Back' tapes but this time with the instruction that the songs must match those included in the as yet unreleased Get Back film. Between 15 December 1969 and 8 January new mixes were prepared. The track listing is:

Side A:

1. "One After 909"
2. "Rocker (Instrumental)"
3. "Save the Last Dance for Me"
4. "Don't Let Me Down"
5. "Dig A Pony"
6. "I've Got a Feeling"
7. "Get Back"
8. "Let It Be"

Side B:

1. "For You Blue"
2. "Two of Us"
3. "Maggie Mae"
4. "Dig It"
5. "The Long and Winding Road"
6. "I Me Mine"
7. "Across the Universe"
8. "Get Back (Reprise)"

Ref:^[2]

Johns' new mix omitted "Teddy Boy" as the song did not appear in the film (and also likely due to the fact that McCartney had indicated to Johns that he had re-recorded the song for his upcoming McCartney album). It also added "Across the Universe" (a remix of the 1968 studio version) and a newly-recorded version of "I Me Mine," on which only McCartney, Harrison and Starr performed. The Beatles once again rejected the album.

The released album

In March of 1970 the session tapes were given to American producer Phil Spector, with McCartney's reluctant agreement. Spector worked on the tracks, and compiled the eventually released album - by now entitled Let It Be. The album and the film with the same name were released on May 8, 1970; The Beatles had already broken up by that time. The movie captured on film the critical tensions within the band, and also included footage from the rooftop concert. The rooftop performance closed with the song "Get Back", and afterwards John Lennon remarked, "I'd like to say 'thank you' on behalf of the group and ourselves, and I hope we passed the audition." The joke was added to the studio version of the song that appeared on the album.

Several songs from the recording sessions have had official releases in versions different to those on the Let It Be album. "Get Back"/"Don't Let Me Down" and "Let It Be" were released as singles in 1969 and '70 respectively. Across the Universe, a Lennon composition recorded in February 1968, was added to pad out his sparse contributions to the album; having previously been released in its original form as part of the World Wildlife Fund charity album 'No One's Gonna Change Our World'. The Glyn Johns version of "The Long And Winding Road" was released in 1996 on The Beatles Anthology 3.

Six tracks were "live" performances, in accordance with the original album concept: "I've Got a Feeling", "One After 909", and "Dig a Pony" from the rooftop performance, and "Two of Us", "Dig It", and "Maggie Mae" from studio sessions. However, the album versions of "For You Blue", "I Me Mine", "Let It Be", "The Long and Winding Road" and "Get Back" featured editing, splicing, and overdubs. The twelfth track on the album was a slowed-down version of the original 1968 recording of "Across the Universe", which was deemed superior to any of the January 1969 performances of the song.

McCartney was deeply dissatisfied with Spector's treatment of some songs, particularly "The Long and Winding Road". McCartney had conceived of the song as a simple piano ballad, but Spector dubbed in orchestral and choir accompaniment. McCartney unsuccessfully attempted to halt release of Spector's version of the song. His bitterness over this was a contributing factor to his public announcement that he was leaving The Beatles shortly thereafter. Despite the criticisms leveled at Spector over the years for his handling of the material, Lennon defended him in his famous Playboy magazine interview ten years later, saying "He took the shittiest pile of shit and made something of it."

In the UK, the album was originally issued by Apple (and distributed by EMI) in a lavish boxed set that also included a book featuring stills from the Let It Be film. Several months later, the album was reissued in Great Britain in a standard LP jacket, sans book. In America, the Let It Be album was issued in a standard jacket, without the book. The American release was also originally issued by Apple Records, but because United Artists distributed the film of the same name, United Artists also held the rights to distribute the record in America. (EMI subsiduary Capitol, which held The Beatles' U.S. contract, had simultaneous rights to the music on the album, and could distribute the songs on various singles and compilation albums. Capitol, however, did not have the rights to release or distribute the actual album.) To indicate that Let It Be was not distributed by Capitol Records, the original record label in America sported a red apple, rather than The Beatles' usual green granny smith apple. In early 1976, when The Beatles' Apple Record contract expired, most of the group's catalog in the United States transferred from Apple to Capitol; Let It Be, however, went out-of-print in America. In the late 1970s, Capitol purchased United Artists Records. With this acquisition, Capitol acquired the rights to two Beatles albums previously distributed in the United States by United Artists, Let It Be, and the soundtrack album A Hard Day's Night. (As A Hard Day's Night had never been issued by Apple in the United States, it remained in-print in America under the United Artists label when the Apple contract expired in 1976.) Shortly after acquiring United Artists Records, Capitol re-issued both Beatles albums under the Capitol imprint.

Track listing

All songs by Lennon-McCartney unless noted otherwise

Side A:

1. "Two of Us"
2. "Dig a Pony"
3. "Across the Universe"
4. "I Me Mine" (George Harrison)
5. "Dig It" (John Lennon-George Harrison-Paul McCartney-Ringo Starr)
6. "Let It Be"
7. "Maggie Mae" (Traditional arr. John Lennon-George Harrison-Paul McCartney-Ringo Starr)

Side B:

1. "I've Got a Feeling"
2. "One After 909"
3. "The Long and Winding Road"
4. "For You Blue" (George Harrison)
5. "Get Back"

Cover versions

• Bill Withers covered Let It Be for his Just As I Am LP in 1971.
• David Bowie included a cover of "Across the Universe" on his 1975 album, Young Americans. John Lennon played guitar on Bowie's version of the song.
• In 1988 Slovenian band Laibach released their own Let It Be album - covering all the original tracks except the title track.
• In 1998 Singer-songwriter Fiona Apple had a hit with her version (and accompanying video) for Across the Universe.
• For the soundtrack of the movie I Am Sam, Rufus Wainwright covered "Across the Universe"; with Aimee Mann & Michael Penn duetted on a cover of "Two Of Us"; and Nick Cave covered "Let It Be." "Don't Let Me Down," also recorded during the Get Back sessions, is covered by the Stereophonics on the album, and by Billy Corgan's Zwan on almost every show of band's career.
• In 2004, the Australian band the John Butler Trio covered "Across the Universe" on their release What You Want EP
• Live bootlegs from singer/songwriter Elliott Smith playing "I Me Mine".
• The band Maroon Five covered the song "Don't Let Me Down" during the Hurricane Katrina benefit concert.
• The fictional band BECK, from the popular manga and anime BECK: Mongolian Chop Squad, showed one of the main characters (followed later by his other bandmates) playing "I've got a feeling", in a longer 6 minute version.
• Tea Leaf Green frequently performs a version of "I've Got a Feeling" in concert.
• With his 2005 band, 70 Volt Parade, Trey Anastasio routinely covered "Dig a Pony".

Let It Be... Naked

Main article: Let It Be… Naked

At the same time the film's re-release was announced, McCartney announced plans to release a new version of the album that is closer to what the band had originally intended for the project. McCartney was particularly upset about the "Wall of Sound" treatment Spector had given to "The Long and Winding Road", and had previously rerecorded it on the solo album Give My Regards to Broad Street.

The new collection, entitled Let It Be... Naked was released on November 17, 2003 in a two-disc format - the second disc contained fly-on-the-wall recordings of the band chit-chatting during the Get Back Sessions.

Track listing

All songs by Lennon-McCartney unless noted otherwise

Disc one:

1. "Get Back"
2. "Dig a Pony"
3. "For You Blue" (George Harrison)
4. "The Long And Winding Road"
5. "Two Of Us"
6. "I've Got A Feeling"
7. "One After 909"
8. "Don't Let Me Down"
9. "I Me Mine" (George Harrison)
10. "Across The Universe"
11. "Let It Be"

Disc two:

1. "Fly On The Wall" - A unique insight into the Beatles at work in rehearsal and in the studio during January 1969.

Release history

Country	Date	Label	Format	Catalog
United Kingdom	May 8, 1970	Apple Records	LP box set	PXS 1
United States	May 18, 1970	Apple (Distributed by United Artists Records.)	LP (Discontinued in USA in early 1976, with expiration of the Apple Records contract.)	AR 34001
United Kingdom	November 6, 1970	Apple Records	LP	PCS 7096
United States	March 1979	Capitol Records	LP (Reissued in USA after Capitol Records bought United Artists Records.)	SW-11922
Worldwide reissue	October 10, 1987	Apple, Parlophone, EMI	CD	CDP 7 46447 2
Japan	March 11, 1998	Toshiba-EMI	CD	TOCP 51123
Japan	January 21, 2004	Toshiba-EMI	Remastered LP	TOJP 60143

References and notes

1. ^ Lewisohn, Mark (1996). The Complete Beatles Chronicle. Chancellor Press. ISBN 0-7607-0327-2.
2. ^ ^a b Lewisohn, Mark (1988). The Complete Beatles Recording Sessions. Hamlyn Publishing Group. ISBN 0-600-55784-7.

See also

• The Beatles' film Let It Be
• The song "Let It Be"

Further reading

• Get Back: The Unauthorized Chronicle of the Beatles "Let it Be" Disaster, by Doug Sulpy and Ray Schweighardt. New York: St. Martin's Griffin, 1999. ISBN 0312199813. An exhaustive analysis of all the surviving session tapes.

External links

• Album Lyrics
• The Lost Beatle Tapes / The Making of Let It Be
• Beatles comments on each of the songs
• Recording data and notes
• One of bootleg releases

The Beatles
John Lennon | Paul McCartney | George Harrison | Ringo Starr Pete Best | Stuart Sutcliffe
Management
Brian Epstein | Allen Klein | Apple Records
Production
George Martin | Geoff Emerick | Norman Smith | Phil Spector | Abbey Road Studios
Official studio albums
Please Please Me (1963) | With the Beatles (1963) | A Hard Day's Night (1964) | Beatles for Sale (1964) | Help! (1965) | Rubber Soul (1965) | Revolver (1966)  | Sgt. Pepper's Lonely Hearts Club Band (1967) | Magical Mystery Tour (1967) | The Beatles (The White Album) (1968) | Yellow Submarine (1969) | Abbey Road (1969) | Let It Be (1970)
Filmography
A Hard Day's Night (1964) | Help! (1965) | Magical Mystery Tour (1967) | Yellow Submarine (1968) | Let It Be (1970)
Related articles
Line-ups | Bootlegs | Lennon/McCartney | Anthology | Influence | The Quarrymen | London | Beatlemania | Fifth Beatle | Paul is dead | British Invasion | Apple Corps | Northern Songs | Yoko Ono
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