Previous  - next

one hunted; but really always running from himself. Rome was his
favourite refuge, and he returned to it again and again. In 1848, he
made a pilgrimage to the Holy Land, but he could find no peace for his
soul. Something of this mood had reflected itself even much earlier in
the Memoirs of a Madman: "Oh, little mother, save your poor son!
Look how they are tormenting him. . . . There's no place for him on
earth! He's being driven! . . . Oh, little mother, take pity on thy
poor child."

All the contradictions of Gogol's character are not to be disposed of
in a brief essay. Such a strange combination of the tragic and the
comic was truly seldom seen in one man. He, for one, realised that "it
is dangerous to jest with laughter." "Everything that I laughed at
became sad." "And terrible," adds Merejkovsky. But earlier his humour
was lighter, less tinged with the tragic; in those days Pushkin never
failed to be amused by what Gogol had brought to read to him. Even
Revizor (1835), with its tragic undercurrent, was a trifle compared
to Dead Souls, so that one is not astonished to hear that not only
did the Tsar, Nicholas I, give permission to have it acted, in spite
of its being a criticism of official rottenness, but laughed
uproariously, and led the applause. Moreover, he gave Gogol a grant of
money, and asked that its source should not be revealed to the author
lest "he might feel obliged to write from the official point of view."

Gogol was born at Sorotchinetz, Little Russia, in March 1809. He left
college at nineteen and went to St. Petersburg, where he secured a
position as copying clerk in a government department. He did not keep
his position long, yet long enough to store away in his mind a number
of bureaucratic types which proved useful later. He quite suddenly
started for America with money given to him by his mother for another
purpose, but when he got as far as Lubeck he turned back. He then
wanted to become an actor, but his voice proved not strong enough.
Later he wrote a poem which was unkindly received. As the copies
remained unsold, he gathered them all up at the various shops and
burned them in his room.

His next effort, Evenings at the Farm of Dikanka (1831) was more
successful. It was a series of gay and colourful pictures of Ukraine,
the land he knew and loved, and if he is occasionally a little over
romantic here and there, he also achieves some beautifully lyrical
passages. Then came another even finer series called Mirgorod, which
won the admiration of Pushkin. Next he planned a "History of Little
Russia" and a "History of the Middle Ages," this last work to be in
eight or nine volumes. The result of all this study was a beautiful
and short Homeric epic in prose, called Taras Bulba. His appointment
to a professorship in history was a ridiculous episode in his life.
After a brilliant first lecture, in which he had evidently said all he
had to say, he settled to a life of boredom for himself and his
pupils. When he resigned he said joyously: "I am once more a free

Previous  - next