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- Abbe Prevost - MANON LESCAUT
- Alcott, Louisa M. - LITTLE MEN
- Alcott, Louisa M. - LITTLE WOMEN
- Alcott, Louisa May - JACK AND JILL
- Austen, Jane - EMMA
- Austen, Jane - MANSFIELD PARK
- Austen, Jane - NORTHANGER ABBEY
- Austen, Jane - PERSUASION
- Austen, Jane - PRIDE AND PREJUDICE
- Austen, Jane - SENSE AND SENSIBILITY
- Ballantyne, R. B. - THE CORAL ISLAND
- Balzac, Honore de - EUGENIE GRANDET
- Balzac, Honore de - FATHER GORIOT
- Baroness Orczy - THE SCARLET PIMPERNEL
- Barrie, James M. - PETER PAN
- Blackmore, R. D. - LORNA DOONE
- Boccaccio, Giovanni - DECAMERONE
- Bronte, Charlotte - JANE EYRE
- Bronte, Emily - WUTHERING HEIGHTS
- Buchan, John - PRESTER JOHN
- Buchan, John - THE THIRTY-NINE STEPS
- Bunyan, John - THE PILGRIM'S PROGRESS
- Burnett, Frances H. - A LITTLE PRINCESS
- Burnett, Frances H. - LITTLE LORD FAUNTLEROY
- Burnett, Frances H. - THE SECRET GARDEN
- Butler, Samuel - EREWHON
- Carroll, Lewis - ALICE IN WONDERLAND
- Carroll, Lewis - THROUGH THE LOOKING-GLASS
- Chaucer, Geoffrey - THE CANTERBURY TALES
- Chesterton, G. K. - A SHORT HISTORY OF ENGLAND
- Chesterton, G. K. - THE INNOCENCE OF FATHER BROWN
- Chesterton, G. K. - THE MAN WHO KNEW TOO MUCH
- Chesterton, G. K. - THE MAN WHO WAS THURSDAY
- Chesterton, G. K. - THE WISDOM OF FATHER BROWN
- Childers, Erskine - THE RIDDLE OF THE SANDS
- Christie, Agatha - THE MYSTERIOUSAFFAIR AT STYLES
- Christie, Agatha - THE SECRET ADVERSARY
- Collins, Wilkie - THE MOONSTONE
- Collodi, Carlo - THE ADVENTURES OF PINOCCHIO
- Conan Doyle, Arthur - A STUDY IN SCARLET
- Conan Doyle, Arthur - MEMOIRS OF SHERLOCK HOLMES
- Conan Doyle, Arthur - THE ADVENTURES OF SHERLOCK HOLMES
- Conan Doyle, Arthur - THE HOUND OF THE BASKERVILLES
- Conan Doyle, Arthur - THE SIGN OF THE FOUR
- Conrad, Joseph - HEART OF DARKNESS
- Conrad, Joseph - LORD JIM
- Conrad, Joseph - NOSTROMO
- Conrad, Joseph - THE NIGGER OF THE NARCISSUS
- Conrad, Joseph - TYPHOON
- Darwin, Charles - THE AUTOBIOGRAPHY OF CHARLES DARWIN
- Darwin, Charles - THE ORIGIN OF SPECIES
- Defoe, Daniel - MOLL FLANDERS
- Defoe, Daniel - ROBINSON CRUSOE
- Dickens, Charles - A CHRISTMAS CAROL
- Dickens, Charles - A TALE OF TWO CITIES
- Dickens, Charles - BLEAK HOUSE
- Dickens, Charles - DAVID COPPERFIELD
- Dickens, Charles - GREAT EXPECTATIONS
- Dickens, Charles - HARD TIMES
- Dickens, Charles - LITTLE DORRIT
- Dickens, Charles - MARTIN CHUZZLEWIT
- Dickens, Charles - OLIVER TWIST
- Dickens, Charles - PICTURES FROM ITALY
- Dickens, Charles - THE MYSTERY OF EDWIN DROOD
- Dickens, Charles - THE PICKWICK PAPERS
- Dostoevsky, Fyodor - CRIME AND PUNISHMENT
- Dostoyevsky, Fyodor - THE BROTHERS KARAMAZOV
- Du Maurier, George - TRILBY
- Dumas, Alexandre - THE COUNT OF MONTE CRISTO
- Dumas, Alexandre - THE MAN IN THE IRON MASK
- Dumas, Alexandre - THE THREE MUSKETEERS
- Eliot, George - ADAM BEDE
- Eliot, George - DANIEL DERONDA
- Eliot, George - MIDDLEMARCH
- Eliot, George - SILAS MARNER
- Eliot, George - THE MILL ON THE FLOSS
- Equiano - AUTOBIOGRAPHY
- Esopo - FABLES
- Fenimore Cooper, James - THE LAST OF THE MOHICANS
- Fielding, Henry - TOM JONES
- Flaubert, Gustave - MADAME BOVARY
- Frank Baum, L. - THE WONDERFUL WIZARD OF OZ
- Frazer, James George - THE GOLDEN BOUGH
- Freud, Sigmund - DREAM PSYCHOLOGY
- Galsworthy, John - THE FORSYTE SAGA
- Gilbert and Sullivan - PLAYS
- Gogol - DEAD SOULS
- Goldsmith, Oliver - SHE STOOPS TO CONQUER
- Goldsmith, Oliver - THE VICAR OF WAKEFIELD
- Grahame, Kenneth - THE WIND IN THE WILLOWS
- Hardy, Thomas - FAR FROM THE MADDING CROWD
- Hardy, Thomas - JUDE THE OBSCURE
- Hardy, Thomas - TESS OF THE D'URBERVILLES
- Hardy, Thomas - THE MAYOR OF CASTERBRIDGE
- Hawthorne, Nathaniel - THE SCARLET LETTER
- Hobbes, Thomas - LEVIATHAN
- Hope, Anthony - THE PRISONER OF ZENDA
- Hornung, E. W. - MR. JUSTICE RAFFLES
- Ibsen, Henrik - AN ENEMY OF THE PEOPLE
- Ibsen, Henrik - CASA DI BAMBOLA
- Ibsen, Henrik - GHOSTS
- Ibsen, Henrik - HEDDA GABLER
- Ibsen, Henrik - JOHN GABRIEL BORKMAN
- Ibsen, Henrik - PILLARS OF SOCIETY
- Ibsen, Henrik - ROSMERHOLM
- Ibsen, Henrik - THE LADY FROM THE SEA
- Ibsen, Henrik - THE MASTER BUILDER
- Ibsen, Henrik - WHEN WE DEAD AWAKEN
- Irving, Washington - THE LEGEND OF SLEEPY HOLLOW
- James, Henry - ITALIAN HOURS
- James, Henry - THE BOSTONIANS
- James, Henry - THE PORTRAIT OF A LADY
- James, Henry - THE TURN OF THE SCREW
- James, Henry - WASHINGTON SQUARE
- Jerome, Jerome K. - THREE MEN IN A BOAT
- Jerome, Jerome K. - THREE MEN ON THE BUMMEL
- Jonson, Ben - THE ALCHEMIST
- Jonson, Ben - VOLPONE
- Joyce, James - A PORTRAIT OF THE ARTIST AS A YOUNG MAN
- Joyce, James - DUBLINERS
- Joyce, James - ULYSSES
- Kingsley, Charles - THE WATER-BABIES
- Kipling, Rudyard - CAPTAINS COURAGEOUS
- Kipling, Rudyard - INDIAN TALES
- Kipling, Rudyard - JUST SO STORIES
- Kipling, Rudyard - KIM
- Kipling, Rudyard - THE JUNGLE BOOK
- Kipling, Rudyard - THE MAN WHO WOULD BE KING
- Kipling, Rudyard - THE SECOND JUNGLE BOOK
- Lawrence, D. H - THE RAINBOW
- Lawrence, D. H - THE WHITE PEACOCK
- Lawrence, D. H - TWILIGHT IN ITALY
- Lawrence, D. H. - SONS AND LOVERS
- Lawrence, D. H. - WOMEN IN LOVE
- Lear, Edward - BOOK OF NONSENSE
- Lear, Edward - LAUGHABLE LYRICS
- Lear, Edward - MORE NONSENSE
- Lear, Edward - NONSENSE SONG
- London, Jack - MARTIN EDEN
- London, Jack - THE CALL OF THE WILD
- London, Jack - WHITE FANG
- Malthus, Thomas - PRINCIPLE OF POPULATION
- Marryat, Captain - THE CHILDREN OF THE NEW FOREST
- Marx, Karl - THE COMMUNIST MANIFESTO
- Mary, Charles and - TALES FROM SHAKESPEARE
- Melville, Hermann - MOBY DICK
- Melville, Hermann - TYPEE
- Mrs. Beeton - THE BOOK OF HOUSEHOLD MANAGEMENT
- Nesbit, E. - FIVE CHILDREN AND IT
- Nesbit, E. - THE PHOENIX AND THE CARPET
- Nesbit, E. - THE RAILWAY CHILDREN
- Nesbit, E. - THE STORY OF THE AMULET
- Pascal, Blaise - PENSEES
- Pellico, Silvio - LE MIE PRIGIONI
- Poe, Edgar A. - THE FALL OF THE HOUSE OF USHER
- Richardson, Samuel - PAMELA
- Rider Haggard, H. - ALLAN QUATERMAIN
- Rider Haggard, H. - KING SOLOMON'S MINES
- Schopenhauer, Arthur - THE ART OF CONTROVERSY
- Scott, Walter - IVANHOE
- Scott, Walter - QUENTIN DURWARD
- Scott, Walter - ROB ROY
- Scott, Walter - THE BRIDE OF LAMMERMOOR
- Scott, Walter - WAVERLEY
- Sewell, Anna - BLACK BEAUTY
- Shelley, Mary - FRANKENSTEIN
- Sheridan, Richard B. - THE SCHOOL FOR SCANDAL
- Sienkiewicz, Henryk - QUO VADIS
- Sterne, Laurence - A SENTIMENTAL JOURNEY
- Sterne, Laurence - TRISTRAM SHANDY
- Stevenson, Robert Louis - KIDNAPPED
- Stevenson, Robert Louis - THE BLACK ARROW
- Stevenson, Robert Louis - THE MASTER OF BALLANTRAE
- Stevenson, Robert Louis - THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE
- Stevenson, Robert Louis - TREASURE ISLAND
- Stoker, Bram - DRACULA
- Strindberg, August - LUCKY PEHR
- Strindberg, August - MASTER OLOF
- Strindberg, August - THE RED ROOM
- Strindberg, August - THE ROAD TO DAMASCUS
- Strindberg, August - THERE ARE CRIMES AND CRIMES
- Swift, Jonathan - A MODEST PROPOSAL
- Swift, Jonathan - A TALE OF A TUB
- Swift, Jonathan - GULLIVER'S TRAVELS
- Thackeray, William - BARRY LYNDON
- Thackeray, William - VANITY FAIR
- Tolstoi, Lev - WAR AND PEACE
- Tolstoy, Leo - ANNA KARENINA
- Tolstoy, Leo - WAR AND PEACE
- Trollope, Anthony - BARCHESTER TOWERS
- Trollope, Anthony - THE WARDEN
- Twain, Mark - THE ADVENTURES OF HUCKLEBERRY FINN
- Twain, Mark - THE ADVENTURES OF TOM SAWYER
- Twain, Mark - THE PRINCE AND THE PAUPER
- Verne, Jules - 20000 LEAGUES UNDER THE SEAS
- Verne, Jules - A JOURNEY TO THE CENTRE OF THE EARTH
- Verne, Jules - ALL AROUND THE MOON
- Verne, Jules - AROUND THE WORLD IN 80 DAYS
- Verne, Jules - FIVE WEEKS IN A BALLOON
- Verne, Jules - MICHAEL STROGOFF
- Verne, Jules - THE MYSTERIOUS ISLAND
- Wallace, Edgar - SANDERS OF THE RIVER
- Wallace, Edgar - THE DAFFODIL MYSTERY
- Wallace, Lew - BEN HUR
- Wells, H. G. - KIPPS
- Wells, H. G. - THE INVISIBLE MAN
- Wells, H. G. - THE WAR OF THE WORLDS
- Wilde, Oscar - A WOMAN OF NO IMPORTANCE
- Wilde, Oscar - AN IDEAL HUSBAND
- Wilde, Oscar - DE PROFUNDIS
- Wilde, Oscar - LADY WINDERMERE'S FAN
- Wilde, Oscar - THE CANTERVILLE GHOST
- Wilde, Oscar - THE HAPPY PRINCE AND OTHER TALES
- Wilde, Oscar - THE IMPORTANCE OF BEING EARNEST
- Wilde, Oscar - THE PICTURE OF DORIAN GREY
- Woolf, Virgina - THE VOYAGE OUT
- Woolf, Virgina - NIGHT AND DAY
- Woolf, Virginia - LA STANZA DI JACOB
- Woolf, Virginia - MONDAY OR TUESDAY
- Yeats, William Butler - THE COUNTESS CATHLEEN
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But the tendency of the crucifix, as it nears the ridge to the south, is
to become weak and sentimental. The carved Christs turn up their faces
and roll back their eyes very piteously, in the approved Guido Reni
fashion. They are overdoing the pathetic turn. They are looking to
heaven and thinking about themselves, in self-commiseration. Others
again are beautiful as elegies. It is dead Hyacinth lifted and extended
to view, in all his beautiful, dead youth. The young, male body droops
forward on the cross, like a dead flower. It looks as if its only true
nature were to be dead. How lovely is death, how poignant, real,
satisfying! It is the true elegiac spirit.
Then there are the ordinary, factory-made Christs, which are not very
significant. They are as null as the Christs we see represented in
England, just vulgar nothingness. But these figures have gashes of red,
a red paint of blood, which is sensational.
Beyond the Brenner, I have only seen vulgar or sensational crucifixes.
There are great gashes on the breast and the knees of the Christ-figure,
and the scarlet flows out and trickles down, till the crucified body has
become a ghastly striped thing of red and white, just a sickly thing of
striped red.
They paint the rocks at the corners of the tracks, among the mountains;
a blue and white ring for the road to Ginzling, a red smear for the way
to St Jakob. So one follows the blue and white ring, or the three
stripes of blue and white, or the red smear, as the case may be. And the
red on the rocks, the dabs of red paint, are of just the same colour as
the red upon the crucifixes; so that the red upon the crucifixes is
paint, and the signs on the rocks are sensational, like blood.
I remember the little brooding Christ of the Isar, in his little cloak
of red flannel and his crown of gilded thorns, and he remains real and
dear to me, among all this violence of representation.
'_Couvre-toi de gloire, Tartarin--couvre-toi de flanelle._' Why should
it please me so that his cloak is of red flannel?
In a valley near St Jakob, just over the ridge, a long way from the
railway, there is a very big, important shrine by the roadside. It is a
chapel built in the baroque manner, florid pink and cream outside, with
opulent small arches. And inside is the most startling sensational
Christus I have ever seen. He is a big, powerful man, seated after the
crucifixion, perhaps after the resurrection, sitting by the grave. He
sits sideways, as if the extremity were over, finished, the agitation
done with, only the result of the experience remaining. There is some
blood on his powerful, naked, defeated body, that sits rather hulked.
But it is the face which is so terrifying. It is slightly turned over
the hulked, crucified shoulder, to look. And the look of this face, of
which the body has been killed, is beyond all expectation horrible. The
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