

OLIVER TWIST
by Charles Dickens Copyright note
We thank The Gutenberg Projekt for this public domain version - Complete
text in one page
I nostri classici in inglese sono frammentati in
modo da rendertene piω agevole lo studio. Se non capisci una
parola, usa il dizionario di BABYLON oppure
traduci frasi intere con il riquadro di GOOGLE
TRANSLATE. Per ascoltare il testo in perfetto inglese, utilizza
invece READSPEAKER.
Previous - Next
It had been bright day, for hours, when Oliver opened his eyes; he felt cheerful and happy. The crisis of the disease was safely past. He belonged to the world again.
In three days' time he was able to sit in an easy-chair, well propped up with pillows; and, as he was still too weak to walk, Mrs. Bedwin had him carried downstairs into the little housekeeper's room, which belonged to her. Having him set, here, by the fire-side, the good old lady sat herself down too; and, being in a state of considerable delight at seeing him so much better, forthwith began to cry most violently.
'Never mind me, my dear,' said the old lady; 'I'm only having a regular good cry. There; it's all over now; and I'm quite comfortable.'
'You're very, very kind to me, ma'am,' said Oliver.
'Well, never you mind that, my dear,' said the old lady; 'that's got nothing to do with your broth; and it's full time you had it; for the doctor says Mr. Brownlow may come in to see you this morning; and we must get up our best looks, because the better we look, the more he'll be pleased.' And with this, the old lady applied herself to warming up, in a little saucepan, a basin full of broth: strong enough, Oliver thought, to furnish an ample dinner, when reduced to the regulation strength, for three hundred and fifty paupers, at the lowest computation.
'Are you fond of pictures, dear?' inquired the old lady, seeing that Oliver had fixed his eyes, most intently, on a portrait which hung against the wall; just opposite his chair.
'I don't quite know, ma'am,' said Oliver, without taking his eyes from the canvas; 'I have seen so few that I hardly know. What a beautiful, mild face that lady's is!'
'Ah!' said the old lady, 'painters always make ladies out prettier than they are, or they wouldn't get any custom, child. The man that invented the machine for taking likenesses might have known that would never succeed; it's a deal too honest. A deal,' said the old lady, laughing very heartily at her own acuteness.
'Is--is that a likeness, ma'am?' said Oliver.
'Yes,' said the old lady, looking up for a moment from the broth; 'that's a portrait.'
'Whose, ma'am?' asked Oliver.
'Why, really, my dear, I don't know,' answered the old lady in a good-humoured manner. 'It's not a likeness of anybody that you or I know, I expect. It seems to strike your fancy, dear.'
'It is so pretty,' replied Oliver.
'Why, sure you're not afraid of it?' said the old lady: observing in great surprise, the look of awe with which the child regarded the painting.
'Oh no, no,' returned Oliver quickly; 'but the eyes look so sorrowful; and where I sit, they seem fixed upon me. It makes my heart beat,' added Oliver in a low voice, 'as if it was alive, and wanted to speak to me, but couldn't.'
'Lord save us!' exclaimed the old lady, starting; 'don't talk in that way, child. You're weak and nervous after your illness. Let me wheel your chair round to the other side; and then you
Previous - Next
|