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- Abbe Prevost - MANON LESCAUT
- Alcott, Louisa M. - LITTLE MEN
- Alcott, Louisa M. - LITTLE WOMEN
- Alcott, Louisa May - JACK AND JILL
- Austen, Jane - EMMA
- Austen, Jane - MANSFIELD PARK
- Austen, Jane - NORTHANGER ABBEY
- Austen, Jane - PERSUASION
- Austen, Jane - PRIDE AND PREJUDICE
- Austen, Jane - SENSE AND SENSIBILITY
- Ballantyne, R. B. - THE CORAL ISLAND
- Balzac, Honore de - EUGENIE GRANDET
- Balzac, Honore de - FATHER GORIOT
- Baroness Orczy - THE SCARLET PIMPERNEL
- Barrie, James M. - PETER PAN
- Blackmore, R. D. - LORNA DOONE
- Boccaccio, Giovanni - DECAMERONE
- Bronte, Charlotte - JANE EYRE
- Bronte, Emily - WUTHERING HEIGHTS
- Buchan, John - PRESTER JOHN
- Buchan, John - THE THIRTY-NINE STEPS
- Bunyan, John - THE PILGRIM'S PROGRESS
- Burnett, Frances H. - A LITTLE PRINCESS
- Burnett, Frances H. - LITTLE LORD FAUNTLEROY
- Burnett, Frances H. - THE SECRET GARDEN
- Butler, Samuel - EREWHON
- Carroll, Lewis - ALICE IN WONDERLAND
- Carroll, Lewis - THROUGH THE LOOKING-GLASS
- Chaucer, Geoffrey - THE CANTERBURY TALES
- Chesterton, G. K. - A SHORT HISTORY OF ENGLAND
- Chesterton, G. K. - THE INNOCENCE OF FATHER BROWN
- Chesterton, G. K. - THE MAN WHO KNEW TOO MUCH
- Chesterton, G. K. - THE MAN WHO WAS THURSDAY
- Chesterton, G. K. - THE WISDOM OF FATHER BROWN
- Childers, Erskine - THE RIDDLE OF THE SANDS
- Christie, Agatha - THE MYSTERIOUSAFFAIR AT STYLES
- Christie, Agatha - THE SECRET ADVERSARY
- Collins, Wilkie - THE MOONSTONE
- Collodi, Carlo - THE ADVENTURES OF PINOCCHIO
- Conan Doyle, Arthur - A STUDY IN SCARLET
- Conan Doyle, Arthur - MEMOIRS OF SHERLOCK HOLMES
- Conan Doyle, Arthur - THE ADVENTURES OF SHERLOCK HOLMES
- Conan Doyle, Arthur - THE HOUND OF THE BASKERVILLES
- Conan Doyle, Arthur - THE SIGN OF THE FOUR
- Conrad, Joseph - HEART OF DARKNESS
- Conrad, Joseph - LORD JIM
- Conrad, Joseph - NOSTROMO
- Conrad, Joseph - THE NIGGER OF THE NARCISSUS
- Conrad, Joseph - TYPHOON
- Darwin, Charles - THE AUTOBIOGRAPHY OF CHARLES DARWIN
- Darwin, Charles - THE ORIGIN OF SPECIES
- Defoe, Daniel - MOLL FLANDERS
- Defoe, Daniel - ROBINSON CRUSOE
- Dickens, Charles - A CHRISTMAS CAROL
- Dickens, Charles - A TALE OF TWO CITIES
- Dickens, Charles - BLEAK HOUSE
- Dickens, Charles - DAVID COPPERFIELD
- Dickens, Charles - GREAT EXPECTATIONS
- Dickens, Charles - HARD TIMES
- Dickens, Charles - LITTLE DORRIT
- Dickens, Charles - MARTIN CHUZZLEWIT
- Dickens, Charles - OLIVER TWIST
- Dickens, Charles - PICTURES FROM ITALY
- Dickens, Charles - THE MYSTERY OF EDWIN DROOD
- Dickens, Charles - THE PICKWICK PAPERS
- Dostoevsky, Fyodor - CRIME AND PUNISHMENT
- Dostoyevsky, Fyodor - THE BROTHERS KARAMAZOV
- Du Maurier, George - TRILBY
- Dumas, Alexandre - THE COUNT OF MONTE CRISTO
- Dumas, Alexandre - THE MAN IN THE IRON MASK
- Dumas, Alexandre - THE THREE MUSKETEERS
- Eliot, George - ADAM BEDE
- Eliot, George - DANIEL DERONDA
- Eliot, George - MIDDLEMARCH
- Eliot, George - SILAS MARNER
- Eliot, George - THE MILL ON THE FLOSS
- Equiano - AUTOBIOGRAPHY
- Esopo - FABLES
- Fenimore Cooper, James - THE LAST OF THE MOHICANS
- Fielding, Henry - TOM JONES
- Flaubert, Gustave - MADAME BOVARY
- Frank Baum, L. - THE WONDERFUL WIZARD OF OZ
- Frazer, James George - THE GOLDEN BOUGH
- Freud, Sigmund - DREAM PSYCHOLOGY
- Galsworthy, John - THE FORSYTE SAGA
- Gilbert and Sullivan - PLAYS
- Gogol - DEAD SOULS
- Goldsmith, Oliver - SHE STOOPS TO CONQUER
- Goldsmith, Oliver - THE VICAR OF WAKEFIELD
- Grahame, Kenneth - THE WIND IN THE WILLOWS
- Hardy, Thomas - FAR FROM THE MADDING CROWD
- Hardy, Thomas - JUDE THE OBSCURE
- Hardy, Thomas - TESS OF THE D'URBERVILLES
- Hardy, Thomas - THE MAYOR OF CASTERBRIDGE
- Hawthorne, Nathaniel - THE SCARLET LETTER
- Hobbes, Thomas - LEVIATHAN
- Hope, Anthony - THE PRISONER OF ZENDA
- Hornung, E. W. - MR. JUSTICE RAFFLES
- Ibsen, Henrik - AN ENEMY OF THE PEOPLE
- Ibsen, Henrik - CASA DI BAMBOLA
- Ibsen, Henrik - GHOSTS
- Ibsen, Henrik - HEDDA GABLER
- Ibsen, Henrik - JOHN GABRIEL BORKMAN
- Ibsen, Henrik - PILLARS OF SOCIETY
- Ibsen, Henrik - ROSMERHOLM
- Ibsen, Henrik - THE LADY FROM THE SEA
- Ibsen, Henrik - THE MASTER BUILDER
- Ibsen, Henrik - WHEN WE DEAD AWAKEN
- Irving, Washington - THE LEGEND OF SLEEPY HOLLOW
- James, Henry - ITALIAN HOURS
- James, Henry - THE BOSTONIANS
- James, Henry - THE PORTRAIT OF A LADY
- James, Henry - THE TURN OF THE SCREW
- James, Henry - WASHINGTON SQUARE
- Jerome, Jerome K. - THREE MEN IN A BOAT
- Jerome, Jerome K. - THREE MEN ON THE BUMMEL
- Jonson, Ben - THE ALCHEMIST
- Jonson, Ben - VOLPONE
- Joyce, James - A PORTRAIT OF THE ARTIST AS A YOUNG MAN
- Joyce, James - DUBLINERS
- Joyce, James - ULYSSES
- Kingsley, Charles - THE WATER-BABIES
- Kipling, Rudyard - CAPTAINS COURAGEOUS
- Kipling, Rudyard - INDIAN TALES
- Kipling, Rudyard - JUST SO STORIES
- Kipling, Rudyard - KIM
- Kipling, Rudyard - THE JUNGLE BOOK
- Kipling, Rudyard - THE MAN WHO WOULD BE KING
- Kipling, Rudyard - THE SECOND JUNGLE BOOK
- Lawrence, D. H - THE RAINBOW
- Lawrence, D. H - THE WHITE PEACOCK
- Lawrence, D. H - TWILIGHT IN ITALY
- Lawrence, D. H. - SONS AND LOVERS
- Lawrence, D. H. - WOMEN IN LOVE
- Lear, Edward - BOOK OF NONSENSE
- Lear, Edward - LAUGHABLE LYRICS
- Lear, Edward - MORE NONSENSE
- Lear, Edward - NONSENSE SONG
- London, Jack - MARTIN EDEN
- London, Jack - THE CALL OF THE WILD
- London, Jack - WHITE FANG
- Malthus, Thomas - PRINCIPLE OF POPULATION
- Marryat, Captain - THE CHILDREN OF THE NEW FOREST
- Marx, Karl - THE COMMUNIST MANIFESTO
- Mary, Charles and - TALES FROM SHAKESPEARE
- Melville, Hermann - MOBY DICK
- Melville, Hermann - TYPEE
- Mrs. Beeton - THE BOOK OF HOUSEHOLD MANAGEMENT
- Nesbit, E. - FIVE CHILDREN AND IT
- Nesbit, E. - THE PHOENIX AND THE CARPET
- Nesbit, E. - THE RAILWAY CHILDREN
- Nesbit, E. - THE STORY OF THE AMULET
- Pascal, Blaise - PENSEES
- Pellico, Silvio - LE MIE PRIGIONI
- Poe, Edgar A. - THE FALL OF THE HOUSE OF USHER
- Richardson, Samuel - PAMELA
- Rider Haggard, H. - ALLAN QUATERMAIN
- Rider Haggard, H. - KING SOLOMON'S MINES
- Schopenhauer, Arthur - THE ART OF CONTROVERSY
- Scott, Walter - IVANHOE
- Scott, Walter - QUENTIN DURWARD
- Scott, Walter - ROB ROY
- Scott, Walter - THE BRIDE OF LAMMERMOOR
- Scott, Walter - WAVERLEY
- Sewell, Anna - BLACK BEAUTY
- Shelley, Mary - FRANKENSTEIN
- Sheridan, Richard B. - THE SCHOOL FOR SCANDAL
- Sienkiewicz, Henryk - QUO VADIS
- Sterne, Laurence - A SENTIMENTAL JOURNEY
- Sterne, Laurence - TRISTRAM SHANDY
- Stevenson, Robert Louis - KIDNAPPED
- Stevenson, Robert Louis - THE BLACK ARROW
- Stevenson, Robert Louis - THE MASTER OF BALLANTRAE
- Stevenson, Robert Louis - THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE
- Stevenson, Robert Louis - TREASURE ISLAND
- Stoker, Bram - DRACULA
- Strindberg, August - LUCKY PEHR
- Strindberg, August - MASTER OLOF
- Strindberg, August - THE RED ROOM
- Strindberg, August - THE ROAD TO DAMASCUS
- Strindberg, August - THERE ARE CRIMES AND CRIMES
- Swift, Jonathan - A MODEST PROPOSAL
- Swift, Jonathan - A TALE OF A TUB
- Swift, Jonathan - GULLIVER'S TRAVELS
- Thackeray, William - BARRY LYNDON
- Thackeray, William - VANITY FAIR
- Tolstoi, Lev - WAR AND PEACE
- Tolstoy, Leo - ANNA KARENINA
- Tolstoy, Leo - WAR AND PEACE
- Trollope, Anthony - BARCHESTER TOWERS
- Trollope, Anthony - THE WARDEN
- Twain, Mark - THE ADVENTURES OF HUCKLEBERRY FINN
- Twain, Mark - THE ADVENTURES OF TOM SAWYER
- Twain, Mark - THE PRINCE AND THE PAUPER
- Verne, Jules - 20000 LEAGUES UNDER THE SEAS
- Verne, Jules - A JOURNEY TO THE CENTRE OF THE EARTH
- Verne, Jules - ALL AROUND THE MOON
- Verne, Jules - AROUND THE WORLD IN 80 DAYS
- Verne, Jules - FIVE WEEKS IN A BALLOON
- Verne, Jules - MICHAEL STROGOFF
- Verne, Jules - THE MYSTERIOUS ISLAND
- Wallace, Edgar - SANDERS OF THE RIVER
- Wallace, Edgar - THE DAFFODIL MYSTERY
- Wallace, Lew - BEN HUR
- Wells, H. G. - KIPPS
- Wells, H. G. - THE INVISIBLE MAN
- Wells, H. G. - THE WAR OF THE WORLDS
- Wilde, Oscar - A WOMAN OF NO IMPORTANCE
- Wilde, Oscar - AN IDEAL HUSBAND
- Wilde, Oscar - DE PROFUNDIS
- Wilde, Oscar - LADY WINDERMERE'S FAN
- Wilde, Oscar - THE CANTERVILLE GHOST
- Wilde, Oscar - THE HAPPY PRINCE AND OTHER TALES
- Wilde, Oscar - THE IMPORTANCE OF BEING EARNEST
- Wilde, Oscar - THE PICTURE OF DORIAN GREY
- Woolf, Virgina - THE VOYAGE OUT
- Woolf, Virgina - NIGHT AND DAY
- Woolf, Virginia - LA STANZA DI JACOB
- Woolf, Virginia - MONDAY OR TUESDAY
- Yeats, William Butler - THE COUNTESS CATHLEEN
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<<< - >>> until the eighteenth century; and even when it came it was far less
vivid and vital than what came in the sixteenth. What came then was not
Imperialism; it was Anti-Imperialism. England achieved, at the beginning
of her modern history, that one thing human imagination will always find
heroic--the story of a small nationality. The business of the Armada was
to her what Bannockburn was to the Scots, or Majuba to the Boers--a
victory that astonished even the victors. What was opposed to them was
Imperialism in its complete and colossal sense, a thing unthinkable
since Rome. It was, in no overstrained sense, civilization itself. It
was the greatness of Spain that was the glory of England. It is only
when we realize that the English were, by comparison, as dingy, as
undeveloped, as petty and provincial as Boers, that we can appreciate
the height of their defiance or the splendour of their escape. We can
only grasp it by grasping that for a great part of Europe the cause of
the Armada had almost the cosmopolitan common sense of a crusade. The
Pope had declared Elizabeth illegitimate--logically, it is hard to see
what else he could say, having declared her mother's marriage invalid;
but the fact was another and perhaps a final stroke sundering England
from the elder world. Meanwhile those picturesque English privateers who
had plagued the Spanish Empire of the New World were spoken of in the
South simply as pirates, and technically the description was true; only
technical assaults by the weaker party are in retrospect rightly judged
with some generous weakness. Then, as if to stamp the contrast in an
imperishable image, Spain, or rather the empire with Spain for its
centre, put forth all its strength, and seemed to cover the sea with a
navy like the legendary navy of Xerxes. It bore down on the doomed
island with the weight and solemnity of a day of judgment; sailors or
pirates struck at it with small ships staggering under large cannon,
fought it with mere masses of flaming rubbish, and in that last hour of
grapple a great storm arose out of the sea and swept round the island,
and the gigantic fleet was seen no more. The uncanny completeness and
abrupt silence that swallowed this prodigy touched a nerve that has
never ceased to vibrate. The hope of England dates from that hopeless
hour, for there is no real hope that has not once been a forlorn hope.
The breaking of that vast naval net remained like a sign that the small
thing which escaped would survive the greatness. And yet there is truly
a sense in which we may never be so small or so great again.
For the splendour of the Elizabethan age, which is always spoken of as a
sunrise, was in many ways a sunset. Whether we regard it as the end of
the Renascence or the end of the old mediæval civilization, no candid
critic can deny that its chief glories ended with it. Let the reader
ask himself what strikes him specially in the Elizabethan magnificence,
and he will generally find it is something of which there were at least
traces in mediæval times, and far fewer traces in modern times. The
Elizabethan drama is like one of its own tragedies--its tempestuous
torch was soon to be trodden out by the Puritans. It is needless to say
that the chief tragedy was the cutting short of the comedy; for the
comedy that came to England after the Restoration was by comparison both
foreign and frigid. At the best it is comedy in the sense of being
<<< - >>>
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