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ARTICLES IN THE BOOK

  1. 6/8 time
  2. A (note)
  3. Abc notation
  4. Accidental
  5. Articulation
  6. B (note)
  7. Bar
  8. Beam
  9. Braille Music
  10. Breath mark
  11. Canntaireachd
  12. Chord
  13. Cinquillo
  14. Clef
  15. Coda
  16. Copyist
  17. Da capo
  18. Dal segno
  19. Dotted note
  20. Double whole note
  21. Drum tablature
  22. Dynamics
  23. Eight note
  24. Ekphonetic notation
  25. Fermata
  26. Figured bass
  27. Fingering
  28. Flat
  29. Ghost note
  30. Glissando
  31. Gongche notation
  32. Grace note
  33. Grand staff
  34. Graphic notation
  35. GUIDO music notation
  36. Guido of Arezzo
  37. Halfnote
  38. Harmony
  39. Hundred twenty-eighth note
  40. Italian musical terms used in English
  41. Kepatihan
  42. Key
  43. Keyboard tablature
  44. Key signature
  45. Klavarskribo
  46. Leadsheet
  47. Ledger line
  48. Legato
  49. Letter notation
  50. Ligature
  51. Marcato
  52. Mensural notation
  53. Mensurstriche
  54. Metre
  55. Modern musical symbols
  56. Musical notation
  57. Musical scale
  58. Musical terminology
  59. Music engraving
  60. Music theory
  61. Nashville notation
  62. Natural sign
  63. Neume
  64. Note
  65. Note value
  66. Numbered musical notation
  67. Numerical sight-singing
  68. Octave
  69. Ornament
  70. Parsonscode
  71. Partbook
  72. Pizzicato
  73. Portamento
  74. Prolation
  75. Qinpu
  76. Quarter note
  77. Rastrum
  78. Rehearsal letter
  79. Repeat
  80. Rest
  81. Rhythm
  82. Rythmic mode
  83. Rhythmic notation
  84. Saptak
  85. Scientific pitch notation
  86. Shape note
  87. Sharp
  88. Sheet music
  89. Sixteenth note
  90. Sixty-fourth note
  91. Slash notation
  92. Slur
  93. Sound painting
  94. Staccatissimo
  95. Staccato
  96. Staff
  97. Swung note
  98. Tablature
  99. Tacet
  100. Tempo
  101. Tenuto
  102. Thirty-second note
  103. Tie
  104. Time signature
  105. Time unit box system (TUBS)
  106. Tongan music notation
  107. Triple metre
  108. Tuplet
  109. Unfigured bass
  110. Virtual music score
  111. Vocal score
  112. Whole note
  113. Znamennoe singing
 



MUSICAL NOTATION
This article is from:
http://en.wikipedia.org/wiki/Numerical_sight-singing

All text is available under the terms of the GNU Free Documentation License: http://en.wikipedia.org/wiki/Wikipedia:Text_of_the_GNU_Free_Documentation_License 

Numerical sight-singing

From Wikipedia, the free encyclopedia

 

An alternative to the solfege system of sight-singing, this musical notation system numbers the diatonic scale with the numbers one through eight (or, alternately, one to seven, with the octave again being one).

In this system, 1 is always the root or origin, but the scale being represented may be major, minor, or any of the diatonic mode. Accidentals (sharps and flats outside the key signature) are noted with a + or - when the numbers are written, but are often skipped when they are spoken or sung.

In some pedagogies involving numerical sight-singing notation students are not taught to modify vowels to represent sharp or flat notes. In these cases the students usually name the note and whether it is flat or sharp. For example, an augmented unison ("ouey") might be called "one sharp," and in some other pedagogies this same pitch may also simply be called "one."

There is a continual debate about the merits of this system as compared to solfege: it holds the advantage that when dealing with abstract concepts such as interval distance a student may easily recognize that the distance between 1 to 5 is larger than the distance between 1 to 4 because of the numerical values assigned (as compared to Solfege, where comparing Do to Sol and Do to Fa remain completely abstract until sung or played). A drawback often pointed out is that numerical numbers are not always "singable," for example, scale degree 7 (ti, in solfege) contains vowels that are hard to tune.

Numerical sight singing is not the same as integer notation derived from musical set theory and used primarily for sight singing atonal music. Nor is it the same as rhythmic numerical singing, a technique popularized by Robert Shaw in which the numbers sang represent the rhythms of a piece in accordance with the beat of a measure.

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