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- Abbe Prevost - MANON LESCAUT
- Alcott, Louisa M. - LITTLE MEN
- Alcott, Louisa M. - LITTLE WOMEN
- Alcott, Louisa May - JACK AND JILL
- Austen, Jane - EMMA
- Austen, Jane - MANSFIELD PARK
- Austen, Jane - NORTHANGER ABBEY
- Austen, Jane - PERSUASION
- Austen, Jane - PRIDE AND PREJUDICE
- Austen, Jane - SENSE AND SENSIBILITY
- Ballantyne, R. B. - THE CORAL ISLAND
- Balzac, Honore de - EUGENIE GRANDET
- Balzac, Honore de - FATHER GORIOT
- Baroness Orczy - THE SCARLET PIMPERNEL
- Barrie, James M. - PETER PAN
- Blackmore, R. D. - LORNA DOONE
- Boccaccio, Giovanni - DECAMERONE
- Bronte, Charlotte - JANE EYRE
- Bronte, Emily - WUTHERING HEIGHTS
- Buchan, John - PRESTER JOHN
- Buchan, John - THE THIRTY-NINE STEPS
- Bunyan, John - THE PILGRIM'S PROGRESS
- Burnett, Frances H. - A LITTLE PRINCESS
- Burnett, Frances H. - LITTLE LORD FAUNTLEROY
- Burnett, Frances H. - THE SECRET GARDEN
- Butler, Samuel - EREWHON
- Carroll, Lewis - ALICE IN WONDERLAND
- Carroll, Lewis - THROUGH THE LOOKING-GLASS
- Chaucer, Geoffrey - THE CANTERBURY TALES
- Chesterton, G. K. - A SHORT HISTORY OF ENGLAND
- Chesterton, G. K. - THE INNOCENCE OF FATHER BROWN
- Chesterton, G. K. - THE MAN WHO KNEW TOO MUCH
- Chesterton, G. K. - THE MAN WHO WAS THURSDAY
- Chesterton, G. K. - THE WISDOM OF FATHER BROWN
- Childers, Erskine - THE RIDDLE OF THE SANDS
- Christie, Agatha - THE MYSTERIOUSAFFAIR AT STYLES
- Christie, Agatha - THE SECRET ADVERSARY
- Collins, Wilkie - THE MOONSTONE
- Collodi, Carlo - THE ADVENTURES OF PINOCCHIO
- Conan Doyle, Arthur - A STUDY IN SCARLET
- Conan Doyle, Arthur - MEMOIRS OF SHERLOCK HOLMES
- Conan Doyle, Arthur - THE ADVENTURES OF SHERLOCK HOLMES
- Conan Doyle, Arthur - THE HOUND OF THE BASKERVILLES
- Conan Doyle, Arthur - THE SIGN OF THE FOUR
- Conrad, Joseph - HEART OF DARKNESS
- Conrad, Joseph - LORD JIM
- Conrad, Joseph - NOSTROMO
- Conrad, Joseph - THE NIGGER OF THE NARCISSUS
- Conrad, Joseph - TYPHOON
- Darwin, Charles - THE AUTOBIOGRAPHY OF CHARLES DARWIN
- Darwin, Charles - THE ORIGIN OF SPECIES
- Defoe, Daniel - MOLL FLANDERS
- Defoe, Daniel - ROBINSON CRUSOE
- Dickens, Charles - A CHRISTMAS CAROL
- Dickens, Charles - A TALE OF TWO CITIES
- Dickens, Charles - BLEAK HOUSE
- Dickens, Charles - DAVID COPPERFIELD
- Dickens, Charles - GREAT EXPECTATIONS
- Dickens, Charles - HARD TIMES
- Dickens, Charles - LITTLE DORRIT
- Dickens, Charles - MARTIN CHUZZLEWIT
- Dickens, Charles - OLIVER TWIST
- Dickens, Charles - PICTURES FROM ITALY
- Dickens, Charles - THE MYSTERY OF EDWIN DROOD
- Dickens, Charles - THE PICKWICK PAPERS
- Dostoevsky, Fyodor - CRIME AND PUNISHMENT
- Dostoyevsky, Fyodor - THE BROTHERS KARAMAZOV
- Du Maurier, George - TRILBY
- Dumas, Alexandre - THE COUNT OF MONTE CRISTO
- Dumas, Alexandre - THE MAN IN THE IRON MASK
- Dumas, Alexandre - THE THREE MUSKETEERS
- Eliot, George - ADAM BEDE
- Eliot, George - DANIEL DERONDA
- Eliot, George - MIDDLEMARCH
- Eliot, George - SILAS MARNER
- Eliot, George - THE MILL ON THE FLOSS
- Equiano - AUTOBIOGRAPHY
- Esopo - FABLES
- Fenimore Cooper, James - THE LAST OF THE MOHICANS
- Fielding, Henry - TOM JONES
- Flaubert, Gustave - MADAME BOVARY
- Frank Baum, L. - THE WONDERFUL WIZARD OF OZ
- Frazer, James George - THE GOLDEN BOUGH
- Freud, Sigmund - DREAM PSYCHOLOGY
- Galsworthy, John - THE FORSYTE SAGA
- Gilbert and Sullivan - PLAYS
- Gogol - DEAD SOULS
- Goldsmith, Oliver - SHE STOOPS TO CONQUER
- Goldsmith, Oliver - THE VICAR OF WAKEFIELD
- Grahame, Kenneth - THE WIND IN THE WILLOWS
- Hardy, Thomas - FAR FROM THE MADDING CROWD
- Hardy, Thomas - JUDE THE OBSCURE
- Hardy, Thomas - TESS OF THE D'URBERVILLES
- Hardy, Thomas - THE MAYOR OF CASTERBRIDGE
- Hawthorne, Nathaniel - THE SCARLET LETTER
- Hobbes, Thomas - LEVIATHAN
- Hope, Anthony - THE PRISONER OF ZENDA
- Hornung, E. W. - MR. JUSTICE RAFFLES
- Ibsen, Henrik - AN ENEMY OF THE PEOPLE
- Ibsen, Henrik - CASA DI BAMBOLA
- Ibsen, Henrik - GHOSTS
- Ibsen, Henrik - HEDDA GABLER
- Ibsen, Henrik - JOHN GABRIEL BORKMAN
- Ibsen, Henrik - PILLARS OF SOCIETY
- Ibsen, Henrik - ROSMERHOLM
- Ibsen, Henrik - THE LADY FROM THE SEA
- Ibsen, Henrik - THE MASTER BUILDER
- Ibsen, Henrik - WHEN WE DEAD AWAKEN
- Irving, Washington - THE LEGEND OF SLEEPY HOLLOW
- James, Henry - ITALIAN HOURS
- James, Henry - THE BOSTONIANS
- James, Henry - THE PORTRAIT OF A LADY
- James, Henry - THE TURN OF THE SCREW
- James, Henry - WASHINGTON SQUARE
- Jerome, Jerome K. - THREE MEN IN A BOAT
- Jerome, Jerome K. - THREE MEN ON THE BUMMEL
- Jonson, Ben - THE ALCHEMIST
- Jonson, Ben - VOLPONE
- Joyce, James - A PORTRAIT OF THE ARTIST AS A YOUNG MAN
- Joyce, James - DUBLINERS
- Joyce, James - ULYSSES
- Kingsley, Charles - THE WATER-BABIES
- Kipling, Rudyard - CAPTAINS COURAGEOUS
- Kipling, Rudyard - INDIAN TALES
- Kipling, Rudyard - JUST SO STORIES
- Kipling, Rudyard - KIM
- Kipling, Rudyard - THE JUNGLE BOOK
- Kipling, Rudyard - THE MAN WHO WOULD BE KING
- Kipling, Rudyard - THE SECOND JUNGLE BOOK
- Lawrence, D. H - THE RAINBOW
- Lawrence, D. H - THE WHITE PEACOCK
- Lawrence, D. H - TWILIGHT IN ITALY
- Lawrence, D. H. - SONS AND LOVERS
- Lawrence, D. H. - WOMEN IN LOVE
- Lear, Edward - BOOK OF NONSENSE
- Lear, Edward - LAUGHABLE LYRICS
- Lear, Edward - MORE NONSENSE
- Lear, Edward - NONSENSE SONG
- London, Jack - MARTIN EDEN
- London, Jack - THE CALL OF THE WILD
- London, Jack - WHITE FANG
- Malthus, Thomas - PRINCIPLE OF POPULATION
- Marryat, Captain - THE CHILDREN OF THE NEW FOREST
- Marx, Karl - THE COMMUNIST MANIFESTO
- Mary, Charles and - TALES FROM SHAKESPEARE
- Melville, Hermann - MOBY DICK
- Melville, Hermann - TYPEE
- Mrs. Beeton - THE BOOK OF HOUSEHOLD MANAGEMENT
- Nesbit, E. - FIVE CHILDREN AND IT
- Nesbit, E. - THE PHOENIX AND THE CARPET
- Nesbit, E. - THE RAILWAY CHILDREN
- Nesbit, E. - THE STORY OF THE AMULET
- Pascal, Blaise - PENSEES
- Pellico, Silvio - LE MIE PRIGIONI
- Poe, Edgar A. - THE FALL OF THE HOUSE OF USHER
- Richardson, Samuel - PAMELA
- Rider Haggard, H. - ALLAN QUATERMAIN
- Rider Haggard, H. - KING SOLOMON'S MINES
- Schopenhauer, Arthur - THE ART OF CONTROVERSY
- Scott, Walter - IVANHOE
- Scott, Walter - QUENTIN DURWARD
- Scott, Walter - ROB ROY
- Scott, Walter - THE BRIDE OF LAMMERMOOR
- Scott, Walter - WAVERLEY
- Sewell, Anna - BLACK BEAUTY
- Shelley, Mary - FRANKENSTEIN
- Sheridan, Richard B. - THE SCHOOL FOR SCANDAL
- Sienkiewicz, Henryk - QUO VADIS
- Sterne, Laurence - A SENTIMENTAL JOURNEY
- Sterne, Laurence - TRISTRAM SHANDY
- Stevenson, Robert Louis - KIDNAPPED
- Stevenson, Robert Louis - THE BLACK ARROW
- Stevenson, Robert Louis - THE MASTER OF BALLANTRAE
- Stevenson, Robert Louis - THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE
- Stevenson, Robert Louis - TREASURE ISLAND
- Stoker, Bram - DRACULA
- Strindberg, August - LUCKY PEHR
- Strindberg, August - MASTER OLOF
- Strindberg, August - THE RED ROOM
- Strindberg, August - THE ROAD TO DAMASCUS
- Strindberg, August - THERE ARE CRIMES AND CRIMES
- Swift, Jonathan - A MODEST PROPOSAL
- Swift, Jonathan - A TALE OF A TUB
- Swift, Jonathan - GULLIVER'S TRAVELS
- Thackeray, William - BARRY LYNDON
- Thackeray, William - VANITY FAIR
- Tolstoi, Lev - WAR AND PEACE
- Tolstoy, Leo - ANNA KARENINA
- Tolstoy, Leo - WAR AND PEACE
- Trollope, Anthony - BARCHESTER TOWERS
- Trollope, Anthony - THE WARDEN
- Twain, Mark - THE ADVENTURES OF HUCKLEBERRY FINN
- Twain, Mark - THE ADVENTURES OF TOM SAWYER
- Twain, Mark - THE PRINCE AND THE PAUPER
- Verne, Jules - 20000 LEAGUES UNDER THE SEAS
- Verne, Jules - A JOURNEY TO THE CENTRE OF THE EARTH
- Verne, Jules - ALL AROUND THE MOON
- Verne, Jules - AROUND THE WORLD IN 80 DAYS
- Verne, Jules - FIVE WEEKS IN A BALLOON
- Verne, Jules - MICHAEL STROGOFF
- Verne, Jules - THE MYSTERIOUS ISLAND
- Wallace, Edgar - SANDERS OF THE RIVER
- Wallace, Edgar - THE DAFFODIL MYSTERY
- Wallace, Lew - BEN HUR
- Wells, H. G. - KIPPS
- Wells, H. G. - THE INVISIBLE MAN
- Wells, H. G. - THE WAR OF THE WORLDS
- Wilde, Oscar - A WOMAN OF NO IMPORTANCE
- Wilde, Oscar - AN IDEAL HUSBAND
- Wilde, Oscar - DE PROFUNDIS
- Wilde, Oscar - LADY WINDERMERE'S FAN
- Wilde, Oscar - THE CANTERVILLE GHOST
- Wilde, Oscar - THE HAPPY PRINCE AND OTHER TALES
- Wilde, Oscar - THE IMPORTANCE OF BEING EARNEST
- Wilde, Oscar - THE PICTURE OF DORIAN GREY
- Woolf, Virgina - THE VOYAGE OUT
- Woolf, Virgina - NIGHT AND DAY
- Woolf, Virginia - LA STANZA DI JACOB
- Woolf, Virginia - MONDAY OR TUESDAY
- Yeats, William Butler - THE COUNTESS CATHLEEN
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<<< - >>> it more than he. None has more vigorously applauded Miss Austen than
Scott, and it was thus that as the "Author of 'Waverley'" he addressed
Miss Edgeworth, through James Ballantyne: "If I could but hit it, Miss
Edgeworth's wonderful power of vivifying all her persons, and making
there live as beings in your mind, I should not be afraid." "Often,"
Ballantyne goes on, "has the Author of 'Waverley' used such language to
me; and I knew that I gratified him most when I could say, 'Positively,
this is equal to Miss Edgeworth.'"
Thus Scott's own taste was catholic: and in this he was particularly
unlike the modern novelists, who proclaim, from both sides of the
Atlantic, that only in their own methods, and in sharing their own
exclusive tastes, is literary salvation. The prince of Romance was no
one-sided romanticiste; his ear was open to all fiction good in its kind.
His generosity made him think Miss Edgeworth's persons more alive than
his own. To his own romances he preferred Mrs. Shelley's "Frankenstein."
[Scott reviewed "Frankenstein" in 1818. Mr. Shelley had sent it with a
brief note, it, which he said that it was the work of a friend, and that
he had only seen it through the press. Sir Walter passed the hook on to
Mr. Murritt, who, in reply, gave Scott a brief and not very accurate
history of Shelley. Sir Walter then wrote a most favourable review of
"Frankenstein" in "Blackwood's Magazine," observing that it was
attributed to Mr. Percy Bysshe Shelley, a son-in-law of Mr. Godwin. Mrs.
Shelley presently wrote thanking him for the review, and assuring him
that it was her own work. Scott had apparently taken Sheller's disclaimer
as an innocent evasion; it was an age of literary superscheries.
--Abbotsford Manuscripts.]
As a critic, of course, he was mistaken; but his was the generous error
of the heart, and it is the heart in Walter Scott, even more than the
brain, that lends its own vitality to his creations. Equipped as he was
with a taste truly catholic, capable in old age of admiring "Pelham," he
had the power to do what he calls "the big bow-wow strain;" yet he was
not, as in his modesty he supposed, denied "the exquisite torch which
renders ordinary commonplace things and characters interesting, from the
truth of the description and the sentiment."
The letter of Rose Bradwardine to Waverley is alone enough to disprove
Scott's disparagement of himself, his belief that he had been denied
exquisiteness of touch. Nothing human is more delicate, nothing should be
more delicately handled, than the first love of a girl. What the
"analytical" modern novelist would pass over and dissect and place
beneath his microscope till a student of any manliness blushes with shame
and annoyance, Scott suffers Rose Bradwardine to reveal with a sensitive
shyness. But Scott, of course, had even less in common with the peeper
and botanizer on maidens' hearts than with the wildest romanticist. He
considered that "a want of story is always fatal to a book the first
reading, and it is well if it gets a chance of a second." From him "Pride
and Prejudice" got a chance of three readings at least. This generous
<<< - >>>
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