Previous - Next

score and eight marks, a fair piece enamelled, wherein was portrayed a man's
body with two heads, looking towards one another, four arms, four feet, two
arses, such as Plato, in Symposio, says was the mystical beginning of man's
nature; and about it was written in Ionic letters, Agame ou zetei ta eautes,
or rather, Aner kai gune zugada anthrotos idiaitata, that is, Vir et mulier
junctim propriissime homo. To wear about his neck, he had a golden chain,
weighing twenty-five thousand and sixty-three marks of gold, the links
thereof being made after the manner of great berries, amongst which were set
in work green jaspers engraven and cut dragon-like, all environed with beams
and sparks, as king Nicepsos of old was wont to wear them: and it reached
down to the very bust of the rising of his belly, whereby he reaped great
benefit all his life long, as the Greek physicians know well enough. For
his gloves were put in work sixteen otters' skins, and three of the
loupgarous, or men-eating wolves, for the bordering of them: and of this
stuff were they made, by the appointment of the Cabalists of Sanlouand. As
for the rings which his father would have him to wear, to renew the ancient
mark of nobility, he had on the forefinger of his left hand a carbuncle as
big as an ostrich's egg, enchased very daintily in gold of the fineness of a
Turkey seraph. Upon the middle finger of the same hand he had a ring made
of four metals together, of the strangest fashion that ever was seen; so
that the steel did not crash against the gold, nor the silver crush the
copper. All this was made by Captain Chappuys, and Alcofribas his good
agent. On the medical finger of his right hand he had a ring made
spire-wise, wherein was set a perfect Balas ruby, a pointed diamond, and
a Physon emerald, of an inestimable value. For Hans Carvel, the king of
Melinda's jeweller, esteemed them at the rate of threescore nine millions,
eight hundred ninety-four thousand, and eighteen French crowns of Berry, and
at so much did the Foucres of Augsburg prize them.



Chapter 1.IX.

The colours and liveries of Gargantua.

Gargantua's colours were white and blue, as I have showed you before, by
which his father would give us to understand that his son to him was a
heavenly joy; for the white did signify gladness, pleasure, delight, and
rejoicing, and the blue, celestial things. I know well enough that, in
reading this, you laugh at the old drinker, and hold this exposition of
colours to be very extravagant, and utterly disagreeable to reason, because
white is said to signify faith, and blue constancy. But without moving,
vexing, heating, or putting you in a chafe (for the weather is dangerous),
answer me, if it please you; for no other compulsory way of arguing will I
use towards you, or any else; only now and then I will mention a word or
two of my bottle. What is it that induceth you, what stirs you up to
believe, or who told you that white signifieth faith, and blue constancy?

Previous - Next