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Gradgrind herself. Let us strike the key-note, Coketown, before
pursuing our tune.

It was a town of red brick, or of brick that would have been red if
the smoke and ashes had allowed it; but as matters stood, it was a
town of unnatural red and black like the painted face of a savage.
It was a town of machinery and tall chimneys, out of which
interminable serpents of smoke trailed themselves for ever and
ever, and never got uncoiled. It had a black canal in it, and a
river that ran purple with ill-smelling dye, and vast piles of
building full of windows where there was a rattling and a trembling
all day long, and where the piston of the steam-engine worked
monotonously up and down, like the head of an elephant in a state
of melancholy madness. It contained several large streets all very
like one another, and many small streets still more like one
another, inhabited by people equally like one another, who all went
in and out at the same hours, with the same sound upon the same
pavements, to do the same work, and to whom every day was the same
as yesterday and to-morrow, and every year the counterpart of the
last and the next.

These attributes of Coketown were in the main inseparable from the
work by which it was sustained; against them were to be set off,
comforts of life which found their way all over the world, and
elegancies of life which made, we will not ask how much of the fine
lady, who could scarcely bear to hear the place mentioned. The
rest of its features were voluntary, and they were these.

You saw nothing in Coketown but what was severely workful. If the
members of a religious persuasion built a chapel there - as the
members of eighteen religious persuasions had done - they made it a
pious warehouse of red brick, with sometimes (but this is only in
highly ornamental examples) a bell in a birdcage on the top of it.
The solitary exception was the New Church; a stuccoed edifice with
a square steeple over the door, terminating in four short pinnacles
like florid wooden legs. All the public inscriptions in the town
were painted alike, in severe characters of black and white. The
jail might have been the infirmary, the infirmary might have been
the jail, the town-hall might have been either, or both, or
anything else, for anything that appeared to the contrary in the
graces of their construction. Fact, fact, fact, everywhere in the
material aspect of the town; fact, fact, fact, everywhere in the
immaterial. The M'Choakumchild school was all fact, and the school
of design was all fact, and the relations between master and man
were all fact, and everything was fact between the lying-in
hospital and the cemetery, and what you couldn't state in figures,
or show to be purchaseable in the cheapest market and saleable in
the dearest, was not, and never should be, world without end, Amen.

A town so sacred to fact, and so triumphant in its assertion, of
course got on well? Why no, not quite well. No? Dear me!

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