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PICTURES FROM ITALYby Charles Dickens
Copyright note
We thank The Gutenberg Projekt for this public domain version -
Complete
text in one page
I nostri classici in inglese sono frammentati in
modo da rendertene piω agevole lo studio. Se non capisci una
parola, usa il dizionario di BABYLON oppure
traduci frasi intere con il riquadro di GOOGLE
TRANSLATE. Per ascoltare il testo in perfetto inglese, utilizza
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still: now shrieked as if she were on the rack herself; and had a mysterious, hag-like way with her forefinger, when approaching the remains of some new horror--looking back and walking stealthily, and making horrible grimaces--that might alone have qualified her to walk up and down a sick man's counterpane, to the exclusion of all other figures, through a whole fever.
Passing through the court-yard, among groups of idle soldiers, we turned off by a gate, which this She-Goblin unlocked for our admission, and locked again behind us: and entered a narrow court, rendered narrower by fallen stones and heaps of rubbish; part of it choking up the mouth of a ruined subterranean passage, that once communicated (or is said to have done so) with another castle on the opposite bank of the river. Close to this court-yard is a dungeon--we stood within it, in another minute--in the dismal tower des oubliettes, where Rienzi was imprisoned, fastened by an iron chain to the very wall that stands there now, but shut out from the sky which now looks down into it. A few steps brought us to the Cachots, in which the prisoners of the Inquisition were confined for forty-eight hours after their capture, without food or drink, that their constancy might be shaken, even before they were confronted with their gloomy judges. The day has not got in there yet. They are still small cells, shut in by four unyielding, close, hard walls; still profoundly dark; still massively doored and fastened, as of old.
Goblin, looking back as I have described, went softly on, into a vaulted chamber, now used as a store-room: once the chapel of the Holy Office. The place where the tribunal sat, was plain. The platform might have been removed but yesterday. Conceive the parable of the Good Samaritan having been painted on the wall of one of these Inquisition chambers! But it was, and may be traced there yet.
High up in the jealous wall, are niches where the faltering replies of the accused were heard and noted down. Many of them had been brought out of the very cell we had just looked into, so awfully; along the same stone passage. We had trodden in their very footsteps.
I am gazing round me, with the horror that the place inspires, when Goblin clutches me by the wrist, and lays, not her skinny finger, but the handle of a key, upon her lip. She invites me, with a jerk, to follow her. I do so. She leads me out into a room adjoining--a rugged room, with a funnel-shaped, contracting roof, open at the top, to the bright day. I ask her what it is. She folds her arms, leers hideously, and stares. I ask again. She glances round, to see that all the little company are there; sits down upon a mound of stones; throws up her arms, and yells out, like a fiend, 'La Salle de la Question!'
The Chamber of Torture! And the roof was made of that shape to stifle the victim's cries! Oh Goblin, Goblin, let us think of this
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