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That may be wrong, and I am to be taught better. But you wouldn't be
displeased with me if things turned out so as I could leave this country
and go to live at Snowfield?"

"No, Seth; but I counsel you to wait patiently, and not lightly to
leave your own country and kindred. Do nothing without the Lord's clear
bidding. It's a bleak and barren country there, not like this land of
Goshen you've been used to. We mustn't be in a hurry to fix and choose
our own lot; we must wait to be guided."

"But you'd let me write you a letter, Dinah, if there was anything I
wanted to tell you?"

"Yes, sure; let me know if you're in any trouble. You'll be continually
in my prayers."

They had now reached the yard-gate, and Seth said, "I won't go in,
Dinah, so farewell." He paused and hesitated after she had given him
her hand, and then said, "There's no knowing but what you may see things
different after a while. There may be a new leading."

"Let us leave that, Seth. It's good to live only a moment at a time, as
I've read in one of Mr. Wesley's books. It isn't for you and me to lay
plans; we've nothing to do but to obey and to trust. Farewell."

Dinah pressed his hand with rather a sad look in her loving eyes, and
then passed through the gate, while Seth turned away to walk lingeringly
home. But instead of taking the direct road, he chose to turn back along
the fields through which he and Dinah had already passed; and I think
his blue linen handkerchief was very wet with tears long before he
had made up his mind that it was time for him to set his face steadily
homewards. He was but three-and-twenty, and had only just learned what
it is to love--to love with that adoration which a young man gives to a
woman whom he feels to be greater and better than himself. Love of this
sort is hardly distinguishable from religious feeling. What deep and
worthy love is so, whether of woman or child, or art or music. Our
caresses, our tender words, our still rapture under the influence
of autumn sunsets, or pillared vistas, or calm majestic statues, or
Beethoven symphonies all bring with them the consciousness that they are
mere waves and ripples in an unfathomable ocean of love and beauty; our
emotion in its keenest moment passes from expression into silence, our
love at its highest flood rushes beyond its object and loses itself in
the sense of divine mystery. And this blessed gift of venerating love
has been given to too many humble craftsmen since the world began for
us to feel any surprise that it should have existed in the soul of a
Methodist carpenter half a century ago, while there was yet a lingering
after-glow from the time when Wesley and his fellow-labourer fed on the
hips and haws of the Cornwall hedges, after exhausting limbs and lungs
in carrying a divine message to the poor.

That afterglow has long faded away; and the picture we are apt to make
of Methodism in our imagination is not an amphitheatre of green hills,
or the deep shade of broad-leaved sycamores, where a crowd of rough

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