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- Abbe Prevost - MANON LESCAUT
- Alcott, Louisa M. - LITTLE MEN
- Alcott, Louisa M. - LITTLE WOMEN
- Alcott, Louisa May - JACK AND JILL
- Austen, Jane - EMMA
- Austen, Jane - MANSFIELD PARK
- Austen, Jane - NORTHANGER ABBEY
- Austen, Jane - PERSUASION
- Austen, Jane - PRIDE AND PREJUDICE
- Austen, Jane - SENSE AND SENSIBILITY
- Ballantyne, R. B. - THE CORAL ISLAND
- Balzac, Honore de - EUGENIE GRANDET
- Balzac, Honore de - FATHER GORIOT
- Baroness Orczy - THE SCARLET PIMPERNEL
- Barrie, James M. - PETER PAN
- Blackmore, R. D. - LORNA DOONE
- Boccaccio, Giovanni - DECAMERONE
- Bronte, Charlotte - JANE EYRE
- Bronte, Emily - WUTHERING HEIGHTS
- Buchan, John - PRESTER JOHN
- Buchan, John - THE THIRTY-NINE STEPS
- Bunyan, John - THE PILGRIM'S PROGRESS
- Burnett, Frances H. - A LITTLE PRINCESS
- Burnett, Frances H. - LITTLE LORD FAUNTLEROY
- Burnett, Frances H. - THE SECRET GARDEN
- Butler, Samuel - EREWHON
- Carroll, Lewis - ALICE IN WONDERLAND
- Carroll, Lewis - THROUGH THE LOOKING-GLASS
- Chaucer, Geoffrey - THE CANTERBURY TALES
- Chesterton, G. K. - A SHORT HISTORY OF ENGLAND
- Chesterton, G. K. - THE INNOCENCE OF FATHER BROWN
- Chesterton, G. K. - THE MAN WHO KNEW TOO MUCH
- Chesterton, G. K. - THE MAN WHO WAS THURSDAY
- Chesterton, G. K. - THE WISDOM OF FATHER BROWN
- Childers, Erskine - THE RIDDLE OF THE SANDS
- Christie, Agatha - THE MYSTERIOUSAFFAIR AT STYLES
- Christie, Agatha - THE SECRET ADVERSARY
- Collins, Wilkie - THE MOONSTONE
- Collodi, Carlo - THE ADVENTURES OF PINOCCHIO
- Conan Doyle, Arthur - A STUDY IN SCARLET
- Conan Doyle, Arthur - MEMOIRS OF SHERLOCK HOLMES
- Conan Doyle, Arthur - THE ADVENTURES OF SHERLOCK HOLMES
- Conan Doyle, Arthur - THE HOUND OF THE BASKERVILLES
- Conan Doyle, Arthur - THE SIGN OF THE FOUR
- Conrad, Joseph - HEART OF DARKNESS
- Conrad, Joseph - LORD JIM
- Conrad, Joseph - NOSTROMO
- Conrad, Joseph - THE NIGGER OF THE NARCISSUS
- Conrad, Joseph - TYPHOON
- Darwin, Charles - THE AUTOBIOGRAPHY OF CHARLES DARWIN
- Darwin, Charles - THE ORIGIN OF SPECIES
- Defoe, Daniel - MOLL FLANDERS
- Defoe, Daniel - ROBINSON CRUSOE
- Dickens, Charles - A CHRISTMAS CAROL
- Dickens, Charles - A TALE OF TWO CITIES
- Dickens, Charles - BLEAK HOUSE
- Dickens, Charles - DAVID COPPERFIELD
- Dickens, Charles - GREAT EXPECTATIONS
- Dickens, Charles - HARD TIMES
- Dickens, Charles - LITTLE DORRIT
- Dickens, Charles - MARTIN CHUZZLEWIT
- Dickens, Charles - OLIVER TWIST
- Dickens, Charles - PICTURES FROM ITALY
- Dickens, Charles - THE MYSTERY OF EDWIN DROOD
- Dickens, Charles - THE PICKWICK PAPERS
- Dostoevsky, Fyodor - CRIME AND PUNISHMENT
- Dostoyevsky, Fyodor - THE BROTHERS KARAMAZOV
- Du Maurier, George - TRILBY
- Dumas, Alexandre - THE COUNT OF MONTE CRISTO
- Dumas, Alexandre - THE MAN IN THE IRON MASK
- Dumas, Alexandre - THE THREE MUSKETEERS
- Eliot, George - ADAM BEDE
- Eliot, George - DANIEL DERONDA
- Eliot, George - MIDDLEMARCH
- Eliot, George - SILAS MARNER
- Eliot, George - THE MILL ON THE FLOSS
- Equiano - AUTOBIOGRAPHY
- Esopo - FABLES
- Fenimore Cooper, James - THE LAST OF THE MOHICANS
- Fielding, Henry - TOM JONES
- Flaubert, Gustave - MADAME BOVARY
- Frank Baum, L. - THE WONDERFUL WIZARD OF OZ
- Frazer, James George - THE GOLDEN BOUGH
- Freud, Sigmund - DREAM PSYCHOLOGY
- Galsworthy, John - THE FORSYTE SAGA
- Gilbert and Sullivan - PLAYS
- Gogol - DEAD SOULS
- Goldsmith, Oliver - SHE STOOPS TO CONQUER
- Goldsmith, Oliver - THE VICAR OF WAKEFIELD
- Grahame, Kenneth - THE WIND IN THE WILLOWS
- Hardy, Thomas - FAR FROM THE MADDING CROWD
- Hardy, Thomas - JUDE THE OBSCURE
- Hardy, Thomas - TESS OF THE D'URBERVILLES
- Hardy, Thomas - THE MAYOR OF CASTERBRIDGE
- Hawthorne, Nathaniel - THE SCARLET LETTER
- Hobbes, Thomas - LEVIATHAN
- Hope, Anthony - THE PRISONER OF ZENDA
- Hornung, E. W. - MR. JUSTICE RAFFLES
- Ibsen, Henrik - AN ENEMY OF THE PEOPLE
- Ibsen, Henrik - CASA DI BAMBOLA
- Ibsen, Henrik - GHOSTS
- Ibsen, Henrik - HEDDA GABLER
- Ibsen, Henrik - JOHN GABRIEL BORKMAN
- Ibsen, Henrik - PILLARS OF SOCIETY
- Ibsen, Henrik - ROSMERHOLM
- Ibsen, Henrik - THE LADY FROM THE SEA
- Ibsen, Henrik - THE MASTER BUILDER
- Ibsen, Henrik - WHEN WE DEAD AWAKEN
- Irving, Washington - THE LEGEND OF SLEEPY HOLLOW
- James, Henry - ITALIAN HOURS
- James, Henry - THE BOSTONIANS
- James, Henry - THE PORTRAIT OF A LADY
- James, Henry - THE TURN OF THE SCREW
- James, Henry - WASHINGTON SQUARE
- Jerome, Jerome K. - THREE MEN IN A BOAT
- Jerome, Jerome K. - THREE MEN ON THE BUMMEL
- Jonson, Ben - THE ALCHEMIST
- Jonson, Ben - VOLPONE
- Joyce, James - A PORTRAIT OF THE ARTIST AS A YOUNG MAN
- Joyce, James - DUBLINERS
- Joyce, James - ULYSSES
- Kingsley, Charles - THE WATER-BABIES
- Kipling, Rudyard - CAPTAINS COURAGEOUS
- Kipling, Rudyard - INDIAN TALES
- Kipling, Rudyard - JUST SO STORIES
- Kipling, Rudyard - KIM
- Kipling, Rudyard - THE JUNGLE BOOK
- Kipling, Rudyard - THE MAN WHO WOULD BE KING
- Kipling, Rudyard - THE SECOND JUNGLE BOOK
- Lawrence, D. H - THE RAINBOW
- Lawrence, D. H - THE WHITE PEACOCK
- Lawrence, D. H - TWILIGHT IN ITALY
- Lawrence, D. H. - SONS AND LOVERS
- Lawrence, D. H. - WOMEN IN LOVE
- Lear, Edward - BOOK OF NONSENSE
- Lear, Edward - LAUGHABLE LYRICS
- Lear, Edward - MORE NONSENSE
- Lear, Edward - NONSENSE SONG
- London, Jack - MARTIN EDEN
- London, Jack - THE CALL OF THE WILD
- London, Jack - WHITE FANG
- Malthus, Thomas - PRINCIPLE OF POPULATION
- Marryat, Captain - THE CHILDREN OF THE NEW FOREST
- Marx, Karl - THE COMMUNIST MANIFESTO
- Mary, Charles and - TALES FROM SHAKESPEARE
- Melville, Hermann - MOBY DICK
- Melville, Hermann - TYPEE
- Mrs. Beeton - THE BOOK OF HOUSEHOLD MANAGEMENT
- Nesbit, E. - FIVE CHILDREN AND IT
- Nesbit, E. - THE PHOENIX AND THE CARPET
- Nesbit, E. - THE RAILWAY CHILDREN
- Nesbit, E. - THE STORY OF THE AMULET
- Pascal, Blaise - PENSEES
- Pellico, Silvio - LE MIE PRIGIONI
- Poe, Edgar A. - THE FALL OF THE HOUSE OF USHER
- Richardson, Samuel - PAMELA
- Rider Haggard, H. - ALLAN QUATERMAIN
- Rider Haggard, H. - KING SOLOMON'S MINES
- Schopenhauer, Arthur - THE ART OF CONTROVERSY
- Scott, Walter - IVANHOE
- Scott, Walter - QUENTIN DURWARD
- Scott, Walter - ROB ROY
- Scott, Walter - THE BRIDE OF LAMMERMOOR
- Scott, Walter - WAVERLEY
- Sewell, Anna - BLACK BEAUTY
- Shelley, Mary - FRANKENSTEIN
- Sheridan, Richard B. - THE SCHOOL FOR SCANDAL
- Sienkiewicz, Henryk - QUO VADIS
- Sterne, Laurence - A SENTIMENTAL JOURNEY
- Sterne, Laurence - TRISTRAM SHANDY
- Stevenson, Robert Louis - KIDNAPPED
- Stevenson, Robert Louis - THE BLACK ARROW
- Stevenson, Robert Louis - THE MASTER OF BALLANTRAE
- Stevenson, Robert Louis - THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE
- Stevenson, Robert Louis - TREASURE ISLAND
- Stoker, Bram - DRACULA
- Strindberg, August - LUCKY PEHR
- Strindberg, August - MASTER OLOF
- Strindberg, August - THE RED ROOM
- Strindberg, August - THE ROAD TO DAMASCUS
- Strindberg, August - THERE ARE CRIMES AND CRIMES
- Swift, Jonathan - A MODEST PROPOSAL
- Swift, Jonathan - A TALE OF A TUB
- Swift, Jonathan - GULLIVER'S TRAVELS
- Thackeray, William - BARRY LYNDON
- Thackeray, William - VANITY FAIR
- Tolstoi, Lev - WAR AND PEACE
- Tolstoy, Leo - ANNA KARENINA
- Tolstoy, Leo - WAR AND PEACE
- Trollope, Anthony - BARCHESTER TOWERS
- Trollope, Anthony - THE WARDEN
- Twain, Mark - THE ADVENTURES OF HUCKLEBERRY FINN
- Twain, Mark - THE ADVENTURES OF TOM SAWYER
- Twain, Mark - THE PRINCE AND THE PAUPER
- Verne, Jules - 20000 LEAGUES UNDER THE SEAS
- Verne, Jules - A JOURNEY TO THE CENTRE OF THE EARTH
- Verne, Jules - ALL AROUND THE MOON
- Verne, Jules - AROUND THE WORLD IN 80 DAYS
- Verne, Jules - FIVE WEEKS IN A BALLOON
- Verne, Jules - MICHAEL STROGOFF
- Verne, Jules - THE MYSTERIOUS ISLAND
- Wallace, Edgar - SANDERS OF THE RIVER
- Wallace, Edgar - THE DAFFODIL MYSTERY
- Wallace, Lew - BEN HUR
- Wells, H. G. - KIPPS
- Wells, H. G. - THE INVISIBLE MAN
- Wells, H. G. - THE WAR OF THE WORLDS
- Wilde, Oscar - A WOMAN OF NO IMPORTANCE
- Wilde, Oscar - AN IDEAL HUSBAND
- Wilde, Oscar - DE PROFUNDIS
- Wilde, Oscar - LADY WINDERMERE'S FAN
- Wilde, Oscar - THE CANTERVILLE GHOST
- Wilde, Oscar - THE HAPPY PRINCE AND OTHER TALES
- Wilde, Oscar - THE IMPORTANCE OF BEING EARNEST
- Wilde, Oscar - THE PICTURE OF DORIAN GREY
- Woolf, Virgina - THE VOYAGE OUT
- Woolf, Virgina - NIGHT AND DAY
- Woolf, Virginia - LA STANZA DI JACOB
- Woolf, Virginia - MONDAY OR TUESDAY
- Yeats, William Butler - THE COUNTESS CATHLEEN
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<<< - >>>
If he is secretly conscious of his own weakness, and accustomed to
hear much that he does not understand, and to make as though he did,
you can easily impose upon him by some serious fooling that sounds
very deep or learned, and deprives him of hearing, sight, and thought;
and by giving out that it is the most indisputable proof of what you
assert. It is a well-known fact that in recent times some philosophers
have practised this trick on the whole of the public with the most
brilliant success. But since present examples are odious, we may refer
to _The Vicar of Wakefield_ for an old one.
XXXVII.
Should your opponent be in the right, but, luckily for your
contention, choose a faulty proof, you can easily manage to refute it,
and then claim that you have thus refuted his whole position. This
is a trick which ought to be one of the first; it is, at bottom, an
expedient by which an _argumentum ad hominem_ is put forward as an
_argumentum ad rem_. If no accurate proof occurs to him or to the
bystanders, you have won the day. For example, if a man advances the
ontological argument by way of proving God's existence, you can get
the best of him, for the ontological argument may easily be refuted.
This is the way in which bad advocates lose a good case, by trying to
justify it by an authority which does not fit it, when no fitting one
occurs to them.
XXXVIII.
A last trick is to become personal, insulting, rude, as soon as you
perceive that your opponent has the upper hand, and that you are going
to come off worst. It consists in passing from the subject of dispute,
as from a lost game, to the disputant himself, and in some way
attacking his person. It may be called the _argumentum ad personam_,
to distinguish it from the _argumentum ad hominem_, which passes
from the objective discussion of the subject pure and simple to the
statements or admissions which your opponent has made in regard to it.
But in becoming personal you leave the subject altogether, and turn
your attack to his person, by remarks of an offensive and spiteful
character. It is an appeal from the virtues of the intellect to the
virtues of the body, or to mere animalism. This is a very popular
trick, because every one is able to carry it into effect; and so it
is of frequent application. Now the question is, What counter-trick
avails for the other party? for if he has recourse to the same rule,
there will be blows, or a duel, or an action for slander.
It would be a great mistake to suppose that it is sufficient not to
become personal yourself. For by showing a man quite quietly that he
is wrong, and that what he says and thinks is incorrect--a process
<<< - >>>
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