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WIKIBOOKS
DISPONIBILI
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ART
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BUSINESS&LAW
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TRADITIONS
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NATURE
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ARTICLES IN THE BOOK

  1. Active recall
  2. Alzheimer's disease
  3. Amnesia
  4. Anamonic
  5. Anterograde amnesia
  6. Atkinson-Shiffrin memory model
  7. Attention versus memory in prefrontal cortex
  8. Baddeley's Model of Working Memory
  9. Barnes maze
  10. Binding problem
  11. Body memory
  12. Cellular memory
  13. Choice-supportive bias
  14. Chunking
  15. Clive Wearing
  16. Commentarii
  17. Confabulation
  18. Cue-dependent forgetting
  19. Decay theory
  20. Declarative memory
  21. Eidetic memory
  22. Electracy
  23. Emotion and memory
  24. Encoding
  25. Engram
  26. Episodic memory
  27. Executive system
  28. Exosomatic memory
  29. Explicit memory
  30. Exposure effect
  31. Eyewitness memory reconstruction
  32. False memory
  33. False Memory Syndrome Foundation
  34. Flashbulb memory
  35. Forgetting
  36. Forgetting curve
  37. Functional fixedness
  38. Hindsight bias
  39. HM
  40. Human memory process
  41. Hyperthymesia
  42. Iconic memory
  43. Interference theory
  44. Involuntary memory
  45. Korsakoff's syndrome
  46. Lacunar amnesia
  47. Limbic system
  48. Linkword
  49. List of memory biases
  50. Long-term memory
  51. Long-term potentiation
  52. Lost in the mall technique
  53. Memory
  54. Memory and aging
  55. MemoryArchive
  56. Memory consolidation
  57. Memory distrust syndrome
  58. Memory inhibition
  59. Memory span
  60. Method of loci
  61. Mind map
  62. Mnemonic
  63. Mnemonic acronym system
  64. Mnemonic dominic system
  65. Mnemonic link system
  66. Mnemonic major system
  67. Mnemonic peg system
  68. Mnemonic room system
  69. Mnemonic verses
  70. Mnemonist
  71. Philip Staufen
  72. Phonological loop
  73. Picture superiority effect
  74. Piphilology
  75. Positivity effect
  76. Procedural memory
  77. Prospective memory
  78. Recollection
  79. Repressed memory
  80. Retrograde amnesia
  81. Retrospective memory
  82. Rosy retrospection
  83. Self-referential encoding
  84. Sensory memory
  85. Seven Meta Patterns
  86. Shass pollak
  87. Short-term memory
  88. Source amnesia
  89. Spaced repetition
  90. SuperMemo
  91. Synthetic memory
  92. Tally sticks
  93. Testing effect
  94. Tetris effect
  95. The Courage to Heal
  96. The Magical Number Seven, Plus or Minus Two
  97. Tip of the tongue
  98. Visual memory
  99. Visual short term memory
  100. Visuospatial sketchpad
  101. VTrain
  102. Working memory


 

 
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THE THEORY OF MEMORY
This article is from:
http://en.wikipedia.org/wiki/Iconic_memory

All text is available under the terms of the GNU Free Documentation License: http://en.wikipedia.org/wiki/Wikipedia:Text_of_the_GNU_Free_Documentation_License 

Iconic memory

From Wikipedia, the free encyclopedia

 

Iconic memory is a type of short term visual memory, named by George Sperling in 1960. Experiments performed by Sperling and colleagues provided evidence for a rapidly decaying sensory trace, lasting for approximately 1000 ms after the offset of a display.[1] Iconic memory was discovered to be quite fragile: eye movements occurring between stimulus offset and the onset of the cue were found to be highly disruptive, suggesting that iconic memory might be organized in a retinotopic manner.[2] Further evidence of its fragility was demonstrated by the finding that iconic memory decayed much more rapidly if the stimulus display was immediately followed by a bright background rather than a dark background.[3]

Background

Although recollection of four-to-five alphanumeric characters can commonly be reported after a single brief exposure (e.g., James McKeen Cattell, 1886), observers have frequently reported the phenomenal impression of many more elements immediately after display presentation (e.g., Gill & Dallenbach, 1926).

These two observations can be reconciled if it is assumed that visual memory [1] consists of two parts: one, a rich, but rapidly decaying sensory trace of the entire stimuli display; and two, a short-term memory store of lower capacity, able to retain its contents over several seconds.

Provided the sensory trace decayed with sufficient speed, at the point of recall observers would only have the contents of the second, longer lived, but lower capacity memory store available for report.

Sperling experiments

In an elegant series of experiments Sperling (1960) investigated, and confirmed, this bipartite model of memory.

In Sperling's (1960) experiments, observers were presented for a short period of time with displays composed of between 3 and 16 alphanumeric characters. Memory performance was compared under two conditions, referred to as whole report and partial report.

In the whole report condition observers were asked to recall as many elements from the display as possible. Observers were typically able to recollect four to five characters, irrespective of how many other characters were present within the display. This finding is consistent with previous studies of a similar kind (e.g., Cattell, 1886), and suggests that whole report is limited by a memory system with a capacity of four-to-five items.

In Sperling's (1960) partial report condition observers were required to identify a subset of the characters within the visual display. At various intervals after the removal of the visual display a tone was sounded. The frequency of the tone (e.g., high, medium, or low) indicated to observers which particular set of characters within the display they were to report (e.g., the top, middle or bottom row). In order to ensure that limits evident in the whole report task were not a factor for performance in the partial report condition, all rows were composed of only three or four characters (i.e., less than the limit associated with whole report). Performance in the partial report condition can be regarded as a random sample of an observer's memory for the entire display. This type of sampling revealed that for short intervals following exposure observers have a much better memory than suggested by the whole report procedure. For instance, results using partial report suggest that observers retain about 12 characters from a 16-character array in memory immediately after presentation of the array (Averbach & Sperling, 1961; Sperling, 1960).

By varying the time between the offset of the display, and the sounding of the auditory cue, Sperling (1960) was able to probe for changes in accuracy of report over time. Using this technique, the initial memory for a stimulus display was found to decay rapidly after display offset; until approximately 1000 ms after stimulus offset the overall memory span estimated by the partial report approximated that of whole report. In a series of experiments using partial report, Averbach showed that replacing the auditory cue (as used by Sperling, 1960) with a visual cue produced an equivalent pattern of results (for a summary of this research, see Averbach & Sperling, 1961). Overall, experiments using partial report provided evidence for a rapidly decaying sensory trace, lasting for approximately 1000 ms after the offset of a display (Averbach & Sperling, 1961; Sperling, 1960). Sperling (1960) named this type of store iconic memory.

Iconic memory was discovered to be quite fragile: eye movements occurring between stimulus offset and the onset of the cue were found to be highly disruptive, suggesting that iconic memory might be organized in a retinotopic manner (Sperling, 1960). Further evidence of its fragility was demonstrated by the finding that iconic memory decayed much more rapidly if the stimulus display was immediately followed by a bright background rather than a dark background (Averbach & Sperling, 1961).

Iconic memory in context

Interestingly, the majority of memory models up until the late 1960s considered iconic memory to be the only true visual trace (for representative ideas, see Sperling, 1963; 1967). The memory associated with whole report was not regarded as visual memory – perhaps not surprising given the use of alphanumeric characters as stimuli – but as a form of categorical knowledge, encoded perhaps as a form of auditory trace (Sperling, 1967). For instance, Sperling (1967) proposed that information available for whole report was maintained via subvocal rehearsal in auditory memory. Of course logically the information in iconic memory might also have been stored as a non-visual trace, but it appears for theoretical reasons this possibility was never considered.

Iconic memory was viewed as a short-term sensory buffer, allowing time for sensory information to be recoded in a more permanent, categorical manner (Sperling, 1963, 1967). It was the pioneering work of Phillips (1971) that changed this view, and introduced the concept of a purely visual, short-term memory store.

Notes

  1. ^ Averbach & Sperling, 1961; Sperling, 1960
  2. ^ Sperling, 1960
  3. ^ Averbach & Sperling, 1961


 

References

Averbach, E., & Sperling, G. (1961). Short term storage of information in vision. In C. Cherry (Ed.), Information Theory (pp. 196-211). London: Butterworth.

Cattell, J. M. (1886). The inertia of the eye and brain. Brain, 8, 295-312.

Gill, N. F., & Dallenbach, K. M. (1926). A preliminary study of the range of attention. American Journal of Psychology, 37, 247-256.

Sperling, G. (1960). The information available in brief visual presentations. Psychological Monographs: General and Applied, 74(11), 1-30.

Sperling, G. (1963). A model for visual memory tasks. Human Factors, 5, 19-31.

Sperling, G. (1967). Successive approximations to a model for short term memory. Acta Psychologica, 27, 285-292.

Retrieved from "http://en.wikipedia.org/wiki/Iconic_memory"